VP On 65mm Film
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- Опубліковано 2 тра 2023
- VP On 65mm Film marks the first time that large format 65mm film has been used to shoot LED wall virtual production content.
The use of convergent technologies presented a unique set of challenges for the Pathway team. Bringing together the power of the ARRIFLEX 765 and the innovation of virtual production required a high level of technical expertise and collaboration between technicians, artists and filmmakers.
Video provided by Pathway Studio
Absolutely obsessed with this clip. Been waiting to see these panels used with film and a talented team
People make stupid connections between cameras and other filmmaking technologies due to the use of the word 'digital'. But more our surroundings go digital, I feel the value of shooting on film further increases to mitigate the fabricated or sterile nature of things. Great initiative to figure this out through trial and error. Helps filmmakers with restrictive time and budget to be surefooted.
I am excited. My brain can’t comprehend the challenges involved, given doing this digitally is hard enough but I’m glad these roads are being explored.
It’s actually not that complex. Westworld season 3 shot some footage on the Mando Volume. You basically attach the same camera position track box you’d use for digital to your film camera.
@@VariTimo I think I wanted it to be more complicated than that. Thank you for the insight though.
Great job! Rugs from Minas Gerais. God bless your work, from Brasil
Arriflex 765 (65mm) film Camara has better quality than almost every digital camera out there imo
"Carbon paper... just as good as laser printing..." 🙄
You can tell its VP. Background looks underexposed and flat. VP is not the amazing replacement for green screen that everyone thinks it is.
Took the words out of my mouth.
The more I've seen of these virtual stages, the less convincing I've found them to be. Too many times I've watched a video demonstrating the method and to many times have the actors and foreground have looked like they were on a seperate plane of existence. The LEDS in these screens just aren't bright enough.
Sorry, but this doesn’t look great. Judging by the weather conditions, levels of light on the background mountain range and considering time of day, his hands shouldn’t be lit as they are, they’re way too bright - the light source is illogical and looks obviously fake. If you want to see this kind of scene done properly, go watch Justin Kurzel’s Macbeth (2015). Shot in winter on location in the Scottish Highlands with real mist and peaks. You cannot beat nature.
The value of this is that it is recorded in a studio on filmic support.
That’s not the point. The point is to show that you can shoot film on a virtual stage. It’s also just a test not an actual narrative project.