20:45 - Wow, I was always telling my friends, After Ilayaraja the best melody composer is Vidyasagar. And SPB also says the same. Good to see I have 1 % musical sense.
இனிமையான மனிதர் என்னை விட்டு வெகு சீக்கிரமாக பிரிந்து சென்றுவிட்டார். உண்மையில் இந்தப் பிரிவை என் வாழ்நாள் முழுவதும் இதை மறக்க முடியாது .அவருடைய பாடலுக்கு அடிமையாகி தவித்துக் கொண்டிருக்கின்றோம்.
இன்று நிலாவை பார்க்கும் போது உங்கள் நினைவுகள் ஜயா உங்கள் ஆத்மா சாந்தியடைய இறைவனை வேண்டுகிறேன். இன்னும் சிறிது காலம் உங்களை எங்களுக்குக்காக இறைவன் வைத்து இருக்குகளாம்
காலன் வகுத்த விதி..எங்கள் பாடும் நிலா விண்ணுலகம் சென்று இளைப்பாறட்டும்..💐🙏 அவரைத் தகுந்த மரியாதையோடும் மிகுந்த பாசத்தோடும் வழியனுப்பி வைத்த தமிழக அரசுக்கும் காவல்துறைக்கும் மற்றும் ஆயிரக்கணக்கான அன்புள்ளங்களுக்கும் கோடானு கோடி நன்றிகள் . அவரது இழப்பைத் தாங்கும் மன உறுதியை அவரது உற்றார் உறவினர்களுக்கும் நம்மைப் போன்ற ரசிகர்களுக்கும் எல்லாம் வல்ல இறைவன் அருளட்டும் ..🙏🙏🙏 - கண்ணில் நீருடனும் இதயத்தில் கனத்துடனும் இலங்கையிலிருந்து....
வெள்ளிவிழா கண்ட மோகன் படங்களின் பாடல்கள் அனைத்தும் அருமை ...ஆனால் அதை பற்றி எதுவும் கேட்காததே...மற்றவர்களின் புகழை மட்டும் பேசினால் போதும் என்றோ......?
இன்னும் மறக்க முடியவில்லை அவர் மறைவு நம்பமுடியவில்லை. இந்த காணொளி காணும்போதும் அழுதுவிட்டேன். "இந்த தேகம் மறைந்தாலும் இசையாய் மலர்வேன்" அவருக்காக அவரே சொன்னதுபோல் இருக்கும்." இன்னும் கொஞ்சகாலம் வாழ்ந்திருக்கலாம்.😭😭😭😭😭
bossky... lots of positives... but allow the guest to speak ... allow them to share his mind... allow them... and then bring back to the point, even if they digress. . all said.. best wishes .. bossky..
This interview has now become classic valut. Such an simple humble and an non diminishing persona who will live within every South Indian home for atleast next 200+ years.
Bossky... First quality of an interviewer is the Art of listening... Stop interrupting... What SPB Sir il be something unique and special to listen... Why you are over enthusiastic
Bring in a lot more genius line ups Bosskey. My List would be AR, IR, Gangai, Kamal, Vadivel, Vivek, Goundar, Maniratnam, PC.Sriram, S.Janaki, Chitra, Mano. Ippodhaikku idhu podhum :)
ஒரு பெரிய பாடகர் மட்டுமல்லாமல், ஒரு பெரிய கதை சொல்பவரை இழந்து விட்டோம்! எஸ் பி பி சார் மிக அருமையான நேர்காணல் இது. மிக்க நன்றி! ஒவ்வொரு நிமிடமும் மிக சுவாரசியமான தகவல். தமிழ் இசை அமைப்பாளர்கள் எவ்வளவு சிறந்தவர்கள் என்று இந்த காணொளி பறை சாற்றுகின்றது!
என்ன குரல் வளம்டா சாமி.வயசுல குரல் இனிமையாகவும் இளமையாகவும் ஆவது டாக்டர் பாலமுரளகிருஷணாவிற்கு அடுத்து இவருக்குத்தான்..மேதைகளான ஜானகி சுசீலா போன்றோருக்கெல்லாம் குரலில் தடுமாற்றம் வந்துவிட்டது..இதுதான் கடவுள் வரம்..சரஸ்வதி கடாட்சம்..
Hats off to you, Bosskey. As a huge fan of SPB, I've been waiting for decades for an interview like this. Just the kind of questions I've always wanted to ask him. Keep it up.
Even better than this there another clip in youtube where spb rehearsing this song in front of ilayaraja casually singing the charanan aalap of this song and sipping his coffee. If you like that clip then you are my best friend.
i have come here after listening to kabali intro song... Sir i missed u so much in that song... Not able to accept TASMAC song singers singing intro song for my THALAIVAR. I hope u will be there for 2.0.
sir sir sir everyone has a huge respect on you, just because SaNa broke the sentimental link between u and rajini in KABALI a statement like this on him is totally unfair.. it's obvious he is working only with whom he is comfortable with and already proved who he is. wish legends like you should support the nextgen.
guys, why r u taking it is about SaNa. SaNa until Kabali did all low budget films under 5 to 10C and his remuneration would be certainly less than 1C, with this how can he go an spend crores & crores for offshoring his work. Agreed SaNa does his recording in Australia, but he is not the one who started the trend. If you see there are only 4 music directors who gets paid in crores in recent times, ARR,Ilayaraja,Harris & Anirudh and you all can figure out whom SPB sir was talking abt after eliminating the obvious choices.
