Maaaaaannnnn I’ve been waiting for this!! I learned rotoscoping not to long ago & now was wondering how other editors work flowed while using it ! Thank u!🎉🎉🎉🎉
Amazing video as always.. your laptop built is insanely good and expensive too 😂 Such a dream to have that ... Appreciate you teaching us editors relentlessly ❤ Thanks a bunch 🙏
All well and good, Kelsey, and I have been doing this for years. Dynamic linking is a wonderful thing. However, more times than not, these exercises have sent me down a 2-hour rabbit hole because the roto brush is not nearly good enough to accurately work correctly frame after frame. Oh, how many times have I had to do one of these exercises frame by frame, making corrections in the mask because the rotor brush just really isn't that good. Even version 3. Nope. It's easier and quicker to do in runway ML.
heya, I find in both Rotobrush and Runway fixes are required, but you're given a lot more refinement options to do more pro rotos in Ae than in runway, and no exporting required
Hey Premiere Gal, first of all thanks for a wonderful video on rotoscoping. Here's a major question and issue I'm facing while doing Rotoscoping using a dynamic link. So, I've 64gb of RAM and when Premiere is working I've allocated around 62gb of RAM for it. The moment I open after effects, they both have a conflict of RAM space allocated which is not letting me to do rotoscoping beyond a point. How to overcome this? Can you please help me?
Very interesting feature. I wonder I use lightroom a lot In Adobe Lightroom Classic 2024 one can create a gradient mask to make basic adjustments like exposure, whites, shadow, color, etc. to the gradient area only of the image, lets say the sky or the background only. Is there a similar procedure/feature in Adobe After Effects 2024? Then import it back to Premiere the same way. if so how? Thanks.
Good tutorial! But you don't really need to create a copy of dynamically linked comp and then replace and render. You can safely go ahead with replace and render and whenever you want to make any changes to that comp in after effects you can right click on that track and choose "Restore Unrenderred".
I was so excited when I watched this video. This is exactly what I need. But that ended quickly. I can not get to the layer tab. I click rb, double click on the preview video... nothing. We'll, except a warning telling me to double click. Any ideas? (I'm on windows)
I guess it's pulling in the entire video and that I can get to the layer. I guess I can work around that by rendering just the section I wish to work on.
I can’t do this method on my intel 27 inch iMac… the one right before the M1 chip-- it becomes so slow once I go back to premier that I can’t continue to work. I have to end up exporting the composition in AE as a QT with alpha mask and the use that instead. I hear the speed thing is super common. I’ll try you technique about making a duplicate in Premier and rendering that. That I had not thought about.
I'm from Pakistan I have been watching your videos for the past 2 years. But I still haven't become a good editor. Still I am watching your video because I like you and the way you talk is so cute. I also want to become a video editor like you and I am working very hard. Please pray for me and help me.❤❤❤
I am dreaming of the time when Adobe will integrate the roto brush tool to premiere pro. Since FinalCut and DaVinci already have it, it's absurd that we have to switch to a different software, and do some many extra steps for something that simple…
Would love to know the roundtrip workflow for color when After Effects is involved. Worked on a short film recently, shot in BRAW's log profile. Premiere exported picture lock in log, but for the After Effect clips in there, I had to convert to 709 for the effects & compositing, then use a flattener back to log. It almost looked similar, but when the colorist got it, she had a hard time matching the true log footage to the After Effects footage. We're both film students, so it was a learning process, but we couldn't find anything about what the proper pipeline is for that kind of project. Any ideas?
3:22 this is the moment where in ALL tutorials on youtube the thing goes well and AE make an EXCELLENT job but on my clients videos it doesnt and i have to go frame by frame cleaning the selection and cleaning the edges, maybe im too picky. but hey i want a fine work like these pro guys shows in their tutorials
Hi I followed your video and everything works but when I rewatch it on Primer Pro the rotoscope clip is slightly out of sync so my subject is duplicated and it looks off. I have spent the day trying to find a solution to no avail
🚨 ⚠Good morning Captain Kelsey ! U R looking spiffy this morning haha ! I hate to say it, but I'd love to see you wearing that uniform on every new video LOL. How fun is that uniform eh !! OK, off to watch the tutorial with a coffee.
