@@Discerning_Viewer and a shitty consumer makes the world ugly. Let me give you a question and you answer. Who is the trash here? No need to answer. Because you are the trash here. Fuck off with your sweet music
@@Discerning_Viewer well you know, you couldn't be .ore wrong. You might not like his teaching styles but it is highly effective. Watch any interview with him. Then watch some with Galway.... You will discover that Pahud more respect to the flute. And Pahud is the one, who has the widest color palette, so he is the one, who can give meaning to the music. He is the one, who can play artistically. He plays music. (And sometimes completely screws up the interpretation, like the Mercadante)
Je me souviens l'avoir vu jouer ce concert à Madrid il y a quelque temps. C'était magique, j'étais Au premier rang... dès les premières notes j'ai tremblé en le voyant jouer tout le concert par coeur!!!! C'était très très impressionant.
j'ai la chance de le voir tous les étés depuis 25 ans dans le cadre de la musique de chambre au château de l'empéri à Salon de Provence, talentueux et sympathique
Senza dubbio il flautista più bravo al mondo, la sua musica è qualcosa di incredibile il suono così pulito e la tranquillità con cui fa passaggi molto complicati. . . Davvero una persona da cui prendere spunto.
I first heard this in a concert about 25 years ago, played by James Galway. It's an adaptation (not sure if actually by Khachaturian) of his violin concerto.
I also love sir James Galway's performance,his sound is much more closer in my opinion to the pure and gentle sound of the violin,as this concerto was written for violin originally .I love the warmth and kindness in his sound ,I love listening his recordings with headphones on and do dream travelling with closed eyes .And each time a blossoming smile on my face shows.I enjoy all the small surprising things he always somehow manage to master and put exactly there,at the right place, where no one else does .I love hearing sir James.In those moments of joy I feel grateful I am alive and on This Earth. Khachaturian concerto is a beautiful,beautiful music !
5 років тому
It is by non other than Jean Pierre Rampal, but he arranged it upon a suggestion of Katchaturian himself.
@@petyavasileva8594 LOL, you made my day! I did not have so great laughs in months! Galway and good tone XD His ambochour and tone are fucked up... He limits his dynamics, emotions by the horrible angle and the closed throat (that horrible vibrato)
Always when there's a little echo in the room...or the flute is over a mic...they help to improve resonance....obviously playing very good it helps to this too...im flutist and every flutist knows it....
Otherwise you cannot be heard. He has total control over it... (And honestly, it is incredibly hard to play like this. A handful of flutist can play it like this...)
I believe he is using that type of tone color in the low register on purpose; to make it sound rough on the edges and aggressive as the piece itself is.
I agree, but I am pretty sure he did it on purpose, because otherwise he could have stood no chance against the whole orchestra, and since it was a solo part, it was certainly necessary. Plus, it creates a very beautiful color that matches the musical moment in which he uses it.
@@azizchahbi3538 Definitely not a clarinet. Especially cause it has more of a flute like tone while having a bit of wood in the sound. So it's an oboe.
Carlos Teixeira My thoughts exactly before I even looked at the comments. But more so it looked to me like the orchestra was aware and trying to follow him, but the conductor didn't appear to know the piece well enough, had his head in the score, and was conducting behind.
I think the only problem in his opening solo - which a violinist wouldn't have, of course - is his need to grab several breaths, which interfered with the flow but not the tempo.
You may be right, Arnaud, but it seems to me that he's just trying to play with maximum intensity and volume. If that results in the low and middle Ds sounding at the same time then yes, that's a multiphonic, but it's happening mostly on the low Ds. The other notes (E thru A) are just edgy, emphasizing the harmonic octave, but don't really deserve to be called multiphonics (IMO). It may be just a distinction without a difference!
leo5208 Well, I saw him in masterclass teaching this particular piece and he said that he tried to hit both the notes at the same time. He even asked the student to try several times to do so, without success. He also explained that every flautist needed to master this place in the embouchure where the two notes were produced simultaneously in order to imutate the octave, so I am right and these are really multiphonics :)
@som Slovaak he is not forcing it. In fact these notes are as beautiful as it gets. Remember, you have to overcome an entire orchestra with the lowest notes, which are the most delicate and quietest. Tbh, it is pretty darn hard to get the low notes speak with this clarity and dynamics.
