How to light a Green Screen w/ just TWO LIGHTS | Hurlbut Visuals
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- Опубліковано 12 тра 2024
- Have you ever been thrown a quick green screen shoot? Shane shows you a very quick and easy way to light, balance, and deliver an even field.
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#filmeducation #filmmaking #greenscreen #lighting #lightingsetup #lightingtips #cinematography #cinematographer #onset #filmschool - Фільми й анімація
"How to light a green screen when you have millions of dollars in equipment". Thanks, just what a need.
But if you know how pros do it, you can dissect their methods and use creativity to match your budget. Plus, if you're working towards bigger things (not everyone is, I get that, but for those who are) you have an idea of what to expect or look forward to.
Not to mention, they seem to have a fairly tame setup for even the professional level.
Well clearly as we have seen some overhead fluorescent tubes give the best results, which dont run expensive at all.
You have no business messing around with green screen if your budget is 50 dollars LOL
It's still valuable information.
You're the only channel who explains how to properly light chromakey shot. Not any of that 'on a budget' bullshit. Thank you!
Thank you for the great info! I would love to work with Shane on set, I bet he is a great mentor! When it comes to green screen, what a lot of "UA-camrs" who give film advice about this kind of thing, seem to over look this small detail about the distance. I will have to implement that on our next studio shoot.
"With 2 lights"... Clickbait warning!
great video, it really helps walking through it step by step and explaining it with all the different perspectives. thanks lads
This is a very good TV show, we love it and thank you very much!!!
The same principals apply even with cheap lights. It just takes a lot of work. I helped build a studio at a small university, where the budget only allowed for about $1,000 worth of lighting equipment. We used very cheap impact light fixtures with softboxes and hung them on a grid. It took time to get everything right, and the trouble spots eliminated, but if you apply the principles he's talking about, even to cheap equipment, it can be done.
I was just wondering what would happen if you set up a 4x4 250 or 216 diffusion in front of both the 750 Open Faces? The 750's were anyway hotter than the Cineos, you had to dial down the camera from a 2.8 to a 4. Diffusing them would get them to spread more evenly and they'll cut around 0.6 to 1 T stop, and in theory that should really work. (The diffusions might encroach a bit and we'll not have much room to pan left or right, but if it works it works) Please reply, I'd really like to know. Not being able to hang the lights on the ceiling is a common problem in indie set ups, if there's a way the lights can stay on the floor and still work the way we want, that would be a life saver. So, please let me know. Also, Thank you so much! Great tutorial!
Awesome tutorial. These lessons are top notch. I'm sure these principles work the same using budget lighting.
From what I understood from this the best thing you can do is overhead lighting if you can to make the spread better but without a light panel or light that can flood evenly you will need more light sources to pull a perfect key
What kind of green "frabric" is it ? The lights is is obviously very well done here but I wonder how the quality of the background influence the keying.
Thank you! it really helps, a lot of informations there 👍🏻✌🏻 .
Always an education, sir.
Awesome tutorial....!
*"how to light a green screen with just 2 lights.... and a bunch of expensive equipments"
Harry Nguyen in a nutshell
Wow! One Cineo HS2 light is $4,500
Great info! Question. What’s the best way to light a full head to toe subject on the green screen?
nice choice of music on the brigador ost
a lot of comments here seem to be missing the point. He lit it beautifully with just 2 lights on the green. and then he did a very nice explanation on why he prefers the first option over using kinos in two different ways and hard lights, which are very common ways of lighting a green screen. Yes, he did use expensive grip gear, but he could've also done it with a very bare bones setup, ie just the two cineos on a couple combo stands.
Brigador Soundtrack, nice!
I very much appreciate this type of video where you are troubleshooting different lights and setups because it is what happens on set in real life. Not everything will be set 100% every time. It makes me feel like part of the crew troubleshooting the set. Thank you very much!
7:43 "It's very simple, it's Photomatix" Lol thank you for the tips
Thanks a lot. Awesome.
Awesome video! I learned a lot :-)
Thank u sooooo much 👍🏾
How to light a green screen when your trying to capture the subject from head to toe and you have four lights but there seem to be a shadow casting at the subject's foot ?
Amazing :)
16:07 16:16 me when they ask me to roll the doink while the car is driving
Nice video and tutorial but its can not work if you need to film the model in full height. When you need also a green floor better to use kinoflo or arri lighting
what's the monitor mode that allow to check the balance of the chroma ?
False color
what is the XY value of that green so I can dial it in to my rgb nova?
Just put black sharpie all over the red, blue and white emitters. Job done.
woulda been hilarious of christian bale was the stand in
Well lit green screen! Next video should be how to properly record and sync your audio :)
so cute model
2 lights the size of Godzilla 😂
Oh ya... I'll rush out and pick up those two lights for my home studio in the corner of my bedroom.
