Then Shall The Eyes Of The Blind Be Opened/He Shall Feed His Flock - Handel's Messiah
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- Опубліковано 5 вер 2024
- Soprano: Magdalene Minnaar
Alto: Minette du Toit-Pearce
Cape Town Youth Choir & Junges Vokalensemble, Hannover (Dirigent: Prof Klaus-Jürgen Etzold).
Lyrics:
Isaiah 35:5-6 Then shall the eyes of the blind be opened, and the ears of the deaf unstopped. Then shall the lame man leap as an hart, and the tongue of the dumb shall sing.
Isaiah 40:11; Matthew 11:28-29 He shall feed His flock like a shepherd; and He shall gather the lambs with His arm, and carry them in His bosom, and gently lead those that are with young.
Come unto Him, all ye that labor, that are heavy laden, and He shall give you rest. Take his yoke upon you, and learn of Him; for he is meek and lowly of heart: and ye shall find rest unto your souls.
Live performance on 24 March 2018 at the Sarah Baartman Hall, UCT, Cape Town.
Soloists: Levy Sekgapane (Tenor), Magdalene Minnaar (Soprano), Minette du Toit-Pearce (Alto), Bongani Kubheka (Bass). Treble: Lorena Marais
CTYC Festival Orchestra.
Leader: Suzanne Martens
Harpsichord: Erik Dippenaar
Trumpet: Mike Blake
Conductor: Leon Starker
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Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Coverdale Psalter, the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the "Hallelujah" chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven.
Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart (Der Messias). In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times. - Wikipedia
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Thank you for the magnificent performance. You made the best interpretation of this song!
Trying to break down the song sentence by sentence with timestamps, so that able to follow the singing more properly and precisely.
For Alto
Measure 5-10, from 0:50 to 01:21;
Measure 11-16, from 1:24 to 01:55;
Measure 17-24, from 1:58 to 02:40;
For Soprano
Measure 26-31 from 02:49 to 03:21;
Measure 33-37 from 03:22 to 03:56;
Measure 39-45 from 04:01 to 04:46;
Measure 47-53 from 04:49 to 05:42;
Glory to Jesus Christ our Lord and Savior !
Handel is my favorite composer, he's the bomb.
Love Minette's voice. Fantastic and magnificent performance. Please we need to hear from you
Truly beautiful.
Tx God
Brilliant Baroque interpreters sharing the best of their art with us! 💜
The introduction to this is very important and too often omitted
And Levy received four nominations for the German Oper Klassik 2020 awards! Baie geluk!
Both George I and George II of England spoke primarily German. They were both born in German principalities.
Handel had great confidence in his own divinely inspired genius to write in English, which largely comes from Anglo-Saxon. Of course, the Saxons started in Saxony, before overtaking Roman-Celtic Britain in the 5th Century A.D.
@@andrewjackson7758 you mean Charles Jennens?
@@neo-pelagian I'll have to look him up. Not sure I understand
@@andrewjackson7758 he wrote the libretto in English. In the case of The Messiah a selection of verses from the KJV Bible. A genius in his own right but Handel raises it to yet another level.
Interesting observations. Thank you.
O wonderlike sang!
Very good singing 💟💟✊✊👏👏
5 🌟 🌟 🌟 🌟 🌟
What a shame that the first singer rushed the recit. Her soprano colleague was thrilling in delivering always tasteful trills, unlike the mezzo who, just once, merely nodded barely the length of a second in that direction - how generous of you, lady, I hope the 'effort' wasn't too much for you.The voices were otherwise truly delightful but oh, oh, oh the decorative mismatch. It's an immense pity that what I remember most about this pairing is the above‐mentioned inattention to detail; inexcusable; I wonder that in rehearsal the conductor didn't raise the matter and insist that the 'culprit' be much more Handelian...
Mr Sarcastic Expert, if you looked at the score, you would notice that there are four trills writen down for the soprano, but just one for the alto. The singers diligently adhered to the notation.
@@Fatabuna
Had you not shared your information with me I would have felt immensely deprived.
Not only did she rush it, but she got her accompaniment in on it! How did she get them to rush too?? I've never been able to get my pianist to rush through with me, I just sound wrong and have to fix myself. Shame on the whole outfit. Shame on the conductor for not seeing her obvious scandal. It's his job to keep the tempo! How could he let her boss him around???
Or maybe it's written like that
5:10 75 j😮@@Fatabuna