@som Slovaak forced is not equal to pushed hard. A forced note/tone comes from unnecessary tension. If you have any, you are not able to play those notes (take for example Galway. He is physically unable to play those notes with the correct dynamics, so he changed the score, because he can do that....). The flute is being pushed to its limit, but not with a forced tone...
@som Slovaak I don't agree with you. I've listened to the festival of new music (live, unedited concert from 2020 july) and he was fabulous. There is no perfect concert, he makes mistakes (who doesn't), but still, there is no one, who can match his tone quality.
No. He could not make the dynimics.... He is good with one piano. However he would get lost with an orchestra... This performance is not his best, but this is way better then Dennis ever will be.
Well, there are cracks. However they can be used to simulate the violin (accords). But the flute is definitely at her physical limit, so she will not be as perfect/calming as usual
Oui, la tête est signée « Salvatore Faulisi », en or 22Kt, faite spécialement pour lui, bien évidemment. C'est un instrument d'exception pour un musicien exceptionnel.
@@SuryanIsaac Si vous avez une excellente technique d'embouchure, l'or apporte une certaine profondeur au son ; une couleur sombre que j'apprécie beaucoup ( je suis moi aussi un heureux client de Salvatore Faulisi ). Si vous n'avez pas un très bon niveau ( professionnel ou en capacité de l'être ), ça n'apporte strictement rien ; ça peut même devenir un inconvénient du fait que les flûtes professionnelles sont plus pointues que les modèles plus communs et donc souvent plus difficiles à jouer pour un étudiant. Une autre remarque importante, c'est que les meilleures flûtes en argent sonnent souvent bien mieux que ces mêmes flûtes fabriquées dans des alliages pauvres en or, type 5~9Kt. En conclusion, ce n'est pas parce qu'une flûte est en or qu'elle sera mieux pour vous ni même qu'elle sera mieux dans l'absolu.
@@alexandrechatty5439 Bien sûr! Ce n'est pas la flute, c'est la flutiste. Pour qui ne peux pas la jouer bien, le flute en or est la meme d'un flute en plastique. Je dois pratiquer beaucoup!! Désolé pour mon français. Je ne suis pas de France.
1:00 -1:19 Brrr...; what an awful sound; everything is pushed, everything is forced, it`s all affectation; where the beauty and characteristic of the flute-tone is altogether lost. SAD! It really sounds more like a trombone or a trumped heard in the distance here. On top of that, he seems everything else but relaxed. It reflects today`s "style" of playing: always louder, always faster!
Pahud meant it to be like that. In the violin score ,there's a sul G indicated in that part meaning all the notes in that specific part are to be played on the G string ONLY to achieve the rather intense / breaking effect.
I can't possibly be the only one who says we need an Emmanuel Pahud is my homeboy T-shirt
Pahud is a master. That first cadenza is simply astonishing... as is every bit of the rest of the performance! Just wow!!!!
fgorlando I have parts of the ritornello stuck in my head. Listening to him is like poetry.
Nathan Wood Agree!
He narrates the history with the flute. I felt many things from my own culture.
Onun için haçaturyan'a teşekkür et, bestesi çok anlamlı
This is how you make music! A true artist and the greatest flutist since Rampal.
If by "greatest" you mean greatest ego that eclipses "artistry" then oh, yeah -- he's got that. Attitude makes the sweetest music ugly.
@@Discerning_Viewer Really! What is your problem... I hope you are not a flutist
@@Discerning_Viewer and a shitty consumer makes the world ugly. Let me give you a question and you answer. Who is the trash here? No need to answer. Because you are the trash here. Fuck off with your sweet music
@@flutefury hopefully he isnt any music in any case having him around as a “fellow” gives a bad tatse in my mouth
@@Discerning_Viewer well you know, you couldn't be .ore wrong. You might not like his teaching styles but it is highly effective.
Watch any interview with him. Then watch some with Galway....
You will discover that Pahud more respect to the flute. And Pahud is the one, who has the widest color palette, so he is the one, who can give meaning to the music. He is the one, who can play artistically. He plays music.
(And sometimes completely screws up the interpretation, like the Mercadante)
Sounds out of this world with the speed and animated flow. WOW! Refreshing and brings out the imagination by just listening.
