Much love everyone for the subs and the comments and likes it means the absolute world to me! I try to film and post as many of the concerts I go to as possible and guitar covers as well so it means the absolute world to me again I can’t thank you all enough! Much love!
It is exceptionally hard to find a band that sounds this similar live to their albums. Backing tracks be damned MTS has always been so close love to their tracks it keeps me coming back every year. Still miss the “Neverbloom” feel though. That was their heaviest masterpiece by far.
Got to see them perform Neverbloom start-to-finish at the end of last year, closing with their two latest singles at the time with Alex. What a show. Neverbloom was an absolutely fire album.
This band is really something, even changes of the female keyboardist in the past years their signature sound is always there. They kept getting better and better.
You have no idea how hype it was growing up in Perth with MTS putting on a show. Honestly Australia's best band & they deserve every international tour they land on 🖤
I just learned about these guys while googling to see if Alex Reade was doing anything since Drown This City split up. Happy to see I wasn't disappointed!
@@ThatShitGood 00:27-00:30 vs 00:34 and again very quickly 01:33 vs 01:35 are the clearest places to spot the additional low-end very apparently as there is little else going on in the soundscape. Once you notice the frequency of notes the bass is playing you'll start to be able to pick them out. You said nobody explains, so apologies in advance for being verbose or "mansplaining" but I have a second so I'll throw some info here for you/others wondering about the same thing. As mixing/production tastes (standards, imo) have changed (ie dropped) in the last few decades, most younger ears don't even notice these things or that there is a better way for this music to sound. While not being the direct topic of discussion here, the "loudness wars" is a good thing to look into while delving into anything music production related as it'll help give you context as to why production choices have been made in the music industry on the whole. en.wikipedia.org/wiki/Loudness_war (if you are in the EU this relates; en.wikipedia.org/wiki/EBU_R_128 ) "Long story short" reason why I mention that topic is that when things get louder the bass is usually one of the first things to distort, resulting in it being one of the first things to start being removed in the mix in order to keep cranking up the overall volume. The ripple effect of the loudness wars is what has led to so much modern music (regardless of genre) having very little bass presence. You might say, "well there's plenty of bass in music, I hear subwoofers blasting it all the time" and to that I say not all bass is created equal. This is where frequencies come into play. But I digress as I'm starting to blooming onion the topic and I'm already rambling 😬 If you watch something like this (I swear it's worth it, 80s/90s cheesiness aside) you'll begin to pick the various instruments out a lot easier as it'll help you train your ears as to what to "look" (listen) for; ua-cam.com/video/TEjOdqZFvhY/v-deo.html&t And the granddaddy of all bass omissions is ...And Justice for All. Listen to the OG and then listen to this; ua-cam.com/video/6kqTcLwUYj8/v-deo.htmlsi=dNLWfdbew_OdOqDs (jump to the "mixing" portion for background on this); en.wikipedia.org/wiki/...And_Justice_for_All_(album) Producers that do it right; Kurt Ballou is my personal favorite producer in the heavy realm, regardless of specific genre. www.discogs.com/artist/261312-Kurt-Ballou?superFilter=Production Will Putney is carrying his torch, though there are certainly others right there with him. www.discogs.com/artist/1403313-Will-Putney?superFilter=Production
@@ThatShitGood 00:27-00:30 (guitar only) vs 00:34 (bass comes in) and again 01:33 vs 01:36 are the clearest places to spot the additional low-end due to nothing else going on in the soundscape. Once you notice the frequency range the bass is at you'll start to be able to decipher it in the mix.
