STEVIE RAY VAUGHAN style RHYTHM with 9th Chords!
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- Опубліковано 6 вер 2024
- In this lesson I will teach four different 9th chord inversions while playing them in the style of Stevie Ray Vaughan's tune Couldn't Stand The Weather.
I'm playing a Frankenstein strat with Lust For Tone 64 Lustbucker Pickups into my 1974 Marshall 50w JMP. I'm using the Greer Lightspeed for overdrive and the Universal Audio OX for cabinet simulation.
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coreycongilio....
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Man--you are so good-Thank you
So nice of you
Thank you !
yes!
Sick rhythm lesson. And the pentatonic fills in the middle were absolutely killer. it's tricky keeping the engine running while hitting those single-note lines!
Great lesson Corey Thanks! I'm a proud owner of several of your True Fire couses. Excellent work and very helpful!
Fun stuff!
Your a fantastic teacher man awesome, it’s so hard to find someone else who can explain like this 👍👍
I loved this lesson far too much. Thank you!!!
Haha my pleasure !
Whoa man, this is some killer stuff, thank you big time for this!! Seriously one of the best lessons I've watched! Now if I can get those licks in between like you, haha, very awesome!
Thank you for such an amazing journey! I’m getting pretty good
very good, sir
🙏🏻
Fantatic lesson, your right hand is awesome!!! Thanks a lot for sharing this with us
Thank you!
Amazing stuff. Super helpful and pedagogically explained so that my slow mind can get it :)
Outstanding
thanks corey exactly what iim working on
This is what i needed right now. Thx so much!
very inspiring! Thank you!
Really, really great instructional video!
Thx so much!
Amazing job! Thanks for putting this together!
Glad you enjoyed it!
Good point about SRV being an underrated rhythm player..
I am attempting to utilize "Deep Practice" to advance faster. Somehow, this lesson got me there. I kicked it around, started playing little connecting riffs. "Oh, that's how it feels to jam". I feel like one of those zen students who spontaneously drops to the ground and declares "Master!!" I'm going back to your first video. Please continue.
This is a great lesson Corey! You have amazing control of the instrument.
Hey Corey! I have so many of your TrueFire lessons. I like your explanations and you don’t spend a lot of time shooting the breeze instead of demonstration and teaching. Keep up the good work.
corey is the man! I ve been following this guy for years! HES GOT SUCH A NATURAL TEACHING ABILITY! YOU WILL LEARN A TON OF BLUES STUFF AND THINGS THAT TRANSCRIBE TO ALL FORMS OF MUSIC! FOLLOW FOLLOW FOLLOW THIS MAN! and check out some of his other stuff over on true fire! thanks corey!
Sweet ! Thanks Corey
this is super fun! thanks corey!
outstanding lesson....thank you......I have all your courses!!
Really cool ! Thanks
Get the track here: coreycongilio.ac-page.com/srv9thchord
Thanks again. This is great. You have a very efficient way of playing the solo notes. Very hard to follow your finger tips because they move so discreetly and coming from a diagonal direction. SRV did it like that too. Not exactly like a classic guitar player style with fingers perpendicular to the neck. Sometimes it makes me think that the e-guitar is really another instrument than the classic/flamenco. The music is great in all.
wait... Nashvile?! The word around the campfire is that yinz er from the 'Burgh! Great instructions from you man; I'll be checking out more from you fo' sho'
thanks - lauren
My favorite blues chord and funk back beat. Took your courses and the one on one personalized lessons some time ago. Really helped my playing. Now I have 9th chord variations throw in there. Great lesson from a great teacher!
Dude. Your awsome.cheers
GREAT lesson !!
Your explanations work well for me and always get me thinking beyond the lesson. I have some of your TrueFire courses as well as your blues course thru Brett Papa. Keep on cranking out the music!
Man, thanks so much! Glad it’s all helping!
Great lesson! Top Note voicing are where it’s at! I think you left enough breadcrumbs to figure out what Pentatonic shapes are handy?
Just starting (after 30 years...) to put this all together. Very helpful to see how Pro guitarists use these voicings.
Implied tonality, utilizing the right range to be heard in a mix, and leaving room for the Bass player.
Good stuff!
Glad you dug it!
I couldn't stop playing that intro bro! great practice! especially after the fill and back to the strumming ...i always struggled with getting back on time ... But i finely got it! You rock.
Love it!
Atta-boy! 👍🙌👊🏻
Great lesson! I've been getting back into SRV and Hendrix and T Bone Walker too. Good stuff
This is awesome stuff.
Thx!
Hey Corey - loving the lessons - TBH, youve saved my mental torture in lockdown land...so inspired by the way you teach and get the message across so well, ive bought the complete blues guitar volume 1 course - that should keep me outta trouble - cheers, Steve ;)
Wow thx so much Steve! Best of luck with it!