Je me souviens l'avoir vu jouer ce concert à Madrid il y a quelque temps. C'était magique, j'étais Au premier rang... dès les premières notes j'ai tremblé en le voyant jouer tout le concert par coeur!!!! C'était très très impressionant.
Ce n’était pas par cœur il lit la partition sur une tablette
Magnifique interprétation de ce très beau concerto si peu joué dans notre pays! Quel talent, toute mon admiration!
Pure energy... thanks for uploading!
WOW..........its great to hear Pahud play so agressively...........LOVE IT............BRAVO
ついにパユもリーフレックつけるようになったんだ！
何気に楽譜がiPadやし笑
おっしゃれー
OMG THE 1ST CADENZA SOUNDS SOOOO PRETTYYYYYY
C'est tellement expressif et magnifiquement interprété !! Bravo !!!
Very, very difficult piece played by an absolute maestro on the flute.
j'ai la chance de le voir tous les étés depuis 25 ans dans le cadre de la musique de chambre au château de l'empéri à Salon de Provence, talentueux et sympathique
Super low notes at 0:50 sounds so amazing
If I didn't know better, I'd say that flute isn't a separate entity.
Its the violin concerto transcribed for flute.
It's sooooooo crazy😍😍😍😍😍
Crazy and wonderful.... :-)
Entranced by this incredible talent
Пахуд абсолуд!
Lo straordinario Flauro di Emmanuel Pahud!
Senza dubbio il flautista più bravo al mondo, la sua musica è qualcosa di incredibile il suono così pulito e la tranquillità con cui fa passaggi molto complicati. . . Davvero una persona da cui prendere spunto.
I wonder how much and small the notes are, for him to do that much! I'm not very good at flute I've only practiced a year this is my second year rn.
I first heard this in a concert about 25 years ago, played by James Galway. It's an adaptation (not sure if actually by Khachaturian) of his violin concerto.
I also love sir James Galway's performance,his sound is much more closer in my opinion to the pure and gentle sound of the violin,as this concerto was written for violin originally .I love the warmth and kindness in his sound ,I love listening his recordings with headphones on and do dream travelling with closed eyes .And each time a blossoming smile on my face shows.I enjoy all the small surprising things he always somehow manage to master and put exactly there,at the right place, where no one else does .I love hearing sir James.In those moments of joy I feel grateful I am alive and on This Earth. Khachaturian concerto is a beautiful,beautiful music !
It is by non other than Jean Pierre Rampal, but he arranged it upon a suggestion of Katchaturian himself.
@@petyavasileva8594 LOL, you made my day! I did not have so great laughs in months!
Galway and good tone XD
His ambochour and tone are fucked up... He limits his dynamics, emotions by the horrible angle and the closed throat (that horrible vibrato)
@@alhdgyszangle does not really matter as long as you are in coordination with where you are holding it
Is he using a tablet for sheet music?? That's so cool
Yeah but WTH is he making his written markings on?
DOES HE EVEN MARK?!?!?!?
Saulo Vieira you can annotate on iPads with the Apple pencil
Cause then he started playing Super Mario Bross with it..
와....ㄹㅇ미쳤다....♥
Always when there's a little echo in the room...or the flute is over a mic...they help to improve resonance....obviously playing very good it helps to this too...im flutist and every flutist knows it....
Over a mic? What's that mean
Well, I'm a professional flutist and I honestly can't figure out what you mean...
I'm a pro flutist as well and i can't even figure out how he does that
He had a mic beside him for sure.
Awesome!!!
パユは神
This performance shows what Pahud can do when he is not constrained by convention and public opinion.
Taking the flute to the physical limits.
Fantastic
Do I see a Lefreque? Such a master of the flute , amazing
why that didn't get a standing ovation I'll never know.
Because it's considered rude to applause between movements....
@@alhdgysz my ignorance now on full display, thank you.
어려워요!그러나!매우저의마음을맑고청량하게만들어요!
Merci !
Pahud finds the saber within the flute.
Sound little bit “forzato” and not always so nice in the low register, but very nice technique and musicality. Great The energy and the colour.
Otherwise you cannot be heard.
He has total control over it... (And honestly, it is incredibly hard to play like this. A handful of flutist can play it like this...)
I believe he is using that type of tone color in the low register on purpose; to make it sound rough on the edges and aggressive as the piece itself is.
