2:52 literally a beat drop starting right here
You are literally everywhere. By the way I have your photo hanged on the wall of my room mr Khachaturian
this is totally me when i’m sonic the hedgehog and i’m figure skating in 2010
so jolly, festive, and amazing in its own right
the most beautiful interpretation of this song I have ever heard .
8:42 could be the origin of the opening to Richard Strauss's Don Juan. I have spent my musical life with the German heavy weights of Beethoven, Wagner, Bruckner and Mahler but when I hear music like this a happy-bomb goes off in my mind. The orchestration is so clean and lucid and then amazing melody after melody. Check out Von Suppé's orchestration (Light Cavalry and Poet and Peasant), too. The scores are an object of genuine beauty. Glad we have all these varied worlds in music.
I love Die Fledermaus!
6:09 VROOOOOM
Fantastic piece! I think that I shall have to make it the next violin duet I do...
Supreme elegance. Strauss was occasionally given to vulgarity, but this overture is a paragon of good taste.
Tom and Jerry in the Hollywood Bowl OST
Ifj.Johann Strauss:A Denevér-Nyitány Op.362
Bécsi Filharmonikus Zenekar
Vezényel:Herbert von Karajan
6.09 VROOOOOOOOOMM
"the Bat"
Interesting...
That's a piece of classical music that Bugs Bunny should've conduct in Baton Bunny.
The usual wrong note in the cello/bass part leading into the Tempo di Valse. Due to a misprint somewhere along the line, this is so often played these days as G, B, D, D which should annoy anyone's ear. Go back to the original score (try IMSLP) - it is, of course, G, B, C sharp, D. I've had over forty years of trying to convince my colleagues about this!
But the IMSLP holograph manuscript you refer to clearly shows a D, not a C sharp. And the 1968 revised critical edition by Hans Swarowsky also has D, maintaining in a footnote that it puts the harmony into a 6/4 position, not dominant.
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3:19 🎉
San ka punta?
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this guy was a melodic genius, par excellence