You have no idea how much I appreciate both of you guys. Is that wrong ? I don’t care. What I really want is the most options in the smallest and lightest package 😉
I used to work in Radio and we used this in our production studio for commercials. This is the first time I have heard it on it's own and not on an album. Great demo that brings me back in time to my crazy Radio days. Peace, Love and Music ★♫☮Doc★♫☮🎸
7 seconds in, like button clicked, chuckling like a chucklehead. Happy Saturday. :) Digging the shout-out to 5 Watt World. Wearing my 5WW shirt today. Plus, so many "big rack" references today...
I've got an Eventide H3000 SE. It has the Steve Vai mod and the Mod Factory mod and the Loop Factory mod. Other Eventide platforms are good, but they just don't sound as good as the H3000 platform (to me).
@@vaughanmacegan4012 dude, it's become a fetishist thing and an object for collectors and dealers. To be honest there are a ton of rack effects units from the late 80s and Early 90s that have comparable FX and which are still cheap as hell.
@@italoop7850 you can get great tones from the plugin if you know how to use it. If you are just messing with presets and don't know how to get good sound out of your DAW, then yeah, it's pretty meh. I think the plugin is amazing. You have much more immediate control than with the box. The H3000 is great and it's legendary, but it's become too much of a fetishist collectors item. People buy them to display in their rack and never use them. Prices are ridiculous. These things used to sell for a few hundred bucks a few years ago. Definitely NOT WORTH $3000 In my opinion.
That was fun, thanks! I still have the H3000 SE in the studio alongside my Roland Dimension D and a couple of old single rack Lexicons - some stuff you just can't let go no matter what super duper plug-ins turn up 😀
Eventide is the gold standard for live vocals. Eventide units that are on timed triggers and mixed with MR are the heart of every pro concert live vocal. It is usually used “transparently” to thicken singers’ voices for choruses, add reverb / delay and there is usually some added pitch correction. It is often used with sidechained MR (sometimes prerecorded at the venue during soundcheck) fed into the same FX chain to provide a super consistent experience. (Most people these days just MR their way through the chorus because they are dancing or not reliable/good singers with pop music these days being even more of a modeling business than a music business). Despite being used in the live show vocal rack for years, Luke Steel from Empire of the Sun was someone who really made it more famous for singers by using it way more obviously and more like an FX pedal. By having a second microphone he switched to instead of relying on a fixed time based trigger system ... he would show off his fancy Eventide. The new 9000 is beyond amazing, so powerful and only slightly less complicated than a warp core of a starship. The Base unit for the 9000 starts at 7k USD, so it is still not an accessible device for your average garage band, but big name tours will usually have at least one of these (usually two or more) and you will see eventide at big studios.
A while back I left you a comment that since you are making these awesome 1980's rack effects videos, you should make a video of the Eventide H3000 D/SE Ultra Harmonizer. I am super excited to see that you have made a video on this! And I haven't even watched this yet! I bought this exact model new when it came out. The only way I am going to let this go is when it is pried from my cold dead fingers! Thank you Micheal! Your channel is mythical!
I had one of these back in the day. My rack wasn't too complicated but it did quite a bit: Yamaha Rev 7, which was on all the time, TC 2290 and the Eventide, then the switcher, line mixer and foot controller and that was about it.
For such an Iconic piece of gear there's isn't much in the way of videos about it especially guitar wise. Mostly just synth videos or some guy playing a loop through it running through all the presets with no flux to the playing or sounds. So this videos is amazing and I love that all the sounds that makes your faces cringe with horror are all the sounds that I loved haha!
I would like to apologize in advance to my wife and kids for how many times I come back to this video and watch. Every. Single. Patch. I’m not gonna lie, it’s gonna be rough. I thought I was going to make it out alive until Symphonic Chorus. Then... SEVERE GAS ENGAGE. Thank you for this video. Especially for your playing which is just perfect and highlights each patch as the good lord intended. So great.
Oh man, such a cool box. So many of my favorite 90s records talk about using the H3000. Smashing Pumpkins, etc. I remember just a few years ago these were going for about $1k, sometimes $800. I should have bought one then!
