I own one. The biggest problem with owning one of these nowadays is lack of parts and lack of experts able to service to a professional standard and within a reasonable turn-around time and cost. Putting that to one side, they are a fantastic camera.
FYI: the ring on the side, under light meter the is not exactly for exposure compensation, it's the filter compensating scale. When using Rolleiflex filters you just have to turn the knob to the corresponding compensating number of the filter and then you can meter the exposure as usual.
I got one for Christmas too. A Rolleiflex 2.8F in perfect condition with the case. Could you tell me when the F was in production. I’m a self taught wanna be amateur. Your video is very helpful.
Hello. According to Ian Parker Complete Rollei TLR collector's guide: 2.8F (serial number between 2.400.000 and 2.451.850) was in production from June 1960 till September 1981. 2.8F type 2 (serial n°2.451.851 to 2.479.999 from 1966 to 1976. 2.8F Type 3 (serial n°2.600.999 to 2.799.999 from 1969 to 1976 and 2.8 Type 4 (serial n°2.900.000 to 2.959.999) from 1976 to 1980.
@@tylerabraham1576 : serial between 1.621.000 and 1.664.999 --> model 2.8E, September 1956 to September 1959. Serial between 2.350.000 and 2.356.999 --> model 2.8E2 (E2 identification and serial number under the taking lens, removable hood to use with a prism. Congratulation if you have one of these, they are pretty rare, valuable and considered by some as the best Rolleiflex) , August 1959 to June 1960. Serial 2.360.000 to 2.362.024 --> model 2.8E3 (serial number on top, above the Rolleiflex name. It was supposed to be a "budget" camera, built from unsold E2 parts), produced from March 1962 till January 1965. You're welcome.
Not sure if this is a better way to reach out but tried sending emails. I ordered a camera from your shop back in November and never received it. The tracking never worked on it. Would appreciate at least a reply about the issue.
Sorry for the issue, it is best to direct-message me via the store, if you use the email link, it keeps shunting to my junk mail. Please send me a message and I will see what happened.
Bellamy: You have the correct model to have or install the Inner Glass Film plate. Look for a rebuilder in Germany , he has new optically improved glass plates. I have ordered one. C.
You should have seen the price when they were new. If you get a good one they’re worth the money. I would say that the Rolleiflex T models are over-priced just now.
I see so many people using expensive digital and film cameras without a strap... I was taught even at a young age, you put the strap around your wrist or neck...then you pick up the camera... Sorry about your dropped Rollei.
Bellamy : hello again , I got to video late , I have something I desired a Rollei Wide 55mm F4 , and she is beautiful. My unit is a 1961 E model with the DISTAGON 55mm F4 lovely unit. Have ordered a new inner screen that holds film perfectly flat from Germany , and am pleased with her performance. E Moodels are lovely.
Bellamy : Get the Filter Holder , that mounts upon the lenses , it has a swing up holder , that on the 55mm F4 eliminates all vignette and is rare , but worth every dollar or Yen. I have it on order NIB from Holland. With this device you can mount infrared filters or adjustable ND filters upon the camera or even color filters for black and white. Cheers Bellamy ' Chris. ☺ Merry Christmas too .
I own one. The biggest problem with owning one of these nowadays is lack of parts and lack of experts able to service to a professional standard and within a reasonable turn-around time and cost. Putting that to one side, they are a fantastic camera.
FYI: the ring on the side, under light meter the is not exactly for exposure compensation, it's the filter compensating scale. When using Rolleiflex filters you just have to turn the knob to the corresponding compensating number of the filter and then you can meter the exposure as usual.
Great review, I can highly recommend the Rollinars (Close up) and Mutars (wide and tele) to further extend this cameras capabilities.
Thanks! Be aware that the prism is big and weighs a ton. I don’t use it anymore, because it turns a lightweight 6x6 into a bulky camera.
Merry Christmas and a Happy New Year
Not to mention the cool looks!
Tanis for the video.
Where do you recommend buying one?
Merry Christmas and a Happy New Year 🎞💙💛
Thank you for your content
I got one for Christmas too. A Rolleiflex 2.8F in perfect condition with the case. Could you tell me when the F was in production. I’m a self taught wanna be amateur. Your video is very helpful.
Hello. According to Ian Parker Complete Rollei TLR collector's guide: 2.8F (serial number between 2.400.000 and 2.451.850) was in production from June 1960 till September 1981. 2.8F type 2 (serial n°2.451.851 to 2.479.999 from 1966 to 1976. 2.8F Type 3 (serial n°2.600.999 to 2.799.999 from 1969 to 1976 and 2.8 Type 4 (serial n°2.900.000 to 2.959.999) from 1976 to 1980.
Guess what? My Rollei is a 2.8 E. Duh.... I guess this was the version with the viewfinder? 1959 model?
@@tylerabraham1576 : serial between 1.621.000 and 1.664.999 --> model 2.8E, September 1956 to September 1959. Serial between 2.350.000 and 2.356.999 --> model 2.8E2 (E2 identification and serial number under the taking lens, removable hood to use with a prism. Congratulation if you have one of these, they are pretty rare, valuable and considered by some as the best Rolleiflex) , August 1959 to June 1960. Serial 2.360.000 to 2.362.024 --> model 2.8E3 (serial number on top, above the Rolleiflex name. It was supposed to be a "budget" camera, built from unsold E2 parts), produced from March 1962 till January 1965. You're welcome.
I also have a 2.8 (E, though, not F). For me, the only benefit of F is focusing screen can be easily changed.
Holy cow a commercial every 3 minutes
best looking tlr probably yes
I wonder if the Ricoh DiaCords might well be a top contender.
Not sure if this is a better way to reach out but tried sending emails. I ordered a camera from your shop back in November and never received it. The tracking never worked on it. Would appreciate at least a reply about the issue.
Sorry for the issue, it is best to direct-message me via the store, if you use the email link, it keeps shunting to my junk mail. Please send me a message and I will see what happened.
Bellamy: You have the correct model to have or install the Inner Glass Film plate. Look for a rebuilder in Germany , he has new optically improved glass plates. I have ordered one. C.
Tanoshii kyuuka wa sugoshi te kudassi!
Yeah it’s great camera but they are way overpriced just like Leicas. I’m happy with the ‘cord.🤨😘
I got the yashica mat 124 g. Love it.
You should have seen the price when they were new. If you get a good one they’re worth the money. I would say that the Rolleiflex T models are over-priced just now.
Cameras don't really take pictures, people do.
I see so many people using expensive digital and film cameras without a strap... I was taught even at a young age, you put the strap around your wrist or neck...then you pick up the camera... Sorry about your dropped Rollei.
Mamiya c330 Is the best
Bellamy : hello again , I got to video late , I have something I desired a Rollei Wide 55mm F4 , and she is beautiful. My unit is a 1961 E model with the DISTAGON 55mm F4 lovely unit.
Have ordered a new inner screen that holds film perfectly flat from Germany , and am pleased with her performance. E Moodels are lovely.
When you're stuck with one lens, that's not flexible.
Bellamy : Get the Filter Holder , that mounts upon the lenses , it has a swing up holder , that on the 55mm F4 eliminates all vignette and is rare , but worth every dollar or Yen. I have it on order NIB from Holland. With this device you can mount infrared filters or adjustable ND filters upon the camera or even color filters for black and white. Cheers Bellamy ' Chris. ☺
Merry Christmas too .
Chris, you are confusing this channel, Japan Vintage Camera, with Bellamy from Japan Camera Hunter!
No, I did'nt like this video, it's only an owners manual.