Bach - Cantate BWV106 "Actus Tragicus"
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- Опубліковано 28 вер 2024
- Bach - Cantate BWV106 "Actus Tragicus" "Gottes Zeit ist die allerbeste Zeit"
Mieke van der Sluis
René Jacobs
Marius van Altena
Max van Egmond
Collegium Vocale Gent
Musica Antiqua Amsterdam
Gustav Leonhardt
La nostalgie me frappe très fortement.
Frans Bruggen the flute player in this video (at left) passed away yesterday (August 13, 2014.) Frans, thank you and R I P.
Une des plus belles cantates de Bach interprétée par un ensemble de musiciens mythiques ! Frans Brüggen et Walter Van Hauwe à la flûte à bec, Ton Koopman et Anner Bijlsma au continuo, Wieland Kuijken à la Viole, sans oublier les chanteurs Max Van Egmond et René Jacobs. Le tout sous la direction du grand, de l’unique, de l’irremplaçable Gustav Leonhardt. Impossible de les écouter sans que l’émotion nous submerge...
Guy, are you sure it is Wieland Kuijken on the Viola da gamba? I don’t recognise him. Could it be Jaap ter Linden? And who is the lady, playing the other gamba?
Who is the bass player?
@@k_b7341 You are wright! The Viola da Gamba player is Jaap ter Linden, not Wieland Kuijken... Here is the complete distribution:
Soprano: Mieke van der Sluis; Alto: René Jacobs; Tenor: Marius van Altena; Bass: Max van Egmond
Recorders: Frans Brüggen, Walter van Hauwe; Violas da gamba: Jaap ter Linden, Adelheid Clatt
Continuo: Violoncello: Anner Bylsma; Violone: Antonie Woodrow; Organ: Ton Koopman
@@guylebras9880 thank you!
@@guylebras9880 that's not right--Richte van der Meer-cello, don't know the bassist
@@richardmyron739 I don't agree with you. The Celloist is Anner Bylsma. Here is the comment of this video made by Walter Bitner: "There are many audio recordings and videos of Actus Tragicus available now, but this video made more than forty years ago was one of the first, is still one of the finest, and is of considerable historical significance. It is not exactly the same ensemble that made the audio recording included in Volume 26 of The Complete Cantatas recorded for Teldec, although many of the personnel are the same.
Some of the influential musicians involved in this video recording include not only 0:22 director Gustav Leonhardt (1928-2012 - leading pioneer of the historical performance movement). Is that Jaap ter Linden with a beard playing gamba at 0:29? The recorders at 0:49 pair Frans Brüggen (1934-2014), the most influential recorder player in history; and Walter van Hauwe (b. 1948) whose three-volume masterpiece The Modern Recorder Player is the best method for the instrument ever written (I spent many hours with these books in the 1990s and early 2000s). Note also 2:02 Ton Koopman (b. 1944), portativ organ and Anner Bylsma (1934-2019), cello. Decades later, Koopman directed this performance of Actus Tragicus which includes a few of the same musicians. The soloists all give remarkable performances here, and how young they are! 5:18 Marius van Altena (b. 1938), tenor; 7:05 Max von Egmond (b. 1936), bass 12:08 René Jacobs (b. 1946), alto; and 9:22 Mieke van der Sluis, soprano. The choir is superb - warm and supple - and sing with clear yet soft diction through Leonhardt’s gentle tempi. And finally, as if I haven’t given you enough reasons: Mieke’s green eye shadow!" (walterbitner.com/2020/03/31/bwv-106-actus-tragicus/)
Bruggen, Koopman, Leonhardt, Jacobs, terLinden= DREAM TEAM!
Frans Bruggen, Ton Koopman, Gustav Leonhardt, René Jacobs, Jaap ter Linden, and Anner Bylsma
And Philippe Herreweghe as Choir master, even if he was not on stage.
R.I.P.
Koopman… 🤔?
@@IvanPortilloSalinas The hairy fellow at the organ.
Très belle interprétation de cette magnifique cantate Bwv 106. Elle vous laisse sans voix...❤
Exceptionnelle et magnifique interprétation. Même dans une cantate funèbre, Bach n'est jamais triste, il va toujours de l'avant, vers la Lumière.
C'est vrai que contre toute attente cette cantate sur le destin funeste de l'homme est très belle et par de la les âges est toujours d'actualité
This is a superb audiovisual document from almost half of century! This is just gold testimony from some of the best musicians and singers from the late XXth century. Thanks for share this incredible, superb document!
My favorite performance! Everybody is perfect. Can't be better!
