😳😳😳 This performance is absolutely beautiful and mesmerising! You’ve managed to get Lyra-8 tones without using one, your sound design skills just getting better and deeper with each track, keep it coming Ivar! And more tutorials on A4 please, you definitely have a lot to share, tons of tricks up your sleeves! I never heard it sound sooo good...
Thanks a lot for the kind words, man! I'm glad you think so. The reception to these brutal ambient exploration has been surprisingly positive, and I'm excited to do a proper tutorial one day. I tried streaming the making of the last pattern yesterday, but my computer and connection is pretty bad. I also had my mic muted while I was explaining my thought process! But yeah, it's given me a better idea of how to present an eventual hellish LFO tutorial :P
@@IvarTryti Yeah, I am going to check your stream out regardless all the technical issues, they are always very informative. And I am a huge fan of such dark, deep, ambient-like sound designy music, and a huge fan of Elektron gear as well, so I am really into your recent stuff, last three sessions with A4 Mk2 (especially! It seems to me that Mk2 is more inviting, easier to navigate and more agressive sounding, hence your last work is affected by its tone and character) and several Digitone tracks from your last album are absolutely top notch!
@@victorcherepakhin1395 Thanks, man. I tried watching the stream, and I had a hard time because of the incredibly choppy framerate. I had close to 50% frame drops according to restream :(. I have to figure out what causes this, because streaming is a nice way to do pseudo-tutorials with minimal planning (given I have enough uninterrupted time). I'm curious what I'll find on the Digitone now that I've learned this way of approaching the A4! I'm also curious how the trip hop beats on the Digitakt pairs with the hellish soundscapes of the A4 :D
These are exactly the sounds I went for when I had the A4. Metallic, Clanky, dirty & raw. It is phenomenal with grit, chaos, and dissonance even without the Heat.
Yeah, the A4 gets plenty brutal without the Heat. I'm actually bypassing the Heat for most of the performance, only turning up the dry/wet mix to add a blanket fuzz over the whole thing now and then :)
Def different than your usual stuff and I love this, too. I think exploring these sounds and mixing with your beats could lead to amazing results, too.
Thanks! Yeah, I've been slowly going down the brutal harsh ambient route ever since I got the A4 mk2 :P. I was actually thinking about combining these types of sounds with my usual Digitakt trip hop, and see where that'll take me.
Wow. I was just revisiting the back catalogue of JK Flesh (Justin Broadrick) today, and this encourages me to pursue gnarly sounds on the AKMK2, when I thought I might need a Lyra-8, or something else equally wonky 👍🏼👍🏼
You're right, on the first two patterns/kits I just triggered each track, and they all had infinite release. So it was all weird LFO stuff the first 4 minutes :D
I learned about that movie thanks to Silent Hill. I heard that Jacob's Ladder was a huge inspiration, so I had to check it out. Man, what an unsettling movie!
Dayumn - this track gave my ears and brain multiple orgasms! Sooo goooood! Before you hit play, are you smashing the oscillators into each other and tweaking the filters and LFOs etc? Maybe they're feeding back into each other or somethin? I'm not used an A4 before. It sounds beautiful, whatever it is :)
Daaaang. Analog four is so rad or at least it is in your hands. I really like this one and you should get elektron to sponsor your content!
definitely
Thank you very much, James!
Love the direction you are taking with the A4. Such a unique instrument. 👏👍
Thanks a lot, man!
Lovely, gritty, dirty sound - great stuff!
Thanks a lot!
i love that vibe everytime reminds me of resident evil movie theme
😳😳😳 This performance is absolutely beautiful and mesmerising! You’ve managed to get Lyra-8 tones without using one, your sound design skills just getting better and deeper with each track, keep it coming Ivar! And more tutorials on A4 please, you definitely have a lot to share, tons of tricks up your sleeves! I never heard it sound sooo good...
Thanks a lot for the kind words, man! I'm glad you think so. The reception to these brutal ambient exploration has been surprisingly positive, and I'm excited to do a proper tutorial one day. I tried streaming the making of the last pattern yesterday, but my computer and connection is pretty bad. I also had my mic muted while I was explaining my thought process! But yeah, it's given me a better idea of how to present an eventual hellish LFO tutorial :P
@@IvarTryti Yeah, I am going to check your stream out regardless all the technical issues, they are always very informative. And I am a huge fan of such dark, deep, ambient-like sound designy music, and a huge fan of Elektron gear as well, so I am really into your recent stuff, last three sessions with A4 Mk2 (especially! It seems to me that Mk2 is more inviting, easier to navigate and more agressive sounding, hence your last work is affected by its tone and character) and several Digitone tracks from your last album are absolutely top notch!