Hi Gal Devotedly watching your instructional videos and using them here and there, I'm a complete amateur. Can you help me? Trying to export a movie I edited and I keep getting this error message: Export Error error code: 39 Thanks in advance Robby
I put 59.94 footage on a 23.98 timeline, so when it comes into AE and use the rotobrush it just selects the entire image with one giant square outline. Its not until I change the composition to 59.94 that it will actually select what I'm highlighting, but then this changes the timing of my linked comp back in premere and any precise edits I've made no longer line up. How can I fix this issue?
heya! Never said I abandoned my Apple. I have both Apple and Windows! I connect both workstations into the same monitor ❤ Both systems have their unique strengths
This is the tutorial that we need often nowadays. And nobody tells how to back and forth premiere and AE. Thankyou!
Best video tutorial I've seen on this technique yet! I've spent hours trying to figure out what you taught in mins!
Thank youuuuuuuuuuuuu! God bless you.
Maaaaaannnnn I’ve been waiting for this!! I learned rotoscoping not to long ago & now was wondering how other editors work flowed while using it ! Thank u!🎉🎉🎉🎉
I’ve been following your tutorials only for few months ago. You’re really brilliant and showing an extraordinary content. Thanks
great tutorial and love your sense of humor!
Oh, so Freezing stops the constant propagating?! FINALLY! Thank you!!!
You're welcome!
you just got yourself one more subscriber and Kudos to the video editors of this videoooooooo😍😍😍😍😍😍😍
Happy passenger here! That was a very enjoyable flight and so I'll definitely be flying with Premiere Gal airlines again!
Wowwwww, you’re video solves my problems thanks 🙏
Loved how you put this together. Very cute! And thanks so much for the info. I am so using it!
Amazing video as always.. your laptop built is insanely good and expensive too 😂
Such a dream to have that ...
Appreciate you teaching us editors relentlessly ❤
Thanks a bunch 🙏
ur amaizing, u saved us
the best on YT!
Incredibly helpful tutorial, thank you.
Another great clear explanation Gal. Thankyou
Thank you!
Thank you for creating these videos!
Thank u for this vid & Love u Gal, lets jump on in🤩
Fantastick subject and fantastic way to show it , thanx captain 🫡
Wow, very nice tutorial. I studied very carefully, every step you explained.🎉🎉🎉
Fantastic.
Your videos are really fun!!
Nice one. Please how did you achieve the animated subtitles?
The render and replace tip was clutch! I also would just sit ther and re-render it every time I made a little change 🤦🏽♂
Such a life saver indeed!
I needed this 6 hours ago XD lol Nice editing!
I don't understand a word, nor am I interested in motion design, but I like to watch her talking
hahah, I'll take it! 🎉
All well and good, Kelsey, and I have been doing this for years. Dynamic linking is a wonderful thing. However, more times than not, these exercises have sent me down a 2-hour rabbit hole because the roto brush is not nearly good enough to accurately work correctly frame after frame. Oh, how many times have I had to do one of these exercises frame by frame, making corrections in the mask because the rotor brush just really isn't that good. Even version 3. Nope. It's easier and quicker to do in runway ML.
heya, I find in both Rotobrush and Runway fixes are required, but you're given a lot more refinement options to do more pro rotos in Ae than in runway, and no exporting required
very nice tutorial.
this video helped alot thank you!
Great Tutorial and Great Breakdown!
Nice one,
Thanks a lot CAPTAIN Gal,
Hey Premiere Gal, first of all thanks for a wonderful video on rotoscoping. Here's a major question and issue I'm facing while doing Rotoscoping using a dynamic link. So, I've 64gb of RAM and when Premiere is working I've allocated around 62gb of RAM for it. The moment I open after effects, they both have a conflict of RAM space allocated which is not letting me to do rotoscoping beyond a point. How to overcome this? Can you please help me?
Very interesting feature. I wonder I use lightroom a lot In Adobe Lightroom Classic 2024 one can create a gradient mask to make basic adjustments like exposure, whites, shadow, color, etc. to the gradient area only of the image, lets say the sky or the background only. Is there a similar procedure/feature in Adobe After Effects 2024? Then import it back to Premiere the same way. if so how? Thanks.
Hi 👋 thank for this video 😊, can I know what recording app do you use for your web cam ?
