tough teacher, but he is dealing with advanced players who are very skilled and need to be challenged. the chaconne is such an emotional masterpiece, it demands a full commitment to bring out the emotion. i love it!
More power to you young lass. I'm a 55 yr old Aussie and I've been playing my entire life and I can't imagine having had the guts to perform the Chaconne when I was your age; heck probably even now. Your fingers can do it and I'm sure that you learned so much from this and now, nine years since, I'm sure that you play that so, so differently and so well. You really have guts and play really well, I'd love to hear how you play now. Thank you, Mr Azabagic for another great lesson. I'm binge watching your youtube videos.
I watched his video of La Cathedral recital like at least 12 years ago and I was just shocked by how beautifully he played that masterpiece without even looking at the frets. He just transported you. Even now when I watch this video, it gives me chill because he just plays.
Thanks Denis for your insight.. Color, Dynamics, and Emotion are all important parts of Performing the music, as well as the notes being played. I like when you asked where she was... because sometimes we fall into the trap of just playing the music without thinking about how to play it. GREAT JOB!!!
a guitar crafted by a luthier will have more pronounced acoustics than a store bought assembly line guitar. and yes hand strength plays a vital role in projection
Bach wrote that soon after his wife died. He didn't necessarily want it to be played on a jackhammer. Nobody else plays it like that. I hear it as being played next to her grave.
@@gwosterman Fake information! Bach composed Chaconne from 1717 to 1720, when his wife was enjoying perfect health. "The cause of her death is undocumented. Professor Helga Thoene proposed that Bach's famous Violin Partita No. 2 (especially the final "Chaconne" movement) was written as a tombeau for Maria Barbara, however these claims are controversial."
Excellent work! It is difficult as a teacher to balance the musicality and personality of each student. It’s not telling them how to play a piece but to make them understand and internalized the music played. You are a wonderful teacher, congrats!
SkeletalSounds _ Yes I believe you’re correct, although what he’s teaching here is far more important. I’m guessing the thumbs down are also the type to say things like “Can you send me tabs?”
Most of them would rather have a teacher be their best bud and tell them they’re doing great. I’ve been in the hot seat worse than this and it’s important that you have a teacher like this and equally important to learn to take this kind of criticism and worse or you’ll always remain mediocre. Dennis is doing a great job getting the point across. My teacher can go from my friend to harsh critic and back again with no seams and I appreciate that because I’m not paying him to tell me I’m great when I’m not, I pay him to push me in ways I am not likely to myself and show me perspectives that I wouldn’t otherwise see on my own. This piece in particular is a monster and commands some serious dedication.
You played this incredible....One comment he should have brought up is her right hand never moves to play with the color that the guitar has to offer her
Останавливать ученика во время исполнения не корректно, а когда сам преподаватель показывает сам на инструменте, то для закрепления нужно не только сыграть ученику, но и как то зафиксировать это в нотах, сделать пометку в конкретном такте или несколько таков обозначить.
I haven't played this specific piece, but I'm normally mentally more tired than physically. Physically it's just the thumb on the right hand that may start to hurt after practicing for a while.
Yes.... yes... a teacher suggesting his student to 'break out of the matrix' (to use a cliche) and reach into the divine is not something you see every day.
feeley's was my go-to performance for this amazing piece as well.. currently though it is between feeley and raphaella smits so check that one as well if you don't know it.
Hello, I live in Chicago, where I teach at University of Illinois, but I also teach online (via Zoom, Skype, etc...) students from all around the world and of all levels. If interested, please contact me at denisazabagic@gmail.com
Story. The opening chords, God just created the Big Bang...variations are the swirling atoms and gases forming the universe to the recapitalization being man's appearance
Azabagic is an absolutely amazing teacher. If you don’t point out and isolate a student’s weaknesses, how else are they supposed to improve? This is what is lacking with most teachers today. How else would she know where to improve without honest feedback and criticism? This young lady couldn’t ask for a better teacher in my opinion, and I’m sure she’s even a much better player now as a result.
