Hey Fluff, I've been watching for a few years now, I love your content. Just wanted to say thank you for introducing me to awesome products such as EZ drummer and Amplitube and countless others, they have been time saving for my music. The Dirac Live Room Correction reminds me of the little microphones that come with home cinema receivers. Its a very cool idea for a product, I like the idea of seeing how my room performs acoustically. Great job explaining and going through the product as always.I think I am going to have to check this out.
As a Dirac live user for ~6 years i am not surprised that you like it. On a technical lvl take care on to much eq without lower the rest instead. Dirac can make your speakers go much lower in the bass region, but the speakers limitations are still the same. Also the result curve is just a calculated result. And the most important thing, use a Mic that is supplied with acalibration curve - like Umik
great. i like the idea of handing a client an initial print-out of "Room Acoustics", changing set-up (optimise) & a second -improved- response curve ...
I think the Mic position is not well explained, looks like you have to put your microphone higher and lower, but in the manual says at least 12 inches apart in a sphere.... so seems that is front and back ....VERY CONFUSING according to the picture in the setup
I'm not sure what meant by the 44.1khz thing at the end. Does it mean you can't run the session in you DAW at 48? I'd like to know all the drawbacks of that limitation.
Just downloaded the demo and no matter what I do I get an error about my Signal to Noise. Wont pick up the test tones even at unreasonable levels. System works fine with Sonarworks/recording anything else. According to my google searches this isn't an uncommon problem but the solution seems to be for users of the recommended mic. I only have the Sonarworks XREF 2.0 mic. Wish I could try it out would love to try it for the phase feature
How about a shoot-out between Sonarworks, Dirac, REQ/APO and ARC 2?
I was going to say that
what is the point to shoot-out apps which has no time domain feature?
Yeah
@@andivax When I think time domain I think measuring by individual drivers. Otherwise the time domain is dictated by your room?
Hey Fluff, I've been watching for a few years now, I love your content. Just wanted to say thank you for introducing me to awesome products such as EZ drummer and Amplitube and countless others, they have been time saving for my music.
The Dirac Live Room Correction reminds me of the little microphones that come with home cinema receivers. Its a very cool idea for a product, I like the idea of seeing how my room performs acoustically. Great job explaining and going through the product as always.I think I am going to have to check this out.
As a Dirac live user for ~6 years i am not surprised that you like it.
On a technical lvl take care on to much eq without lower the rest instead.
Dirac can make your speakers go much lower in the bass region, but the speakers limitations are still the same.
Also the result curve is just a calculated result.
And the most important thing, use a Mic that is supplied with acalibration curve - like Umik
Whats the right distance between the center and the side measure points?
@@o.Silex.o Depending on how big area you measure, but not smaler then 35cm for a smaler area.
Soga or theater can be well over one meter.
Room correction software is a game changer.
Dirac truly is the Holy Grail of home theater audio
great.
i like the idea of handing a client an initial print-out of "Room Acoustics",
changing set-up (optimise) & a second -improved- response curve ...
Which one do you prefer Dirac or sound ID? Thanks great video.
Right On!!!!
Oh hey now! This is awesome ✊
Very cool! I'm gonna check this out.
How does this compare to something like Sonarworks room correction software?
Very cool.
Is Dirac Live’s company name named after the physicist?
I think the Mic position is not well explained, looks like you have to put your microphone higher and lower, but in the manual says at least 12 inches apart in a sphere.... so seems that is front and back ....VERY CONFUSING according to the picture in the setup
Glad to see minidsp did a new version of umik-1 with an usb-c, the one i have uses old school miniusb,
What are you using for you audio interface
I'm not sure what meant by the 44.1khz thing at the end. Does it mean you can't run the session in you DAW at 48? I'd like to know all the drawbacks of that limitation.
I tried it and this 44.1khz was deal breaker for me. Couldn’t use it when my DAW is always 48khz.
“Low end spread”
I heard that the software requires you to be online, doesn't have an offline version
Ryan, question. Don’t you or did you have a video series of recording tips, tricks or just basic knowledge? If so, where can I purchase and watch?
Did you get a new camera? Video looks awesome bro.
What monitors are you using?
Noiceeee
Just downloaded the demo and no matter what I do I get an error about my Signal to Noise. Wont pick up the test tones even at unreasonable levels.
System works fine with Sonarworks/recording anything else. According to my google searches this isn't an uncommon problem but the solution seems to be for users of the recommended mic. I only have the Sonarworks XREF 2.0 mic.
Wish I could try it out would love to try it for the phase feature
I have got the same problem. No matter what I do, it won't go past this error. Never had any problems with Audyssey.
WHERE CAN I BUY THAT SHIRT
What song is that you played?
You just talked me into trying out the DIRAC software and getting the MiniDsp microphone.
Can I ise this soft for free?