I like the chorus. He's not trying to be an outstanding clean singer. It's like he found a niche for cleans with the more quiet, slightly distorted "talking" kind of vocals. If that makes sense.
First time I heard this one I had to play it like 2 more times before finishing the rest of the album. Def my favorite off the album. Loved your reaction as usual my dude.
Bro you should react to demolisher and agony again from this album. They have changed some stuff slightly with it. Sounds way Better. Amazing reaction bro. Also this has to be my favourite drum work for a song ever its fucking incredible.
@@justinnschultz agony and demolisher have some vocal changes with them. And you can hear way more drum work and guitar work from this mix. And the agony breakdown is way better. The build up is better.
@@justinnschultz no problem bro. You have Facebook or discord? Just wanna chat about music or this album. I know that sounds weird just asking tho. Up to you
Hey, not to be a prick, but at 3:19 those are NOT triplets. x) _If I'm not mistaken, of course. Please correct me if I'm wrong, and I apologize in advance if that's the case. They just sounded like hertas (I think that's what those are called? I don't really speak music theory, so I might be digging myself a hole)_ Edit: I was corrected in the comments, sorry for trying to 'correct' you when you were right. x)
Those are 16th note triplets. Hertas are groups of 3 notes dispersed as three 32nd note bursts amongst straight 16th notes, or they can be played as a hemiola like in Bleed by Meshuggah.
@@gSWG3R Oh damn. I was mistaken, then. Thanks! To me it just sounded like this type of rhythm ('n' is a note, and '-' is a small pause, for reference sake), not the triplet kind | n n n - n n n - n n n - n n n - ... | But it seems that I'm as deaf as a flashbanged bat. My apologies. x)
@@DrVoodoo No it's all g man. Triplets can fill a quarter note bar, think of them as swing vs straight notes. Tri-p-lette-tri-p-lette is how you'd imagine the notation - as opposed to 1-and-2-and-3-e-and-a-4-e-and-a. where as bursts of three 32nd notes, or 16th notes dispersed amongst straight 16th or 8th notes respectively, are what hertas are generally.
@@gSWG3R Despite doing music for a few years now - I never actually bothered to learn the proper terminology and music theory. Issues of being self-taught, I guess... And also lazy af. x) As far as I know - it's THREE notes where FOUR should have been, with no spacing? But this actually makes me quite curious... Is there a proper name for rhythms using dotted notes? Like | n - - - - - n - - - - - n - - - | n - - - - - n - - - - - n - - - | For the longest time I thought that THOSE were triplets, until one time I tried fitting actual triplets into a regular grid in a software, and got really confused when it was very slightly off all the time. :v
This is one of my favorites from this album.
It might be the best, that chorus is creamy
this is my favorite album period
this guy’s reactions are rad
🇷🇺✊👊🤘
I like the chorus. He's not trying to be an outstanding clean singer. It's like he found a niche for cleans with the more quiet, slightly distorted "talking" kind of vocals. If that makes sense.
No shit Alex love slipknot
First time I heard this one I had to play it like 2 more times before finishing the rest of the album. Def my favorite off the album. Loved your reaction as usual my dude.
Bro the constant hammering on this whole album is the sickest shit I've heard in a while. These guys are so dope.
EBASH!
The clean vocals in the chorus of this song remind me of Spineshank, and I fucking love it!
Супер мощно😈💯👊
Я ещё с бабы яги понял что альбом будет ебать мои уши как минимум месяц
Нихуя. Я не один русский на этом канале.
@@dei616 Альбом на первом месте в американском itunes
Slaughter to Prevail best group ever💯💯💯💯💯💯💯💯💯💯💯💯💯💯💯
Here is the chorus that he uses in his second project SCUMSTERS
maybe you will like our band we are from uruguay we are alpha and our song is called "fist of vengeance" 🤟🏻😷
Big respect from Russia dude 🤘🇷🇺
Bro you should react to demolisher and agony again from this album. They have changed some stuff slightly with it. Sounds way Better. Amazing reaction bro. Also this has to be my favourite drum work for a song ever its fucking incredible.
What all did they change?
@@justinnschultz agony and demolisher have some vocal changes with them. And you can hear way more drum work and guitar work from this mix. And the agony breakdown is way better. The build up is better.
@@dapaintbrush6965 I’ll have to listen for those. Thanks for the reply!
@@justinnschultz no problem bro. You have Facebook or discord? Just wanna chat about music or this album. I know that sounds weird just asking tho. Up to you
I didnt hear a difference. Or maybe im just gone deaf from listening to this album at max volume
Here it is
Slipknot Alex terrible 😈
Great Reaction to my favorite song on this awesome album!!! Got a new sub
Slipknot and Spineshank
Nice react bro....🙂🙃😃
Good video, good reaction. Your chorus so close to original. Haha, so funny. I like it! :)
Awesome react bruh!. Maybe you can react too to Slaughter To Prevail - Hell
Slipknot from Iowa days anyone?
Reaction band : Death Vomit - Ancient Spell Of Evil
🤘😎🤘
1:33 how did you know the lyrics?
Heard it in the teaser they had put out
Im the first jeje
🤘🤟👀😈👻💀
🤪
Hey, not to be a prick, but at 3:19 those are NOT triplets. x)
_If I'm not mistaken, of course. Please correct me if I'm wrong, and I apologize in advance if that's the case. They just sounded like hertas (I think that's what those are called? I don't really speak music theory, so I might be digging myself a hole)_
Edit: I was corrected in the comments, sorry for trying to 'correct' you when you were right. x)
Those are 16th note triplets. Hertas are groups of 3 notes dispersed as three 32nd note bursts amongst straight 16th notes, or they can be played as a hemiola like in Bleed by Meshuggah.
@@gSWG3R Oh damn. I was mistaken, then. Thanks!
To me it just sounded like this type of rhythm ('n' is a note, and '-' is a small pause, for reference sake), not the triplet kind | n n n - n n n - n n n - n n n - ... |
But it seems that I'm as deaf as a flashbanged bat. My apologies. x)
@@DrVoodoo No it's all g man. Triplets can fill a quarter note bar, think of them as swing vs straight notes. Tri-p-lette-tri-p-lette is how you'd imagine the notation - as opposed to 1-and-2-and-3-e-and-a-4-e-and-a. where as bursts of three 32nd notes, or 16th notes dispersed amongst straight 16th or 8th notes respectively, are what hertas are generally.
@@gSWG3R Despite doing music for a few years now - I never actually bothered to learn the proper terminology and music theory. Issues of being self-taught, I guess... And also lazy af. x)
As far as I know - it's THREE notes where FOUR should have been, with no spacing? But this actually makes me quite curious... Is there a proper name for rhythms using dotted notes? Like
| n - - - - - n - - - - - n - - - | n - - - - - n - - - - - n - - - |
For the longest time I thought that THOSE were triplets, until one time I tried fitting actual triplets into a regular grid in a software, and got really confused when it was very slightly off all the time. :v
Still waiting for ld.50 :(
It's coming!