@@ThatShitGood You said nobody explains, so apologies in advance for being verbose or "mansplaining" but I have a second so I'll throw some info here for you/others wondering about the same thing. As mixing/production tastes (standards, imo) have changed (ie dropped) in the last few decades, most younger ears don't even notice these things or that there is a better way for this music to sound. While not being the direct topic of discussion here, the "loudness wars" is a good thing to look into while delving into anything music production related as it'll give you context as to why production choices have been made in the music industry on the whole. en.wikipedia.org/wiki/Loudness_war (if you are in the EU this relates; en.wikipedia.org/wiki/EBU_R_128 ) I mention it because when things get louder the bass is usually one of the first things to distort, resulting in it being one of the first things to start being removed in the mix in order to keep cranking up the overall volume. At the end of the day all of this leads to fatigue whether you realize it or not, not to mention even songs we love have the potential to sound infinitely better but due to a few folks wanting singles to sound better on the radio the industry on the whole has been fed a big ol' plate of BS... The ripple effect of the loudness wars is what has led to so much modern music (regardless of genre) having very little bass presence. You might say, "well there's plenty of bass in music, I hear subwoofers blasting it all the time" and to that I say not all bass is created equal and each genre uses bass differently. But that's another topic altogether, so I digress... Give this a try (I swear it's worth it, 80s/90s cheesiness aside) and you'll begin to pick the various instruments out a lot easier, amongst other things; ua-cam.com/video/TEjOdqZFvhY/v-deo.html&t And the granddaddy of all bass omissions is ...And Justice for All. Listen to the OG and then listen to this to see just how much of a difference having bass present can be, and we're talking about an album that was already a classic *without* it. People didn't even know what they were missing. ua-cam.com/video/6kqTcLwUYj8/v-deo.htmlsi=dNLWfdbew_OdOqDs (jump to the "mixing" section for more background on this); en.wikipedia.org/wiki/...And_Justice_for_All_(album) Producers that do it right; Kurt Ballou is my personal favorite producer in the heavy realm, regardless of specific genre. www.discogs.com/artist/261312-Kurt-Ballou?superFilter=Production Will Putney is carrying his torch, though there are certainly others right there with him. www.discogs.com/artist/1403313-Will-Putney?superFilter=Production Dynamic Range is another metric worth considering when looking for good sounding music. Note I said "sounding" not necessarily that it makes for good music. There are a couple albums that I'm not a huge fan of the genre but holy hell do they just SOUND amazing when it comes to appreciating good sounding production. If you happen to find an album you love also has a great DR, it's win-win and your ears will thank you. dr.loudness-war.info/
Anytime swing by Melbourne I'm there.... Even supporting Bring me the horizon and Sleep Token is just .... I have no words it's a dream that happened 🤣🤣 my favourite mosh injury was Make them suffers set at Goodthings last year haha Nothing but greatness associated with this band
As a 600 year old immortal vampire, who’s just getting into modern music, I listen to Make Them Suffer as I stalk my victims at night. Yummy yummy, blood in my tummy.
Hope everyone here is doing okay these days. Please be safe and know that people care about you, even if it may not feel like it at times. If you are feeling troubled, maybe professional help is the answer, or talking to a trusted friend about what you are going through. Wish you the best.
Much love everyone for the subs and the comments and likes it means the absolute world to me! I try to film and post as many of the concerts I go to as possible and guitar covers as well so it means the absolute world to me again I can’t thank you all enough! Much love!
What was this filmed on? The audio is impressive
@@Immadjentyboi iPhone 13 I think that’s the one I used at that time for this video
It's not possible for a frontman to look more Australian
Much love haha
Maybe if he were boxing a kangaroo
@@shredhead21 hahah
😂
@@709mash much love haha
Sean's dirty vocals are so versatile and controlled so well
Yeah buddy!
It is exceptionally hard to find a band that sounds this similar live to their albums. Backing tracks be damned MTS has always been so close love to their tracks it keeps me coming back every year.
Still miss the “Neverbloom” feel though. That was their heaviest masterpiece by far.
Yeah buddy!
Muse sounds incredibly good and similar live
Got to see them perform Neverbloom start-to-finish at the end of last year, closing with their two latest singles at the time with Alex. What a show. Neverbloom was an absolutely fire album.
Sean and Alex's vocals sound good at live as studio .