SPB does not hold grudges for not giving him chance to sing for Rajini. Rahman DID not give him the INTRO song in BABA. Shankar Mahadevan rendered it. But see how compassionately SPB has spoken of him, as always. Regarding Santhosh. He is a HIGHLY over-rated composer. Some people even think that he is the next big thing after Rahman! People seem to be deceived by the NEW SOUNDS he uses thinking that it's great music! Santhosh is doing an excellent job (aided by his Australian team) by juxtaposing modern synth sounds with Tamil folk. But his melodies are simple ones! Besides, his classical depth is shallow. When Ilaiyaraaja sir's fans tried to condemn Rahman in the 90's, Rahman had rich Carnatic and Hindustani base along with his Western Classical knowledge and synth expertise! That's why, Pudhu Vellai Mazhai, Ennavale, Minsara Poove, Uyire, Hai Rama Yeh Kya Hua etc were born! Santhosh's melodies are simple. He hasn't even matched Harris Jayaraj's melodies like 'Vaseegara', Kumari' etc. No offense. Santhosh is giving good stuff like 'Manidhi' often. But he is NOT the NEXT great one, like a Raja or Rahman!
To say Santhosh is overrated is either sarcasm or the most mundane thing I have ever heard in my life. I do agree with the fact that his first few melodies are DEFINITELY simpler than Rahman and IR's, and occasionally a bit simpler than they should be, but his instrumentation is above par. For one, he's definitely bolder than Rahman, who will only show his class and full potential when you put him in front of a movie that demands musical talent. The simplicity of SaNa's songs are also what tends to make them more balanced, with the orchestra performing behind them. Listen to the background scores of his most elaborate melodies; you'll find something fresh each time. And if you ask me why he kept those melodies so simple, I could give you many reasons why, like the fact that they make his music so much more HUMMABLE, or the fact that they contrast with the more high-pitched, complex melodies he's starting to walk into today. I can agree with you that a few of his tunes were quite average at the beginning of his career, but looking back on it now, I think they were meant to give way to songs like Potta Kaatil Poovasam and Kaarkuzhal Kadavaiye. Unlike Rahman, who experiments alternately and often goes back to his comfort zones for good material, SaNa's soundscape is unpredictable and eclectic. Keep in mind that it also manages to do this while not just being loyal to, but also completely ENHANCING the tone of the film. His BGM adds so much film reviewers feel the need to point that out. Maybe that's also why his songs are occasionally simple. Not to distract, and the effect pays off. And as if that's not enough, you can feel his imprint in each and every one of these weird pieces of music he delivers with each film, he flows in his own music too. Now, I have no issue with you being a Rahmaniac. You're telling me Rahman has a richer Carnatic and Hindustani base. You are correct. I think we'd both agree that ARR is more talented than SaNa, and has made more of a legendary imprint on the Tamil film industry. But in your comment, you made one stupid mistake that irked me enough to write this in the first place: "People seem to be deceived by the NEW SOUNDS he uses thinking that it's great music!." Lemme get this straight, a RAHMAN fan thinks WE'RE the ones getting duped? Have you listened to ARR's latest Tamil songs and most popular recent projects? They're overrated trash. Overrated trash filled with these "NEW SOUNDS" you're talking about, which unlike SaNa's music, stick outta the music like a sore thumb. Aalaporan has a flute coming outta nowhere, some electric guitars that fuck up the flow, and the entire song doesn't sound like a song as much as it does an awkward parade to please Thalapathy's fans as much as possible. The rest of the songs in Mersal are equally incoherent. They're an annoying display of what the public likes best, awkwardly blended together in something that should pleases, but just ends up sounding cheap. The same issue ruined Lingaa. The same issue ruined Chekka Chivantha Vaanam. The soul and emotion we all celebrated Rahman for has been ruined, and it must be because some idiot came along and said "hey, Rahman sir, this is what the modern youth like nowadays, give it a try." You call SaNa's music shallow, but have you listened to the trash that was 2.0? And if you ask ARR's fans, they'll say "this is a slow poison, you're not a true music fan, Rahman sir is trying to experiment." And that is what makes me like SaNa better than ARR, even if the latter is technically more talented. SaNa does not ruin his own image in the name of commercialism; he keeps his class and depth while managing to flow right in. SaNa does not pathetically try to pander to each and every single one of his fans by making his songs sound like stock music libraries. SaNa manages to experiment without ruining himself. ARR is a better composer, but SaNa, nowadays, is doing better.
Good interview bosskey, but please dont interlude your guests before they finish what they have in mind. Particularly, SPB sir had so many thoughts which were interesting, but was not able to hear it completely
God bless you Bosskey! You've done an incredible service to mankind by getting this legend to share his 5-decade long musical journey. A wonderful conversation that brings immense happiness to anyone watching this chat!
Miss you a lot.... wish you would have sung more song later days as well. Wish you born again and come back to us again and sing even more songs. I don’t think I can hear one more voice like your in my lifetime... miss u
Bossky, leaving your funny shows aside, I would give 1000 out of 100 for this wonderful show. You and your channel is taking direction to a different level by this show. You are truly a lucky man to spend a quality time with the living legend. I do not think that anybody (any interviewer) got a chance to spend so much time with SPB sir. Hatts off!! Hope to see these kind of soulful shows. I wish Bossky TV reaches all heights.
namaskaram to the God sent legend, all youngsters & current singers need to learn a lot from Spb sir to be grounded in whatever height they reach and how to respect all souls and be good humanitarian
There's no way he could have referred to Santhosh Narayan. Even if he has, some raw melodies with very minimal instruments and mixing like Vazhi Parthirunthean, Aasai oru pulveli, Usuru narambula and a plenty others speak for themselves on Santhosh's ability and musical sense - which in my opinion a lot of current MD's lack.
SPB does not hold grudges for not giving him chance to sing for Rajini. Rahman DID not give him the INTRO song in BABA. Shankar Mahadevan rendered it. But see how compassionately SPB has spoken of him, as always. Regarding Santhosh. He is a HIGHLY over-rated composer. Some people even think that he is the next big thing after Rahman! People seem to be deceived by the NEW SOUNDS he uses thinking that it's great music! Santhosh is doing an excellent job (aided by his Australian team) by juxtaposing modern synth sounds with Tamil folk. But his melodies are simple ones! Besides, his classical depth is shallow. When Ilaiyaraaja sir's fans tried to condemn Rahman in the 90's, Rahman had rich Carnatic and Hindustani base along with his Western Classical knowledge and synth expertise! That's why, Pudhu Vellai Mazhai, Ennavale, Minsara Poove, Uyire, Hai Rama Yeh Kya Hua etc were born! Santhosh's melodies are simple. He hasn't even matched Harris Jayaraj's melodies like 'Vaseegara', Kumari' etc. No offense. Santhosh is giving good stuff like 'Manidhi' often. But he is NOT the NEXT great one, like a Raja or Rahman!
