Wow, the bib "Pav" made it up to that brutal high D flat. The brilliance of that note emanating from these two legendary voices is stunning indeed, and something the likes of which will never be heard again...
Bravisimos!!!!!! Sutherland - Pavarotti, grandes entre los grandes cantantes de ópera. Cuando uno ve cómo estudian, como se ponen de acuerdo , cómo se respetan, unos los valoruza y aplaude más todavía. Qué distinta la grandeza de estos cantantes al vedetismo barato de Andrea Bocelli, que aborda el magico mundo de la ópera sin plasmar en su canto ningun sentimiento, y sólo se interesa en sostener más tiempo una nota final, en detrimento de la obra y de la cantante que lo acompaña.
OMG! I miss Dame June and even Luciano! No one will ever compare to them. When Dame Joan was in her in her prime not even Callas could do what Dame Joan was able to do with that agility of the voice and that amazing technique.
They make your skin tingle with electricity - Surely there has never been 2 singers so well matched in tone and brilliance and wrapped like 2 diamonds by Maestro Richard Bonynge - breathtaking!
What a fantastic performance. Perfection ! Joan Sutherland , a jaw like a prize fighter and a voice like an angel. She was such a disciplined artist I think she brought out the best in Luciano. I don't know for a fact but it seemed she had perfect pitch. She never slid into a note but hit them all with precision. She was really special.
@@crazyorganist1609 Stick to playing the organ and to choral singing. Every trained musician has relative pitch if they don't have absolute pitch. Its part of our training. I'm guessing you never went to music school.
Joan was 53 at this stage and had been singing on world stages for over 20 years, yet she sounded as perfect as she ever was. Gorgeous. And.............always a joy to work with both her and Ricky.
Although I saw both Sutherland and Pavarotti many times separately, I only saw them once together - in Il Trovatore. What else can I add? These two deserved all the acclaim that they earned.
@@kilubialin6222 I think he was said to have had a "regular" size voice for a lyric tenor. When I heard him once in rehearsal - his voice sounded plenty big to my ears...
@@MrStpendouslvforjo Is not a big voice, but his voice travel a lot... what i means is that he has a lot of volume, maybe not a big voice like del Monaco or Corelli, But yes a very loud one
@@Un_Gordo_De_Derecha I always characterized Pav as a big lyric, not a loud one. The voice was so well produced and clear that it traveled very well-but as you say not big like Corelli, MDM, or Vickers, or even Tucker
Takes me back to my salad days. I worked with all three of them. Bonyngne made Pavarotti much better than he otherwise would be, he was not a great musician. Maestro Ricky was and he taught Joan to be one, too. In the nicest possible way he made her the super star she was. She worked hard and with great musicianship which Luciano didn't unless forced to.
Wirklich ein Phänomen diese Frau. Technisch perfekt. Der Stimmklang ist Geschmacksache immer irgendwie dunkel belegt, vor allem in späteren Jahren. Aber ich kenne nicht den Live Eindruck.
Does anybody know what the title of the aria which Joan Sutherland sang for "another encore" in this recital? It sounds amazingly beautiful. And her voice sounds impeccable. She must have been quite disciplined to maintain that beautiful voice of hers. I miss her very much.
Does anyone have the complete concert which used to be on youtube? They were both on quite spectacular form here. I wish we had singers of this quality now!
14:28 - 14:40 Dame Sutherland: We did it, it sounded great. I enjoyed doing that with you. Pavarotti: Man, what a world-class soprano to sing with!! Wonder if I could hit that D flat? Yes, I did. I didn’t know the ending would come out that epic, let me keep smiling while this surreal moment sinks in…
Shams pav had a small-medium voice. He was great but not a huge voice by any means. Still not puny like Juan Diego Florez. Sutherland had a massive voice
Actually Pav's voice sounded live much bigger than it was because it was so well focused and bright. It was not a small voice by any means. I always called him a large voiced lyric
Labienus I would disagree to an extent. The voice is bigger than it should be BECAUSE it isn't as focused as it could be at times. He was a classic lyric tenor voice but sometimes had shades of a spinto due to how he spread the darker overtones rather than focusing much his sound into a smaller albeit more cutting voice. Di stefano is an example of a voice very similar to Pavarotti but with slightly a less wide spread, more squillo, and a brighter, clearer tone at times
Disagree on the focus. I heard him many times in the huge Met, and it carried so well, seemed bigger than it was precisely because it was focused-and as i said that inherent brightness to the sound. I agree that it was essentially a lyric voice, but what was different was its size compared to more typical lyrics. I found Pav's forays into spinto roles much less interesting because as the term implies it was not at its best pushed . Never heard di Stefano live-did you? I think in his prime years had a bit more body to it, could be pushed a bit more-never thought it had more squillo than Pav. As is well know, he had real technical flaws in the passaggio, and took on roles too heavy for him-as Pav did, but managed them well. Di Stefano IMO had the more beautiful voice, and could sing soflty, and shade.