Old school, plus some cultural style. Not for wimps.... She is not looking for a "safe space", she is willing to go through that and will be stronger. Again, its not for snowflakes...
I think you will find he is an outstanding teacher. I had lessons with him and I am not an advanced player. He is incredibly patient and loves teaching anyone - as in me - I learned so much from him - stuff which no one else seems to know or want to tell. He didn't act like Segovia with me and he doesn't here. What he is is disciplined and he wants players to be the same.
@@mykultrashe7320 yea no shit he prob just taught a thousand lessons that day in standard and might not have known the piece she was gonna play for him
Where are you??? That is so stupid. I would look at him and say gone. Later dude. He is getting deep but she does not even play the correct rhythms. They are dotted. Correct the basics then go deep... I studied with Pepe Romero, David Tanenbaum, Christopher Parkening and never would I enjoy learning from a teacher like this. She would be much better off just playing alone. Finding her own voice. IMHO......
She will find (or, by now, probably has found) her own voice. But she has the humility and maturity to recognize that, in the meantime, she can still learn from this excellent teacher. In this video, she's a very good player who makes a few mistakes-- which is understandable, under the pressure of scrutiny of a masterclass. The reason he asked her "Where are you?" is that he immediately recognized what is obvious to all who watch the video: that her nerves were preventing her from getting in the moment and attaining the frame of mind necessary to play the chaconne. I doubt highly that she has any regrets about this experience.
Please, Master, put up a video of your performance of the Chaconne so this poor misguided underling can learn the proper way to play it and thus teach it more effectively.
the teacher is not giving the piece any sort of breathing. it feels very rushed and it almost sounds like they're competing for volume rather than clarity..
tough teacher, but he is dealing with advanced players who are very skilled and need to be challenged. the chaconne is such an emotional masterpiece, it demands a full commitment to bring out the emotion. i love it!
She is absolutely amazing.
More power to you young lass. I'm a 55 yr old Aussie and I've been playing my entire life and I can't imagine having had the guts to perform the Chaconne when I was your age; heck probably even now. Your fingers can do it and I'm sure that you learned so much from this and now, nine years since, I'm sure that you play that so, so differently and so well. You really have guts and play really well, I'd love to hear how you play now.
Thank you, Mr Azabagic for another great lesson. I'm binge watching your youtube videos.
He's actually kind and a great teacher.
I watched his video of La Cathedral recital like at least 12 years ago and I was just shocked by how beautifully he played that masterpiece without even looking at the frets. He just transported you. Even now when I watch this video, it gives me chill because he just plays.
Thanks Denis for your insight.. Color, Dynamics, and Emotion are all important parts of Performing the music, as well as the notes being played. I like when you asked where she was... because sometimes we fall into the trap of just playing the music without thinking about how to play it. GREAT JOB!!!
I like this teacher best.
His guitars volume is like a cannon compared to hers, wow.
a guitar crafted by a luthier will have more pronounced acoustics than a store bought assembly line guitar. and yes hand strength plays a vital role in projection
it's a double-top guitar
"Where are you?" Answers own question with a BROADSIDE!
probably a few thousend dollars louder...
More like the mic placement. His voice is also 10x louder than hers.
This is a very important teacher. He is teaching how to feel in general, some of us, simply, do not know how...
Very interesting thank you for putting this out there to see. I’m also loving the new uploads.
Bach wrote that soon after his wife died. He didn't necessarily want it to be played on a jackhammer. Nobody else plays it like that. I hear it as being played next to her grave.
Needless extra information, actually nothing to do.
@@Brandespada I disagree, Denis is all about the mood. It's a wail and a cry and a complaint and a resolution.