Yeah buddy!
One of the best in the business. Aussie bands never disappoint. Can't wait for the new album!
Yeah buddy
This band is really something, even changes of the female keyboardist in the past years their signature sound is always there. They kept getting better and better.
Yeah buddy!
This band is great.
Yeah buddy! Much love!
That's truly an understatement 😅
@@SoulSlave92 haha yup!
You have no idea how hype it was growing up in Perth with MTS putting on a show. Honestly Australia's best band & they deserve every international tour they land on 🖤
Much love!
I just learned about these guys while googling to see if Alex Reade was doing anything since Drown This City split up. Happy to see I wasn't disappointed!
Yeah buddy!
Holy shit finally a live metalcore band which bassist you can also hear
I take it you've never seen Volumes or Issues live.
Nobody explains to me what is the bass sound, can you mark a timeline in video and explain to me which is the bass sound?
@@ThatShitGood 00:27-00:30 vs 00:34 and again very quickly 01:33 vs 01:35 are the clearest places to spot the additional low-end very apparently as there is little else going on in the soundscape. Once you notice the frequency of notes the bass is playing you'll start to be able to pick them out.
You said nobody explains, so apologies in advance for being verbose or "mansplaining" but I have a second so I'll throw some info here for you/others wondering about the same thing.
As mixing/production tastes (standards, imo) have changed (ie dropped) in the last few decades, most younger ears don't even notice these things or that there is a better way for this music to sound. While not being the direct topic of discussion here, the "loudness wars" is a good thing to look into while delving into anything music production related as it'll help give you context as to why production choices have been made in the music industry on the whole.
en.wikipedia.org/wiki/Loudness_war
(if you are in the EU this relates; en.wikipedia.org/wiki/EBU_R_128 )
"Long story short" reason why I mention that topic is that when things get louder the bass is usually one of the first things to distort, resulting in it being one of the first things to start being removed in the mix in order to keep cranking up the overall volume.
The ripple effect of the loudness wars is what has led to so much modern music (regardless of genre) having very little bass presence. You might say, "well there's plenty of bass in music, I hear subwoofers blasting it all the time" and to that I say not all bass is created equal. This is where frequencies come into play. But I digress as I'm starting to blooming onion the topic and I'm already rambling 😬
If you watch something like this (I swear it's worth it, 80s/90s cheesiness aside) you'll begin to pick the various instruments out a lot easier as it'll help you train your ears as to what to "look" (listen) for;
ua-cam.com/video/TEjOdqZFvhY/v-deo.html&t
And the granddaddy of all bass omissions is ...And Justice for All. Listen to the OG and then listen to this;
ua-cam.com/video/6kqTcLwUYj8/v-deo.htmlsi=dNLWfdbew_OdOqDs
(jump to the "mixing" portion for background on this);
en.wikipedia.org/wiki/...And_Justice_for_All_(album)
Producers that do it right;
Kurt Ballou is my personal favorite producer in the heavy realm, regardless of specific genre.
www.discogs.com/artist/261312-Kurt-Ballou?superFilter=Production
Will Putney is carrying his torch, though there are certainly others right there with him.
www.discogs.com/artist/1403313-Will-Putney?superFilter=Production
@@ThatShitGood 00:27-00:30 (guitar only) vs 00:34 (bass comes in) and again 01:33 vs 01:36 are the clearest places to spot the additional low-end due to nothing else going on in the soundscape. Once you notice the frequency range the bass is at you'll start to be able to decipher it in the mix.
@@ThatShitGood You said nobody explains, so apologies in advance for being verbose or "mansplaining" but I have a second so I'll throw some info here for you/others wondering about the same thing.
