as you can hear, voces8 are all really hidden german native speakers :-), so I continue my comment in german. Es ist fast ungerecht eine Stimme besonders hervor zuheben, weil alle Voces8Solisten eine hervorragende, engagierte Interpretation geben. Trotzdem für mich sticht eine Arie besonders hervor. Es ist ja bezeichnend, dass der Meister JSB die größten Worte des christlichen Evangeliums "Es ist vollbracht" in eine auf den ersten Blick fast unscheinbare Altarie "gepackt" hat. Aber wie die hier interpretiert wird!! Riesenkompliment an Katie! Ich empfinde, dass sie in ihrer Darbietung die Größe des Inhaltes voll erfasst hat und, ich finde kein besseres Wort, in erschütternder Weise gesungen hat. Ganz große Musik! Hammer! - Vielleicht hören wir Katie mal mit der Alt-Arie "Vergnügte Ruh" (Kantate BWV 170). Grüße aus dem Salzkammergut in Österreich!
Bach hat ja keine Oper geschrieben. Aber diese Johannespassion ist besser als viele Opern. Ich habe die Johannespassion in drei Ensembles gesungen. Unvergesslich die Turbae-Chöre und Eingangs- und Schlusschor. Die Aufnahme hier ist einfach perfekt. Es liegt auch daran, dass es keine externen Solisten gibt, sondern diese singen alle Chöre mit. Ich werde mir mal wieder den Klavierauszug vornehmen und die Chöre mitsingen - natürlich nur in dieser Aufnahme.
Can I just say I sincerely agree with everybody complementing this exquisite performance and the wonderful performers. This is a very moving and convincing interpretation. By all involved. Admittedly, Andrew Bearden Brown, Christopher Moore and Oscar Golden-Lee are particularly beautiful! In more ways than one. But I have to add … what struck me as well, is the first row of very young listeners on the left isle behind the conductor - some in shorts, and one of them wearing flip flops even (and yes I know it was mid summer, and yes I understand and no, I don’t mind that one bit. On the contrary.) - I find it strangely hopeful that still quite a (happy) few of our young generation are open to this profound and exceptional cultural heritage. I think the presence of these "young'uns" is a strangely beautiful testament to the timeless quality of the music as well as the story.
It is good we can appreciate the refined things that have come from human kind, past or present. Full, exceptional performance. Katie's last aria was STUNNING and dramatic.
The most beautiful, expressive, and honest Evangelist I have heard. And everyone in this performance seemed to sing not just with exquisite artistry but from the heart. Thank you for a moving experience.
This is another 'masterpiece performance' by the combined VOCES8 Scholars, Apollo5, and the Academy of Ancient Music. To those of us who appreciate fine musical presentations, what a mega treasure to the ears and soul. Many, many thanks again to Artistic Director, Barnaby Smith for another 'perfect' offering. BRAVO!!!
I am deeply moved by this outstanding performance - it brought tears to my eyes. Such a beauty and such intensity, such wonderful musician and singers. Thank you for this gift. Even now, after some days, I am carrying with me the impact and amazement from hearing it the first time. Love.
PARTE PRIMA 1. 0:00 Chorus: Herr, unser Herrscher 2. 9:28 Recitative: Jesus ging mit seinen Jüngern über den Bach Kidron 3. 11:50 Choral: O große Lieb 4. 12:36 Recitative: Auf dass das Wort erfüllet würde 5. 13:37 Choral: Dein Will gescheh´, Herr Gott zugleich 6. 14:29 Recitative: Die Schar aber 7. 15:12 Aria (Alto): Von den Stricken meiner Sünden 8. 20:12 Recitative: Simon Petrus aber folgete Jesu nach 9. 20:23 Aria (Soprano): Ich folge dir gleichfalls mit freudigen Schritten 10. 23:58 Recitative: Derselbige Jünger war dem Hohenpriester bekannt 11. 26:49 Choral: Wer hat dich so geschlagen? 12. 28:38 Recitative: Und Hannas sandte ihn gebunden 12a. 28:54 Chorus: Bist du nicht seiner Jünger einer? 13. 30:37 Aria (Tenor): Ach mein Sinn 14. 33:11 Choral: Petrus, der nicht denkt zurück PARTE SECONDA 15. 34:30 Choral: Christus, der uns selig macht 16. 35:36 Recitative: Da führeten sie Jesum 16a. 36:13 Chorus: Wäre dieser nicht ein Übeltäter 16b. 37:30 Chorus: Wir dürfen niemand töten 17. 39:38 Choral: Ach großer König 18. 41:23 Recitative: Da sprach Pilatus zu ihnen 18a: 42:42 Chorus: Nicht diesen, bitte nicht, nicht diesen, sondern Barrabam 19. 43:17 Arioso (Bass): Betrachte, meine Seele 20. 45:51 Aria (Tenor): Erwäge, wie sein blutgefärbter Rücken 21. 54:26 Recitative: Und die Kriegsknechte flochten 21a. 54:42 Chorus: Sei gegrüßet, lieber Jüdenkönig 21b. 56:09 Chorus: Kreuzige ihn! 21c. 57:18 Chorus: Wir haben ein Gesetz und nach dem Gesetz soll er sterben 22. 59:53 Choral: Durch dein Gefängnis, Gottes Sohn 23. 1:00:58 Recitative: Die Juden aber schrieen und sprachen 23a. 1:01:01 Chorus: Lässest du diesen los 23b. 1:02:53 Chorus: Weg, weg mit dem, kreuzige ihn! 23c. 1:04:02 Chorus: Wir haben keinen König 24. 1:04:53 Aria (Bass): Eilt, ihr angefochtnen Seelen 25. 1:08:40 Recitative: Allda kreuzigten sie ihn 25a. 1:09:53 Chorus: Schreibe nicht: Der Judenkönig 26. 1:10:46 Choral: In meines Herzens Grunde 27. 1:11:55 Recitative: Die Kriegsknechte aber 27a. 1:12:25 Chorus: Lasset uns den nicht zerteilen 28. 1:15:12 Choral: Er nahm alles wohl in acht 29. 1:16:28 Recitative: Und von Stund an 30. 1:17:53 Aria (Alto): Es ist vollbracht 31. 1:23:02 Recitative: Und neigte das Haupt und verschied 32. 1:23:24 Aria (Bass): Mein teurer Heiland 33. 1:27:55 Recitative: Und siehe da 34. 1:28:19 Arioso (Tenor): Mein Herz, indem die ganze Welt 35. 1:29:16 Aria (Soprano): Zerfließe, mein Herz 36. 1:36:16 Recitative: Die Juden aber 37. 1:38:17 Choral: O hilf, Christe, Gottes Sohn 38. 1:39:21 Recitative: Darnach bat Pilatum 39. 1:41:12 Chorus: Ruht wohl, ihr heiligen Gebeine 40. 1:49:07 Choral: Ach Herr, lass dein lieb Engelein Please tell me if I made any mistakes.
