Tony I absolutely love love your channel. It is filled with so much great information. You are a great player and this is a huge contribution thank you.
I am elated your surgery went well. Meanwhile, I would like to point out a small error which may cause confusion for a beginning student like myself. On your REHARM video, and an excellent REHARM video it is, you have indicated that III-7 may be substituted for I. However, using commonly agreed upon nomenclature, that is, iii-7 may be substituted for I, will clear up that confusion. Besides that, it is a really great REHARM video. 😊
III-7 is an older style. The dash means minor. Sorry to contribute to the confusion. I was reading a chart the other day where CM7 means C major 7th. Very confusing on a hand written chart where it's hard to distinguish between upper case and lower case M m . I'll remember to use iii7 for a minor 7th. How about this old style VIx7. Do you know what that means?
@@TonyWinston VIx7. Do not know VIx7. When using nomenclature iii7, even the additional - is not necessary, but it does reinforce the iii as in iii-7.♥️😊
Hey Tony, I’ve tried to get in touch over on Patreon but I think you said in a recent video that it’s better to use UA-cam comments to contact you. I’ve got a request for Footprints by Wayne Shorter: the slower version from his Adam’s Apply album. I had a chuckle the other day as I looked back at one of your videos from a few years back when you said you thought the tune was a bit boring! I thought I’d ask you to cover it anyway, hopefully you think it’s worth another go. I’ve been working on this for a few weeks and would value some help on how to handle it as a solo performance. Thanks
many ways. if you have an unaltered dominand and you use a tritone sub for the bass notes, and dont change anything else in the chord, the result is usually an altered dominant
Great Lesson. I was wondering about one thing - I believe you said that the pianist could reharm even if the bass player isn't. (hope my understanding was right), do you need to coordinate the reharm chords with other rhythm players, such as a guitarist?
Absolutely you need to coordinate. A few reharms will work without changing what the bass is playing, but most reharms are arrangements that all your band mates should follow.
Seems like a lot of root position voicings. I assume you don't actually play this way, you are only doing this to make your examples clearer. Also, you seem to always play every single note in the 7th chords - wonder if dropping the 5th (at least some of the time).might provide a more transparent sound.
![Дон ДОН, Алаудинов и СБЕЖАВШИЕ из под Курска ахматовцы 😁 [Пародия]](http://i.ytimg.com/vi/dEfCf5IK26Q/mqdefault.jpg)
Even an old guy like me still learns neat, cool & unique things from you. Thanks Professor!!
lifelong learning is where its at, thanks Scott
Very good lesson This is the most thorough lesson on reharmonization I have ever seen. Thank you!
Thanks for this lesson, Tony. God bless!
Just play Giant Steps on everything.
Love the way you make tutorial like this....
Please make more tutorial about simple jazz improvisation like this
The Peter Martin example works because the diminished seven chord is a dominant substitute thank you for this insightful video I learned so much
In this video there's more than i have learned in a couple years. Thanks a lot my prefer youtube Teacher Tony Winston. Great Professor !
thanks!
I greatly appreciate this work!! It's lessons forever! Eternal lessons!!
Tony I absolutely love love your channel. It is filled with so much great information. You are a great player and this is a huge contribution thank you.
This is an AAA gemstone. I'm learning so much, that it hurts I know so little. Still at the "No idea what I did there" level.
Nice!
Great as always!!
Bien explicado y ejemplificado. Información muy valiosa . Gracias
Thanks José
Please make the basic principles of jazz improvisation...Thabks
Continuous enhancement 🛫🚀
Wow! A ton of information in there! I'm a guitarist but that is super helpful and well explained. Thank you.
Thanks
Great Video Tony.
Greetings from Madrid.
Thank you 🎹
Sir you are such a blessing 👏. Thank you for these great lessons.
I am elated your surgery went well. Meanwhile, I would like to point out a small error which may cause confusion for a beginning student like myself. On your REHARM video, and an excellent REHARM video it is, you have indicated that III-7 may be substituted for I. However, using commonly agreed upon nomenclature, that is, iii-7 may be substituted for I, will clear up that confusion. Besides that, it is a really great REHARM video. 😊
III-7 is an older style. The dash means minor. Sorry to contribute to the confusion. I was reading a chart the other day where CM7 means C major 7th. Very confusing on a hand written chart where it's hard to distinguish between upper case and lower case M m . I'll remember to use iii7 for a minor 7th. How about this old style VIx7. Do you know what that means?
@@TonyWinston VIx7. Do not know VIx7. When using nomenclature iii7, even the additional - is not necessary, but it does reinforce the iii as in iii-7.♥️😊
@@5to1-w6d VI dominant 7. Used by John Mehegan in his excellent series of books . Volume one published in 1959.
you play so beautifully, your videos are perfect❤️
Thank you so much
Thank you too!
This!
Thank you!!!
Now,... practice.
So cool, thank you Tony!
Really a great video! Thank you Tony
Glad you enjoyed it
Love you much
love you back
Made up on the spot doesn’t necessarily means spontaneous, Chick Corea said
genial enseñanza muy completo y de manera simple amplia nuestro saber
Love your videos man! How would you reharm a minor turnaround?
Hey Tony, I’ve tried to get in touch over on Patreon but I think you said in a recent video that it’s better to use UA-cam comments to contact you. I’ve got a request for Footprints by Wayne Shorter: the slower version from his Adam’s Apply album. I had a chuckle the other day as I looked back at one of your videos from a few years back when you said you thought the tune was a bit boring! I thought I’d ask you to cover it anyway, hopefully you think it’s worth another go. I’ve been working on this for a few weeks and would value some help on how to handle it as a solo performance. Thanks
20:30 I dont think that is its own rule. To me it just looks like a II V (tritone sub) I to Bb6
Great job!!! But the pdf can't be downloaded.
Thanks, I'll fix that
FIXED
Hey Tony, this is excellent. My question though is how can altered chords be looked at through these rules? Thanks!
many ways. if you have an unaltered dominand and you use a tritone sub for the bass notes, and dont change anything else in the chord, the result is usually an altered dominant
Great Lesson. I was wondering about one thing - I believe you said that the pianist could reharm even if the bass player isn't. (hope my understanding was right), do you need to coordinate the reharm chords with other rhythm players, such as a guitarist?
Absolutely you need to coordinate. A few reharms will work without changing what the bass is playing, but most reharms are arrangements that all your band mates should follow.
Sometimes when you're improvising a wild solo you can do a rearmed that nobody else follows
Importante capire bene....
6:40
3:14
Seems like a lot of root position voicings. I assume you don't actually play this way, you are only doing this to make your examples clearer. Also, you seem to always play every single note in the 7th chords - wonder if dropping the 5th (at least some of the time).might provide a more transparent sound.