Bach es el padre de la música, sus obras sublimes llegan al alma, saludos desde Chile 🎼🎶
Exquisite! It is a pleasure to listen to and watch Frans Bruggen 'sculpt' his notes! Beautiful singing, lovely voices,
May Frans Brüggen rest in peace - he will be missed....
The depth of solemnity and wonderfulness is unrivaled, and outclassing
Heavenly music, fantastic musiciens, historical recording ! Thanks
thank you thank you thank you.... how many times I listened to this and I still will listen.... so beautiful, so magnificent...
what an amazing document, thank you so much for posting this!
the first generation of musicians that actually mastered the "historcal performance practise",
had almost tears in my eyes listening to my teacher marius, seeing a yound max van egmont and healthy looking frans brueggen, jaap ter linden, ton koopman and had a little laugh at gustav leonhardts "conducting", may he rest in piece, he can be so proud of his input into realizing this music, we've learned so much! thank you, Gutti!
Una tra le più emozionanti cantate di Bach: interpreti straordinari...In Paradis...
Un fiume di commenti!! Tutti profondi conoscitori della musica barocca e del genio Bach. Elogi assoluti agli interpetri. La palestra musicale di Leonhart ha sfornato tanti stumementisti che sono in assoluto i migliori. E poi hanno creato complessi straordinari.
Passione, allenamento esercizio.
Questa esecuzione di una ispirata composizione di Bach è superba. Una vetta irraggiungibile. Grazie
how beautiful hearing/watching together most of the higher dutch/flemish early music performers, that's great!
che bello vedere riuniti insieme tanti "mostri sacri" olandesi e fiamminghi, quanta arte!
una parata di stelle !
Heute wirst du mit mir im Paradies sein. Ascoltando questa meraviglia si intravede il Paradiso e la morte non spaventa più. Sicuramente questi Grandi sono in Paradiso con Bach e con tutti i Giusti.
Excellent!!! Deep and thorough, stable, simple. and also rich. Thank you!!!
Heavenly- music for the soul .Soli Deo Gloria. Thank you all.
Esta obra la cantamos en Buenos Aires, en el auditorio de Belgrano en junio de 1978, junto al Coro Estable de Rosario, dirigida Cristian Hernandez Larguía. Momento mágico para mi...
Impresionante la fidelidad de la instrumentación.
quelle belle surprise de revoir mon chanteur préféré rene jacobs magnifique et max van egmond on est vraiment paradis quand il le chante
En effet tous ces chanteurs nous offrent une interprétation merveilleuse ; ils subliment l'oeuvre de Bach.
Rest in Paradise, great Master !!
Un bel hommage à un des plus grands de la flûte à bec au monde.
Sans son enthousiasme et compétence, la flûte à bec serai probablement resté dans les bancs d'école.
이 공연이 최고입니다! 감사합니다 ☺️
C’est juste parfait. Merci
Una versió mai vista. Una meravella digna de lloança, Bach des el cel us ho regraciarà. Segur que ho heu fet com ell ho hauria volgut en vida. Frans Bruggen, René Jacobs, Gustav Laonhard què més voleu?
Antoni Sàbat Aguilera
@gesualdolistener Not to take anything away from the extraordinary achievements of the late Gustav Leonhardt, but important to note that some 30 years earlier Isolde Ahlgrimm was leading historically informed performances - some of which a much younger Leonhardt attended and was most surely influenced by.
Many thanks to @rodevries for posting this wonderful video!
Чудесная музыка, бесподобные голоса! Благодарю за счастье слушать
Una cantata magnifica, eseguita alla perfezione
I;ve just recognised the incomperable Max Van Egmont!
just beautiful
Zo te zien een jonge Koopman aan het orgel. Mooie uitvoering, goed tempo voor een begrafenis-cantate.
Wonderful. Thank you.
Ontroerend: Frans Brüggen aan de fluit, Gustav Leanhardt "am Pult": beiden zijn ons ontvallen. Groot meesterschap!
Those were the days! Before Kopman took over you could listen to good Old music in the Netherlands.
Check out the Gesualdo Consort on You Tube. Good performance of Bach cantatas 4 and 80 in live concert.
+artois54 Koopman is a self-exhibiting fool. He never plays Bach. He plays Koopman.
+Blightyish, I 'm glad we have a real expert here. BTW, Koopman never took over. If you don't like his style, listen to Herreweghe or any other baroque performer. You may listen to recordings by Richter or even Mengelberg for all I care.
+wkruit Yes, I agree, I would at any time much rather listen to Herreweghe or Leonhardt or, especially the incomparable Karl Richter. As an organ soloist Koopman is just ridiculous. As a harpsichord player he is tolerable.By the way, this Actus Tragicus is by far the most moving I have ever come across in my life. It's a glimpse into Heaven.
