These players deserve to have their names inscribed in the Akashic Records, not consigned to the dung heap. I cannot without apology share this music to my group, as that would perpetuate this injustice.
This is wonderful. I’m very impressed. Boccherini requires tremendous variety in color and articulation and this is interesting throughout. I have stopped my work to listen. Very well done!
This Boccherini Quintet is a compilation by the editor Johann Lauterbach (source: IMSLP): Movement I is the 1st movement of G.349, movement II is an arrangement of the 3rd movement of G.314 transposed and the 3rd movement of G.318, movement III is the 3rd movement of G.325, and movement IV is the 4th movement of G.310. (From Michael Zapf - buried in comments)
Sì, Boccherini, da due secoli a questa parte, non riceve la considerazione che merita. Come se il fin troppo famoso minuetto dell'opera 11, n. 5, avesse concentrato tutta l'attenzione, distogliendola dalle altre più che cinquecento composizioni, molte delle quali veri capolavori. Ovviamente, non è colpa del minuetto, ma del concorso negativo di varie circostanze, fra le quali il fatto che i musicisti italiani si sono dispersi in Francia, Austria, Inghilterra, Spagna .... : stati più grandi degli staterelli della Penisola e, quindi, più in grado di offrire mezzi di sussistenza e prospettive di carriera. Aggiungiamo che deviare dai luoghi comuni - come ad esempio quelli su Boccherini - sottraendosi ai dilaganti conformismi, costa impegno, fatiche e lotte ...... Io sto (anche) con Boccherini, Geminiani, Domenico Scarlatti, Cirri .....
This Boccherini Quintet is a compilation by the editor Johann Lauterbach (source: IMSLP): Movement I is the 1st movement of G.349, movement II is an arrangement of the 3rd movement of G.314 transposed and the 3rd movement of G.318, movement III is the 3rd movement of G.325, and movement IV is the 4th movement of G.310
Michael Zapf why? Why not just play the original quintet complete instead of choosing random movements? If a particular movement is weak, just don’t play it. The A major cello sonata is frequently performed without the final movement. As a matter fact, I have never heard it performed WITH the final movement, Even though it is very charming.
@@PTCello Afaik, the only existing recording of op.42 No.2 is by the Vanbrugh Quartet with the addition of Richard Lester on cello 1. Recorded in 2002 on Hyperion CDA67383, it has been out of print, but used copies do appear now and then.
These players deserve to have their names inscribed in the Akashic Records, not consigned to the dung heap.
I cannot without apology share this music to my group, as that would perpetuate this injustice.
Браво! СУПЕР 👍 СПАСИБО!
Андрей Ефимов. Харьков. Украина. Канал традиций эстрадной музыки
Excelente sonoridade, coesão, dinâmica. Excelentes intérpretes!
Love the gentle cello portamento in the second movement.
BTW, first cellist and first violinist seem to have very fine instruments.
sicuramenti bravi/ ma si sente malissimo/o è meglio dire che è pessima la registrazione!?/ ciao Y.Q.
This is wonderful. I’m very impressed. Boccherini requires tremendous variety in color and articulation and this is interesting throughout. I have stopped my work to listen.
Very well done!
Their wonderful performance embodies the musical aesthetics of Boccherine.
They are Alchemists generating impression and comfort and pleasure
This Boccherini Quintet is a compilation by the editor Johann Lauterbach (source: IMSLP): Movement I is the 1st movement of G.349, movement II is an arrangement of the 3rd movement of G.314 transposed and the 3rd movement of G.318, movement III is the 3rd movement of G.325, and movement IV is the 4th movement of G.310. (From Michael Zapf - buried in comments)
P
10:32 grave
15:05 RONDO
Adding to favourites. Boccherini doesn't get the attention he merits. Good performace too.
Sì, Boccherini, da due secoli a questa parte, non riceve la considerazione che merita. Come se il fin troppo famoso minuetto dell'opera 11, n. 5, avesse concentrato tutta l'attenzione, distogliendola dalle altre più che cinquecento composizioni, molte delle quali veri capolavori. Ovviamente, non è colpa del minuetto, ma del concorso negativo di varie circostanze, fra le quali il fatto che i musicisti italiani si sono dispersi in Francia, Austria, Inghilterra, Spagna .... : stati più grandi degli staterelli della Penisola e, quindi, più in grado di offrire mezzi di sussistenza e prospettive di carriera. Aggiungiamo che deviare dai luoghi comuni - come ad esempio quelli su Boccherini - sottraendosi ai dilaganti conformismi, costa impegno, fatiche e lotte ...... Io sto (anche) con Boccherini, Geminiani, Domenico Scarlatti, Cirri .....
@@adrianoamadei2282 Indeed. I wonder how the world would now regard him had he remained in Vienna for his whole career.
@@adrianoamadei2282
Miglior comentario! Complimenti!
What piece is this?
This is his Op. 42, No. 2 quintet.
This Boccherini Quintet is a compilation by the editor Johann Lauterbach (source: IMSLP): Movement I is the 1st movement of G.349, movement II is an arrangement of the 3rd movement of G.314 transposed and the 3rd movement of G.318, movement III is the 3rd movement of G.325, and movement IV is the 4th movement of G.310
@@andrewhcit only the first movement is Op.42 No.2 (=G.349)
Michael Zapf why? Why not just play the original quintet complete instead of choosing random movements? If a particular movement is weak, just don’t play it. The A major cello sonata is frequently performed without the final movement. As a matter fact, I have never heard it performed WITH the final movement, Even though it is very charming.
@@PTCello Afaik, the only existing recording of op.42 No.2 is by the Vanbrugh Quartet with the addition of Richard Lester on cello 1. Recorded in 2002 on Hyperion CDA67383, it has been out of print, but used copies do appear now and then.