Best ever. Such a dynamic trio .Avishai's music is so brilliant. Particularly from minute 11:00 or so to 14:00 all three go out of their minds. such a dynamic improv. Wow.
Concert Info Tracklist: -1- One for Mark -2- Elli -3- Chutspah -4. Gently Disturbed -5- 11 Wives -6- Remembering -7- Nu Nu -8- Come Together (Lennon & McCartney) Personnel: Avishai Cohen - Bass, composer (except track 8) Shai Maestro - Piano Mark Guiliana - Drums Notes: Recorded live at Jazztage Leverkusen, Germany on November 4th, 2007
Imo, I don't like it on ballades or likewise kind of slow music (there, yes, I feel it kinda throws you off). But on other type of more dynamic music, I think it adds something and that even the most of the performers apreciate it and feel motivated and gratified/honored
Wow, this music goes great pool-side, evening hours with nice cab and my fav smoke. Mind expanding. Thanks. Peace.
The birth of Gently Disturbed! Thank you!
Insane! thanks for uploading this, it's so cool to see some of the pieces in an earlier version, and still the pure mastery of the three...
THIS was the best Avishai Cohen trio IMO. Avishai, Mark, and Shai killing it!
agree
Best ever. Such a dynamic trio .Avishai's music is so brilliant. Particularly from minute 11:00 or so to 14:00 all three go out of their minds. such a dynamic improv. Wow.
Concert Info
Tracklist:
-1- One for Mark
-2- Elli
-3- Chutspah
-4. Gently Disturbed
-5- 11 Wives
-6- Remembering
-7- Nu Nu
-8- Come Together (Lennon & McCartney)
Personnel:
Avishai Cohen - Bass, composer (except track 8)
Shai Maestro - Piano
Mark Guiliana - Drums
Notes:
Recorded live at Jazztage Leverkusen, Germany on November 4th, 2007
from min 44 to min 48:26 or so is when Shai Mastero goes insane. Best piano performance ever.
Brutal, siempre! Lo mejor!
madly great..WOW
Una auténtica pasada
Fantasticno BRAVO👏👏👏
does anyone knows the names of the pieces? setlist?
aaaah sometimes you have to watch... ;-)
I hate when people clap after the solo. they kill the song
I think it adds to the atmosphere!
Imo, I don't like it on ballades or likewise kind of slow music (there, yes, I feel it kinda throws you off). But on other type of more dynamic music, I think it adds something and that even the most of the performers apreciate it and feel motivated and gratified/honored
part of the interaction in this music
The musicians love it.