Super ji super ji! My respect for your musical sense shot up the sky and is still travelling high after I read your comparison with Harris. I will strongly agree with you, Santhosh's music sense is that of a kindergarten student and his melodies are simple like nursery rhymes. #FACEPALM !
My comparison was not with the repetitive staple Harris Jayaraj stuff like 'Amali Thumali', 'Hasili Fisili', 'Akila Akila'. My point is that Santhosh has not done a rich melody like 'Vaseegara', 'Kumari' or 'Idhudhaana'. By the way, I am not a Harris Jayaraj nut! Was just making a point here. I appreciate your sarcasm. But it did go a little overboard when you claimed to 'agree' with me and then say that his music sense is that of a kindergarten student! In my post I clearly said that he is good, giving occasional beauties like 'Manidhi'. I like his music. But stick to my opinion that, he is grossly over-rated right now.
+RAHMANIAC இசை புயலின் ரசிகன் Glad you got my sarcasm right. If you've followed him right, you'd have spotted all his timeless melodies like all that he's done with Pradeep - specifically poo avizhum (oru soru padham, Idhu), manasula soora kaathu and so many others. They all are class apart, nothing to do with technology. To summarize, I bet Santhosh is way above in musical sense compared to this gen music directors. Any given day, ARR is a legend, so is IR and MSV. I've never compared Santhosh with legends and Haris is far below Santhosh's musicality, period. If you disagree, I recommend more listening.
Yes, I do understand that you've not compared him with the greats. I was only referring to the others who are doing so of late. Besides, I do agree that melodies like 'Poo Avizhum' are good! But the fact is that they don't have the richness of Rahman's, IR's, MSV's or Vidyasagar's melodies to be considered 'GREAT'. I am trying to make a point here, because there are several others who compare him with Rahman! 'Poo Avizhum', 'Manidhi' etc are good. Manidhi in fact was too good, and I simply loved the 'Yaaro Vanthu Suthanthiram..' portion.
BOSSKEYTV. unga talku backu madhiri...back to back 3 times parthachi....still oh my god....awesome....Only SPB proves one cannot act as being humble.....it needs expertise to be humble.......Learning it from HIM
Bringing out classic experiences of celebs, esp musicians, specifically with Ilaiyaraja is really enchanting. Multiple sessions with IRaja sir would be the best for majority incldng me. I am waiting.. Great show soothens the soul and simply superb...Thank you
When the tide of time sweeps, the existing landscape changes. When Illaiyaraja first came into the scene, there were several insults poured by the existing people -Maadu maekaravanga ellam oorilirundhu vandhutanugapa paatu podae (villagers from the country side who are driving cattle, have come now to compose music for movies). The musical landscape changed later. When Rahman came, they said he just doing computer music. His music is coming from the computer and he has nothing to do with it :-)! The musical landscape changed yet again and went all the way to Hollywood and Grammys and still the magic continues with Avalum Naanum (AYM). Now, with all the other distractions and chaos of life and net connected instant world, a Santhosh Narayanan comes and makes a song like Mogathirai and continues the varied magic through songs like Usuru Narumbuley, the outlandish Mama Dousar, Ding Dong, the haunting Dhesayum Ezhundhaney, the thumping ecelectic Kannamma, Kakidha Kappal, the melancholic depth of Irandhidava, rocking jazzy local Ka Ka Ka Poto, Baroke orchestration of Bongu Kichan, the charming guitar folk moving to disco funk of Sirukki Vaasam and tamil metal of Dhikku Dhikku Sir. Santhosh Narayanan has nothing more to prove. He has dared to be different from the existing greats and also brought high quality recording and capturing of the sensitivities of each instrument that he records, including the vocals. Are we to believe that a person who brings such high quality sounds to Tamil music and recording technology does not know music? SPB sir, you were great and you still are and will always be a legend. Please remain so and refrain from making yourself ancient.
Why are you thinking he is talking about Santosh narayanan? That’s wrong of you.Given his experience he should say what are the mistakes going on in the industry.He has every right to say it.
26- 27:25 1) Two things that show the characteric of a true admirer of art/music...in SPB sensing the pathos in the music piece that he listened to in a happy song in the film 2) Of the music composer MSV sir, on how he thought through that and created that musical piece to embed the subtle pathos in the happy song... Truly amazing..and inspirational.
BosKey , thanks im watching it after 7 years of this uploaded and still feel him like he is with us today,we really miss him, he is the true god of voice in our times
அருமை நண்பர் முட்டை பாஸ் அவர்களே உங்களுடைய அதிகமான இன்டர்வியூ நான் பார்த்திருக்கேன், நீங்கள் தான் இன்டர்வியூ எடுக்குறீங்களா இல்ல, உங்கள் அலுவலகத்துக்கு வந்திருப்பவர்கள் உங்களை இன்டர்வியூ எடுக்கிறார்களா என்பது தெரியவில்லை. முதலில் அலுவலகத்துக்கு வந்து இருப்பவர்களுக்கு பேசுவதற்கு வாய்ப்பு தாருங்கள், அதை விடுத்து நீங்களே பேசிக் கொண்டிருக்கிறீர்கள் இது என்ன நியாயம் நாங்கள் யூடியூபில் வீடியோ பார்ப்பது உங்கள் பேச்சை கேட்பதற்காக அல்ல. தயவு செய்து நீங்கள் கேள்வியை மட்டும் கேளுங்கள் பதிலையும் நீங்களே சொல்லிவிட வேண்டாம். நீங்களே பதில் சொல்வதாக இருந்தால் உங்கள் அலுவகத்திற்கு விருந்தினர்கள் எதற்காக நீங்கள் அழைக்க வேண்டும் தயவு செய்து உங்களுடைய பதில்களை குறைத்துக் கொள்ளுங்கள். மண்டையில் மாஸ்டர் தான் இல்லை என்றால் மூளையும் இல்லையா உங்களுக்கு.