Cool demo! Love my H3000 /DSE. My first impression when i got the H3000 is that even it is a digital unit, but it sounds very warm and has that analog kind of feel... :D
That is an incredible machine. It does things I don't understand how they are possible. And the best part is, back when this was made, computing power was nothing like it is now. The computers were like Jurassic period stuff... and yet they accomplished this.
One of my favorite units if not my favorite. I believe that every self-respecting studio has at least one. Always beautiful and interesting your videos Michael!
This is the problem with these things. That's the prevailing attitude, "every good studio should have one." They proudly display it in their rack, but never touch it. Now the speculators, investors, collectors and dealers are jacking prices up to ridiculous levels out of the reach of artists who could and would actually use them.
@@machinelanguage5108 Hi, I agree with you about the rise in prices also with regard to used machines obviously out of production. But I was referring to great studios and great Sound/Mix Engineers. I highly doubt that someone like Chris Lord-Alge, Joe Barresi or Michael Brauer just to name a few have one just to show it. I believe this is not the case. I can believe that maybe they can use it for one effect only. I can believe this.
Bear in mind it was designed to live on an insert on a mixing console (on a send track), hence the xlr in and out....some of the patches were never meant to be 100% wet....
I remember seeing Lukather's rack and laughing. Now I'm in awe. I had a vintage Marshall, a TS-10, and a DD3. Now I run 3 delays 3 overdrives clean boost 2 choruses 3 reverbs etc. Luke would be proud of my rig!!
Takes true talent to make all of these sounds sound "musical" ....I mean we know there are many that are based in "normal" parameters but those handful of "out there" patches that people like Via can take the listener to someplace not even considered....amazing gear
When I was a kid, I used to harass the Eventide’s guys to send me the big trifold leaflet info packet and I’d cut out the pic and stick it on my rack above my crappy ART unit. 🤣 as an adult I finally have them. My 3000-S still works but the soft keys are definitely wearing. My 3000SE is still going strong and I favor my GTR4000 the most. Still use it today! Love these things... also use their Pitch Factor on my main board too...
Man I love this channel! When and why I started playing! Brought back my passion...I have hundreds 9f my guitar mags still....this was like the ultimate rack that only Rockstars had! Is there anything that is close to this ?
34 year old technology, 16 bit DSP and still highly regarded. Many still prefer this to the new H9000. The one's that made me drool most were 11:57 Dense Room 22:52 Room of Doom which reminds me of the theme song from the movie "Top Gun". As usual, most Factory Presets always sound too wet for me, but totally appreciate the amazing effort, even though your gloating about beating my fellow Aussie mate Leon to the pole position.
I had one of these back in the day. $2000 I had a rocktron intellifex that I picked up used for less than 500 that sounded just as good and didn’t require a old phone book sized manual🤣
Just to give folks an idea of a different definition of multi-fx the H3000 represents... There are 11 algorithms you can use for chorus and none of them is named "chorus"! They all sound fantastic. 17 different algorithms can be used for delays! Reverb? 9 algorithms and most of them are unknown to be able to do that.
Have you seen rthe specs on the new H9000? That thing is a goddamn collossus. You could get lost in that things settings for *years* (And you pay for it. Its $10K worth of effect rack)
11:35 this is the signature H3000 sound for me. Patch Factory and the following Stutter. The H3000 is full of these. Great for playing around with when you're stoned, but in practical application most of the presets are just pretty unusable. It's become one of those units that everyone feels the need to buy and proudly display in their rack, but which they never touch after using it once when they first get it.
Cool unit, I'll probably never own one but I do have the Digitech DHP33 which is often referred to as the poor man's version but was also used by Via I believe.