Ooh!
.
good
But client don't understand that right amount of space is require to properly use backdrops. I have with 10x10 room who wants to do green screen.
Im a compositor -- we NEVER get evenly lit greenscreens like this, and I work on Hollywood flicks. This is unicorn shit.
Because Hollywood have money to burn in post and it's not their problem. Or more accurately, they've locked your company into a fixed price quote and they don't care that they're causing extra unbillable work for your company by quickly throwing up some crinkly green fabric and not lighting it properly. They know worst case your roto grunts will have to dal with it and your bosses have already agreed on the fixed price for the job and will take it on the chin because it's a race to the bottom with quoting. In any case, it's more expensive to hold up a massive Hollywood production day versus making a few post guys juiced up on Redbull work some overtime. Like, several orders of magnitude difference in price. I'm not saying this is a good thing, it's just how it is and how it will always be. Until all keying is just AI. In fact, all post and VFX will be AI. I fact all film production will be AI eventually. Traditional cinema production will be a quaint hobby in 20 years. Maybe less.
This guy at the beginning sounds like Adam Corolla.
I hope noone shows shane the BTS of ebvery marvel movie or endgame or everything these days where they dont even light the greenscreens anymore because they dont need to... keying is so good now
What I learned is that you can't properly light a green screen with 2 lights. I'm guessing that I'll need a bigger budget to produce great green screen video. Lots of good information regarding the overall process.
well he showed you can, but with those 2 cineon lights (which are expensive)
Green screens do not have to be lit this perfectly. Chroma screens are very forgiving as long as it doesn't mix with the foreground. There are tons of post-production techniques one could use to even out the green even if the talent casts shadows on there. I mean if you look at the BTS for most big Hollywood productions where they build chroma sets and props you would see just how uneven most of those are lit. It's not always possible or ideal to light it all super perfectly and you can still extract awesome mattes. You will just have to actually experiment with various methods as well as post-production techniques.
@@tiaan_va Well in those poorly lit or not perfect cases, the incredible sensor and uncompressed footage from their cameras is what helps A LOT. If you're shooting with a DSLR with a poor codec it's a different story
Hum... she's lovely
3 x wide Par 56 and 2 x Read Heads with bunch of diffuser filters all for less then $300 will do much better job.
background music was not loud enough
😆
How do we make Artlist go away?
Wow that volume is way loud
You would work a lot faster if you had a reliable distance laser measuring device than having to tape measure out but assumed it was to make the production look better than just aiming the light from a point and getting a reading.
I'm 4min in and the Woman on screen has not spoken a single word. Would it kills you bros to write her into the script?
Umm, move on if you’re on a budget
everything is ready, now I need a girl
No good for low budget lighting well outside my budget
Whats Monette's IG :)
@monettemoio
Hot model!
Good to know but stupid clickbait
Spill has nothing to do with the distance to the screen! It has to do with the relative size of the screen behind the actor! angle of incidence equals angle of reflection
"How to make your female stand-in feel very uncomfortable"
Clickbait
Haha. Two $4000 lights.
Rent them dude. You don't have to own everything you use on a set. It's not great for cashflow. If you're doing jobs that need the absolute best in lighting, hire a gaffer, and a better DP than yourself. if you're not doing paid jobs, use what you can afford and fake it till you make it. You can still use these principals with crappy gear. Listen to the concepts, not the model numbers of the equipment. To be a good learner you need to able to take these concepts and think, oh yeah, I can see how trying some of these techniques with my crappy worklights from harbor freight might improve my skills. Be smart, not whiney. Shane actually used crappy harbor freight light fixtures for a lot of his tricks. A bunk of old incandescent bulbs screwed to a plank of wood, you can see one of those up in the rafters in this studio actually. Buy our self some led strips off ebay and stick them to a piece of coroplast to make a pretty damn good LED panel. Be resourceful.
How to light a green screen when you have a 20,000 sq foot studio and 30k in lighting gear to work with. Good everyday video creator advice... glad I clicked on it. 😒
You got to be kidding me with this video. What is there like a few hundred thousand dollars in equipment here? I only stayed to look at the chick some more. And pretty girl, if you are reading the comments holler back, would like to get to know you better.
If you're here to learn and not be a troll, read my reply to Malachi Cull. That's if you're even interested in cinematography any more. 2 years is a long time in the life of a wannabe. That's Shayne's daughter you're talking about by the way and if you said that to his face he'd knock you into next Tuesday big man.
@@robertdouble559 1) I wasn't being a troll, I was there to learn since I was setting up my own green screen, 2) Yes, I'm no longer interested (been there / done that) and 3) So Shayne's father is so messed up and insecure he's going to attack me for finding his daughter attractive and giving a compliment? WOW, you folks are seriously disturbed, no wonder the world is the way it is. GFY wierdo.