Great video. But your reasoning for shooting 8k vs 4k honestly didnt make any sense. You saying that u would get grain in your videos in RARE conditions, mentions of correlation between megapixels and noise level was backwards and u said the burano has dual Iso like any other camera you shoot with professionally doesnt. Honestly i was waiting for you to say that 8k provides a greater ability for reframing/cropping in post but you didnt even say that so honestly im confused with what was the true purpose of the video. There was other things but i really think in the future u have to be careful what you say on youtube becuase now some young filmmaker is gonna think that their cameras 4k isnt good enough which is totally the opposite
I haven't shot 8k because of reframing, I guess my message wasn't understood correctly. I didn't say there is something wrong with 4k at all, I said that I decided to shoot 8k because it was something new for me and it brought me joy and enthusiasm. Also when I got home and checked the footage I was amazed on the details and how clean the image was compered to 4k footage I was used to and this brought up even more excitement.
Nope, I havne't said 4k sucks or anything, I'm still using my Fx3 and Fx30 daily and for most jobs it's amazing, but when you get the opportunity to film a full length feature film you want to bring out the big guns and do something a little bit more exciting don't you think? Also when I will have the approval to showcase the footage from the film you will see how big of a difference is between the film footage which was shot on 8k and the behind the scenes footage which was Fx3. It's nigh and day differece.
I'd always shoot in higher resolution than the delivery. There's so much flexibility for doing "digital zoom" when needed if you have double the amount of pixels than you need for delivery.
That's exactly what I found when using a FX3 vs FX30, yes , you get less dynamic range and low light capability, but when used at their native ISO, the FX30 footage is sharper amd crisper
I haven't shot raw since the Ronin 4D records in Prores Raw and Davinci Resolve doesn't support it :( but I got amazing results with Prores 422 and it graded super nice.
@ nice I have only used it once for a commercial and I literally had to send runners out to buy 6 external hard drives for the DIT. But I was not to sure apart from access to exposure, iso etc… would you get a better grade if you shot raw? I currently use 422 for all projects at but have asked myself this.
People are still watching 4k on 1080 or 1080 on 4 k screens, but if you don’t film on 24 k your are nobody, even today this camera industry became so ridiculous, with a 20 year old camera you still can’t make difference but ….a lot to say in one comment.
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Great video. But your reasoning for shooting 8k vs 4k honestly didnt make any sense. You saying that u would get grain in your videos in RARE conditions, mentions of correlation between megapixels and noise level was backwards and u said the burano has dual Iso like any other camera you shoot with professionally doesnt. Honestly i was waiting for you to say that 8k provides a greater ability for reframing/cropping in post but you didnt even say that so honestly im confused with what was the true purpose of the video. There was other things but i really think in the future u have to be careful what you say on youtube becuase now some young filmmaker is gonna think that their cameras 4k isnt good enough which is totally the opposite
This right here👆👆
I haven't shot 8k because of reframing, I guess my message wasn't understood correctly. I didn't say there is something wrong with 4k at all, I said that I decided to shoot 8k because it was something new for me and it brought me joy and enthusiasm. Also when I got home and checked the footage I was amazed on the details and how clean the image was compered to 4k footage I was used to and this brought up even more excitement.
this is whats wrong with UA-camrs. Your 4k camera is 100% fine.
Nope, I havne't said 4k sucks or anything, I'm still using my Fx3 and Fx30 daily and for most jobs it's amazing, but when you get the opportunity to film a full length feature film you want to bring out the big guns and do something a little bit more exciting don't you think? Also when I will have the approval to showcase the footage from the film you will see how big of a difference is between the film footage which was shot on 8k and the behind the scenes footage which was Fx3. It's nigh and day differece.
I'd always shoot in higher resolution than the delivery. There's so much flexibility for doing "digital zoom" when needed if you have double the amount of pixels than you need for delivery.
Yes, and when you actually see that 8k shine on an 8k tv, it's so crazy!
I want to hear more about this Netflix film! 😃
Video length is exactly 8:00. Nice touch
Thanks G 🙏
That's exactly what I found when using a FX3 vs FX30, yes , you get less dynamic range and low light capability, but when used at their native ISO, the FX30 footage is sharper amd crisper
Yes, definetly! The Fx30 somehow looks better than the Fx3
Thank you master 🫡
I got you, thank you!
Can't wait to see the movie in the cinema! 🔥
Yeah, so excited about it too. To bad I couldn't show images from the film until the trailer get's released
Amazing 🤌🏻
thank you brother!
❤❤❤❤❤
Cheguei ontem aqui e estou assistindo tudo!!
Happy to hear this man, thank you!
Did you shoot raw on the Ronin 4D?
I haven't shot raw since the Ronin 4D records in Prores Raw and Davinci Resolve doesn't support it :( but I got amazing results with Prores 422 and it graded super nice.
@ nice I have only used it once for a commercial and I literally had to send runners out to buy 6 external hard drives for the DIT.
But I was not to sure apart from access to exposure, iso etc… would you get a better grade if you shot raw?
I currently use 422 for all projects at but have asked myself this.
This is too funny
I'm happy you like it!
🎳
People are still watching 4k on 1080 or 1080 on 4 k screens, but if you don’t film on 24 k your are nobody, even today this camera industry became so ridiculous, with a 20 year old camera you still can’t make difference but ….a lot to say in one comment.
It's about embracing new technology my brother and doing something new. What's wrong with that?