Gtr is not perfectly in tune. the H3000 pitch detector shows you the note and its tuning in cents. I read notes being out of tune like -35 cents or even 50. That's one reason for the glitches you may hear as the software is trying to correct that. Diatonic shift needs a well tuned input signal. 50 cents off is a quarter of tone... a LOT! Quantize can help! And setting the Low and High notes parameters really optimizes pitch shifting latency because the pitch detector will know what to expect. Also the first two dozen presets are the bare algorithms rather than real tweaks. You want to hear good reverb? Look past the algorithms... Pitch shifting is not polyphonic! You may have some luck with 3rds and 5ths but chords are not the thing. The multi-fa thing....A Quadraverb or LXP15 from the same age would do more effects at the same time, like delay+chorus+reverb and something else. The H3000 doesn't. It's a highly specialized multi-fx working on SINGLE effects, so you have a veriety of algorithms doing one thing at the time. You can get a couple of effects, like modulation and delays using the modular algorithms or a few other ones, which work as environments rather than single block effects. That's pretty much the same concept of multi-fx of the PCM70. The H3000 runs thre processors in parallel and each effect shines because of that, the number of parameters is amazing, the internal parameters modulation sources do great things (Function generator/input signal/etc.) and tone is amazing. owed to a greatly designed analog input section. The stereo spread is unique. You want reverb? ua-cam.com/video/lfEPVyiNDQk/v-deo.html or ua-cam.com/video/EMCZ9g7EbBg/v-deo.html It's a deep machine, requiring time to learn before anything.... and yes, input signal is way too low.... A lot more examples the H3000 can do: www.italodeangelis.com/it/eventide_and_other_stuff/eventide_H3000.asp
Where was the Steve Vai "Just Like Paradise" patch? I waited all video for it and never got it! Is there a reason why you didn't show/use/discuss the plugin version?
"...the _least_ amount of music from the _most_ amount of gear!" Hilarious! I'm sure that Keith laughed out loud at that take on his channel! :D
That was so funny. I really hope Keith sees it, I’m sure he would laugh like crazy.
That describes my guitar "playing" so perfectly. 😂
Gold. I immediately hit the like button after hearing that.
most amount of copyright strikes from the least amount of gear lol
You have no idea how much I appreciate both of you guys. Is that wrong ? I don’t care. What I really want is the most options in the smallest and lightest package 😉
Best. Intro. Ever.
Man, the H3000 literally sounds like albums!
The geniuses behind the H-3000 went on to form Soundtoys who make EchoBoy and Primal Tap and Crystalizer.
Soundtoys is great! I didn't realize it was the same people... that makes a ton of sense.
I saw the title and was like “ohhh Shhhhhhhhiiii” , this along with the 2290 were always like god status to me as a kid
That was so fun.
Mental image of Leon shaking his fist, "Nielsen!!!!!"
I used to work in Radio and we used this in our production studio for commercials. This is the first time I have heard it on it's own and not on an album. Great demo that brings me back in time to my crazy Radio days. Peace, Love and Music ★♫☮Doc★♫☮🎸
7 seconds in, like button clicked, chuckling like a chucklehead. Happy Saturday. :) Digging the shout-out to 5 Watt World. Wearing my 5WW shirt today. Plus, so many "big rack" references today...
My god, I always wanted this. Always. Unobtainable. Passion and Warfare sound.
Well, the plugin version isn't prohibitively expensive @ $350 USD
@@vaughanmacegan4012 But it's nowhere close to the hardware. Most algorithms are missing and tone isn't...ehm... there!
I've got an Eventide H3000 SE. It has the Steve Vai mod and the Mod Factory mod and the Loop Factory mod. Other Eventide platforms are good, but they just don't sound as good as the H3000 platform (to me).
@@vaughanmacegan4012 dude, it's become a fetishist thing and an object for collectors and dealers. To be honest there are a ton of rack effects units from the late 80s and Early 90s that have comparable FX and which are still cheap as hell.
@@italoop7850 you can get great tones from the plugin if you know how to use it. If you are just messing with presets and don't know how to get good sound out of your DAW, then yeah, it's pretty meh. I think the plugin is amazing. You have much more immediate control than with the box. The H3000 is great and it's legendary, but it's become too much of a fetishist collectors item. People buy them to display in their rack and never use them. Prices are ridiculous. These things used to sell for a few hundred bucks a few years ago. Definitely NOT WORTH $3000 In my opinion.
Best UA-cam gear channel
I have based my entire time as a guitar player around the least amount of music from the most amount of gear. Bless you sir.
That was fun, thanks! I still have the H3000 SE in the studio alongside my Roland Dimension D and a couple of old single rack Lexicons - some stuff you just can't let go no matter what super duper plug-ins turn up 😀
What an awesome sounding box. Michael this is right up your alley.
