Love Songs by Monteverdi and Barbara Strozzi - APOLLO'S FIRE, Erica Schuller, Brian Giebler
Вставка
- Опубліковано 6 жов 2024
- APOLLO'S FIRE | The Cleveland Baroque Orchestra
Jeannette Sorrell, Artistic Director
Scenes from "L'AMORE - Love & Rejection in Old Italy"
Performed February 14, 2020
St Paul's Church, Cleveland Heights, Ohio
0:01 Barbara Strozzi: Che si può fare? ("What can one do?")
- Erica Schuller, soprano
4:28 Claudio Monteverdi: Pur ti miro ("I adore you") from L'Incoronazione di Poppea
- Erica Schuller, soprano; Brian Giebler, tenor
9:10 Monteverdi, arr. by J. Sorrell: Three Selections from the Scherzi musicali
- Fugge il verno | Rosetta che rosetta | Damigella tutta bella
- Erica Schuller, soprano; Brian Giebler, tenor
APOLLO'S FIRE | on period instruments
Jeannette Sorrell, direction & harpsichord
Olivier Brault & Julie Andrijeski, princ. violins
René Schiffer, cello
William Simms & Brian Kay, lutes
apollosfire.org/
Passion.Period.
Tour booking inquiries:
Rob Berrestta, Opus 3 Artists (in the U.S.)
Claude Boischot, K D Schmid Artists (in Europe)
Video Production: Erica Brenner
Cameras: Ken Wendt, Erica Brenner
Recording Engineer: Daniel Shores
I wish more singers would perform the Pur ti miro with this level of passion - in so many versions I've seen Poppea and Nero are barely interacting, but instead just singing straight to the audience. It's so much more effective when sung intimately!
Such a lovely lady and a wonderful soprano. Brava!!
What a divine voice The voice of an Angel Bravo Diva your divine voice thrills my soul
Strozzi's song is amazingly beautiful.
Beautiful musicianship and technique, and deeply entertaining. Thank you!
Mrs Erica Schuller has such a great comedy talent I stayed enchanted during the whole performance. It was a delightful time to watch the concerto.
Voice of an angel, but with energy of a deceitful Cupid!
I think this was the essence of baroque. Every emotion taken to the extreme. Deadly sorrow, and explosive fun. Marvellous performance!!!
My favourite was the drunk ending - hovewer the lyrical skills are clearly visible too!
I am so mesmerized I cannot decide which Ms Erica I love more - brokenhearthed or drunk. Probably both. What a great lady!
Fabulous ! I wiah I was there.
beauty and elegance of music in every second, what a privilege to be able to watch this online, amazing! thanks a lot!
Beautifull performance!!! greetings from Utrecht the Netherlands
❤EUTERPE PIANGE❤
what a beautiful performance
It's been a year since I last watched this. This time: thank you for the translations.
These people are so beautiful, all springs from which the Devine flows out into the world!
Isn't it "Divine" or am I missing something?
lovely performance. wish I had been there
I was. it was as beautiful and memorable as you'd think.
The Enlightenment always had its countermovements (Sturm und Drang, for example). How can we have reason and emotion at the same time?
Thank you for posting this.
great fun!
Bravo!!!
👏 BRAVO
I think I need to move to Cleveland...
Très belle interprétation du "tube" de Barbara Strozzi. Amusant de constater que la soprano et le violoncelle n'ont pas réussi à se mettre d'accord sur la "seconde augmentée" (ré-do#-si bémol-la)... Je pense qu'il faut la faire (et donc la chanter) et qu'on en trouve souvent chez Strozzi (l'amante segreto, etc...) et dans les chaconnes en général : cela donne une belle petite touche d'influence orientale : nous sommes à Venise vers 1650, et parce que c'est probablement une résurgence des règles anciennes de la FICTA... un peu trop long à expliquer.
In the Baroque period, music is emotional. It became emotional again in the Romantic era. Why were emotions toned down in the Classical period? Because it was the Age of Reason?
Anyone that know the name of the painting and his author in 0:06?
Alguien sabe como se encuentra partitura "Che si puo fare" porque en internet está escrita de otra manera