This is my first midi bass plugin. I hate programming things so I picked up the Recovery Ghost Writer midi pedal to record midi from guitar and shift into bass octive. Hoping this worms well.
@Fishplants it works really well! There is like a one beat latency. Overall a time save only having to shift the midi left. The latency can be a result of my audio interface converting midi signal to usb and not the pedal itself.
is there any reason you chose to use 3 DIs instead of using the dist and grit directly from djinn? doesn't it use a similar chain as what you split out? either way, love how the bass and guitars gel so well, especially during the half-time section, great tutorial!
It's ostensibly the same process under the hood, except the tools you get externally are a bit 'better' than what Kontakt allows us to do. The pre-packaged tones are the best I can deliver with the limitations at hand, but using the Neural and SubMission plugins results in what I'd consider a more ideal outcome.
![Brutal THALL Bass Tone [Humanity's Last Breath]](http://i.ytimg.com/vi/sicDs6cjSro/mqdefault.jpg)
![Brutal THALL Bass Tone [Humanity's Last Breath]](/img/tr.png)
nice man. solid tones on this one.
I used DoubleTap on all bass! Fantastic and simple!
2:32 MEAN toan begins 🔥
Quite a Nolly tone you got there innit!
This is my first midi bass plugin. I hate programming things so I picked up the Recovery Ghost Writer midi pedal to record midi from guitar and shift into bass octive. Hoping this worms well.
Did it work well?
@Fishplants it works really well! There is like a one beat latency. Overall a time save only having to shift the midi left. The latency can be a result of my audio interface converting midi signal to usb and not the pedal itself.
Thank you. Your mixing videos have really helped me.
is there any reason you chose to use 3 DIs instead of using the dist and grit directly from djinn? doesn't it use a similar chain as what you split out?
either way, love how the bass and guitars gel so well, especially during the half-time section, great tutorial!
It's ostensibly the same process under the hood, except the tools you get externally are a bit 'better' than what Kontakt allows us to do. The pre-packaged tones are the best I can deliver with the limitations at hand, but using the Neural and SubMission plugins results in what I'd consider a more ideal outcome.
Wiews where???? This guy is one of the living metal mixing/mastering legends and this is an amazing tutorial!
i see - the dingwall is a bit nolly in the high mids...
I see what you did there!
That’s exactly how I heard it too!😂Great video as always Ermin!
Umjetnik majkin ❤❤
Help! My Djinnbass tracks are printing in stereo. Can anyone offer any advice please.
Why you making me buy Granophyre now after the BF sale??? 😭
Well, it's worth it either way.
@@SystematicProductions haha of course. Misha says it's his favorite. Just hoping I can get a similar result with Gojira.
crazy sound ❤
Is Eurobass 3 less aggressive in the high mids with higher notes?
100%. The Spector Euro 5 is a much rounder, fuller sounding bass.
Is this another from sorrow to serenity song?? An unreleased one???
Video description holds your answer.
What are the Eq settings for the Pro Q3 instance that comes after the Omega on the Dist track (or is it not being utilized)?
Thanks, sirrrrrrr
What are you using for drums in this?
brutal