@@gwosterman Fake information! Bach composed Chaconne from 1717 to 1720, when his wife was enjoying perfect health. "The cause of her death is undocumented. Professor Helga Thoene proposed that Bach's famous Violin Partita No. 2 (especially the final "Chaconne" movement) was written as a tombeau for Maria Barbara, however these claims are controversial."
Same story with BWV 542. When we listen the BWV 542, the death of of his wife and his impact on the piece is more realistic.
@@Brandespada Maria Barbara was Bach's first wife. What's your point? Controversial with whom?
I like SEgovia´s interpretation for he understood that the part is just the most effective way to record at the time, not a stiff rule
I think it is also his technique that makes his guitar sound so loudly! :)
Excellent work! It is difficult as a teacher to balance the musicality and personality of each student. It’s not telling them how to play a piece but to make them understand and internalized the music played. You are a wonderful teacher, congrats!
Why does all your video's have half disliked, even though all your videos are amazing and informative.
The word envious springs to mind.
SkeletalSounds _ Yes I believe you’re correct, although what he’s teaching here is far more important. I’m guessing the thumbs down are also the type to say things like “Can you send me tabs?”
Because he's a "meannie". Thats what you sign up for ding- dongs. To be Told how to interpret profudity.
Most of them would rather have a teacher be their best bud and tell them they’re doing great. I’ve been in the hot seat worse than this and it’s important that you have a teacher like this and equally important to learn to take this kind of criticism and worse or you’ll always remain mediocre. Dennis is doing a great job getting the point across. My teacher can go from my friend to harsh critic and back again with no seams and I appreciate that because I’m not paying him to tell me I’m great when I’m not, I pay him to push me in ways I am not likely to myself and show me perspectives that I wouldn’t otherwise see on my own. This piece in particular is a monster and commands some serious dedication.
You played this incredible....One comment he should have brought up is her right hand never moves to play with the color that the guitar has to offer her
Wonderful teacher and brilliant student. Where does he find all these excellent students? I guess good teachers just attract good students.
Denis: »hold my beer »
The mic: « nooooo, please »
😂😂😂😂
Great class! Great music! Great artists!
The teacher doesn't look at his hands while he's playing - he looks at the music.
Fabulous Denis.
Great student, great teacher.
This teacher is really really good even though he can be a bit hard sometimes ( just my feeling )
I hate and love the teacher at the Same Time. But SHE is absolutely great!!
бесподобно. девушка на такой скорости играет пассажи, что просто фантастика!
она молодец.
I don't even understand one dislike. Time spent on Bach's second partita is time spent in heaven.
The section starting 13:45 is great. Wold be interesting to see how she's doing 3 years later.
that's part is the easiest one evening if it's sounds complex
his guitar sounds amazing
Make the student comfortable. Don't overpower the student with your technique.
John Brothers why not? The students new to know where to go..
Aula excelente!I'm trying to have guitar classes in the internet.Thanks for help me. How can I get more?Antonio from Brazil.
Останавливать ученика во время исполнения не корректно, а когда сам преподаватель показывает сам на инструменте, то для закрепления нужно не только сыграть ученику, но и как то зафиксировать это в нотах, сделать пометку в конкретном такте или несколько таков обозначить.
How many of you are physically tired and drained after you play this piece ? Or any difficult piece ?
I haven't played this specific piece, but I'm normally mentally more tired than physically. Physically it's just the thumb on the right hand that may start to hurt after practicing for a while.
What a fantastic teacher and interpreter of classical guitar music
You are such an awesome teacher
le mec dit que c'est pas ici mais il commence avec le nez sur la partition...
Yes.... yes... a teacher suggesting his student to 'break out of the matrix' (to use a cliche) and reach into the divine is not something you see every day.
sensational
which country he teach??/
How much does he charge per lesson ?
5:42 What he felt "more beautiful" I felt less beautiful.