David Perkins Yeah, but that’s what most likely preserved her voice well into her sixties. She covered every note so that no strain went to her throat. Of course, that caused her diction to be indecipherable!
there is a story that someone said that very thing, and the other person said , well maybe if she sang in English we could understand her, whereupon the other person said, SHE IS SINGING IN ENGLISH. !!
They brought a level of excitement to every opera performances that you don't experience today.
I hope they are still singing in the other realm!💞💞💞
Ascoltare e vedere la Sutherland significa palpare quanto brillante e vividamente gioiosa possa essere la vita.
Wow, the bib "Pav" made it up to that brutal high D flat. The brilliance of that note emanating from these two legendary voices is stunning indeed, and something the likes of which will never be heard again...
Magnificent!!!
Two giants in the land of music❤
The two Gods of the past century....my love for them is still dominant.
What a pair Sutherland and Pavarotti can't ask better!!
Wonderful stuff
so happy i was at that concert. a magical evening!
This was one of the best moment on the operatic world
7:14 & 11:07 ... Luciano's Secretary (bachground) ... a beautifully trained voice also. 13:58 ... great singing here... :D
Affirmed. It is indeed.
Bravisimos!!!!!! Sutherland - Pavarotti, grandes entre los grandes cantantes de ópera. Cuando uno ve cómo estudian, como se ponen de acuerdo , cómo se respetan, unos los valoruza y aplaude más todavía. Qué distinta la grandeza de estos cantantes al vedetismo barato de Andrea Bocelli, que aborda el magico mundo de la ópera sin plasmar en su canto ningun sentimiento, y sólo se interesa en sostener más tiempo una nota final, en detrimento de la obra y de la cantante que lo acompaña.
Wow. As a singer, being able to watch a rehearsal with these two genius artists is such a gift!
Las dos voces mas bellas de la lirica de todos los tiempos!!!!
This ain't easy, folks!!!
OMG! I miss Dame June and even Luciano! No one will ever compare to them. When Dame Joan was in her in her prime not even Callas could do what Dame Joan was able to do
with that agility of the voice and that amazing technique.
ha ha nice of you to include Luciano.
Pavarotti and Sutherland on that form blow away all other contenders past present and future in all probability.
They make your skin tingle with electricity - Surely there has never been 2 singers so well matched in tone and brilliance and wrapped like 2 diamonds by Maestro Richard Bonynge - breathtaking!
I would say that Ms. Horne should be included here who often sang mezzo roles to Dame Joan's soprano.
Nilson and Corelli
What a fantastic performance. Perfection ! Joan Sutherland , a jaw like a prize fighter and a voice like an angel. She was such a disciplined artist I think she brought out the best in Luciano. I don't know for a fact but it seemed she had perfect pitch. She never slid into a note but hit them all with precision. She was really special.
She had a relative pitch, she said it herself
@@crazyorganist1609 Stick to playing the organ and to choral singing. Every trained musician has relative pitch if they don't have absolute pitch. Its part of our training. I'm guessing you never went to music school.
Just Wow.... Opera royalty 💟💟
Definitely
Joan was 53 at this stage and had been singing on world stages for over 20 years, yet she sounded as perfect as she ever was. Gorgeous. And.............always a joy to work with both her and Ricky.
25 years ,,,Lucia in 1959 was her super star level. She was doing Principal roles at Covent Garden before 59.
Wow! Simply awesome!
Just great both ... wonderful
Amazing to these two practicing together. Such down two earth people
Śledząc karierę tej sopranistki australijskiej to ona utorowala karierę młodemu Luciano Pawarotiemu. Wspaniała soranistka
Delightful to see these outstanding musician/actors in rehearsal - having fun making music.
Love the two of them together.
I ❤️Pav❤️sutherland
Great great great
Meravigliosi
BRAVISSIMO !
This is a delightful clip! Sutherland's voice sounds so HUGE and well focused!
You had to hear Joan live to really understand and appreciate the size of that magnificent instrument. And it was so effortless and flexible -
@@fajeartha I agree - I was lucky enough to have heard her twice...
La voz de pavarotti aporte de hermosa era potente y llegaba al alma
Pavarotti had everything, including the kitchen sink.
Ha! ha! He's already eaten the kitchen sink! (with the pasta)
Ah, Meu Deus!!! Que par, que vozes, que interpretação!!!!
Although I saw both Sutherland and Pavarotti many times separately, I only saw them once together - in Il Trovatore. What else can I add? These two deserved all the acclaim that they earned.
Dave Glo pavarotti voice is not big as Sutherland.Isn't it?
@@kilubialin6222 I think he was said to have had a "regular" size voice for a lyric tenor.
When I heard him once in rehearsal - his voice sounded plenty big to my ears...
@@MrStpendouslvforjo Is not a big voice, but his voice travel a lot... what i means is that he has a lot of volume, maybe not a big voice like del Monaco or Corelli, But yes a very loud one
@@Un_Gordo_De_Derecha I always characterized Pav as a big lyric, not a loud one. The voice was so well produced and clear that it traveled very well-but as you say not big like Corelli, MDM, or Vickers, or even Tucker
@@labienus9968 Thats exactly what I think!
