Sir, my junior Bidisha is your huge fan along with me....but unfortunately we couldn't attend your last concert in Kolkata...please sir do come to Kolkata soon....we are eagerly waiting for your performance....
यह नूर सारंग का एक प्रकार है जो दक्षिण के राग हंसनद के पुराने स्वरूप से मिलता जुलता है। नूर सारंग का यह प्रकार बहुत कम सुनाई देता है। आपका बहुत बहुत आभार 😊🙏
A magnificent rendition, Sir! The tonal quality of the recording is one of the very finest I’ve heard for this majestic instrument. The music is transcendental. God-bless
Thank you for sharing such a wonderful recording, giving us an insight and connection to the majesty of Dhrupad Music and the Dagarvani tradition within its field. Give thanks for your dedication to the artform and your generosity of spirit in recording this piece and sharing it. ( A low pass filter at 90Hz would take off any inadvertent "rumble" from the recording ) May I ask, do you have a Tanpura accompaniment.. or is it a "Telephone Tanpura"? I believe there is an Ocean of difference between the two in terms of the ability of both the performer and the rasika to achieve a state of Union with Naad. From my personal experience, there are only 2 Performers in the whole of India who will not perform without Tanpura, both of them are Dagars! My sincere and humble request, please do perform with Tanpura, as used by the Guru, and the Guru's Guru. Shanti Aum
Thank you Ustad. It's such a pleasure to hear Veena recordings with good sound quality.. Is this your father's Veena or is it a replica ? Until we meet again, Heikel
Dear Sir, Would you please shed some light on Noor Sarang. You said that it is peculiar to Dagar Gharana. Is the Raag conceived by any musician belonging to Dagar Tradition? Would be grateful if you could guide me accordingly.
No this raag is not conceived by the family. In the olden days some ragas we particularly played by certain gharanas. As a mark of respect and professional courtesy the other gharanas would not play them. Every family had a list of them. Like the jaipur gharana had the what they call anvat ragas list.
@@ancientindianstrings Thank you for the note. A small question again sir, that means the student is introduced to the Ragas generally played by other Gharanas but is never publicly recited by him/her?
Thank you so very much for this!! You are a huge inspiration to me! It's my dream to play the Rudra Veena!
Sir, my junior Bidisha is your huge fan along with me....but unfortunately we couldn't attend your last concert in Kolkata...please sir do come to Kolkata soon....we are eagerly waiting for your performance....
यह नूर सारंग का एक प्रकार है जो दक्षिण के राग हंसनद के पुराने स्वरूप से मिलता जुलता है। नूर सारंग का यह प्रकार बहुत कम सुनाई देता है। आपका बहुत बहुत आभार 😊🙏
Listening again after several months.. the "Noor" is as it is.. intoxicating.. 💐🙏
Sublime, Devine! Thank you for sharing.
Bohut accha! / Khub bhalo! / Veri gud!
wow sounds like this has elements of both Shudh Sarang and Brindabani Sarang... beautiful!
A magnificent rendition, Sir!
The tonal quality of the recording is one of the very finest I’ve heard for this majestic instrument.
The music is transcendental.
God-bless
Many thanks!
Such a soulful one,
Am so lucky that it is afternoon here in Chicago & Listening.
Thank you so very very much for sharing.
Spellbound!! So happy that you have started this channel. We wish to hear more such performances from you! Thank you ❤️❤️❤️
More to come!
🙏
Awesome Guruji
Wonderful
It touched my soul
Wah Dada! Good to see you performing after long time!
Yes, thanks
Beautiful sound!
❤️ This is ethereal. Can't thank you enough for this great upload.
Thanks
अप्रतिम....🙏
श्री कुँजबिहारी श्री हरिदास
Beautiful 🙏🏼🙏🏼🙏🏼 thank you for sharing Guruji
My pleasure
Sir I live in Mumbai, May god bless us to listen to you live soon.
Magnificent !
Thank you for sharing such a wonderful recording, giving us an insight and connection to the majesty of Dhrupad Music and the Dagarvani tradition within its field. Give thanks for your dedication to the artform and your generosity of spirit in recording this piece and sharing it. ( A low pass filter at 90Hz would take off any inadvertent "rumble" from the recording )
May I ask, do you have a Tanpura accompaniment.. or is it a "Telephone Tanpura"? I believe there is an Ocean of difference between the two in terms of the ability of both the performer and the rasika to achieve a state of Union with Naad. From my personal experience, there are only 2 Performers in the whole of India who will not perform without Tanpura, both of them are Dagars! My sincere and humble request, please do perform with Tanpura, as used by the Guru, and the Guru's Guru. Shanti Aum
Thanks
Ati sundar.
~ Yeah ~...greetings from germany...
Thanks
Soulful
Thanks
👌
Thank you Ustad.
It's such a pleasure to hear Veena recordings with good sound quality..
Is this your father's Veena or is it a replica ?
Until we meet again,
Heikel
Try this experimental raga;SgMPnS. S.nDPMgRS.Like raag Madhuvanti but ni is komal,so ascent resembles Jogkauns.
Thanks
Dear Sir,
Would you please shed some light on Noor Sarang. You said that it is peculiar to Dagar Gharana. Is the Raag conceived by any musician belonging to Dagar Tradition?
Would be grateful if you could guide me accordingly.
No this raag is not conceived by the family. In the olden days some ragas we particularly played by certain gharanas. As a mark of respect and professional courtesy the other gharanas would not play them. Every family had a list of them. Like the jaipur gharana had the what they call anvat ragas list.
@@ancientindianstrings Thank you for the note. A small question again sir, that means the student is introduced to the Ragas generally played by other Gharanas but is never publicly recited by him/her?
@@devanshphadke yes . That was the case. Nowadays not any more. Which is also ok