@@victorcherepakhin1395 Thanks, man. I tried watching the stream, and I had a hard time because of the incredibly choppy framerate. I had close to 50% frame drops according to restream :(. I have to figure out what causes this, because streaming is a nice way to do pseudo-tutorials with minimal planning (given I have enough uninterrupted time). I'm curious what I'll find on the Digitone now that I've learned this way of approaching the A4! I'm also curious how the trip hop beats on the Digitakt pairs with the hellish soundscapes of the A4 :D
More like summoning ME with a title like that. You did it again man. Great work
Haha, thanks a lot!
These are exactly the sounds I went for when I had the A4. Metallic,
Clanky, dirty & raw. It is phenomenal with grit, chaos, and dissonance even without the Heat.
Yeah, the A4 gets plenty brutal without the Heat. I'm actually bypassing the Heat for most of the performance, only turning up the dry/wet mix to add a blanket fuzz over the whole thing now and then :)
🤘
🙏
Def different than your usual stuff and I love this, too. I think exploring these sounds and mixing with your beats could lead to amazing results, too.
Thanks! Yeah, I've been slowly going down the brutal harsh ambient route ever since I got the A4 mk2 :P. I was actually thinking about combining these types of sounds with my usual Digitakt trip hop, and see where that'll take me.
@@IvarTrytiI think all of your regular listeners are on board with any of your explorations
Love this! I've watched it like five times already 🔥
Thank you!
dude!!! this is unreal.
Thank you!
Sonar’s broke.Someone go fix it, the whales are terrified.
Haha :D
Love this hellish soundscape
Thank you!
Wow. I was just revisiting the back catalogue of JK Flesh (Justin Broadrick) today, and this encourages me to pursue gnarly sounds on the AKMK2, when I thought I might need a Lyra-8, or something else equally wonky 👍🏼👍🏼
Thank you! Making this has helped me contain the GAS for a Lyra-8 and Pulsar 23 :D
It wasn‘t even playing in the first halt? 🤯 really nice!
You're right, on the first two patterns/kits I just triggered each track, and they all had infinite release. So it was all weird LFO stuff the first 4 minutes :D
Dang the first "glitch" on the bass is really cool
Thanks, man! :D
Just ridiculously good.
Thanks a lot!
Love it, brilliant stuff! Love the tones you’re getting from this machines! Very cinematic
Thank you very much!
gorgeous
Thanks!
amazing stuff man.
Thank you!
Yep, don't play that at night....in a cabin.... in a forest.
Unless you have a chainsaw and a shotgun ready.
Haha, thanks a lot man :D
This is exactly what the A4 was missing...that grit and dirt...best possible combo...and you of course :)
The A4 can get pretty dirty on its own, but it's definitely nice to have a master overdrive and filter!
Absolutely loved this 👍👍
Thank you!
Amazing!
Thanks!
The choppy frame rate adds to the hellish aesthetic
Haha, I appreciate that! My brother joked about me putting on a slow computer instagram filter on my video
Reminds me of Jacobs Ladder movie
@@soundfx68 That is the best compliment ever, thank you :D
@@IvarTryti Wow, thank you! I need to watch again... it used to be on repeat at a friends back in the early 90's
I learned about that movie thanks to Silent Hill. I heard that Jacob's Ladder was a huge inspiration, so I had to check it out. Man, what an unsettling movie!
Don’t know if it summons demons but it definitely gives me GAS!
😄
Cool! This would be great as a background to a game of #VikingDeathSquad !
Thanks you!
i need more thumbs. this is great.
Thanks!
the heat is on, love it ;-)
Yup, though it's 100% dry for a lot of the time. I slowly mix in the wet signal now and then for an *even grittier* texture :D
Location hell 😄 thats a neat touch
Never been there myself, but there's actually a place in Norway with that name :D
@@IvarTryti lol
Doom soundtrack :-) Now you made me want A4+AH REALLY bad !
Haha, thanks a lot!
I bet you could make a magnificent track out of a deflating air baloon. But nevertheless this sounds very haunting and I'm getting my chain saw ready.
Haha, thanks a lot man! 😁
🔥🔥
🙏
dope, reminds me the stuff Nostalgic Ruckus does (check him out if you already didnt)
Thank you! Nostalgic Ruckus has some awesome dark stuff :D
Love this. So will hopefully have an Analog Four in the post within a few days. How do you open the VCAs without the sequencer running!?
Ughhhh, yyeeeeess
Dayumn - this track gave my ears and brain multiple orgasms! Sooo goooood! Before you hit play, are you smashing the oscillators into each other and tweaking the filters and LFOs etc? Maybe they're feeding back into each other or somethin? I'm not used an A4 before. It sounds beautiful, whatever it is :)
srsly - how did you make those opening sounds?! Are the oscillators feeding back into each other or something?