BRAVISSIMO #
....so super !!!!
Beide!!!!!
Takes me back to my salad days. I worked with all three of them. Bonyngne made Pavarotti much better than he otherwise would be, he was not a great musician. Maestro Ricky was and he taught Joan to be one, too. In the nicest possible way he made her the super star she was. She worked hard and with great musicianship which Luciano didn't unless forced to.
pavarotti was music.......
Studente sono...............et povero. Good one Luciano! Like it. O kohle mio.
COLOSALES....................
Wirklich ein Phänomen diese Frau. Technisch perfekt. Der Stimmklang ist Geschmacksache immer irgendwie dunkel belegt, vor allem in späteren Jahren. Aber ich kenne nicht den Live Eindruck.
Does anybody know what the title of the aria which Joan Sutherland sang for "another encore" in this recital? It sounds amazingly beautiful. And her voice sounds impeccable. She must have been quite disciplined to maintain that beautiful voice of hers. I miss her very much.
@ 15:00? That would be "Io non sono piu L'Anetta"...from Crispino e la Comare.
Does anyone have the complete concert which used to be on youtube? They were both on quite spectacular form here. I wish we had singers of this quality now!
look up “live Lincoln Center Pavarotti Sutherland 1979”. The video is about 2 hours and 27 minutes long.
Лучшее сопрано в мир
❤️❤️❤️❤️❤️❤️❤️❤️❤️
14:28 - 14:40
Dame Sutherland: We did it, it sounded great. I enjoyed doing that with you.
Pavarotti: Man, what a world-class soprano to sing with!! Wonder if I could hit that D flat? Yes, I did. I didn’t know the ending would come out that epic, let me keep smiling while this surreal moment sinks in…
PLEASE!!! I UPLOADED THE COMPLETE CONCERT IN THAT QUALITY!!!
I’m going to wear that dress when my daughter gets married
Can anyone tell me which song is Luciano singing(solo) in the beginning there??
i thought Pav had a medium voice, but his voice seems quite large here singing next to the the huge voiced Joan.
Shams pav had a small-medium voice. He was great but not a huge voice by any means. Still not puny like Juan Diego Florez. Sutherland had a massive voice
Actually Pav's voice sounded live much bigger than it was because it was so well focused and bright. It was not a small voice by any means. I always called him a large voiced lyric
Labienus I would disagree to an extent. The voice is bigger than it should be BECAUSE it isn't as focused as it could be at times. He was a classic lyric tenor voice but sometimes had shades of a spinto due to how he spread the darker overtones rather than focusing much his sound into a smaller albeit more cutting voice. Di stefano is an example of a voice very similar to Pavarotti but with slightly a less wide spread, more squillo, and a brighter, clearer tone at times
Disagree on the focus. I heard him many times in the huge Met, and it carried so well, seemed bigger than it was precisely because it was focused-and as i said that inherent brightness to the sound. I agree that it was essentially a lyric voice, but what was different was its size compared to more typical lyrics. I found Pav's forays into spinto roles much less interesting because as the term implies it was not at its best pushed . Never heard di Stefano live-did you? I think in his prime years had a bit more body to it, could be pushed a bit more-never thought it had more squillo than Pav. As is well know, he had real technical flaws in the passaggio, and took on roles too heavy for him-as Pav did, but managed them well. Di Stefano IMO had the more beautiful voice, and could sing soflty, and shade.
Labienus that's kind of beside the point. Well focused does not mean optimally focused
15:15 What's the name of this aria ???? Pleaasseeee
Io non sono piu l’anetta
@@misanthropelife Thankss
One thing I will always regret about Pavarotti: he never sang the tenor role in Handel's MESSIAH to the best of my knowledge.
Name of the song 15:15? 💛
Io non sono piu l’anetta
13:42 name of the song??
Addio Addio - Rigoletto/Verdi
11:56 …translucency….
Sutherland at 6:10: "Adwaaaaahohh!"
David Perkins Yeah, but that’s what most likely preserved her voice well into her sixties. She covered every note so that no strain went to her throat. Of course, that caused her diction to be indecipherable!
9:40-10:44 CS 1.6 opera song hehe
Pavarotti looked like he was going to fart at the end of the duet
I cant undestand a sigle word from Sutherland while Pavarotti is so clear in each the word.
there is a story that someone said that very thing, and the other person said , well maybe if she sang in English we could understand her, whereupon the other person said, SHE IS SINGING IN ENGLISH. !!
Sutherland demonstrating Bel Canto with glorious sound is preferable by far.
If you want words go to The Broadway Musicals.
@@josephhapp9 Umm no. Words and diction are absolutely part of the sound. One doesn't exclude the other. At all.
@@josephhapp9 words were written to be understood, pavarotti had everything.
Bonynge and Sutherland’s mediocrity couldn’t stand Pavarotti’s greatness.
Wut they made him famous
You can take dictation from Luciano. So clear. Every word. La Stupenda is singing in Klingon.
WORD!!!and Vulcan 🤣