+Blightyish It does sadden me you should put Richter in this list of virtuoso's...
Something amazing and unique happened that day in 1977.
Fantastische muziek !! Wat een countertenor !! Fabelachtig !!
It's from the Holland Festival 1977
NOS TV live broadcast 19 June 1977
Koopman very young at organ!! O.o
Dificilmente superable
Best of the best.
Thanks for sharing.
especially poignant today with the passing of Frans Brüggen
bella, bellísima
Looks like Franz Bruggen. We hung out together for a few hours in the late 60s, non-musical related. Nice guy
Impressive! Thanks a lot!
thanks!
Yes it is.
Het is toch gewoon mooi......
Lovely - recorders in Eb
Can I hate youtube more when this gets ads interruptions?
Meine Güte die Krankenkassenbrillen :^D
12:37 Looking good young René Jacobs.
@minckminck. The recording date on the cd is 1980 so it couldn't be too far away from that.
This was a few years before the 1980 LP -- it's a live version filmed Jun 18-20, 1977 at Canisiuskerk, Nijmegen, the Netherlands, during the Holland Festival.
This was evidently Leonhardt's first recording of this cantata. He recorded it again in 1979 or early 1980 for the cantata series.
Musik!
موسقى جميله جدا
Lovely, pure, unpretentious music-making - a little measured maybe, but with Leonhardt's unmistakable strong pulse. Any guesses as to what the recording location was? My money is on the Nieuwe Kerk in The Hague.
Evidently it was performed at Canisiuskerk, Nijmegen.
I finally stumble to this music after much search.... Please who can help me with a link to the English version.....
Opeyemi Adenuga Cantata BWV 106
Gottes Zeit ist die allerbeste Zeit (Actus Tragicus)
English Translation in Interlinear Format
Cantata BWV 106 - God's time is the very best timeEvent: Funeral Service
Text: Acts 17: 28 (Mvt. 2a); Psalm 90: 12 (Mvt. 2b); Isaiah 38: 1 (Mvt. 2c); Luke 23: 43 & Martin Luther (Mvt. 3b);Adam Reusner (Mvt. 4); Johann Leon (Mvt. 6)
Chorale Texts: Ich hab mein Sach Gott heimgestellt | In dich hab' ich gehoffet, Herr | Mit Fried und FreudBiblical quotations are in green font, chorale quotations in purple font1SonatinaFlauto I/II, Viola da gamba I/II, Continuo2aChorus [S, A, T, B]Flauto I/II, Viola da gamba I/II, ContinuoGottes Zeit ist die allerbeste Zeit.
God's time is the very best time.
In ihm leben, weben und sind wir, solange er will. (Acts 17:28)
In him we live , move and are, so long as he wills.
In ihm sterben wir zur rechten Zeit, wenn er will.
In him we die at the right time, when he wills.2bArioso [Tenor]Flauto I/II, Viola da gamba I/II, ContinuoAch, Herr, lehre uns bedenken, (Psalm 90:12)
Ah Lord, teach us to think
daß wir sterben müssen,
that we must die
auf daß wir klug werden.
so that we become wise.2cAria [Bass]Flauto I/II, Viola da gamba I/II, ContinuoBestelle dein Haus; (Isaiah 38:1)
Put your house in order
denn du wirst sterben
for you will die
und nicht lebendig bleiben.
and not remain living.2dChorusFlauto I/II, Viola da gamba I/II, ContinuoEs ist der alte Bund:
It is the old covenant:
Mensch, du mußt sterben!
Man, you must die!Soprano:
Ja, komm, Herr Jesu, komm!
Yes, come, lord Jesus. come !
(Ecclesiasticus 14:17)(Revelations 22:20)3aAria [Alto]Viola da gamba I/II, Continuo
In deine Hände befehl ich meinen Geist;
Into your hands I commit my spirit;
du hast mich erlöset, Herr, du getreuer Gott. (Psalm 31:6)
you have redeemed me, Lord, you faithful God.3b3b. Arioso [Bass] and Chorale [Alto]Viola da gamba I/II, ContinuoHeute wirst du mit mir im Paradies sein.
Today you will be with me in paradise.
(Luke 23:43)Mit Fried und Freud ich fahr dahin
With peace and joy I travel there
In Gottes Willen,
in God's will,
Getrost ist mir mein Herz und Sinn,
my heart and mind are confident,
Sanft und stille.
peaceful and calm.
