This pearl, the Beethoven op18 #2, also known as "the compliment quartet" has been described by some mavens as "Haydn's best quartet"...a lovely performance, young, fresh and delightful.
Haydn's finest? Beethoven wishes. There was no greater master then Haydn, especially in the Quartet genre. Still a very good quartet, truly a forgotten gem.
+Igor Maxwel I don't know but I would guess they either thought it was better without the repeat, or they didn't want the performance to last too long. Sorry I'm not much help; I'm only a student :) Someone else might know more than me
+Igor Maxwel Happy to help :) You may know this but repeats are sometimes ignored, for various reasons; I would not be surprised if they also have repeats in their edition. Have fun playing it, whatever you do with the repeats! (p.s. I play the viola)
+TheMusical Corner - I don't know why they chose that name, but the word (yes, in Italian) is a musical instruction to go straight ahead without pause or hesitation. You will see it in musical scores at the end of one section of a piece, where the composer is directing that there should be no pause at all before launching into the next section.
The performance is beautiful; the dresses not half-bad, just not to my taste that evening. The public complaint was plain bad manners. I must have been in a foul mood. Hearing the piece again, the distinctive voice of Beethoven comes through loud and clear.
Beethoven's distinctive voice is generally missing,. The piece could have been could have been written by Mozart or Haydn. No matter, its quite beautiful and beautifully played. The wonderful violinists' dresses are horrible and should be given to a vintage thrift store.
I was so moved by this performance!
This was simply grand -- both the music and the playing!
This is one of the best performances of this piece I've ever heard. Awesome work guys!
现在年轻人的三重奏、四重奏表演不时给人带来惊喜，常常呈现与其年龄不相称的成熟老到，不少最佳版都出自他们手下，超越前辈成就。这个Attacca Quartet版极好，比如第二乐章几乎无懈可击，第一小提琴堪称绝佳，毫无瑕疵，每个音符都处理得那么清晰干净，更恰到好处地优美绝伦 - 几乎都是我想要听到，或说正中心怀的。虽然尚不好说本演奏就是自认最佳，因为还没有进行正式鉴别，只是和老牌乐组 Borodin, Alban Berg 做了个比较，但怀疑还能碰到更棒的。
贝多芬音乐是一座高耸险峻的矿山，取之不竭的宝藏留待有心人去探寻发现。最近迷上了，或说终于听懂了这曲 - 贝多芬《第二弦乐四重奏“寒暄”》（Op.18-2）。尤其是第二乐章，贝式英雄气质的早期展现，哀而不伤浸透着悲壮，交织着惆怅，最终自阴郁步向光明 - 最爱贝多芬的这一特色。其中的大提琴主奏片段宽广深沉而温情，美不胜收，随之而来的小提琴更动人心魂，自然包括那纯净美妙的和声。形式上，慢板中加入一段快板，是效仿莫扎特的的大作《第20钢琴协奏曲》（K.466）吗？效果不错，但这样的处理在作者的慢板乐章中绝无仅有（尚需确认）。总之，酷爱这个乐章，遗憾的是太短了，不过瘾，只有反复聆听。再次感到在抒情慢板这个“领域”，贝多芬的顶峰地位无人望其项背。而快板“领域”谁又能与其争锋？
Angenehme Leistung dieses jugendlichen Meisterwerks, das die helle Seite von Beethoven darstellt.
und welche ist die dunkle Seite?
Zu viel zu bestimmen.
This pearl, the Beethoven op18 #2, also known as "the compliment quartet" has been described by some mavens as "Haydn's best quartet"...a lovely performance, young, fresh and delightful.
Haydn's finest? Beethoven wishes. There was no greater master then Haydn, especially in the Quartet genre. Still a very good quartet, truly a forgotten gem.
@@roin97Haydn is boring.
25 minutes de pur bonheur. Bravo et merci à vous !
Very enjoyable. My first read along.
2nd may 2019 Keith Stevenson very very nice with an easy to follow melody
Nice quartet. The violinists are gorgeous.
leidenschaftlich und gut
Nice job guys! Really well done!
I thought their performance of the second movement particularly was lovely.
Awesome!
BRAVO !!!
Last mvt. starts at 19:20
(Self-note for practice)
+Hassan Horack Why the exposition of last mvt no is repeated, like the first movement?
+Igor Maxwel I don't know but I would guess they either thought it was better without the repeat, or they didn't want the performance to last too long.
Sorry I'm not much help; I'm only a student :)
Someone else might know more than me
Hassan Horack In my version the exposition in mvt 1 and 4 is repeated. In total, this quartet have 26 or 27 minutes. Thanks for your answer.
+Igor Maxwel Happy to help :)
You may know this but repeats are sometimes ignored, for various reasons; I would not be surprised if they also have repeats in their edition.
Have fun playing it, whatever you do with the repeats!
(p.s. I play the viola)
Hassan Horack Allright, friend!
Great playing. Gorgeous girls.
Wonderfully played. If only the camera had more regard for the music!
Yes. Giving the camera guys full artistic license where classical music is concerned is almost always a mistake.
Kenji Furuhashi
著作権の問題はどのように解決されているのでしょうか？
知りたいです。
Why does the quaertet name is "Attacca". that is an italian world?
+TheMusical Corner - I don't know why they chose that name, but the word (yes, in Italian) is a musical instruction to go straight ahead without pause or hesitation. You will see it in musical scores at the end of one section of a piece, where the composer is directing that there should be no pause at all before launching into the next section.
8:27 Mvt: 2
aniMIDIfy score starts at 19:20 Song by Sis. Princess
Allegro molto quasi presto 19:20
Scherzo 14:52
The performance is beautiful; the dresses not half-bad, just not to my taste that evening. The public complaint was plain bad manners. I must have been in a foul mood. Hearing the piece again, the distinctive voice of Beethoven comes through loud and clear.
thanks for the update bennett
very well played but change the cameraman.( genderneutral.)
Beethoven's distinctive voice is generally missing,. The piece could have been could have been written by Mozart or Haydn. No matter, its quite beautiful and beautifully played. The wonderful violinists' dresses are horrible and should be given to a vintage thrift store.
Surely dress taste is individual. Anyhow it shouldn't be a comment in a musical broadcast.
You come here to listen to Beethoven string quartets to comment on the _dresses?!_