Ariadne auf Naxos: Großmächtige Prinzessin - Natalie Dessay - Metropolitan Opera - 2003
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- Опубліковано 7 вер 2020
- Metropolitan Opera House
April 3, 2003 Telecast
ARIADNE AUF NAXOS
Richard Strauss--Hugo Von Hofmannsthal
Ariadne....................Deborah Voigt
Bacchus....................Richard Margison
Zerbinetta.................Natalie Dessay
The Composer...............Susanne Mentzer
Music Master...............Wolfgang Brendel
Harlekin...................Nathan Gunn
Scaramuccio................Eric Cutler
Truffaldin.................John Del Carlo
Brighella..................John Nuzzo
Najade.....................Joyce Guyer
Dryade.....................Jossie Pérez
Echo.......................Alexandra Deshorties
Major-domo.................Waldemar Kmentt
Officer....................Mark Schowalter
Dancing Master.............Tony Stevenson
Wigmaker...................John Fiorito
Lackey.....................James Courtney
Conductor..................James Levine
Production.................Elijah Moshinsky
Designer...................Michael Yeargan
Lighting Designer..........Gil Wechsler
Stage Director.............Laurie Feldman
TV Director................Brian Large
Telecast: Metropolitan Opera Presents
Available for streaming at Met Opera on Demand
[The performances of 3/28/03, 3/31/03 and 4/3/03 were taped]
About this Singer:
A consummate and many-faceted artist, soprano Natalie Dessay has enjoyed a long and exceptional career, constantly diversifying and renewing her repertoire - from dazzling coloratura to tragic lyric roles, from the fireworks of Mozart’s Magic Flute and Donizetti’s Daughter of the Regiment to the most heart-rending and fragile melodies françaises. Born in Lyon, she discovered her voice in Bordeaux while pursuing her dream of becoming a dancer. In 1992 she made her debut at L’Opéra Bastille singing the role of Olympia in Offenbach’s Tales of Hoffmann. Since then she has appeared regularly on many of the world’s leading opera stages, among them L’Opéra National de Paris, Royal Opera House Covent Garden, Metropolitan Opera New York, Theater an der Wien & Staatsoper Vienna and La Scala Milan, winning universal international acclaim for her performances in Lakmé (Delibes), Ariane auf Naxos & Arabella (Strauss), Orpheus in the Underworld (Offenbach), The Nightingale (Stravinsky), Alcina (Handel), Manon (Massenet), Pelléas et Mélisande (Debussy), Lucia di Lammermoor (Donizetti) and Il Somnambula (Bellini). Natalie Dessay is a regular collaborator with Michel Legrand and together they have performed all over the world. She is also a committed recital singer, frequently performing French melodies and German Lieder with Laurent Naouri, Maciej Pikulski or Philippe Cassard. In 2015 she revealed new depths of dramatic and rhetorical insight, making her debut as a narrator in performances of Howard Barkler’s monologue Und at the Théâtre Olympia in Tours, and in Paris at the Théâtre de l’Athénée. The project was so successful that it was revived at the Théâtre des Abbesses in Paris in May 2016. Natalie Dessay is the only French female artist to be awarded the honorary rank of Kammersängerin by the Vienna Staatsoper.
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About this Channel:
This is Coloratura! is a independent channel focused more on songbirds, and some interesting male singers. This channel provides rare fragments, concertos and recitals from the late '30's and '60's singers. The channel is known worldwide by the music videos of Natalie Dessay, Diana Damrau, Mariella Devia and many other singers. Mostly the opera we served is in European languages, and some English operas. This is Coloratura! will strive to give the audience satisfaction by our new contents, and videos every week! Enjoy over 200+ videos of arias and scenes uploaded for you!
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Dessay´s German is impeccable and her singing - does it need another comment on how sublime it is? Nothing sounds forced or as if it´s even work. It comes easy and sounds like a piece of cake to the queen of coloratura.
There are some 'very forced' moments here. Her health issues started to be a real issue by this time. Still adorable though
no one is perfect but this is one of the best.
Yes, Dessay has perfect diction in German!
Sublime Zerbinette !
Seen her many times in opera and in recital over the years (last time was less than a year ago). Tiny woman with huge voice projection. Sublime voice but she also has great musicianship and unbelievable acting skills. She really is the whole package.
I saw her at the Lyric Opera in Chicago some years ago in Lucia di Lammermoor. She was spectacular, despite not being "right" for the roll, as a light lyric soprano. She showed her critics how wrong they were!