S. P. B. அவர்களின் இயற்கையான இசைஞானம் என்னை மிகவும் வியக்க வைக்கிறது!! இனிமையான குரல்!! அதை பாடுகின்ற முறை ஆஹா!! பாடலுக்கு ஏற்றாற்போல பாடுகின்ற விதம் என் மனதை ஆட்கொண்டு ஆனந்தம் அடையச்செய்கிறது!! இனிமையின் அவதாரம் S. P. B. மிகச்சிறந்த புத்திசாலி!! சிறந்த மனிதர்!! 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
Hei bosskey. I seriously appreciate the interview. But you are extending this spb sir's interview by part 1, 2, 3, 4 and so on. Why so? Other than that great job.
Hats off to you Bosskey!, You are the best. My Fav singer sharing his wonderful experience. Must watch for all the budding singers,. Thanks for giving this moments!. I will never forget this interview and carry it ever !. Thanks again Bosskey, Great job
Awesome SPB sir !! I am always awestruck by your voice and style in romantic and heroic songs !! totally changing voice according to mood of song. And thank you always for talking more things about great composers which we commoners wont know. You always appreciate composers even in singing reality shows and giving perfect advice to contestants when other judges just say a simple good or bad.
Excellent Bosskey sir. Really heartfully appreciate for interviewing the so simple, humble, humorous, sweet voice, the living legend SPB sir who is really the inspiration for me to enter into the music world. Even though i am not even a drop of water in the ocean, atleast he is the inspiration for me. Greatest SPB sir
Overall Excellent and enjoyed... But one humble comment. I felt like you throw a question and before the answers completes you fire next irrelevant question his answer. There're many situations where you could have extracted more info which would have been even more interesting to the viewers.
U r right my bro. Ans.to my bro for his message. There can be no one against SBP. As he is so humble throughout his life, till his last breath. He was appreciating ellayaraja till his last breath. Though raja digged him. He should feel, he cannot get back spb.
😭SPB death appuram pakuravaga yaru 😭👍
There may be haters for ar Rahman and illaiyaraja but sure there is no haters for this guy miss him 😭
SPB சார் பேச பேச & பாட பாட கேட்டு கிட்டே இருக்கலாம் இல்ல i miss you sir.. 😭😭😭
20:45 - Wow, I was always telling my friends, After Ilayaraja the best melody composer is Vidyasagar. And SPB also says the same. Good to see I have 1 % musical sense.
Vidyasavar is an unsung music director. His fame might not have reached heights but his songs always dis
Happy to hear that.. i love vidyasagar melodies as much as raja sir songs
❤
இனிமையான மனிதர் என்னை விட்டு வெகு சீக்கிரமாக பிரிந்து சென்றுவிட்டார். உண்மையில் இந்தப் பிரிவை என் வாழ்நாள் முழுவதும் இதை மறக்க முடியாது .அவருடைய பாடலுக்கு அடிமையாகி தவித்துக் கொண்டிருக்கின்றோம்.
சொர்க்கத்தை உங்க குரலில் வைத்துக் கொண்டு
சொர்க்கம் மதுவிலே எப்படி பொய்யா பாடுனீங்க 😁😁😘😘😘😘😭😭😭😭😭😭 😭😭😭😭
உண்மை நண்பா 😭😭😭😭
A thaanaa ....? U r correct bro
இன்று நிலாவை பார்க்கும் போது உங்கள் நினைவுகள் ஜயா உங்கள் ஆத்மா சாந்தியடைய இறைவனை வேண்டுகிறேன். இன்னும் சிறிது காலம் உங்களை எங்களுக்குக்காக இறைவன் வைத்து இருக்குகளாம்
காலன் வகுத்த விதி..எங்கள் பாடும் நிலா விண்ணுலகம் சென்று இளைப்பாறட்டும்..💐🙏
அவரைத் தகுந்த மரியாதையோடும் மிகுந்த பாசத்தோடும் வழியனுப்பி வைத்த தமிழக அரசுக்கும் காவல்துறைக்கும் மற்றும் ஆயிரக்கணக்கான அன்புள்ளங்களுக்கும் கோடானு கோடி நன்றிகள் .
அவரது இழப்பைத் தாங்கும் மன உறுதியை அவரது உற்றார் உறவினர்களுக்கும் நம்மைப் போன்ற ரசிகர்களுக்கும் எல்லாம் வல்ல இறைவன் அருளட்டும் ..🙏🙏🙏
- கண்ணில் நீருடனும் இதயத்தில் கனத்துடனும் இலங்கையிலிருந்து....
வெள்ளிவிழா கண்ட மோகன் படங்களின் பாடல்கள் அனைத்தும் அருமை ...ஆனால் அதை பற்றி எதுவும் கேட்காததே...மற்றவர்களின் புகழை மட்டும் பேசினால் போதும் என்றோ......?
அது அனைத்தும் இளையராஜா பாடல்கள்.... இளையராஜா பற்றி நிறைய பேசிவிட்டார்.
