Silvano Carroli sings Il Tabarro - Nulla, silenzio - Finale dell'opera
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- Опубліковано 4 вер 2024
- The BEST Michele: Silvano Carolli, full, beautiful, incredible voice from G to G. In the same performance: Angeles Gulin and Placido Domingo, Madrid 1976
Da brividi... l’avrò visto 100 volte, e ogni volta la pelle d’oca.. pazzesco
Simply the best recording of this imo. Stunning high G - thrilling, properly covered but fully ringing. Wow!!
Silvano Carroli!!! Eccelente, straordinario!!!
GRANDISSIMO CARROLLI!!!
Che voce ,che emissione, che interpretazione, che classe (appassionata pure!) CHE GOLA!!!! UNICO!
PS. Questo è il basso-baritono pucciniano per eccelenza.Oggi non trovi neanche bassi con questo colore, figuriamoci baritoni...........
PS.1 .."INFAME" + "ANCORA"......che dire ........ ci sta tutto il mondo la dentro
PS.2 Qualche casino del orchestra e del testo musicale rende il "dal vivo" VIVO, UMANO, INPERFETTO!
Rende perfetto l'imperfetto. Carroli sublime.
Finalmente una registrazione della voce reale di Carroli! Grande baritono drammatico unico per voce e presenza e magnifico collega
My friend studied with Carroli,he told me many wonderful things about his great teacher.
RIP
trrill 😔
Silvano Carroli! Che voce!!
Grandissimo immenso Carroli un bassbaritono formidabile grazie Maestro Silvano per cio' che ci ha rappresentato nel mondo...
Fantastico
Silvano Carroli possente, eccezionale, espressivo: bravissimo.
Grande artista oltre ad essere uno straordinario baritono.
stunning performance, I loved Silvano Carroli's singing.
Absolutely gorgeous singing.
Straordinario Carroli. Da brividi. Per cantare accanto a lui ci voleva coraggio. RIP.
I don’t get why everyone is complaining about the acting; it’s wonderful. Has anyone heard of stage acting?
Yeah. It's kinda like expecting Shakespeare from SpongeBob
Because most people are stupid and think it's more important to have an oPiNiOn than actually learning about things, gathering knowledge etc.
Carroli voce che bella emissione fantastico.
Mamma mia che voce! Impressionante!
Fantástica colocación de la voz, y bello timbre.
Fantastic! What a sound!
Amaaaaaaaaaaazzziiiiing!!!!!!!!!!!!!!
Bravoooo!!!!
Grande Carroli! potente y muy bien cantado junto con Angeles Gulin y Placido!
Carroli immenso.
Bravo…
impressionante!
KE MERAVIGLIA!!!!!! LA GULIN UNA VOCE ENORME!!!!!!
A wonderful baritone voice. One that could sing both the lowest note for a baritone (G2) and sing the highest for the baritone (G4) in one performance. Corneil Macneil is a great example as another great baritone who also sang this role live in 1981.
Mostro! ♥️
Bravissimooo (*o*)
What a sonorous and exciting sound...a real baritone.
Pure lei da brividi...lui immenso
The best!!!!
Bravissimo..
Phenomenal!!!!
Bravissimo Carroli
Unique!!! Great sound!!!
a wonderful singer Silvano Carroli.
Carroli is fierce!
Stupendous
I know it's not much, but nobody has anything to say about Ángeles Gulín? Listen to that middle voice! And she was nowhere close to letting that voice really take off.
MÁXIMO
Maestro!
I considered Cornell Macneil as the best Michele ever but now I admit Carolli is not worse!
Melocchi technique ❤
Impressionante!!!!
Extraordinaria Voz
Io ebbi l’onore di cominciare il mio lavoro in teatro durante una Tosca con Kabaivanska e Carroli: un secondo atto musicalmente e attorialmente a dir poco sconvolgente … due mostri sacri!
Ps Il tenore era Nicola Martinucci 😊
Люблю.
Il piu' grande di tutti.......
Impressionante
Amazing!!!!
最高！！！
0:31 strong G2!
@nnsochedirti bastianini FOREVER
Класс. (Но зачем Жоржетта перевязала полненькую шею?..)