👏🏻👏🏻👏🏻👏🏻👏🏻
Corey - Instead of using the 4th string, 10th fret C note on chord #2, try the 4th string, 7th A note instead. When moving the chords up the neck the low notes on the 4th string will be F#, A, C, D.
Hey thanks for that!
Hey, C.C.!! Very cool and upbeat positive...….absolutely in the ole pocket!! Glad to see this great addition separate from your TF courses!! Your old buddy 'next door' neighbor from Jersey, Jim C.
Great lesson and tone! I knew the first position D9, but with the other 3 gives a good coverage and very useful - thanks. These are especially good for funk style strumming. By the way, if you don't mind me asking, what sort of plectrum is this (make, material, thickness)? It seems the triangular type, which I also prefer.
Glad you enjoyed. I typically use fender style celluloid picks. Mostly heavy or extra heavy. Sometime medium depending on the song
@@coreycongilio Mant thanks!
could you make video about getting the JM tone with your two rock, and ox box and his playing style, from continuum album.
Great lesson Corey! Could I trouble you with a request? Could you help us work on the "right" hand part of the exercise. I realize that there is no easy path to the kind of technique you are demonstrating, but may some exercises to help develop that fluidity? Thanks so much for the great lesson!!
I think it's "Lenny" I'm trying to figure out. SRV seems to go heavy on the 6th scale degree and I wonder if you concur on that. Very lush ballad in "Lenny". SRV themes seem to go real heavy on the 7th scale degree as well.
I suppose it depends on the song
👌🏽👌🏽💯
Do u have a video on all the voicings Stevie uses?
Not specifically but, I teach 7th and 9th chords often. More to come for sure!
Great lesson and insight into the 9 chords and of course that SRV nod. Thanks heaps for sharing and enjoying the Brett Papa Blues course too you just created!
Really got a lot from this one Corey, as usual. Finding chords in different parts of the neck is one of the best tools for learning I think.
Nice sounding 'franken-strat' by the way.
I'm guessing it's the body from an SX swamp-ash and the neck from a Yamaha Pacifica?
Great! The neck is made by Guitar Mill/mario Guitars and the body is from an old custom shop strat.
👍👍✨️✨️
Corey could you or do you provide the tab for those chords?
Good stuff as always Cory... Is it safe to assume you're on the neck for that tone or position 4?... Just curious... BTW I like how the different arrangements of the notes in the chord shapes sound as if you're changing the key but you're actually not at all... That must be just because the arrangement of the notes is different in tonal quality because of the string thickness and positioning... Or maybe I'm just nuts and or tone deaf...lol... Thanks again
@@coreycongilio Thanks man... I highly appreciate all you do here...
Just noticed that you seem to be using the round part of the pick and not the pointy end. Do you always do this? I've been listening to various podcasts and so many guys mention using their picks like this! I think SRV did as well... I guess I won't worry then when my pick constantly rotates by itself while I play still and generally ends up in this position anyway, lol.
Great lesson. Do any of your Truefire courses cover this type of stuff?
Great lesson,are these jam tracks available ?
Sure! There is a link in the description where you can access all tabs and tracks. Enjoy!
Do you know how i could get the tone for cold shot.
I just made a video for that song last week and will post more. Check it out!
I’m confused: You moved over from Fishman to LR Baggs? Definitely, see why if so.
coreycongilio , thanks for responding. I wasnt sure you where the same guy at first lol. I remember you being the one that got me into the Fishman Aura system before the Baggs Anthem and Lyric hit the scene because I’m a purist when it comes to sound reproduction of a acoustic instrument. Personally, i beleive if you are buying a instrument for its significant sound then you would want that to be faithfully reproduced through a sound system of choice - the closest you can get. Unfrortantly, Fishman doesnt get that with me, even with the Aura system. Maybe, they changed the Aura system image technology since 2012 but we did a live recording album back then with a high-end Martin and the Aura imaging set to %100 because it sounded nice in the particular room. Although, back in the mixing process its sounded weird and we could not get it to cut the mix with out seriously distorting the high-end. This very thing caused me to stop using the Aura. I’m not sure why Martin still uses the same the technology that is rather dated in general (Piezo) but i hope they start using Baggs for all of thier line, at least for their high-end stuff thats +$1200.
coreycongilio , im perfectly happy with my J45 and the Lyric, no issues. Im shopping now for a Martin 000-18E but would like to just use the Aura in that. Im not sure if the imaging technolgy has changed. I will give it a shot with the Aura integrated and its image (supposably that guitar recorded) but if thats unsatisfactory then i will try the Soundscape. I dont want to go messing around with the woods on a new 000-18 and destory its value ha.
coreycongilio , I’m guessing they precut for a input jack on non-electric versions
Well basically it's just playing funk rhythm.