Edge handling for Oil Painters
Вставка
- Опубліковано 24 лют 2016
- This is a recording of a live webinar on edge handling for realist artists.
I paint the same small study of a lemon twice, and at the same time: once with all hard edges, and once with a variety of edges to give more depth.
Read more about this approach on my blog here:
www.learning-to-see.co.uk/clos...
Perfect video. Thank you for uploading these for free. Great teacher.
Thanks for uploading these webinars, I am usually in class during the times that you do these so I am glad that I still get to see them! Sometimes, I let the videos play in the background while I work on my projects for my art classes. I enjoy listening to you talk and I find your voice very relaxing and calming. I also love your cat lol
+KMR323EastLA You're very welcome.
There's another webinar this evening - if the cat is around I'll try and get him to say hi :)
i do the same thing - i hold my breath lol. it actually made me smile hearing you do the same. :-)
Excellent teaching session. I learned a lot from it!
Excellent lesson! Looking forward to more.
Thanks Mark, you're very welcome :)
Very much appreciate your time.
You're very welcome Ken :)
Thanks for sharing; this was really helpful.
couldn't make it until the end, but super happy to be able to see the rest on youtube :) thanks a lot again!
+Joana Ferreira You're very welcome Joana.
Thank you Paul! Did I miss the part where you describe how you mixed the dark yellow colour? I always struggle to mix dark yellow! Please help!
Very good 'edges' demo! Thank you!
You're welcome Sherrie, glad you found it useful :)
You are doing great job for self taught artist like I'm. You'll go straight to heaven
Looking good.
+Kathryn Sharpe Thanks Kathryn
Great video. Tip: Megilp / Maroger's medium / Black Oil are not sound mediums in terms of permanence according to art conservators and were not used by the Old Masters prior to the 19th Century. Please check MITRA as a reference.
another interesting video. thank you. With Rosemary's brushes (which are beautiful) which series do you use.
Thanks Glenn. I use two series: the kolinsky sable rounds (more for detail) and the long mongoose filberts, which are just wonderful though some do splay. I havn't found a natural hair brush that doesn't eventually, though.
www.rosemaryandco.com/oil-brushes/pure-kolinsky-sable-oils
www.rosemaryandco.com/oil-brushes/masters-choice-oils/masters-choice-long-filberts
Good to see you back Paul. Thought you'd dumped us.
+RubyRuby210 Never :)
Hi paul ,i'm enjoying your video's, and to the idiot who pulled you up on the umm thing? they just wanna wind people up,, a troll i'd say, or a child maybe, nobody should change for jerk or a brat ! . your doing great,,keep going and don't change..
Thanks Bob :)
strange on my screen I only have just over half of the subject lemon showing , the other half is behind the board your painting on. but I am happy just 2 watch anyway. as I learn so much from you.
Hi Peter, it's because the camera angle is a little to the left of my viewpoint - unfortunately I can't line it up exactly with my viewpoint or I'd be in the way of the camera :)
OK thanks for that , it didn't stop me from learning from your work and thanks for another great lesson just wish I would have dropped on your work sooner .@@PaulFoxton
Salve, i riflessi le ombre i toni del limone rimangono cosi o vengono sfumati?
Спасибо Пол.
С уважением.
Might i ask what is that surface you’re painting on?? I’d really like to start using it
It's an Ampersand gessobord panel. Most decent art shops sell them, or you can order them online.
Paul Foxton Thank you Mate! It looks like it’s more enjoyable to apply paint to than canvas for some reason
At least to my eye
Can see n hear you. Please start
What surface is that?
I think was an Ampersand gessobord panel, which I'd toned with a mix of raw umber, titanium white and ivory black, thinly applied and wiped back.
you're getting a low battery warning on the screen.
+Kathryn Sharpe Have bought a power pack for the camera now so that shouldn't happen again :)
Good work! It's always something, isn't it?
44 still watching, lol.
Why not cut out the first 5-10 minutes of adjusting the camera - wasted time. Get to the content.
You're right I should edit it. Life is busy tho.
I love your videos but please try to get rid of the "ham" habit, I know, I know, I love some juicy ham too but sometimes there is too much ham to go around. xD
Thank you very much!
+Utrilus I haven't the faintest idea what you mean! Please explain...
I was joking about how every time to think you say "amm"
and you think a lot (wich is a good thing)
+Utrilus Ah I see. I'm not sure I can stop doing that since it's unconscious :) I only noticed when I started to do these videos that breathe out forcefully through my nose when I paint, especially when I'm doing a tricky bit that needs concentration. I wish I could stop doing that, too!
***** You totally can stop doing it. Its like learning to draw. You have to focus on one thing.
I imagine instead of thinking of it as Ill stop "hammining" TO ill replace "Umm" With silence or meditation.
Potential solution could be to slow down the thinking by a small amount.
It will be easy!