Wie Gott mir verheißen hat:
As God has promised me:
Der Tod ist mein Schlaf geworden.
death has become my sleep4Chorus [S, A, T, B]Flauto I/II, Viola da gamba I/II, ContinuoGlorie, Lob, Ehr und Herrlichkeit
Glory, praise, honour and majesty
Sei dir, Gott Vater und Sohn bereit,
be given to you God father and son,
Dem heilgen Geist mit Namen!
to the holy spirit by name!
Die göttlich Kraft
God's strength
Mach uns sieghaft
make us victorious
Durch Jesum Christum, Amen.
through Jesus Christ. Amen.
Ik heb in Den Haag met Jaap ter Linden vier jaaren geestudert Ik ben braziIianse
tot seens gustav !
« Se pourrait-il que l’Actus tragicus ait été une sorte d’épanchement musico-cathartique en réponse à sa propre douleur non résolue ? Il est possible que Susanne et la mère de Bach soient l’une et l’autre invoquées dans la supplication du soprano solo “viens Seigneur Jésus”, laquelle est sans cesse répétée au centre même de l’œuvre (n°2d). Le thème de la mort était à l’évidence une préoccupation pour Bach, ou du moins un sujet récurrent ; en témoigne la proportion significative de livres consacrés àl’ars moriendi luthérien qu’il amassa au fil du temps. Il semble avoir appris très tôt combien la force colossale de la foi trouvant à s’exprimer à traversla musique pouvait priver la mort de son pouvoirde terrifier, comme s’il rejoignait Montaigne (que sans doute jamais il ne lut) évoquant “l’ennemi” :« Ôtons-lui l’étrangeté, pratiquons-le, accoutumons- le, n’ayons rien si souvent en la tête que la mort. À tous instants représentons-la à notre imaginationet en tous visages » (Essais, Livre I, Chapitre XX).
Nombre d’œuvres plus tardives de Bach ont trait à la mort en tant que dichotomie entre un monde de tribulations et l’espoir de la rédemption - approche religieuse pour ainsi dire standard à cette époque. Mais aucune ne s’y prête de façon plus poignante ou plus sereinement que l’Actus tragicus. Jamais cette extraordinaire musique, composée à un âge si précoce, n’est morbide, sirupeuse ou complaisante ; au contraire, bien que profondément sérieuse, elle est consolatrice et pleine d’optimisme. Une part de sa séduction tient à son instrumentation aux teintes inhabituellement douces: seulement deux flûtesà bec, une paire de violes de gambe et un orgue. Avec cette palette réduite, Bach parvient à faire des miracles : les vingt mesures de la Sonatina d’introduction sont parmi les plus déchirantes de toute son œuvre. De l’ardente dissonance dévolue aux deux gambes jusqu’à la manière, ravissante, dont les deux flûtes à bec s’enlacent et échangent des notes voisines, tantôt à l’unisson, tantôt dissociées, une musique nous est offerte pour combattre la douleur » (John Eliot Gardiner).
pedro a. cantero merci
Merci!!buscador de música que llena el espíritu ! He visto tus Magníficos comentarios en los videos del maestro Paco De Lucia , un saludo desde Colombia
Prachtig, maar waar hebben ze die jaren 70 kleren vandaan gehaald?
Any details about the date this was recorded? Looks like 70s, when Leonhardt was most active. I love this cantata but this version is a bit too pedestrian because of the sluggish beat imo.
Is it Koopman playing portativ? 😨😂
luke Yes it is
Is that Ton Koopman playing the continuo organ?
Sorry, but Mieke van der Sluis is NOT a Bach singer and not surprisingly she isn't singing on the recording. @revaliensis I read somewhere that Leonhardt's conducting style was based on Bach's principles of conducting but how we know that for certain is down to conjecture. This is a superb upload and credit has to be given on digging this out. Sad to hear of Leonhardt's death, we have lost a truly great musician. I see Bruggen and van Hauwe and was shocked on how old Bruggen looks nowadays.
Was für eine Besetzung!
This piece is a funeral cantata - and in that period death was a frequent visitor. How many of his children did Bach lose? So for Christians the consolation was that death was the transition to God's glory - from our perspective maybe miserable but in that time quite understandable.
alguien sabe donde puedo encontrar la traduccion??
Does anyone know the approximate date of this recording? I would be much appreciative! This is important history.
Filmed Jun 18-20, 1977 at Canisiuskerk, Nijmegen, the Netherlands, during the Holland Festival.
Why would you take the 2nd movement so slow? Its so incredibly more awe inducing and powerful at at least 20 bpm faster, in fact compared to the version i usually listen to (from an album of bach cantatas conducted by John Eliot Gardiner) this sounds pretty comical. lots o great musicians here though, the baritone soloist at the “ach herr” part is very very good. Its definitely no less alive than the other version, but perhaps that a salute more due to the incredibly economical and effective method bach applied to his composition.
