How to Make BORING Locations CINEMATIC - Cinematography Breakdown
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- Опубліковано 1 лип 2024
- In today's cinematography breakdown, we're diving into how to make boring spaces look 10x better when you don't have much options to shoot with.
This is about being creative and using what you have in the provided spaces.
Not even project you get 100% of a perfect place to work with.
Often times, it's budget dependant and you need to make choices that best suit the project.
If you're enjoying our breakdowns, check out our Masterclass where we go into the teachings and HOW we approach every project we approach.
Link below!
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Check out our upcoming Cinematic Lighting Foundations Masterclass - school.tenfoldfilmmaker.com/p/foundations - it releases May 1st! Thanks for supporting TF, it helps us put out more consistent content for everyone!
My bank doesn't allow me to pay for your course! Is there any other option to get your course? I guess my card is not eligible to do the transaction.
I'm from India
@@AhmedAli-ig1go there is a PayPal option if that works.
Yes please for a dedicated video on Step Printing. Thanks for all the great content. I'm learning a lot from you guys!!
Coming soon! Thanks for the feedback Eric.
Man in all of your projects one aspect I really like are the colors. Would be awesome if you share a color editing process :D
Thanks so much! we'll dive deeper into that process in the near future.
That mirror shot is just *chef's kiss*
Thanks Rania! Appreciate you
🎉😅😂 with the fancy white space and awesome window light, it's not a boring video but a small space. more like how to shoot better in a tight space. 👍 nice video
Haha thanks! Have had this comment come up a few times. It’s also a mixture of the context we wanted to shoot in. This didn’t add much to what we could shoot. So we were forced to just shoot her looking out the window and stuff. Less technical. But it is what it is! Appreciate you watching
More low shutter please 🙏 thank you🎉🎉🎉🎉
Videos coming soon!!
I love the way you use curtain to hide the space :)
Appreciate it! Always gotta be creative with spaces.
One of the things I love is how you describe tactically what you’re doing and why you’re doing it. Super helpful for a relative newbie like me!
Thanks for watching Wes! Appreciate you, glad it was helpful.
Really appreciate the explanation of the thought process behind the scenes.
Thanks CPW! Appreciate you
love this breakdown
Thanks John!
You're one of the few channels I love to watch for cinematography and lighting and inspired me to make a bts of my work to practice my skills. Y'all are killing it!!
Amazing stuff Kiante! Thanks for supporting
@@TenfoldProduction Thank you so much! I t means so much always look forward to y'all videos!
Best cinematography channel on UA-cam rn 🔥🔥🔥🔥
🙏🙏 thanks Logan
18:50 I've been always using this 'technique' to capture as much "raw" feel of the subject as possible in some of my candid portrait works, really handy!!
That's what we like to use it for as well! Glad to see it being used in multiple use cases. Thanks for watching
Amazing!!!
Thanks David!
Good subject!
Thanks John!
Great breakdown! Looking forward to the master class. That Pavo slim came in handy, I see.
That pavos are sweet! Super simple to setup and gets the job done. Appreciate you Ben! What are you most looking forward to learning in the masterclass?
@@TenfoldProduction I’m ALWAYS looking to learn more about lighting. I also have never gotten the hang of setting the white balance in camera a specific way to get a certain look in post. I’d like to learn how to visualize things better for clients.
Beautiful...
Thank you!
That sensor saved you so much hassle. Less is more when you’re shooting on a Venice. The DP’s I respect the most understand this sentiment.
Haha exactly! Once people understand that done is better than none (not even getting to the shot), they’re off to the races.
Love the flash frame transitions I’d love to know your method
Thanks Mike! Will definitely make a video around it in the future
I do want to see a dedicated video on the STEP process.
Coming soon!
Great video! Take a shot every time he says "in terms of"
😂 oh you won’t make it to the end
Video on step printing 💯💯
Coming soon!
Thx for another sick video breakdown! I love your work man and you seem to be such a solid dude 👌🏻
I would looove to see a video about step printing 🙌🏻🫶🏻
Big thx man and keep shooting beautiful stuff! 👌🏻
/Sulan
Thanks Sulan! Appreciate you and thanks for the kind words. The step printing video is coming soon!
@@TenfoldProduction Hahaha Susan 🤣🫶🏻 No worries man you’re doing an amazing! Gives me a lot of inspiration wich I’m so grateful for 🤟🏻
That sounds awesome! I’ll keep a lookout for that Step Printing vid!