The interview is so appealing because of THE PERFECT AUDIO recording..... kudos to Bosskey tv tech crew
இன்னும் மறக்க முடியவில்லை அவர் மறைவு நம்பமுடியவில்லை. இந்த காணொளி காணும்போதும் அழுதுவிட்டேன். "இந்த தேகம் மறைந்தாலும் இசையாய் மலர்வேன்" அவருக்காக அவரே சொன்னதுபோல் இருக்கும்." இன்னும் கொஞ்சகாலம் வாழ்ந்திருக்கலாம்.😭😭😭😭😭
bossky... lots of positives... but allow the guest to speak ... allow them to share his mind... allow them... and then bring back to the point, even if they digress. .
all said.. best wishes .. bossky..
cutting off guest is a bit rude... I know
Yes correct
ஆமாம் இந்த மொட்டைக் கூதியான் எல்லா பேட்டியிலும் முந்திரிக் கொட்டை மாதிரி பேசறான்
@@kssps2009 nachu comment nanba🤣🤣🤣🤣🤣
This interview has now become classic valut. Such an simple humble and an non diminishing persona who will live within every South Indian home for atleast next 200+ years.
Sure of course without doubt
Bossky... First quality of an interviewer is the Art of listening... Stop interrupting... What SPB Sir il be something unique and special to listen... Why you are over enthusiastic
Bring in a lot more genius line ups Bosskey. My List would be AR, IR, Gangai, Kamal, Vadivel, Vivek, Goundar, Maniratnam, PC.Sriram, S.Janaki, Chitra, Mano. Ippodhaikku idhu podhum :)
Hariharan Vivek Prabhu Radhika Khushboo to add to that list :)
+David Chakraborthy kushbu already over
Vivek sir. I vote
PC sreeman interview? U must be crazy
இசை தேடும் உலகில்...
இசையே தேடும் இசையே...
.......Spb.......
He is a precious human being apart from Religion, caste & languages
Bosskey you are interrupting a lot in between when the guest is explaining more ..
Man !!!! I’m in tears now. Sir, I’ll always love you. Even you remove the singing from this human , still everyone loves him. Such a pure soul.
😊
ஒரு பெரிய பாடகர் மட்டுமல்லாமல், ஒரு பெரிய கதை சொல்பவரை இழந்து விட்டோம்! எஸ் பி பி சார் மிக அருமையான நேர்காணல் இது. மிக்க நன்றி! ஒவ்வொரு நிமிடமும் மிக சுவாரசியமான தகவல். தமிழ் இசை அமைப்பாளர்கள் எவ்வளவு சிறந்தவர்கள் என்று இந்த காணொளி பறை சாற்றுகின்றது!
உண்மை
Pppa enna voise ayyo neenga enga poiteenga Balu sir kandipa kadavuluku pada poiteenga
SPB underrated actor , look at his modulations
SPB Sir's voice is one of the musical instruments. His singing doesn't need musical background. Never miss music when he's singing.
என்ன குரல் வளம்டா சாமி.வயசுல குரல் இனிமையாகவும் இளமையாகவும் ஆவது டாக்டர் பாலமுரளகிருஷணாவிற்கு அடுத்து இவருக்குத்தான்..மேதைகளான ஜானகி சுசீலா போன்றோருக்கெல்லாம் குரலில் தடுமாற்றம் வந்துவிட்டது..இதுதான் கடவுள் வரம்..சரஸ்வதி கடாட்சம்..
ஏன் TMS ஐயா அவர்களுக்கும் தான்...!!!!
@@kavinm8192 .
Heyy... Ivar sirikka sirikka pesaraar pa.... cho sweet !! thalikkanamea illaatha simple person. intha Suresh sir -um ippadithaan over feel. athigaprasangi.
Bosskey-You should let the guest speak.SPB is a veteran singer. Why do you keep intervening? It is very annoying to see you not letting them to speak.
Apa evalovu nalla manidar, kuzhandai madiri pesarar,
SPB mentions SANTHOSH narayan he has his relative and orchestra group in Sydney... SOODHU KAAVUM orcheastra is there....
So you mean to say santhosh narayan doesn't know music...
Oh is it?
Exactly ! Australia man santhosh narayan thaan
SANTHOSH NARAYANAN , HIP HOP AADHI ALL ARE USELESS MUSIC COMPOSERS
This aniruddh is worst among them
What a legend instant singing lacks of people enjoyed his songs
lakhs*
Avaru pesum podhu disturb pannitte irukka motta thalaya
Omg no music no composer no orchestra nothing ..his own voice is all in all everything missing you missing you SPB ஐயா 😭😭😭😭
Hats off to you, Bosskey. As a huge fan of SPB, I've been waiting for decades for an interview like this. Just the kind of questions I've always wanted to ask him. Keep it up.
if you went crazy when spb sang kadhalin deepam ondru, you are my best friend
Even better than this there another clip in youtube where spb rehearsing this song in front of ilayaraja casually singing the charanan aalap of this song and sipping his coffee. If you like that clip then you are my best friend.
What a man?!? Salute!! We miss you, Sir.
No one can replace you..
Great...we normal people....just want to enjoy this great legend....we dont have any rights to comment about him or his interview
very natural!!! seems I am sitting front of them listening interview.
Great Bosskey! Do a long series like this with Gangai Amaran!! He is a riot!
i want with vadivel
i have come here after listening to kabali intro song... Sir i missed u so much in that song... Not able to accept TASMAC song singers singing intro song for my THALAIVAR. I hope u will be there for 2.0.
sir sir sir everyone has a huge respect on you, just because SaNa broke the sentimental link between u and rajini in KABALI a statement like this on him is totally unfair.. it's obvious he is working only with whom he is comfortable with and already proved who he is. wish legends like you should support the nextgen.
yes he shudnt have talked about Santosh Narayanan like this.
guys, why r u taking it is about SaNa. SaNa until Kabali did all low budget films under 5 to 10C and his remuneration would be certainly less than 1C, with this how can he go an spend crores & crores for offshoring his work. Agreed SaNa does his recording in Australia, but he is not the one who started the trend. If you see there are only 4 music directors who gets paid in crores in recent times, ARR,Ilayaraja,Harris & Anirudh and you all can figure out whom SPB sir was talking abt after eliminating the obvious choices.