As mixing/production tastes (standards, imo) have changed (ie dropped) in the last few decades, most younger ears don't even notice these things or that there is a better way for this music to sound. While not being the direct topic of discussion here, the "loudness wars" is a good thing to look into while delving into anything music production related as it'll give you context as to why production choices have been made in the music industry on the whole.
en.wikipedia.org/wiki/Loudness_war
(if you are in the EU this relates; en.wikipedia.org/wiki/EBU_R_128 )
I mention it because when things get louder the bass is usually one of the first things to distort, resulting in it being one of the first things to start being removed in the mix in order to keep cranking up the overall volume. At the end of the day all of this leads to fatigue whether you realize it or not, not to mention even songs we love have the potential to sound infinitely better but due to a few folks wanting singles to sound better on the radio the industry on the whole has been fed a big ol' plate of BS...
The ripple effect of the loudness wars is what has led to so much modern music (regardless of genre) having very little bass presence. You might say, "well there's plenty of bass in music, I hear subwoofers blasting it all the time" and to that I say not all bass is created equal and each genre uses bass differently. But that's another topic altogether, so I digress...
Give this a try (I swear it's worth it, 80s/90s cheesiness aside) and you'll begin to pick the various instruments out a lot easier, amongst other things;
ua-cam.com/video/TEjOdqZFvhY/v-deo.html&t
And the granddaddy of all bass omissions is ...And Justice for All. Listen to the OG and then listen to this to see just how much of a difference having bass present can be, and we're talking about an album that was already a classic *without* it. People didn't even know what they were missing.
ua-cam.com/video/6kqTcLwUYj8/v-deo.htmlsi=dNLWfdbew_OdOqDs
(jump to the "mixing" section for more background on this);
en.wikipedia.org/wiki/...And_Justice_for_All_(album)
Producers that do it right;
Kurt Ballou is my personal favorite producer in the heavy realm, regardless of specific genre.
www.discogs.com/artist/261312-Kurt-Ballou?superFilter=Production
Will Putney is carrying his torch, though there are certainly others right there with him.
www.discogs.com/artist/1403313-Will-Putney?superFilter=Production
Dynamic Range is another metric worth considering when looking for good sounding music. Note I said "sounding" not necessarily that it makes for good music. There are a couple albums that I'm not a huge fan of the genre but holy hell do they just SOUND amazing when it comes to appreciating good sounding production.
If you happen to find an album you love also has a great DR, it's win-win and your ears will thank you.
dr.loudness-war.info/
I love how Aussie some Aussi bands can look at times, footy shorts/the dirty mo's. Gotta respect that shit.
Much love!
I was here at apocalypse tour in Scranton and this was the first time I heard these guys. Been an instant fan every since.
Nice! Hope you had a blast and hope they do another apocalypse fest for us! Much love!
@Corjames29 well word on the street is , it's more than likely a thing hasn't been announced yet , but some locals here have hinted at it.
@@toddgombeda3433yeah buddy can’t wait my dude!
Definitely gotta see this band asap. I've loved the last 6 singles. And they keep getting better. Such a unique sound and style.
Yeah buddy!
This band will make you a fan once you see them live they know how to put in a show saw them in Albuquerque NM
Yeah buddy
One of the best live bands ever. Saw them a few years ago and they absolutely blew me away.
Yeah buddy
Got the MTS emblem tattooed on my chest, been obsessed with this band since Neverbloom.
Nice!!!
Damn! I didn't know they were so good live 😮
Yeah buddy!
Im so happy I finally get to see them again opening for Bury Tomorrow in June this year. Such an amazing band.
Yeah buddyyyy
Her voice is sooooooo good
Yeahhh buddy!
Holy shit that was good! I cannot wait to see them at Download 24. Thanks for sharing.
Yeah buddy! Have fun! Much love!
Just discovered this band about a month ago. So happy that I've found them!
Yeah buddy!
damn bro that girl is perfect for this music
Yeah buddy!
until they kick her out too like Booka
she had a baby, must be difficult to touring while pregnant and then taking care of her baby@@vomitsky1728
@@vomitsky1728 much love
Anytime swing by Melbourne I'm there.... Even supporting Bring me the horizon and Sleep Token is just .... I have no words it's a dream that happened 🤣🤣 my favourite mosh injury was Make them suffers set at Goodthings last year haha Nothing but greatness associated with this band
Much love
so good....i cant wait to see them live
Yeah buddy! Have fun!