At some action productions I use to grab my camera and shoot sequences with still in a various slow shutter speeds and it’s pretty cool too 🤙🏻
//Sulan
@@recklessmedia7521 haha brutal auto correct. Thanks for the support, what type of videos would you like to learn from us?
Yes please on a dedicated Step Printing tut
On the way soon! Appreciate you watching Noel
Thank you for sharing i would love to be on your set
Haha thanks! There might be a time and place in the future.
Love this- great images and ideas! When using the slow shutter and step-printing it seems as though the gimbal might not have actually been needed- since you were skipping a lot of frames the silky smooth gimbal look didn't really matter- just a thought to simplify those shots...
It’s a completely different look between handheld and gimbal which we’ve done a ton of testing on. The plane of movement stays consistent which makes it much smoother. Will be releasing a video soon around in! Appreciate your feedback!
Thanks!!
Would love to see a tutorial on how to do step printing!
Thanks Evan! Coming soon
Amazing video with great value as always! Question; from a production company standpoint, how many crew members were on set (hired by TF), and what % of budget do you normally allot to crew?
I find in my company, the budgets are never large enough to get the preferred amount of crew and rentals.
We had around 10ish people. It really depends on a lot of factors.
For this one, the majority was to crew and gear, the TF team ourselves took the upfront cost.
Often times if the budget is low, we'll allocate funds on crew and equipment / project related costs first.
Scenarios:
1. You care a lot about the project, and you're not in a big need of the money (putting that money towards making a stronger end project and a smoother experience)
2. You need to make money, and you make the sacrifice on the crew /gear.
It depends on whether you categorize the job as a money job or a portfolio piece.
I’d like to see a video that covers low shutter
Thanks Phil! That videos coming up soon! Appreciate it
Were you shooting on Nikons? Would love to have another video about them as I see them pop up in your videos often and I don't see enough love for them on vintage lens UA-cam!
Yeah! Nikon Ais, will definitely dive deeper into them in the future. Thanks for the feedback
Another amazing lesson for us students! 👏🏾 | Question about the masterclass, will it be like zoom class or pre recorded sessions? Only asking because my 9-5 takes up a lot of my day.
It’s pre-recorded! It’s a specific idea and system that we’re teaching, so we wanted to make it as clear and understandable as possible! Once you purchase you’ll have access to it forever.
@@TenfoldProduction Thank you.
I am signing up for the course. I love the step Printing effects and would like to know how you use them in the post-production to make it work.
We appreciate that so much! It all goes back to supporting this UA-cam channel! We have that tutorial coming out soon!
@@TenfoldProduction All Love 🫶🏽
Super nice video as always, I just wanna warn you about the masterclass's link because the link is not secure
Thanks! Will get that sorted, appreciate it!
What are your frame rate and shutter settings when you do the slower shutter? It looks great!
Thanks John, we have a full dedicated video coming out soon!
Ahh, I see you went into it lol. Thanks!
Hii, You have great videos! really captivating. May I ask where I can find the whole video? it looks dope :) Thanks in advance
This whole series is posted in our youtube uploads! Appreciate the support.
@@TenfoldProduction Found it! thank you! and no problem you deserve it! :)
which company lens do you use?
Shot these on the Nikon AIS vintage I believe!
What is the effect that you use between the loop of step printing effect? At 15.25
Hey Theo! We’ll be doing a full deep dive of the all of these effects. I think that was just the step printing slowed down again.
@@TenfoldProduction that would be amazing
i really like the content.. just the "in terms of" phrase is really loosing me 😊 allways waiting for the next "in terms of" and loose focus
Appreciate the feedback! Thanks for watching
Great work! But this is not a "boring location", not even close to one.
Hi. Beautiful video, as well as the shots!