@@fluteoboe101 this is the side affect of being loud.
I agree, but I am pretty sure he did it on purpose, because otherwise he could have stood no chance against the whole orchestra, and since it was a solo part, it was certainly necessary. Plus, it creates a very beautiful color that matches the musical moment in which he uses it.
Plus you must admit that it is incredibly hard to keep that tone color without breaking to the upper register.
MAESTRO!!!
Monstro da flauta
This fab concerto was originally written for violin.
2:43 poor oboe solist
Isn't it actually a clarinette?
Aziz Chahbi no it is an oboe
@@azizchahbi3538 Definitely not a clarinet. Especially cause it has more of a flute like tone while having a bit of wood in the sound. So it's an oboe.
It didn't sound so bad ahahah XD
@@Souadani310 no it didn’t but he must have been very nervous xD
👏👏👏
C'est joli :0
Блондиночка на первом пульте первых скрипок так очаровала-съ солистом, влюбила-съ, наверное
master
Wow
S U P E R . . .! ! ! B R A V O . . . ! ! !
Wonder which foot page turner?
どうなんだろう？ハチャトゥリヤンに、聴かせたい。なんて、いうだろうか？
Did he just do the first movement??
Yes. There are 2 other movements.
Felt like he was rushing it in the beginning, just a little!
Eric B. Maybe the orchestra was dragging...
Eric B 5
Definitely looked like he was trying to get the orchestras attention. Speed them up or just follow him...
Carlos Teixeira My thoughts exactly before I even looked at the comments. But more so it looked to me like the orchestra was aware and trying to follow him, but the conductor didn't appear to know the piece well enough, had his head in the score, and was conducting behind.
I think the only problem in his opening solo - which a violinist wouldn't have, of course - is his need to grab several breaths, which interfered with the flow but not the tempo.
Is he playing multiphonics?
No. It sounds like the actual fundamental low notes to me, and he does an amazing job pounding them out.
Yes. He plays between notes to imitate the short octave in the violin part
You may be right, Arnaud, but it seems to me that he's just trying to play with maximum intensity and volume. If that results in the low and middle Ds sounding at the same time then yes, that's a multiphonic, but it's happening mostly on the low Ds. The other notes (E thru A) are just edgy, emphasizing the harmonic octave, but don't really deserve to be called multiphonics (IMO). It may be just a distinction without a difference!
leo5208 Well, I saw him in masterclass teaching this particular piece and he said that he tried to hit both the notes at the same time. He even asked the student to try several times to do so, without success. He also explained that every flautist needed to master this place in the embouchure where the two notes were produced simultaneously in order to imutate the octave, so I am right and these are really multiphonics :)
Arnaud Simard-Chabot wow! That’s so interesting he teaches that to mimic the violin. He really plays all the notes to the limit in the opening
❤️💕❤️💕❤️💕❤️💕
Impressionant
Wonderful!
I love his playing. But when I saw him in recital his tone didn't seem quite so spread.
I agree it felt like something was missing
What do you mean? I'm always interested in how players sound live
@@gcg8187 he seems a bit stucked in the Technic and not much in the music but maybe it was just my impression
@@louise8383 ah I see
He has the best flute tone today. However he is a human, so he cannot perform everytime at a 100%
I think he has a Lefreque on his flute. I bought them as well. I would think he has the real expensive ones. hahahah
ahah oh yes for sure. But probably he got it as a gift from LefreQue :D
Chiollodario No, he bought them.
Complete baloney… Fortunately, he’s seldom seen with these in videos here…
what thing he has in headjoint?
Looks like a LefreQue.
It is LefreQue. :)
요정들이사는음악
🙏🙏🙏♥️♥️♥️🎶🎶🎶👏👏👏👏👏👏
Brilliant! Nur in der Cadenza könnte man armenische Intonation einbauen
His low notes they sound at its limits and like some kind of distortion ot bad microphonated.
@som Slovaak he is not forcing it. In fact these notes are as beautiful as it gets. Remember, you have to overcome an entire orchestra with the lowest notes, which are the most delicate and quietest.
Tbh, it is pretty darn hard to get the low notes speak with this clarity and dynamics.
@som Slovaak forced is not equal to pushed hard.