There is no denying Natalie Dessay is the greatest Zerbinetta of them ALL!
merci de pas oublier notre chere E
dita Gruberova....
Merci infiniment pour cette vidéo que je ne connaissais pas Natalie Dessay et merveilleuse dans ce rôle un véritable marathon vocal extraordinaire merci 6:21
For me, she is the greatest coloratura of all time. In her vocal prime, she had it all.
She did not have all the trills; for that, you have to hear Gruberova!
Gruberova is better
@@coloraturaElise Pff ! Rita Streich !
She actually bothers to act well! Not just sing! I truly appreciate that!
In response to your "greatest coloratura of all time" Sutherland is a way better coloratura than Dessay
This is totally amazing. The Queen of the Night is overhyped because of the f3s, but this part is waaaay heavier and harder. Chapeau bas!
NATALIE AND DEBORAH SUCH BEAUTIFUL HUMAN BEINGS!!!
I love watching the applause at the end. There’s nothing better than watching a master being lauded!
What a wonderful performance. All the work and technic desappearing with her incredible talent, just genuine singing…
Pure magic!
The best Zerbinetta , she really was unstoppable! Brava Dessay!
The best is by far Gruberova... Natalie stated it herself
Gruberova is the best zerbinetta
@@mirajanestrau1595 yeah she even wore the costume of Edita
For me, the best Zerbinetta stays Mady Mesplé. But Gruberova is also high up my list
Professor Ingeborg Hallstein too
Dos grandes sopranos de hermosas voces de diferentes colores, pero bellísimos timbres
10:24 absolutely mind blowing!!!!!!!!
best part
Dessay superba !
Her voice is like a nightingale.
un carisma incredibile, vocale e scenico, ipnotizzante.
This is a magnitude better than battle's version.
Amazing, one of the most difficult areas in all of opera.
Divina♡
eine ideale zerbinetta - as to her voice and representatiom of this role
Yo amo a Dessay. She is the best!!!
Really one of her best.
Époustouflant
I just hope the ones that are criticizing Natalie singing could at least sing 30% as good as she did. 😊😊😊
those criticizing her singing are not climbing onto the stage, to show their bad singing, but Natalie does climb and show bad singing
❤️👏👏👏👏
👏👏👏
It almost sounds as if this aria is too easy for her!
素晴らしすぎる
prodigieuse...
Nobody does it like the French! Direct in the line from Dorus Gras ...
7:06
you have this entire opera?
I do have
Please post it
@@danladi4073 I think its against UA-cam rules
@@ChezFeroce it's not. you can find full length operas, movies, ballets, etc., on UA-cam.
@@onigbajamo how come I haven’t seen full met productions posted then? No new full operas just scenes
Can you say "Tour de Force?"
This video is spoiled by vandalism ("This Is Coloratura") at the bottom of the screen.
you're right 😂
4:32
6:01
her singing has nothing to do with real belcanto, listen to Kathleen Battle with Levin Metropolitan version, Jessy Norman and Tatyana Troyanos, there you can hear real opera singing
Dear Nathalie, I'm a singer and operacomposer, granddaughter of Joan Sutherland and Maria Callas, Mozart and Beethoven, can you protectme against Netrebko & Kissin, please! I wanna be on stage, and they're stealing the lastknickers from my body,Gariffulinais using my voice. Please stop Evgeny Kissin from wigning contracts in my name, he's not my family. I'd like tonsing Marie with Juan Diego Florez, can you be my coach ? And Olympia and Queen of the night. Julia Grigorian ❤
She had to stop singing (nodes). She has a lovely, naturally splendid voice and is a superb artiste but one can hear that her placement is faulty, the voice doesn't always sit in place, which causes her to force. She often goes 'up' when she goes to high notes (normally one goes 'down' , bringing the around into the mask). Her lower range is not in place. The placement is often too far back and her vocal line isn't great as a result. Listen to Gruberova for technical perfection.
Perfection is boring, ahahah
I saw her singing in Paris in November 2021 in a concert and she was wonderful
Both artists are examples of faulty techniques that destroyed their voices before the age of 40. Please stop with this madness.
And here you are, still not famous. Haist. Just enjoy her artistry bruh. We already know that. No need to say and even compare. Just enjoy her music. Okay?
@@jefdestrera How can one enjoy crap? Just because you've been served shit and you have enjoyed it, does NOT mean the rest of the intelligent audience will enjoy it; matter of fact, we're repulsed by such sounds and distorted facial features.