SPB does not hold grudges for not giving him chance to sing for Rajini. Rahman DID not give him the INTRO song in BABA. Shankar Mahadevan rendered it. But see how compassionately SPB has spoken of him, as always.
Regarding Santhosh. He is a HIGHLY over-rated composer. Some people even think that he is the next big thing after Rahman!
People seem to be deceived by the NEW SOUNDS he uses thinking that it's great music! Santhosh is doing an excellent job (aided by his Australian team) by juxtaposing modern synth sounds with
Tamil folk.
But his melodies are simple ones! Besides, his classical depth is shallow. When Ilaiyaraaja sir's fans tried to condemn Rahman in the 90's, Rahman had rich Carnatic and Hindustani base along with his Western Classical knowledge and synth expertise! That's why, Pudhu Vellai Mazhai, Ennavale, Minsara Poove, Uyire, Hai Rama Yeh Kya Hua etc were born!
Santhosh's melodies are simple. He hasn't even matched Harris Jayaraj's melodies like 'Vaseegara', Kumari' etc.
No offense. Santhosh is giving good stuff like 'Manidhi' often. But he is NOT the NEXT great one, like a Raja or Rahman!
To say Santhosh is overrated is either sarcasm or the most mundane thing I have ever heard in my life. I do agree with the fact that his first few melodies are DEFINITELY simpler than Rahman and IR's, and occasionally a bit simpler than they should be, but his instrumentation is above par. For one, he's definitely bolder than Rahman, who will only show his class and full potential when you put him in front of a movie that demands musical talent. The simplicity of SaNa's songs are also what tends to make them more balanced, with the orchestra performing behind them. Listen to the background scores of his most elaborate melodies; you'll find something fresh each time. And if you ask me why he kept those melodies so simple, I could give you many reasons why, like the fact that they make his music so much more HUMMABLE, or the fact that they contrast with the more high-pitched, complex melodies he's starting to walk into today. I can agree with you that a few of his tunes were quite average at the beginning of his career, but looking back on it now, I think they were meant to give way to songs like Potta Kaatil Poovasam and Kaarkuzhal Kadavaiye.
Unlike Rahman, who experiments alternately and often goes back to his comfort zones for good material, SaNa's soundscape is unpredictable and eclectic. Keep in mind that it also manages to do this while not just being loyal to, but also completely ENHANCING the tone of the film. His BGM adds so much film reviewers feel the need to point that out. Maybe that's also why his songs are occasionally simple. Not to distract, and the effect pays off. And as if that's not enough, you can feel his imprint in each and every one of these weird pieces of music he delivers with each film, he flows in his own music too.
Now, I have no issue with you being a Rahmaniac. You're telling me Rahman has a richer Carnatic and Hindustani base. You are correct. I think we'd both agree that ARR is more talented than SaNa, and has made more of a legendary imprint on the Tamil film industry. But in your comment, you made one stupid mistake that irked me enough to write this in the first place:
"People seem to be deceived by the NEW SOUNDS he uses thinking that it's great music!."
Lemme get this straight, a RAHMAN fan thinks WE'RE the ones getting duped? Have you listened to ARR's latest Tamil songs and most popular recent projects? They're overrated trash. Overrated trash filled with these "NEW SOUNDS" you're talking about, which unlike SaNa's music, stick outta the music like a sore thumb. Aalaporan has a flute coming outta nowhere, some electric guitars that fuck up the flow, and the entire song doesn't sound like a song as much as it does an awkward parade to please Thalapathy's fans as much as possible. The rest of the songs in Mersal are equally incoherent. They're an annoying display of what the public likes best, awkwardly blended together in something that should pleases, but just ends up sounding cheap. The same issue ruined Lingaa. The same issue ruined Chekka Chivantha Vaanam. The soul and emotion we all celebrated Rahman for has been ruined, and it must be because some idiot came along and said "hey, Rahman sir, this is what the modern youth like nowadays, give it a try." You call SaNa's music shallow, but have you listened to the trash that was 2.0?
And if you ask ARR's fans, they'll say "this is a slow poison, you're not a true music fan, Rahman sir is trying to experiment."
And that is what makes me like SaNa better than ARR, even if the latter is technically more talented. SaNa does not ruin his own image in the name of commercialism; he keeps his class and depth while managing to flow right in. SaNa does not pathetically try to pander to each and every single one of his fans by making his songs sound like stock music libraries. SaNa manages to experiment without ruining himself. ARR is a better composer, but SaNa, nowadays, is doing better.
mr.boskey ur very lucky to spend this much time with the greatest of voice.
spb sir you're amazing wow I love you so much sir I love your singing
son of saraswathi. love you....Thanks to bosski......
Million dollar voice! Thank you Bosskey and SPB ayya.
What a tremendous sense of mimicry he had ! We cannot see such a humorous and humane man in any time to come 👍
மண்தான் கடைசியில் ஜெயிக்கிறது.
Love u spb sir and also thankful bassky sir for this seeing opportunity
Great SPB sir mentioning the two music directors I enjoyed a lot, Vidyasagar and Ramesh Vinayagam!
Good interview bosskey, but please dont interlude your guests before they finish what they have in mind. Particularly, SPB sir had so many thoughts which were interesting, but was not able to hear it completely
Hi Bosskey! You and your team are doing great interviews. They're honest and no unnecessary compliments and sensible questions. Keep them coming!
Those who disliked this video are from alien planet.
God bless you Bosskey! You've done an incredible service to mankind by getting this legend to share his 5-decade long musical journey. A wonderful conversation that brings immense happiness to anyone watching this chat!
Andha Australian music director, Santosh narayan ah??
Absolutely correct 😂
You got him live bosskey!!! I love the energy between both of you.
Bosskey interview is originality.. unmayaaa Oru spb fan interact pannaa mathri irku ji.. hats off....🎙️👏👏👏
SP B' s interview simply Happiest prog.