Woah Captain🤘🏻
yay captain gal! 🎉
Good tutorial! But you don't really need to create a copy of dynamically linked comp and then replace and render. You can safely go ahead with replace and render and whenever you want to make any changes to that comp in after effects you can right click on that track and choose "Restore Unrenderred".
I was so excited when I watched this video. This is exactly what I need. But that ended quickly. I can not get to the layer tab. I click rb, double click on the preview video... nothing. We'll, except a warning telling me to double click. Any ideas? (I'm on windows)
I guess it's pulling in the entire video and that I can get to the layer. I guess I can work around that by rendering just the section I wish to work on.
Don't click on the previre video, double click on the video layer in the composition timeline 👍
I'll have to give this a try. I'm still intimidated by After Effects! 😊
You got this! 🎉
I can’t do this method on my intel 27 inch iMac… the one right before the M1 chip-- it becomes so slow once I go back to premier that I can’t continue to work. I have to end up exporting the composition in AE as a QT with alpha mask and the use that instead. I hear the speed thing is super common. I’ll try you technique about making a duplicate in Premier and rendering that. That I had not thought about.
EVERYONE Shaking while watching this video lol
Turbulance 🫨
WOOOW Marketing and Promotion lerned from you Sister in law
aye aye captain
🫡
I'm from Pakistan
I have been watching your videos for the past 2 years. But I still haven't become a good editor. Still I am watching your video because I like you and the way you talk is so cute. I also want to become a video editor like you and I am working very hard. Please pray for me and help me.❤❤❤
I am dreaming of the time when Adobe will integrate the roto brush tool to premiere pro. Since FinalCut and DaVinci already have it, it's absurd that we have to switch to a different software, and do some many extra steps for something that simple…
Would love to know the roundtrip workflow for color when After Effects is involved. Worked on a short film recently, shot in BRAW's log profile. Premiere exported picture lock in log, but for the After Effect clips in there, I had to convert to 709 for the effects & compositing, then use a flattener back to log. It almost looked similar, but when the colorist got it, she had a hard time matching the true log footage to the After Effects footage. We're both film students, so it was a learning process, but we couldn't find anything about what the proper pipeline is for that kind of project. Any ideas?
its a great question and topic for a new video 🎉
3:22 this is the moment where in ALL tutorials on youtube the thing goes well and AE make an EXCELLENT job but on my clients videos it doesnt and i have to go frame by frame cleaning the selection and cleaning the edges, maybe im too picky. but hey i want a fine work like these pro guys shows in their tutorials
Sheeeeeeeeesh
Hi I followed your video and everything works but when I rewatch it on Primer Pro the rotoscope clip is slightly out of sync so my subject is duplicated and it looks off. I have spent the day trying to find a solution to no avail
🚨 ⚠Good morning Captain Kelsey ! U R looking spiffy this morning haha ! I hate to say it, but I'd love to see you wearing that uniform on every new video LOL. How fun is that uniform eh !! OK, off to watch the tutorial with a coffee.
Me too! I want to wear it all the time also 😂
please make tutorial on king pin tracker by Red Giant.
🥰🥰🥰🥰🥰 thx
Hi Gal
Devotedly watching your instructional videos and using them here and there, I'm a complete amateur.
Can you help me?
Trying to export a movie I edited and I keep getting this error message: Export Error
error code: 39
Thanks in advance
Robby
I put 59.94 footage on a 23.98 timeline, so when it comes into AE and use the rotobrush it just selects the entire image with one giant square outline. Its not until I change the composition to 59.94 that it will actually select what I'm highlighting, but then this changes the timing of my linked comp back in premere and any precise edits I've made no longer line up. How can I fix this issue?
I wich they build it directly inside premiere.
how we can create subtitles likes you
0:44 what's that effect called?
CC Light Sweep
ummm I knew she is into roleplay😍
Beautiful girl ❤❤❤❤
late
What a shame you gave up Apple to use Windows, in my opinion, it's a bad choice. Thanks for your news video tutorial is very interesting!
heya! Never said I abandoned my Apple. I have both Apple and Windows! I connect both workstations into the same monitor ❤ Both systems have their unique strengths
0:47 Please don't cut while someone is blinking unless you're trying to set the viewer on edge. ua-cam.com/video/t95Hie1PrlI/v-deo.html
Now you are using windows 🪟