Tell me please, from your point of view and experience of owning and using many pro movie cameras, that you could recommend in addition to the fx3 and bmpcc6k pro I already own, a third pro movie camera as camera A? I shoot feature films, documentaries, commercials, and other events. I work as a solo filmmaker)
What I'm considering in general: sony fx6, sony fx9, burano, venice 1, red komodo x, blackmagic ursa cine 12K (new ff), maybe pixys 6k. Or another fx3 + atomos ninja v) The film "The Creator" proves that not always technology comes first, but I do not have such professional optics of course, but I understand that not only this all forms the final image. In general, I have a mixed set of cameras, all of them of different price category, but if I imagine that I have money (the same grants), what is better to take now in 2024 for the next 8-10 years with a reserve for shooting from what I listed? I plan to shoot in maximum quality, and I do not disregard flash drives (hard disks), for me weight and ergonomics are not important. I will be very glad to your answer! Thank you
Do you need to buy a camera? The best bang for your buck, is working with better crew, better lighting, and better lenses (through renting). Purchasing camera's has a quick diminishing return and the FX3 and 6kPRO you have is fantastic already. We've shot entire commercials on the FX3 that people think we shot on Arri.
@@TenfoldProduction Yes, I agree with you that the cameras I have are fantastic) I just lick my eyes every time you in your videos narrate and show a beautiful picture and talk about it from more professional and bigger movie cameras)
But why I want to buy a third one. The thing is that my current cameras are in full dodge. And I don't want to disassemble and reassemble my set-up every time to put the camera on a stabilizer. That's why I want to pick up a third camera to use it in "basic" video just with stabilization system when I need to do any walkthroughs. And I don't know what to emphasize. It is clear that from my list most of the cameras are large, but I would then dismantle one of their sets purely under the stabilizer as an option) Well, and for interviews I ideally need 3 cameras. To have a general view and two more angles on the interviewer and on the person he is talking to.
@@Malak_Production I would suggest getting a second fx3, it’s a great B cam to your A cam, haha easy match. We are planning on buying a few more fx3’s soon too.
@@TenfoldProduction Thank you so much! I also think that I have not yet unlocked the potential of my fx3) In fact it is hard to choose between buying a second fx3 or bmpcc6k g2) but to the first I still need to buy atomos to get 12 bit raw, because for movies I use it to perfectly match with braw codec. But in the consumer environment of course there are more people with sony movie cameras.
By owning a corolistics you can achieve similar tones and colors that are in more expensive cinema cameras like venice, right? It would be interesting if they would release a video with an example and possibilities of post processing in this matter. Is it possible to bring the result closer to a higher quality image. Maybe I'm just still so naive :)
With a professional colourists, we’ve matched handy cam 8 bit footage with Komodo red raw before. Truthfully cameras don’t matter alll that much in controlled environments. It’s mainly a dynamic range thing. We’ve matched 5 different camera brands before, all different models (with a professional colourist). Spend money on things that raise your project value. I’d rather rent better lenses than buy a new camera at this point.
Great content, great cinematography and storytelling but how is a whole wall windown and high ceilings a BORING location?
no hate just like why the click bait
Hey Soph! Thanks so much for watching. Here's a reply to this question I received from someone else.
"Not every space is the perfect place for every story. Easy does not equal good. Just because there are things in the space that work to shoot, does it mean it was right place for this. The space was provided without any context to what story was trying to tell, and so subjectively to us, this was a boring space compared to the other locations we shot in. Context is key here."
Appreciate you!
In terms
Haha habits, appreciate the feedback.
Canadian gang
Yessir!
2nd
🙏
I like what you say in this video but small location and boring location are not the same thing, this location may be small but it's not boring at all. This video should be titled how to make SMALL locations work.
Haha great feedback! It’s a bit subjective, it was small and not all we were looking for. Appreciate the support!
First
🙏
8:42 "And then talking about frame rapes..."
I don't know what that is, but it sounds............................unpleasant.
frame rates, not rapes.
@@hafizr2473 I think you should play it again. 8:42 and turn the volume up nice and loud 😂
That's clearly not a boring location with this kind of window and design, I hope that's a joke... It's a easy location to shoot. Do it in a real boring location would be fair to match the title.
Thanks for the feedback Simon. Not every space is the perfect place for every story. Easy does not equal good. Just because there are things in the space that work to shoot, does it mean it was right place for this. The space was provided without any context to what story was trying to tell, and so subjectively to us, this was a boring space compared to the other locations we shot in. Context is key here. Thanks for the conversation!
@@TenfoldProduction it’s like saying a porsche 911 is boring because you drive F1… But the title works because first I clicked on the video. Thanks for your feedback too !
Unfortunately this wasn't a Porsche 911 for us haha. Appreciate the support man!
@@TenfoldProduction oh excuse me I thought you was talking to everyone