I like also the mpc's internal 32 channels, that come to power, if you' re using a class compliant mtr mixer/audio card, the way you can sent all the channels into the mpc one and there apply all the efx of Akai and AIR and play the whole mix out again.
hey gab ,recently i bought a mpc one +, i change my circuit tracks for this machine, but i dont have an any idea how to make a dinamic live set as in the circuit tracks, i notice the mpc has a lag charging the projects, any suggest? or better, if you gif us a video about it we appreciated you im big fan
You'll probably have to put all of your different songs sections as sequences into one project. Sequences can be switched between while playing, record automation, and save mute states. I used all of those things in the intro jam of this video. You'll have to be careful to not use up all of your processing power though, and it'll be less flexible than the Circuit. I might do a video on it at some point, but hopefully that gets you started.
What Gabe said plus... * Be consistent with tracks and programs between the sequences. This is important if you will want to export stems for mixing in a DAW. * Render plugin synths to samples to conserve processor power. * I use a Korg nanoKONTROL2 to make it easier to jam. I have a low pass filter on each submix with the fader controlling cutoff and the knob controlling resonance. I route each program to the preferred submix. This is more useful for me than using the controller fader for volume. * Trigger one-shots from the pads. I have an old Roli Lightpad Block for this so that I can keep the Song screen displayed for choosing the sequences almost like using a Force.
yo Gabe why no SH-4D? Seems like the ultimate out of the box solution. I don’t own or have ever used one was just curious about your take on it. I should say I don’t own any groove boxes and the SH-4D was the first one that’s really attracted me.
Might be good new content, live roadtrip to guitarcenter or some other local haunt to testdrive it. Maybe you can get some local store hookups or sponsorship, although who are we kidding its hard to go to a toystore without a purchase 😋 meh just noticed its almost the same price as the mpc one at the moment, it was on sale for $499 but at the current price I’d get an Akai instead
I have no idea about best, but this guy made a pack that I like: ua-cam.com/video/lLOBicF6wSw/v-deo.htmlsi=_f8TJgA5Bg32ZA3C I also get most of my samples from Splice Sounds. For brutal hard techno, you can go a long way just distorting whatever you find to hell and back. Stay tuned for next week's video on that very topic.
A Zoom audio recorder, Hxxxx. They have XLR inputs, so with a little bit of soldering you can attach a "35mm piezo “bender” disc" to create a contact microphone. Hold that against a metal structure and hit it, some guy made a tube video doing this, he made really cool sounds, hitting all sort of things, like fences.
Great video. Very timely as just starting to make some tracks on my MPC one.
Yes so cool. The MPC is also an Sound Design Monster.
Cheers for the techno content. It's giving me plenty to think about and try.
Pls keep making these 🔥🔥
I like also the mpc's internal 32 channels, that come to power, if you' re using a class compliant mtr mixer/audio card, the way you can sent all the channels into the mpc one and there apply all the efx of Akai and AIR and play the whole mix out again.
Another great one 👍
So do you actually advise the MPC as a second hand first music gear for a solo setup?
hey gab ,recently i bought a mpc one +, i change my circuit tracks for this machine, but i dont have an any idea how to make a dinamic live set as in the circuit tracks, i notice the mpc has a lag charging the projects, any suggest? or better, if you gif us a video about it we appreciated you
im big fan
You'll probably have to put all of your different songs sections as sequences into one project. Sequences can be switched between while playing, record automation, and save mute states. I used all of those things in the intro jam of this video.
You'll have to be careful to not use up all of your processing power though, and it'll be less flexible than the Circuit. I might do a video on it at some point, but hopefully that gets you started.
What Gabe said plus...
* Be consistent with tracks and programs between the sequences. This is important if you will want to export stems for mixing in a DAW.
* Render plugin synths to samples to conserve processor power.
* I use a Korg nanoKONTROL2 to make it easier to jam. I have a low pass filter on each submix with the fader controlling cutoff and the knob controlling resonance. I route each program to the preferred submix. This is more useful for me than using the controller fader for volume.
* Trigger one-shots from the pads. I have an old Roli Lightpad Block for this so that I can keep the Song screen displayed for choosing the sequences almost like using a Force.
yo Gabe why no SH-4D? Seems like the ultimate out of the box solution. I don’t own or have ever used one was just curious about your take on it. I should say I don’t own any groove boxes and the SH-4D was the first one that’s really attracted me.
I've been on a long run of not buying new gear, but I'll definitely look into it.
Might be good new content, live roadtrip to guitarcenter or some other local haunt to testdrive it. Maybe you can get some local store hookups or sponsorship, although who are we kidding its hard to go to a toystore without a purchase 😋 meh just noticed its almost the same price as the mpc one at the moment, it was on sale for $499 but at the current price I’d get an Akai instead
my homie young male dj at your thumbnail !
Cool
Nice to see someone else using Reaper for electronic music production 👍
What is the best website to buy the most brutal hard techno sample packs?
I have no idea about best, but this guy made a pack that I like: ua-cam.com/video/lLOBicF6wSw/v-deo.htmlsi=_f8TJgA5Bg32ZA3C
I also get most of my samples from Splice Sounds. For brutal hard techno, you can go a long way just distorting whatever you find to hell and back. Stay tuned for next week's video on that very topic.
A Zoom audio recorder, Hxxxx.
They have XLR inputs, so with a little bit of soldering you can attach a "35mm piezo “bender” disc" to create a contact microphone.
Hold that against a metal structure and hit it, some guy made a tube video doing this, he made really cool sounds, hitting all sort of things, like fences.
😎🔥🔥🔥🔥👍quality