Miss you a lot.... wish you would have sung more song later days as well. Wish you born again and come back to us again and sing even more songs. I don’t think I can hear one more voice like your in my lifetime... miss u
Why no videos boskey, you have very good content,pls re-launch
EVERGREEN VIDEO'S OF SPB 👏👏👏👏👏👏 Thank you Bosky🙏
Bossky, leaving your funny shows aside, I would give 1000 out of 100 for this wonderful show. You and your channel is taking direction to a different level by this show. You are truly a lucky man to spend a quality time with the living legend. I do not think that anybody (any interviewer) got a chance to spend so much time with SPB sir. Hatts off!! Hope to see these kind of soulful shows. I wish Bossky TV reaches all heights.
SPB You are a legend so HUMBEL.....GREAT GOING FOR MANY MANY YEARS👍👍👍
Yenda ivar showvai dislike panra nee human da?!
I believe there are separate sadistic group of people in UA-cam who dislike these wonderful videos...sane human beings won't dislike this...
Who loves divine voice of Bharat Ratna S.P.Balasubrahmanyam sir
pesurathe padra mathri irukku..ahaa..❤spb fan
namaskaram to the God sent legend, all youngsters & current singers need to learn a lot from Spb sir to be grounded in whatever height they reach and how to respect all souls and be good humanitarian
It's impossible to not to love this man.
Great loss to music
There's no way he could have referred to Santhosh Narayan. Even if he has, some raw melodies with very minimal instruments and mixing like Vazhi Parthirunthean, Aasai oru pulveli, Usuru narambula and a plenty others speak for themselves on Santhosh's ability and musical sense - which in my opinion a lot of current MD's lack.
SPB does not hold grudges for not giving him chance to sing for Rajini. Rahman DID not give him the INTRO song in BABA. Shankar Mahadevan rendered it. But see how compassionately SPB has spoken of him, as always.
Regarding Santhosh. He is a HIGHLY over-rated composer. Some people even think that he is the next big thing after Rahman!
People seem to be deceived by the NEW SOUNDS he uses thinking that it's great music! Santhosh is doing an excellent job (aided by his Australian team) by juxtaposing modern synth sounds with
Tamil folk.
But his melodies are simple ones! Besides, his classical depth is shallow. When Ilaiyaraaja sir's fans tried to condemn Rahman in the 90's, Rahman had rich Carnatic and Hindustani base along with his Western Classical knowledge and synth expertise! That's why, Pudhu Vellai Mazhai, Ennavale, Minsara Poove, Uyire, Hai Rama Yeh Kya Hua etc were born!
Santhosh's melodies are simple. He hasn't even matched Harris Jayaraj's melodies like 'Vaseegara', Kumari' etc.
No offense. Santhosh is giving good stuff like 'Manidhi' often. But he is NOT the NEXT great one, like a Raja or Rahman!
Super ji super ji! My respect for your musical sense shot up the sky and is still travelling high after I read your comparison with Harris. I will strongly agree with you, Santhosh's music sense is that of a kindergarten student and his melodies are simple like nursery rhymes. #FACEPALM !
My comparison was not with the repetitive staple Harris Jayaraj stuff like 'Amali Thumali', 'Hasili Fisili', 'Akila Akila'. My point is that Santhosh has not done a rich melody like 'Vaseegara', 'Kumari' or 'Idhudhaana'.
By the way, I am not a Harris Jayaraj nut! Was just making a point here.
I appreciate your sarcasm. But it did go a little overboard when you claimed to 'agree' with me and then say that his music sense is that of a kindergarten student! In my post I clearly said that he is good, giving occasional beauties like 'Manidhi'. I like his music. But stick to my opinion that, he is grossly over-rated right now.
+RAHMANIAC இசை புயலின் ரசிகன் Glad you got my sarcasm right. If you've followed him right, you'd have spotted all his timeless melodies like all that he's done with Pradeep - specifically poo avizhum (oru soru padham, Idhu), manasula soora kaathu and so many others. They all are class apart, nothing to do with technology. To summarize, I bet Santhosh is way above in musical sense compared to this gen music directors. Any given day, ARR is a legend, so is IR and MSV. I've never compared Santhosh with legends and Haris is far below Santhosh's musicality, period. If you disagree, I recommend more listening.
Yes, I do understand that you've not compared him with the greats. I was only referring to the others who are doing so of late. Besides, I do agree that melodies like 'Poo Avizhum' are good! But the fact is that they don't have the richness of Rahman's, IR's, MSV's or Vidyasagar's melodies to be considered 'GREAT'. I am trying to make a point here, because there are several others who compare him with Rahman! 'Poo Avizhum', 'Manidhi' etc are good. Manidhi in fact was too good, and I simply loved the 'Yaaro Vanthu Suthanthiram..' portion.
constipated song:-) hilarious spb sir
BOSSKEYTV. unga talku backu madhiri...back to back 3 times parthachi....still oh my god....awesome....Only SPB proves one cannot act as being humble.....it needs expertise to be humble.......Learning it from HIM
good and useful interview for musicians
11:30.. Bosskey-kkum adi sarukkum :)
ida dislike pana nijama manasu yepdi vandadu?
Bringing out classic experiences of celebs, esp musicians, specifically with Ilaiyaraja is really enchanting. Multiple sessions with IRaja sir would be the best for majority incldng me. I am waiting.. Great show soothens the soul and simply superb...Thank you
talk less bosskey. let spb talk.
This is his style. Why don’t you change?
When the tide of time sweeps, the existing landscape changes. When Illaiyaraja first came into the scene, there were several insults poured by the existing people -Maadu maekaravanga ellam oorilirundhu vandhutanugapa paatu podae (villagers from the country side who are driving cattle, have come now to compose music for movies). The musical landscape changed later.
When Rahman came, they said he just doing computer music. His music is coming from the computer and he has nothing to do with it :-)! The musical landscape changed yet again and went all the way to Hollywood and Grammys and still the magic continues with Avalum Naanum (AYM).