Eventide is the gold standard for live vocals. Eventide units that are on timed triggers and mixed with MR are the heart of every pro concert live vocal. It is usually used “transparently” to thicken singers’ voices for choruses, add reverb / delay and there is usually some added pitch correction. It is often used with sidechained MR (sometimes prerecorded at the venue during soundcheck) fed into the same FX chain to provide a super consistent experience. (Most people these days just MR their way through the chorus because they are dancing or not reliable/good singers with pop music these days being even more of a modeling business than a music business). Despite being used in the live show vocal rack for years, Luke Steel from Empire of the Sun was someone who really made it more famous for singers by using it way more obviously and more like an FX pedal. By having a second microphone he switched to instead of relying on a fixed time based trigger system ... he would show off his fancy Eventide. The new 9000 is beyond amazing, so powerful and only slightly less complicated than a warp core of a starship. The Base unit for the 9000 starts at 7k USD, so it is still not an accessible device for your average garage band, but big name tours will usually have at least one of these (usually two or more) and you will see eventide at big studios.
A while back I left you a comment that since you are making these awesome 1980's rack effects videos, you should make a video of the Eventide H3000 D/SE Ultra Harmonizer. I am super excited to see that you have made a video on this! And I haven't even watched this yet! I bought this exact model new when it came out. The only way I am going to let this go is when it is pried from my cold dead fingers! Thank you Micheal! Your channel is mythical!
Most honest intro for 2021. Love your work!
I had one of these back in the day. My rack wasn't too complicated but it did quite a bit: Yamaha Rev 7, which was on all the time, TC 2290 and the Eventide, then the switcher, line mixer and foot controller and that was about it.
Ohhhhhh man! I cannot wait to see this! I've wanted one of these since Steve Vai's Passion and Warfare! Thank you for this video!!!
For such an Iconic piece of gear there's isn't much in the way of videos about it especially guitar wise. Mostly just synth videos or some guy playing a loop through it running through all the presets with no flux to the playing or sounds. So this videos is amazing and I love that all the sounds that makes your faces cringe with horror are all the sounds that I loved haha!
I would like to apologize in advance to my wife and kids for how many times I come back to this video and watch. Every. Single. Patch. I’m not gonna lie, it’s gonna be rough.
I thought I was going to make it out alive until Symphonic Chorus. Then... SEVERE GAS ENGAGE.
Thank you for this video. Especially for your playing which is just perfect and highlights each patch as the good lord intended. So great.
I live out my ultimate tone fantasies vicariously through your videos.
I used to have one in the early nineties,. Now you made me miss it. The Heaven preset is great as well! Passion & Warfare sounds all over this box
RIP AOD JEFF HANNEMAN who used to use one of the h 3000's series through the years of his legacy. I thought that this
should be mensioned
Oh man, such a cool box. So many of my favorite 90s records talk about using the H3000. Smashing Pumpkins, etc. I remember just a few years ago these were going for about $1k, sometimes $800. I should have bought one then!
Pumpkins! Billy is why I'm here!
Loved the Eddie sounds - the sound that would fit my playing was Dense Room
very interesting demo , thank you Michael
Cool demo! Love my H3000 /DSE. My first impression when i got the H3000 is that even it is a digital unit, but it sounds very warm and has that analog kind of feel... :D
OMG! 95% of the presets sounds beautiful
You killed me with this!!!...My GAS is at the roof now!!!..Cheers Man!
That is an incredible machine. It does things I don't understand how they are possible. And the best part is, back when this was made, computing power was nothing like it is now. The computers were like Jurassic period stuff... and yet they accomplished this.
I don't care how dated they are. I want a refrigerator rack with all of these units!
It’s a timeless unit! 👍🏼
One of my favorite units if not my favorite. I believe that every self-respecting studio has at least one. Always beautiful and interesting your videos Michael!
This is the problem with these things. That's the prevailing attitude, "every good studio should have one." They proudly display it in their rack, but never touch it. Now the speculators, investors, collectors and dealers are jacking prices up to ridiculous levels out of the reach of artists who could and would actually use them.