Un intreccio di parole e musica destinato alla liturgia.
11:45
I feel that the feeling and intonation is beatiful, its very plastic and the recorderplaying
is maybe the best you can find in my opinion bruggen is the best hm bruggen an Hauwe play toghether for a long time its not surprising that their unisonplaying sounds
so good, maybee can the sonatina in the begining be a little faster not so much.
.....S.D.G. J. S. Bach. Summa humanitatis.
Jeugdsentiment! Mag ik vragen naar de opnamedatum?
Ik vind net deze programma-aankondiging: www.hollandfestival.nl/nl/programma/1977/js-bach/ Dus de opname zal ook wel van die tijd zijn: rond 20 juni 1977
@@ReindeVries Bedankt Rein. Aan de jonge smoeltjes van de koorleden te zien was het in ieder geval voor mijn tijd bij het koor (1982/83). Een mooie tijd; dat kan ik je verzekeren!
questa e veramente funebre HO PAURA
Ja, das ist Franz Brüggen!
Nieuwe Kerk, Den Haag (The Hague)
The hacking traitor in the background.
www.kareol.es/obras/cancionesbach/bachbwv106.htm. Textos de Los Hechos de los Apóstoles (17,28) Salmos (87,12 - 30,6), Isaías (38,1), Eclesiástico (14,18), Apocalipsis (22,20), San Lucas (23,43), Martín Lutero y Adam Reusner (1533)
Pero quedo bien
Sip, pero koopman es un traidor, lean el comentario que hace de leonhardt en el cd de las sonatas para viola da gamba y continuo, de Bach
I am searching for a footage from Gustav Leonhardt playing the organ, a fast powerful piece of Buxtehude. If you know what i mean please can you give me the url of the video, thanks
hahaha... it`s all what I want to say
This is intolerable until the choir comes in and covers them up.
While this is the first time I am able to tolerate M. v. Altena's voice, it is at the same time one of the best opportunities for understanding why R. Jacobs stopped singing and began conducting. It is almost unbearable to hear him here (worse than in recordings)! Don't get me wrong, it's a matter of fact that he is a great musician (still a singer, he could sit at the harpsichord and transpose almost at sight - would Herreweghe even try to read in key?), and technically, he was able to deal with fearce coloratura like few countertenors (listen to the first aria of Handel 's "Alessandro" /DHM, S. Kuijken conducting). But that timbre... What evil destiny condemned him to that (and then teach young A. Scholl)? But the man remains an example of honesty and professionalism, to the point of publicly admitting his dislike for his own voice - instead of going on while deaf early HIP fans would praise his singing no matter what (and he knew it! Read some comments here...).
P. S. By the way, I took summer courses at a Palace here in Portugal, mainly with Max v. Egmond, but once with ter Linden and another with Bylsma. This reminds me of great times with talented young people and wonderful teachers and a pastoral setting to die for!
The best countertenor timbre I know: ua-cam.com/video/cZ10FS7mw-Q/v-deo.html
Those women singing those miserable words should have better things to do with their time, like being with their husbands and children.
I never get tired to listen to this rendition of my favourite cantata. It's so authentic, so musical and soulful. Let alone the skill of the musicians.... I absolutely adore Max van Egmond. Leonhard concucts from within the music, very moving.
11:57
un bijou sur youtube...Quel plaisir de voir Gustav Leonhardt interpréter une des plus belles cantates de J.S. Bach entouré de Franz Brüggen et Tom Koopman. On retrouve aussi Max van Egmond ainsi que René Jacobs avec son phrasé un peu particulier, très caractéristique. Gustav Leonhardt vous nous manquez beaucoup.
Je voudrais bien remecier M. de Vries pour nous permettre de voir une si magnifique performance. La qualité d'image et de son est parfaite. Merci, un grand merci
This is the best!
So pure, just the music, the text and the spirit of everything together.
Incredible thanks to all the musicians, especially to Max van Egmond!
R.I.P. Gustav Leonhardt
R
A true document which really flatters. The great pioneers unite for an, for that time, non plus ultra performance. The record is nearly 45 years old but shows us where we were at that time.
The great teachers unite to show us one more time what they learned from the sources.
Thank your for posting. It sounds clear and beautiful. Leonhardt is a great conductor in his own specific way,
Enfin une interprétation de Bach qui n'aille pas à à fond les manettes. On a enfin le temps de sentir la respiration de la musique. Merci et bravo!