Now, with all the other distractions and chaos of life and net connected instant world, a Santhosh Narayanan comes and makes a song like Mogathirai and continues the varied magic through songs like Usuru Narumbuley, the outlandish Mama Dousar, Ding Dong, the haunting Dhesayum Ezhundhaney, the thumping ecelectic Kannamma, Kakidha Kappal, the melancholic depth of Irandhidava, rocking jazzy local Ka Ka Ka Poto, Baroke orchestration of Bongu Kichan, the charming guitar folk moving to disco funk of Sirukki Vaasam and tamil metal of Dhikku Dhikku Sir.
Santhosh Narayanan has nothing more to prove. He has dared to be different from the existing greats and also brought high quality recording and capturing of the sensitivities of each instrument that he records, including the vocals. Are we to believe that a person who brings such high quality sounds to Tamil music and recording technology does not know music? SPB sir, you were great and you still are and will always be a legend. Please remain so and refrain from making yourself ancient.
Why are you thinking he is talking about Santosh narayanan? That’s wrong of you.Given his experience he should say what are the mistakes going on in the industry.He has every right to say it.
26- 27:25 1) Two things that show the characteric of a true admirer of art/music...in SPB sensing the pathos in the music piece that he listened to in a happy song in the film 2) Of the music composer MSV sir, on how he thought through that and created that musical piece to embed the subtle pathos in the happy song... Truly amazing..and inspirational.
cant believe this phenominal human is gone
Listen @ 4:35 thank me later.
MSV oda humility at 10 50, kangal kalangina
BosKey , thanks im watching it after 7 years of this uploaded and still feel him like he is with us today,we really miss him, he is the true god of voice in our times
அருமை நண்பர் முட்டை பாஸ் அவர்களே உங்களுடைய அதிகமான இன்டர்வியூ நான் பார்த்திருக்கேன், நீங்கள் தான் இன்டர்வியூ எடுக்குறீங்களா இல்ல, உங்கள் அலுவலகத்துக்கு வந்திருப்பவர்கள் உங்களை இன்டர்வியூ எடுக்கிறார்களா என்பது தெரியவில்லை.
முதலில் அலுவலகத்துக்கு வந்து இருப்பவர்களுக்கு பேசுவதற்கு வாய்ப்பு தாருங்கள், அதை விடுத்து நீங்களே பேசிக் கொண்டிருக்கிறீர்கள் இது என்ன நியாயம் நாங்கள் யூடியூபில் வீடியோ பார்ப்பது உங்கள் பேச்சை கேட்பதற்காக அல்ல. தயவு செய்து நீங்கள் கேள்வியை மட்டும் கேளுங்கள் பதிலையும் நீங்களே சொல்லிவிட வேண்டாம்.
நீங்களே பதில் சொல்வதாக இருந்தால் உங்கள் அலுவகத்திற்கு விருந்தினர்கள் எதற்காக நீங்கள் அழைக்க வேண்டும் தயவு செய்து உங்களுடைய பதில்களை குறைத்துக் கொள்ளுங்கள்.
மண்டையில் மாஸ்டர் தான் இல்லை என்றால் மூளையும் இல்லையா உங்களுக்கு.
Miss you badly SPB Sir 😭.. you are a legend ❤️
S. P. B. அவர்களின் இயற்கையான இசைஞானம்
என்னை மிகவும் வியக்க வைக்கிறது!! இனிமையான குரல்!! அதை பாடுகின்ற முறை ஆஹா!! பாடலுக்கு ஏற்றாற்போல பாடுகின்ற விதம் என் மனதை ஆட்கொண்டு ஆனந்தம் அடையச்செய்கிறது!!
இனிமையின் அவதாரம்
S. P. B. மிகச்சிறந்த புத்திசாலி!! சிறந்த மனிதர்!! 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
SPB sirs humor is too good. What a witty genius.
Bossu.....Sema jolly......ya irukku......
Legend SPB💕
SBB sir god
SPB(osskey) Vazhga ! superB!
Hei bosskey. I seriously appreciate the interview. But you are extending this spb sir's interview by part 1, 2, 3, 4 and so on. Why so?
Other than that great job.
Hats off to you Bosskey!, You are the best. My Fav singer sharing his wonderful experience. Must watch for all the budding singers,. Thanks for giving this moments!. I will never forget this interview and carry it ever !. Thanks again Bosskey, Great job
y just 3 parts. need some 10 parts . wat an awesome interview.
bosskey... appreciate your effort... but if u had allowed SPB to talk more rather than your bad jokes it would have been great
Plz take English Subtitles Because, I am marathi. I don't this language But I Am Big Fan of SPB Sir.
Press the three dots on the right and select subtitles
But there is no subtitle. You Check it.
U r blessed Mr.Booskey sir to have enjoyed with the legend. We missed him so so much..
IR, S Janaki, P Susheela, ARR, KS Chitra, please.
Awesome SPB sir !! I am always awestruck by your voice and style in romantic and heroic songs !! totally changing voice according to mood of song. And thank you always for talking more things about great composers which we commoners wont know. You always appreciate composers even in singing reality shows and giving perfect advice to contestants when other judges just say a simple good or bad.
Excellent Bosskey sir. Really heartfully appreciate for interviewing the so simple, humble, humorous, sweet voice, the living legend SPB sir who is really the inspiration for me to enter into the music world. Even though i am not even a drop of water in the ocean, atleast he is the inspiration for me. Greatest SPB sir
Overall Excellent and enjoyed... But one humble comment. I felt like you throw a question and before the answers completes you fire next irrelevant question his answer. There're many situations where you could have extracted more info which would have been even more interesting to the viewers.
Such a humble human being.... Great... A big fan of you sir from kerala... Live long sir ❤
U r right my bro. Ans.to my bro for his message. There can be no one against SBP. As he is so humble throughout his life, till his last breath. He was appreciating ellayaraja till his last breath. Though raja digged him. He should feel, he cannot get back spb.
interview very appealing because of perfect audio recording.......!