@@machinelanguage5108 Hi, I agree with you about the rise in prices also with regard to used machines obviously out of production. But I was referring to great studios and great Sound/Mix Engineers. I highly doubt that someone like Chris Lord-Alge, Joe Barresi or Michael Brauer just to name a few have one just to show it. I believe this is not the case. I can believe that maybe they can use it for one effect only. I can believe this.
I dig your Overloud rig packs and the show. 👌✌️🎸
Bear in mind it was designed to live on an insert on a mixing console (on a send track), hence the xlr in and out....some of the patches were never meant to be 100% wet....
Yeah, had to watch this twice. So awesome!
Some sweet sounds out of that beast and some interesting tones as well. Pretty much sums up the 80's!
Love the opening line, hilarious!!
Great video! Trent Reznor had this unit while he was recording The Downward Spiral. It was used on the song 'Closer'.
First 5 mins with that thing sounded like outtakes from Passion & Warfare 😂😂
So legendary even Prince used it in the mid 80s.
The Crystal Echo patch is what George Lynch used on the intro to "She's So Evil" on the first Lynch Mob album. such a cool patch.
I used H3000 mostly on male vocals in the mix, wonderful box indeed.
Loved the Chorus slap!!!
I remember seeing Lukather's rack and laughing. Now I'm in awe. I had a vintage Marshall, a TS-10, and a DD3. Now I run 3 delays 3 overdrives clean boost 2 choruses 3 reverbs etc. Luke would be proud of my rig!!
Takes true talent to make all of these sounds sound "musical" ....I mean we know there are many that are based in "normal" parameters but those handful of "out there" patches that people like Via can take the listener to someplace not even considered....amazing gear
I am totally with you with the intro! (nice homage to 5Ww) :)
When I was a kid, I used to harass the Eventide’s guys to send me the big trifold leaflet info packet and I’d cut out the pic and stick it on my rack above my crappy ART unit. 🤣 as an adult I finally have them. My 3000-S still works but the soft keys are definitely wearing. My 3000SE is still going strong and I favor my GTR4000 the most. Still use it today! Love these things... also use their Pitch Factor on my main board too...
You turned that "Reverb Factory" preset down just the perfect amount... insanely good sounding!
"Chorus Slap" + crunchy sound = Alex Lifeson!
I love it. Sounds killer
Went to see Trevor Horn at Sarm in Notting Hill and he had about 8, just in the main studio. Mutt Lange used one on basically everything since 88ish.
Great demo
Great video
It’s like seeing the faceplate of a 2290 and feeling warmer inside..lol Or the controller for a Lexicon 224 reverb.
Yes, I totally identify with that
Perfect tag line in your opener.
I wish I could like this more than once.
Great demo Michael! Might have to add one to the home studio.
That sparked joy...
lol thumbs up for the top gun tribute at the end
Damn some great sounds!
Cool man I'm wearing my amp smasher today!!!
Haha silly! Nice take on the 5 watt world!!!
Man I love this channel! When and why I started playing! Brought back my passion...I have hundreds 9f my guitar mags still....this was like the ultimate rack that only Rockstars had! Is there anything that is close to this ?
I love the tag line Mike! Now put it on a T-shirt! 2 sided, BHG logo small on front right pocket, and big on the bag with the saying! 😁
First Ben Eller does a Rhett Schull reach at the camera transition, and now Michael calls out Leon. It's like all my friends know each other
Awesome✨️✨️✨️✨️✨️🎸🔊🎶🎶🎶🎶
34 year old technology, 16 bit DSP and still highly regarded. Many still prefer this to the new H9000. The one's that made me drool most were 11:57 Dense Room 22:52 Room of Doom which reminds me of the theme song from the movie "Top Gun". As usual, most Factory Presets always sound too wet for me, but totally appreciate the amazing effort, even though your gloating about beating my fellow Aussie mate Leon to the pole position.
I’ll suffer the latency when it sounds like this, it’s amazing! Plug ins? Pah!!
Yes, exquisite!
“ The least amount of music from the most amount of gear”!!!!!!!!😂😂😂😂😂😂 brilliant!
The dream box of my teens.
Best rack in the world. Bought mine for 4k and still use it to this day.
I had one of these back in the day. $2000
I had a rocktron intellifex that I picked up used for less than 500 that sounded just as good and didn’t require a old phone book sized manual🤣
Just ended a major gas bought with an eventide space. In love.