Just seen them Tuesday night with erra absolutely incredible
Yeah buddy!
Caught the end of their set in Detroit at the parkway drive show a few months back, got in the pit to doomswitch. So fucking good
Nice! Much love!
Just saw them in melbourne for the first time. Had no idea I'd be this blown away
Yeah buddy!
Dude what a great performance
Yeah buddy!
Bro just casually puttin down amazing vocals like its nothin. Hot damn!
Yeah buddy!
Shit man I gotta see this band live. They sound so incredible life.
Yeah buddy!
They’re insane live. Saw them a few years ago, they get into their stuff more than the many bands I’ve seen. Need to hear this song live myself.
the frontman looks like a next door neighbor who talks about the projects in his garage and taking his boat out in the summer
Haha yeah buddy!
With all thats going on in their songs I didn’t expect it to sound THAT dead on
Yeah buddy
2:49 that scream hits hard....
Yeah buddy!
Instant goosebumps at the high note
Yeah buddy haha
So tight, they're incredibly good.
Also, is that Josh from Northlane watching in the background in the beginning?
Yeahhh buddyyy!
Amazing performance.
Much love!
As a 600 year old immortal vampire, who’s just getting into modern music, I listen to Make Them Suffer as I stalk my victims at night. Yummy yummy, blood in my tummy.
Haha ok much love haha
Very tight live!
Yeah buddy!
Northlane Josh on sidestage...
Yeah buddy
This is what metal is about that fucking feel good❤
Yeah buddy!
Great videos! What did you use to shoot these?
Just an iPhone I just got the new iPhone the camera supposed to be better so hopefully the next videos come out even better! Much love! Thank you!
@@Corjames29 That's awesome! Do you just use default settings?
@@LakeCountySkateboarding I set it on 4k 60 fps
These guys were great live
For reallll!!!! Much love!!
Dats da shit right there boi!
Yeah buddy!
I don’t know what’s weirder? The mustache on the mic? Or the fact the drummer is wearing a flannel? 🥵
Was hot af out haha
The guy with the guitar in the hat is fucking awesome. Obviously besides the hot as chick. This band sounds fucking awesome
Much love
They are great live. Wish the singing was clearer on the guy, wanted to hear his pipes too
Much love
I shall call this Da Nasty Mullet Metal. I line it
Much love
Hope everyone here is doing okay these days. Please be safe and know that people care about you, even if it may not feel like it at times. If you are feeling troubled, maybe professional help is the answer, or talking to a trusted friend about what you are going through. Wish you the best.
Truly means the world to me! Much love!
They're SO fucking tight All around!
Yeah buddy
Hell yeah
Yeah buddy!
2:48 epic!
Yeah buddy!
Hi Josh
DAMN!
Yeahhh buddy haha
Can't wait to see them with ERRA
Same here! Hopefully I can get some nice footage again haha much love!
Sad that scranton had such a mid crowd i wouldve been losing my mind
It was early and hot af haha
Did they show the crowd in the vid, or were you there?
@@jayfiled I filmed the band paid no mind to the coward
@@jayfiled it was pretty dead. Nobody really showed up until The Amity afflictions set was up
Where in Scranton was this
Montage Mountain
@@Corjames29 bruhh love montage especially for the water park
@@scriptednetwork836 yeah buddy! Much love!
Holy shit
Yeah buddy!
man he really wants them to wake up
They did for sure haha much love!
Wish Sean was more healthy....
Much love!
god Alex is so fineeee
Much love
Под фонограмму поют. Круто! Позор!
Нет, просто фильтр звуковой
LAME
Hahaha much love
Taylor Swift metal ..not for me
Hahahaha this comment is to funny but ok buddy much love!