When are chairs that SQUEAK ever going to become a thing of the past!?! lol (seriously though)
great teaching - john feeleys version unmatched by anything i have ever heard
Then you have never heard Göran Söllscher's. I've yet to hear a better one.
graham devine... hands down the best
feeley's was my go-to performance for this amazing piece as well.. currently though it is between feeley and raphaella smits so check that one as well if you don't know it.
Stephen Brennan sorry have you heard Segovia?
Stephen Better than Feeley’s version:
Angel Romero’s
Christopher Parkening’s
Pepe Romero’s
Hello, I live in Chicago, where I teach at University of Illinois, but I also teach online (via Zoom, Skype, etc...) students from all around the world and of all levels. If interested, please contact me at denisazabagic@gmail.com
Nice...
she is not telling the story. great teacher.
Why did not he advise on her right hand position? She was always in the same position, so · · ·
where is this? some conservatory?
Story. The opening chords, God just created the Big Bang...variations are the swirling atoms and gases forming the universe to the recapitalization being man's appearance
Excellent teaching
The teacher looks like 'Buster keaton' hence his stony face, the student looks intimidated sadly...
Love his advice but not everything he teaches is bible. I believe you have to play with soul, love and passion over technique
his undeStanding of this piece is great
Hey my friend all we are teachers guitar ,why you judge badly such a teacher if you are good than him show us your videos to criticize which is better
Lighten' up. Show respect for your student. Don't play so loud. I would have looked for a new teacher.
John Brothers hahahhaha...ok
Azabagic is an absolutely amazing teacher. If you don’t point out and isolate a student’s weaknesses, how else are they supposed to improve? This is what is lacking with most teachers today. How else would she know where to improve without honest feedback and criticism? This young lady couldn’t ask for a better teacher in my opinion, and I’m sure she’s even a much better player now as a result.
Old school, plus some cultural style. Not for wimps.... She is not looking for a "safe space", she is willing to go through that and will be stronger. Again, its not for snowflakes...
Yeah… and you’d never learn JACK! HA!!
this girl is botching the shit out of this piece. she really should step back and work on Giullianis 120 and the Sor studies
this guy acts like hes Segovia yet he doesnt come to the lesson with his guitar nearly tuned and proceeds to rush the student.
I think you will find he is an outstanding teacher. I had lessons with him and I am not an advanced player. He is incredibly patient and loves teaching anyone - as in me - I learned so much from him - stuff which no one else seems to know or want to tell. He didn't act like Segovia with me and he doesn't here. What he is is disciplined and he wants players to be the same.
He’s one of the best teachers.
the piece is in drop d he was tuned to standard
@@TalesofGore337 yea, no shit.
@@mykultrashe7320 yea no shit he prob just taught a thousand lessons that day in standard and might not have known the piece she was gonna play for him
Where are you??? That is so stupid. I would look at him and say gone. Later dude. He is getting deep but she does not even play the correct rhythms. They are dotted. Correct the basics then go deep... I studied with Pepe Romero, David Tanenbaum, Christopher Parkening and never would I enjoy learning from a teacher like this. She would be much better off just playing alone. Finding her own voice. IMHO......
She will find (or, by now, probably has found) her own voice. But she has the humility and maturity to recognize that, in the meantime, she can still learn from this excellent teacher. In this video, she's a very good player who makes a few mistakes-- which is understandable, under the pressure of scrutiny of a masterclass. The reason he asked her "Where are you?" is that he immediately recognized what is obvious to all who watch the video: that her nerves were preventing her from getting in the moment and attaining the frame of mind necessary to play the chaconne. I doubt highly that she has any regrets about this experience.
Please, Master, put up a video of your performance of the Chaconne so this poor misguided underling can learn the proper way to play it and thus teach it more effectively.
the teacher is not giving the piece any sort of breathing. it feels very rushed and it almost sounds like they're competing for volume rather than clarity..
her fingerboard must smell really nice
Ce n’est pas de Bach c’est de Buzoni!!!!
What a snob.