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Handel: Il trionfo del Tempo | Lascia la spina | Mary Bevan & Academy of Ancient Music
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- Опубліковано 15 сер 2024
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Soprano Mary Bevan sings Piacere's aria 'Lascia la spina, cogli la rosa' ('Leave the Thorn, Take the Rose') from Handel's oratorio 'Il trionfo del Tempo e del Disinganno' HWV46a [1707]. Mary is joined by the Academy of Ancient Music, directed by Christopher Bucknall at the harpsichord.
With elements first used in the 1705 opera Almira, this frequently-reworked melody was a favourite of Handel's; he adapted it again in 1711 for his London opera Rinaldo as 'Lascia ch'io pianga' ('Let me weep'), and the opera's success led to the latter version being the one most commonly performed today.
Translation:
Lascia la spina, cogli la rosa;
tu vai cercando il tuo dolor.
Canuta brina per mano ascosa,
giungerà quando nol crede il cuor.
Leave the thorn, take the rose;
you go searching for your pain.
Gray frost by hidden hand
will come when your heart doesn't expect it.
MUSIC
''Lascia la spina...'
from: 'll trionfo del Tempo e del Disinganno' HWV46a [1707]
composer: G. F Handel [1685 - 1759]
ACADEMY OF ANCIENT MUSIC
soprano: Mary Bevan
directed by: Christopher Bucknall
leader: Bojan Cicic
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Recorded at St. Jude on the Hill,
Hampstead Garden Suburb, London
January 2019
Music Producer: Adrian Peacock
Video director: Guy Wigmore
Recording Engineer: David Hinitt
Project: Academy of Ancient Music Season Sessions 18-19.
#academyofancientmusic
Absolutely perfect singing. Breathtaking.
Superb performance by a superb singer.
Exquisitely performed
Ouvindo Beethoven fui interrompido
Чудова музика та чудове виконання! Браво👏
Il trionfo del Tempo, Ukraina!
Beautiful, eternal...Thank you, Handel!
Bravissima Mary Bevan una voce che mi ha conquistato al primo ascolto penso che sia paragonabile alla Maria Callas
Fantastic music! I love
Дуже шкода. Мої щирі співчуття родині співачки, а також музичній світовій родині.
Така молодесенька чудова людина покинула цей світ. 😢. Спочивай з Богом Патриція.
Quanto talento e leveza!!!
Brava! Beautiful!!!
Divine singing of Handel's magical music
Ciao ascoltanto vooi è sempre una gioia, grazie.
Прекрасно. Чудова співачка. Дякую. ❤❤❤
From Ukraina?
@bjrnjrgensen6527 Так.
Maravillosa interpretación de todos. Felicitaciones. Gracias.
Bravo! Bravo! 🇧🇷👍✨
Brava, Brava for a lady !!
@@brendamilanes8926 💙💚💛
belissimo
Brava, so beautiful, thank you. (Netherlands)
Belíssimo...
Que lindo! Que lindo! Sublime!
Beautiful
Sublime
Lovely!
Bravissimi!
beautiful song! 🇧🇷✨
stupenda!!!
Just bliss.
Ualmindelig smuk musik og enestående solosang ....
Makes me almost cry 😢
I'll give a like 👍✨
Mary Bevan sembra proprio una bella donna italiana. Trovo che sia un omaggio alla lingua italiana alla poesia alla cultura italiana e alla bellezza, ed è singolare che questo venga da un paese straniero. Se dovessi scegliere qualcosa di bello sceglierei questo brano e questa esecuzione.
Lo interpreta veramente bene!
Bagus sekali.
Harika👌👍
❤❤
I just died and went to heaven.
👏👏👏
Superb although I think she can easily join up some phrases. Still it’s fantastic. The orchestra is sublime the solo violin extraordinary. Lovely. Thank you
Isn't this lascia chiao pianga (I probably spelled that wrong but I'm sure you get the gist) Does anyone know why this song has two names?
en.wikipedia.org/wiki/Lascia_ch%27io_pianga
Same music, two different arias
Just to straighten out the evolution of this piece.
It first appears as an orchestral number in Almira (1705) which you can find here ua-cam.com/video/ux4E5blUqzM/v-deo.html
Handel then reworked it as an aria for Il Trionfo (1707) which we hear sung so beautifully by Mary Bevan.
He then reworked it yet again in what has become its most familiar form as Lascia ch'io pianga for the opera Rinaldo (1711). ua-cam.com/video/EKo_EmfEPWs/v-deo.html
Both arias are in the baroque da capo form of ABA, where the singer is free to embellish the vocal line in the repeat of the A section. Listen and you will hear that the B sections are entirely different. It is worth noting that the young Handel (born 1685, so all this music was composed in his early 20s) is moving around a lot. Almira was composed in Hamburg; Il Trionfo was written for a private performance in Venice; and Rinaldo was his first London opera. I don't think people back then would have been complaining about him re-using the melody!
@@richard_tomlin they most definetly wouldn't complain given the fact that most people didn't have a way to record audio XD.
@@richard_tomlin He also later reused the text in a different aria :) ua-cam.com/video/ysT2a1tz5Qc/v-deo.html