Bello. Peccato il video sia un po' bruttino. Cmq, c'era anche un Domingo fantastico in quella esecuzione
Fantastic voice--but where's the acting? He just kinda sits there. I don't get the sense of Michele's emotional collapse at all that this aria is supposed to represent.
Clarification is needed. - This was supposed to be read in humor, but is a serious reflection.
I'm not trying to be abrasive, but how is Carolli's voice here sounds nothing like the only other recordings from the 70s (71 Aida with Lavirgen), much less all other ones?
I mean, there clearly is something that is an actual sound derivative of his voice, as we see an "even vibrato" - I don't like the term - completely non-existent throughout his recorded legacy. However, there is a lot of here that isn't voice.
"The best"? E stupendo davvero, ma...ascolta Reali e Bastianini... ;) inegualabili!!!
Very rich and huge baritone voice, but stiff singing, and dreadful acting, only to be outdone by the soprano, who couldn't convince a five year old that her husband's limp corpse was just rolled out before her own eyes based on the way she reacts.
I think Carroli is a great actor.
@@xxsaruman82xx87 As someone who prides himself on trying to be objective and always being open to other views and reconsideration of my own, I reviewed this recording after seeing your comment. I must say that as I currently viewed it, my above comments from 5 years ago seem overly harsh. Perhaps I came in with an overall bias because I was never a great fan of his singing. His acting here is not great by any means, but I have definitely seen plenty of worse baritone actors. However, I still stand by my view that he was never a very interpretive or emotional singer, and it came across in his facial acting when singing. For example, here he is singing Iago's Credo: ua-cam.com/video/Glr962M-XlY/v-deo.html. An ok performance if you don't know what the words he is singing really mean. Now listen to Lawrence Tibbett: ua-cam.com/video/EqgZh0LJElY/v-deo.html, or see the other great singing actor baritone, Tito Gobbi: ua-cam.com/video/1SWYKIN41WQ/v-deo.html, and you discover what this really about. Look at the incredible changes in Gobbi's face throughout, and see how amazingly fitting they are to the changes in the aria's emotional style, changing from sheer arrogance, to sinister slyness, to pure joy for evil. THAT is what singing and acting is all about.
@@lsmart I agree somewhat (and I adore Gobbi and Tibbett), but I think Carroli can act with his voice. And his voice is a marvel in itself. And there is certainly no baritone to match him, let alone surpass him, today.
@@xxsaruman82xx87 Since I have grown bored of listening to the baritones and tenors of the past 15 or so years, I can't make a blanket statement, but I certainly agree with you in general agree about that comparison. Even if there are any decent voices today, they are certainly no better interpreters than Carroli. Terfel is certainly the best voice to come along in the past two decades, but Verdi and Puccini is not a big part of his repertoire.
@Leo Smart My two favourite modern baritones are Ernesto Petti and Nikoloz Lagvilava. I think Terfel is really a dramatic tenor. His voice isn’t very dark.
Domingo is just awaful in ths role!
@Seb G Well he's not good. Cecchele, Giacomini, Atlantov, Moldoveanu and especially Del Monaco are much, much better.
I do prefer Pons's rendition. More expressive and deep into the music and scene.
Pons is overrated. Where's his G4?
@@xxsaruman82xx87 His G2 is even worse
Pons doesn't even come close to this man.
Sorry chaps! No body can compete with great Bastianini as Michele...Carolli sounds more like a third-class Russian basso. The way he shouts (not sings) the words "Nulla Silencio" is especially pitiful.
I believe that is part of the interpretation
Why does he sound like a Russian bass? Carroli is a dramatic baritone, not a lyric one like Battistini, so his voice is naturally much darker. Besides, Battistini's recordings make his voice much lighter than it actually was, especially in his prime. And how would you know how Battistini sounded in this role? I don't think he ever actually sang it, but if he did he certainly didn't record it. Are you sure you're not getting mixed up with Bastianini (who was a great Michele btw)?
@@xxsaruman82xx87 Sorry...Of course I meant great Bastianini.
@Gullible Santo Don’t worry, damned autocorrect, amiright! Bastianini is the best, but I do like Carroli. Have you heard Antenore Reali?
RIP