Tonko House Homework Assignment #1

This is a video capture of the Homework assignment that I did after taking "Painting with Light and Color with Dice Tsutsumi and Robert Kondo" a Schoolism.com class.
bensimonsen.com/
bsills.blogspot...

Really good artwork ! Thanks for sharing your process ! It’s help me a lot ! Keep going ! Thanks again

[@eyepicturedthis]

I adore how you've done the leaves. Really nice painting!

[@nlas6878]

bravooo

[@narendarn2444]

Wow excellent!!

[@tokyo3635]

ايه العظمة دي

[@hanifroihan3365]

really amazing process. how can you painting without zooming! good work!

[@Blubliberrythenumberblock_1]

please upload more~ lve your stuff!

[@crucibleofworlds1882]

Wow nicely done :D

[@kullenberg]

Great work. Did you do the more expensive version with personal feedback or without?

[@getcrapfixed1398]

I'm a beginner on photoshop, can you explain the process of how you added the lighting at the end? That was really cool

[@summerbee80]

its called masking. you can select it from the tabs in the right hand corner or from the menu at top. You can choose a variety of masking techniques and from what i can see hes using hue and saturation

[@foxuno100]

Thank you for sharing this! How much time did you spend with this painting?

[@tekniskdesigndak]

Very nice Ben! Just a few questions:
- When you paint the first pass with ambient light only, or diffused neutral light, do you only change value and saturation? It does not look like you change the hue at all? For colour variations you change the hue ofc, but not for modelling the forms?
- Do you use a warmer hue for the ambient occlusion /contact shadows? Or do you use the same hue, and just a darker value?
Thanks!

[@bensimonsen6824]

Thanks Teknisk design! Let's see if I can answer your questions... When painting in a diffused neutral lighting setup I try to only focus on the local hues of the object as well as the saturation. Of course even in a lighting setup like this there is still going to be a bit of bounce light/color influencing the local hue or color causing there to be some shifts in hue and saturation. As for ambient occlusion, I do use a warmer hue (like terra cotta) in a multiply mode. It's a trick I picked up from my friend Sam Nielson. I'm sure I am wrong here, but I believe it has something to do with how different colored light rays travel, with Red outrunning them all and getting caught into corners. I hope that helps!

[@chizhov]

Nicely done! What is your texture brush settings here?

[@ariffmfcsg]

can share with me ur brush using?