My cello teacher gave me these, and said "when you can play these, you'll be able to play anything!" 50 years later, I haven't quite got there yet... Piatti's genius was making pieces whose musical value isn't revealed until you are totally on top of the technique.
I regarded these as the nastiest pieces I had come across. Only correct training from a young age prepares one to tackle these. To play them back to back is a formidable challenge! BRAVO!
I listened to her Piatti 12. I actually like it. Very well phrased. I was used Edgar Moreau's fast playing but listening to this I realize it doesn't necessarily have to be fast.
Si certo tecnica da vendere ,come TUTTI i grandi violoncellisti ,ma qui la differenza sta nell'interpretazione !!!E qui c'è n'è poca poca ,troppo poca .Grande técnica ok
These are very technically difficult "caprices". It is necessary to very carefully intonate transitional and non-accord sounds, because in these works the tempered order is pronounced. Extraordinary performance, this girl has done a tremendous job.
Very impressive performance. I'll never have the skill to take on piatti like this. However, I just wanted to ask why the final few bars of caprice 6 were cut out? Was this a stylistic choice in order to preserve the momentum of playing all 12 caprices?
Hello Yashuaismylamp, thank you very much for your comment. I have just recorded and put up the complete 12 caprices on my channel. Please check it out! As for Caprice 7, I was not aware that there were two versions! I have been playing from the Urtext. Hope you enjoy these videos!
You obviously know nothing about string playing. Or music, for that matter. She makes her mistakes, but such a harsh, destructive, comment can only come from someone that has accomplished nothing himself.
My cello teacher gave me these, and said "when you can play these, you'll be able to play anything!" 50 years later, I haven't quite got there yet...
Piatti's genius was making pieces whose musical value isn't revealed until you are totally on top of the technique.
love this
amazing
1st 0:24
2nd 2:12
3rd 7:08
4th 9:24
5th 13:37
6th 17:40
7th 21:05
8th 24:09
9th 27:16
10th 29:01
11th 33:03
12th 36:26
Dank je wel!
Thank you ❤
No grandstanding, no emphatic showing off, just lots of honest, rock-solid technique and unobtrusive musicality. Bravissima!!!
I regarded these as the nastiest pieces I had come across. Only correct training from a young age prepares one to tackle these. To play them back to back is a formidable challenge! BRAVO!
Carol: It was my pleasure to record / edit this video and above all to enjoy your music live at Southminster. I wish you continued success.
Maybe the sixth wasnt perfect but guys she's playing all the 12 caprices in live! She loves piatti and i love her interpretation!
Beautiful! Excellent technique and phrasing!
A wonderful advocate for these pieces which are not well enough known.
Thank you.
Thank you very much Keith! I am very grateful for your great generosity. Thank you and take care!
Beautifully done. Thank you for sharing your grace and talent.
Wow! Congratulations, very hard program and great interpretation. Greetings from México.
no claaping between pieces... music to my ears
Изумительно! Прекрасно!
Ein faszinierende Leichtigkeit für diese sauschweren Griffe.
Well done! Must have been a journey to prepare all these.
Wonderfull and excellent! Thank you.
I listened to her Piatti 12. I actually like it. Very well phrased. I was used Edgar Moreau's fast playing but listening to this I realize it doesn't necessarily have to be fast.
Yuto...where can you find Edgar Moreau's 12 Caprices...I've done YT searches to no avail...thanks!
Bravissima!!!
Incredible performance.
Bravo! Beautiful👏🏾
Si certo tecnica da vendere ,come TUTTI i grandi violoncellisti ,ma qui la differenza sta nell'interpretazione !!!E qui c'è n'è poca poca ,troppo poca .Grande técnica ok
beautiful girl ＆ her beautiful cello
Bravissima!!!! :)
Admirable and amazing!!! You are a great impiration:)
The final pizz were so powerful
These are very technically difficult "caprices". It is necessary to very carefully intonate transitional and non-accord sounds, because in these works the tempered order is pronounced. Extraordinary performance, this girl has done a tremendous job.
Que dominio de las dos manos.
Thank you 學姐! 希望哪天可以和學姐交流學習囉!!
請問現在還能聽到她的演奏會嗎？她中文姓名是什麼呢？
Where does she teach/perform? I want to follow Tsai's career! Great work! 👍
ricordi del diploma!
Ah ben oui, c'est facile de faire des commentaires quand on n'a pas les doigts sur le manche.
Une très belle performance.
Very impressive performance. I'll never have the skill to take on piatti like this. However, I just wanted to ask why the final few bars of caprice 6 were cut out? Was this a stylistic choice in order to preserve the momentum of playing all 12 caprices?
Nice.
dear sis~你真的很棒，能夠用piatti開一場音樂會，真的很不簡單＾＾～
繼續加油喲～
Pretty damn good work! But why did you leave out the good part from 12th caprice?
厉害哇！！！！！！！
JP C 你拉个来听听
Hello Yashuaismylamp, thank you very much for your comment. I have just recorded and put up the complete 12 caprices on my channel. Please check it out! As for Caprice 7, I was not aware that there were two versions! I have been playing from the Urtext. Hope you enjoy these videos!
你很棒👍
very nice, but what happened at the end of no. 6?
gut
Impressive undertaking! What kind of cello and bow are you playing?
(The bow looks like it was too tight, btw)
43 dislikes what the fuck? how can you dislike such an brilliant performance. awesome!
She is brave enough to play the whole piece. BUT!! She skipped alot and even played the wrong notes. Each of them are not NEVER enough!
meh
terrible unmusical out of tune robot playing!!! the punters will love it!
You obviously know nothing about string playing. Or music, for that matter. She makes her mistakes, but such a harsh, destructive, comment can only come from someone that has accomplished nothing himself.
Dion Baillargeon ?