Even the intro is 🤘
Just to give folks an idea of a different definition of multi-fx the H3000 represents...
There are 11 algorithms you can use for chorus and none of them is named "chorus"! They all sound fantastic. 17 different algorithms can be used for delays! Reverb? 9 algorithms and most of them are unknown to be able to do that.
Have you seen rthe specs on the new H9000? That thing is a goddamn collossus. You could get lost in that things settings for *years* (And you pay for it. Its $10K worth of effect rack)
@@shayneoneill1506 And yet there are MANY H3000 things that the H9000 can't do at all!
The Chorus Slap effect sounded like what Eddie used on the intro to the song Runaround
You beat Leon Todd to it! Woooo lol ;)
love the verbs
Guys in the 80s: "Hey bro, CHECK OUT MY RACK!!!"
Thank you!!!!
4:58 that is perfect song to play for that preset. Nice.
thank you for pronouncing eventide correctly
11:35 this is the signature H3000 sound for me. Patch Factory and the following Stutter. The H3000 is full of these. Great for playing around with when you're stoned, but in practical application most of the presets are just pretty unusable. It's become one of those units that everyone feels the need to buy and proudly display in their rack, but which they never touch after using it once when they first get it.
Wow!!!
Cool unit, I'll probably never own one but I do have the Digitech DHP33 which is often referred to as the poor man's version but was also used by Via I believe.
Gtr is not perfectly in tune. the H3000 pitch detector shows you the note and its tuning in cents. I read notes being out of tune like -35 cents or even 50. That's one reason for the glitches you may hear as the software is trying to correct that. Diatonic shift needs a well tuned input signal. 50 cents off is a quarter of tone... a LOT! Quantize can help! And setting the Low and High notes parameters really optimizes pitch shifting latency because the pitch detector will know what to expect. Also the first two dozen presets are the bare algorithms rather than real tweaks. You want to hear good reverb? Look past the algorithms... Pitch shifting is not polyphonic! You may have some luck with 3rds and 5ths but chords are not the thing. The multi-fa thing....A Quadraverb or LXP15 from the same age would do more effects at the same time, like delay+chorus+reverb and something else. The H3000 doesn't. It's a highly specialized multi-fx working on SINGLE effects, so you have a veriety of algorithms doing one thing at the time. You can get a couple of effects, like modulation and delays using the modular algorithms or a few other ones, which work as environments rather than single block effects. That's pretty much the same concept of multi-fx of the PCM70. The H3000 runs thre processors in parallel and each effect shines because of that, the number of parameters is amazing, the internal parameters modulation sources do great things (Function generator/input signal/etc.) and tone is amazing. owed to a greatly designed analog input section. The stereo spread is unique.
You want reverb? ua-cam.com/video/lfEPVyiNDQk/v-deo.html or ua-cam.com/video/EMCZ9g7EbBg/v-deo.html It's a deep machine, requiring time to learn before anything.... and yes, input signal is way too low....
A lot more examples the H3000 can do: www.italodeangelis.com/it/eventide_and_other_stuff/eventide_H3000.asp
"That thing belongs in a MUSEUM!" -Indiana Jones
Jim Martin from Faith No More used one too
Great videos but one question? Do you have stock in Friedman?
The pumpkin!
OMG that sounds so bad now! It's like watching an old movie or playing an old video game from your youth and realizing it was so primative
What is the signal chain? Also what patch on the Kemper?
Thanks!
Preset 193 in stereo with two modded Superleads and you are into some Dr FEELGOOD goodness....
Where was the Steve Vai "Just Like Paradise" patch? I waited all video for it and never got it! Is there a reason why you didn't show/use/discuss the plugin version?
To make it sound like Steve Vai in "Slip of the Tongue" we need a PhD, an IQ of 228 and 40 days fasting isolated in a mountain.
How is the symphonic chorus versus the Yamaha in your opinion?
The diatonic harmonizer still sounds "plastic-y". But the chorus/pitch shift stuff sounds killer.
5150 Micro Pitch !!!!!
Fun video as always, but I could never find a use for that unless I was in a Vai covers band
W O W