A forced note/tone comes from unnecessary tension. If you have any, you are not able to play those notes (take for example Galway. He is physically unable to play those notes with the correct dynamics, so he changed the score, because he can do that....).
The flute is being pushed to its limit, but not with a forced tone...
@som Slovaak I don't agree with you. I've listened to the festival of new music (live, unedited concert from 2020 july) and he was fabulous.
There is no perfect concert, he makes mistakes (who doesn't), but still, there is no one, who can match his tone quality.
@som Slovaak I know this recording
영화음악같은!판타지
loveyou
Denis Bouriakov's interpretation of this same violin concerto is like 20 times better, in all areas: sound, phrasing, technique...
No. He could not make the dynimics....
He is good with one piano. However he would get lost with an orchestra...
This performance is not his best, but this is way better then Dennis ever will be.
His tone seemed a b it too harsh here... something off.
I was looking for this comment! It permanently sounds like he's going to crack a note, and I actually heard a few cracked notes! Very unlike Pahud..
@@AnthonieMusic Even the best can have a bad day.
I thought the cracks added on to the aggressiveness and beauty of the piece.
You re right, but those imperfections are quite beautiful here. At least to me
Well, there are cracks. However they can be used to simulate the violin (accords).
But the flute is definitely at her physical limit, so she will not be as perfect/calming as usual
pahud c est rampal + une tablette
Il a une flûte en or ?
Oui, c'est en or
Oui, la tête est signée « Salvatore Faulisi », en or 22Kt, faite spécialement pour lui, bien évidemment. C'est un instrument d'exception pour un musicien exceptionnel.
@@alexandrechatty5439 Je veux une flûte en or. Je pense d'une flûte en or tout le temps. Mais ce sont très chères.
@@SuryanIsaac Si vous avez une excellente technique d'embouchure, l'or apporte une certaine profondeur au son ; une couleur sombre que j'apprécie beaucoup ( je suis moi aussi un heureux client de Salvatore Faulisi ). Si vous n'avez pas un très bon niveau ( professionnel ou en capacité de l'être ), ça n'apporte strictement rien ; ça peut même devenir un inconvénient du fait que les flûtes professionnelles sont plus pointues que les modèles plus communs et donc souvent plus difficiles à jouer pour un étudiant.
Une autre remarque importante, c'est que les meilleures flûtes en argent sonnent souvent bien mieux que ces mêmes flûtes fabriquées dans des alliages pauvres en or, type 5~9Kt.
En conclusion, ce n'est pas parce qu'une flûte est en or qu'elle sera mieux pour vous ni même qu'elle sera mieux dans l'absolu.
@@alexandrechatty5439 Bien sûr! Ce n'est pas la flute, c'est la flutiste. Pour qui ne peux pas la jouer bien, le flute en or est la meme d'un flute en plastique. Je dois pratiquer beaucoup!!
Désolé pour mon français. Je ne suis pas de France.
The applause was so dead. OMG What a shame.
Jon Dishmon Music and STUFF!! well i mean this was only the 1st movement, it’s not the end end of the piece
They shouldn't applause here, it was only 1st movements. There is the recording of whole concert on youtube if you want ;)
Awesome performance. Way cranked up on the flute that the balance is a bit disturbing.
1:00 -1:19 Brrr...; what an awful sound; everything is pushed, everything is forced, it`s all affectation; where the beauty and characteristic of the flute-tone is altogether lost. SAD! It really sounds more like a trombone or a trumped heard in the distance here. On top of that, he seems everything else but relaxed. It reflects today`s "style" of playing: always louder, always faster!
Grab a flute and hit those notes/multiphonics with enough dynamics to overcome the orchestra!
After you have done it, you can judge...
Consider the concerto he is playing before you say that.
Pahud meant it to be like that. In the violin score ,there's a sul G indicated in that part meaning all the notes in that specific part are to be played on the G string ONLY to achieve the rather intense / breaking effect.
Great performance, but the piece is way too quadratic in my opinion
yeah it would sound nicer cubed
@@gcg8187 Exponentially!!
Что за глупость...флейтовый концерт Хачатуряна?
Хачатурян не писал концерт для флейты...
Это - скрипичный концерт..
Transcribed by Jean Pierre Rampal
He seems to be struggling with the interpretation taking breaths at the wrong places