Every single time I sit down to learn a Page riff or Zeppelin song, I prepare myself for the fact that there will be many things compelling me to look at the fretboard differently or needing to tap my foot because of some tricky rhythm... that doesn't even seem so. Page was other.
The tuning is where many home or civilian musicians had always been thrown off. We didn't have UA-cam or really any other information to reveal this black magic to us. Alternate tunings we're present in so many big songs of the late 60s/70s and unless you were a schooled, knowledgeable musician, you had no idea.
@@anthonyparkernearlifeexp Yup. Back in 1980, I remember playing with an open tuning one day, to suddenly realize that Page had used it on "Friends". I would never have figured it out otherwise.
I saw one instructional video that recommended an upstroke for the B riff to allow the highs to lead and breathe. It’s a subtle thing, but I think it makes a nice difference.
I've never played any tuning other than standard and half step down, and also drop D. I did DADGAD for this and it blew my mind what's happening. Thanks. You just changed it all for me.
Man, where were all you guys in the 70's when I needed ya? Hmmm... probably at the same shows, keg parties, and parking lots waiting on the 😏💨🌱 man! Stunner of a lesson kind sir. ✌️💀🌹
I noticed that it was as if the riff never ended... it's amazing. Creates an incredible effect....Kind of like this song is smarter than you thought.
The Bass in that song is amazing as well ..
Nice clear and concise lesson. Thank you!
And don't forget the drum part is 4:4 and that is 3:4 if I remember correctly so they meet at 12:4 :) Jimmy is a genius :)
Doesn’t get much easier than that. Appreciate it.
Awesome lesson thank you
Thanks man💯🎼🎵🎶🎸
Every single time I sit down to learn a Page riff or Zeppelin song, I prepare myself for the fact that there will be many things compelling me to look at the fretboard differently or needing to tap my foot because of some tricky rhythm... that doesn't even seem so. Page was other.
Fantastic job!
The tuning is where many home or civilian musicians had always been thrown off.
We didn't have UA-cam or really any other information to reveal this black magic to us.
Alternate tunings we're present in so many big songs of the late 60s/70s and unless you were a schooled, knowledgeable musician, you had no idea.
YES! Exactly man. We had to try to figure out a song in standard and wonder why we could never quite get it to sound right
@@anthonyparkernearlifeexp Yup. Back in 1980, I remember playing with an open tuning one day, to suddenly realize that Page had used it on "Friends". I would never have figured it out otherwise.
I saw one instructional video that recommended an upstroke for the B riff to allow the highs to lead and breathe. It’s a subtle thing, but I think it makes a nice difference.
I've never played any tuning other than standard and half step down, and also drop D. I did DADGAD for this and it blew my mind what's happening. Thanks. You just changed it all for me.
Right on!
Was playing this yesterday trying to remember who said the tidbit about the a-riff continuing under the b-riff...noted.
Great title..🔥🔥🔥
Ye
Man, where were all you guys in the 70's when I needed ya? Hmmm... probably at the same shows, keg parties, and parking lots waiting on the 😏💨🌱 man!
Stunner of a lesson kind sir. ✌️💀🌹
Camera closer to guitar PLEASE.
Badass song!
Finally I see a commercial with White people on UA-cam, thank you
Shut up and show it