Thank you Voces8 and company for the most memorable Palm Sunday ever. We are quarantined all over the world, and yet we can share something so profound and beautiful. This performance has passion and perfection all wrapped in one. (from someone who specialized in Bach my whole working life....Bravissimo.
Phenomenal performance by all. As a former chorister, I can appreciate all the hard work put into this performance of such a wonderful work, though I never was in a choir that performed this. I look forward to seeing and hearing future videos.
Excellent bassoonist! excellent everybody of the orchestra! (people usually compliment soloists, oboes, 1st violin and conductor) the bassoon has such a melodious sound and together with the bass is of such fundamental importance!
Magnifique qi'il s'agisse de l'orchestre ou des solistes Une attention particulière pour l'infinie douceur d'Andrea Haines dans l'aria Zerfließe, mein Herz.
nice remembering of our coaches of Milton Abbey , few days with aim of singing "the dream of Gerontius " by E.Elgar; and great thanks for this wonderful Passion ! thanks very much to Voces Eight and all the musicians ! best regards from Didier Mayer of France
Very gorgeous interpretation of this great music of the fifth evenvelist. Ad maiorem Dei gloriam. Thanks very much for uploading this master piece of art. Warm greetings from Santiago,Chile. Dr. Fernando Rivas-Burattini.
When, back in 1980, I was 24 and living as an ex-pat Canadian student in Florence, Italy, I first listened to the St. Matthew Passion one night in my landlady's garret. Right away a relationship began with Bach through that music which continues to this day. -- Only recently have I begun to listen to the more 'radical' and youthful Johannespassion. I find this earlier work just dizzying and, like the later Matthew's Passion, mezmerizing. -- It's nice to listen to both and appreciate them, and to have UA-cam bringing us such a bounty of options to savor and enjoy. This English performance of the Johannespassion is beautifully sung with verve and great concentration. The work begs for it. Nonetheless upon repeated listenings, I keep hearing myself say that there's just something basically amiss with the acoustics in this recording. It's as if the choir and orchestra (though not generally the soloists) were projecting the music from behind a veil of heavy gauze in Milton Abbey Church. There's a kind of aural smokiness here that sometimes muddies the all-important words. Maybe it is just the acoustics of the church; it's certainly not the performers or the performance. Nonetheless the opacity just keeps getting in my way. -- To demonstrate what I mean, compare this performance in Milton Abbey to the 2018 Nederlands Bach Society's performance at the Grote Kerk in Naarden (ua-cam.com/video/zMf9XDQBAaI/v-deo.html). "Waere dieser nicht ein Uebeltaeter" in The Voces8 performance begins here at 36:13; the Dutch in Naarden set on at 39:31 in the above-linked UA-cam video. Am I wrong? What do you other careful lovers of this music think? -- Both renditions are full of life and emotion but the Dutch performance has an aural incisiveness and immediacy that I really often find wanting in the Milton Abbey recording. -- You could say: he havers. But I rather think that the Old Man of Leipzig himself would want us to haver over his exquisitely wrought creations. Genius is like that, rather self-referential. Bach himself must have been a very exacting master of musical story-telling. Clarity is everything here. Just my few random thoughts....
Can we compliment the oboist? He is absolutely phenomenal. And I am in love with the mezzo (Katie). She is the first ever female alto in Voces8. I am so glad they accepted her in the choir. She's a gem.
I had to pace viewing this over 4 days. AWESOME job everyone! Having been raised in the Lutheran Church hearing several of the chorus selections brought back memories of learning those same tune arrangements from a Bach Chorale book as a teenager. Also realizing they are part of Lutheran hymnody to this day. Looking forward to seeing more uploads of full concert performances from Voces8 in the future, oh, but keep uploading individual selections just the same.
@@jimrains4406 Checkout Bach Netherland Society they also rock it! But indeed it is, I remember I strugled a bit with this piece, so magical it is nonetheless!
Those dissonant beginning harmonies must have been electrifying to Bach's church goers. With a few exceptions, you have to jump ahead to the future works of Mahler to hear these again.
Herrlich! The unanswerable question however, @1:04:55 remains (surprise surprise) unanswered. Namely, at what tempo to take; "Eilt! eilt!" Hurry! hurry! Musical purists would say, Vivace, in the spirit of the imperative. Theologians however, might think otherwise. "Wohin?" Where to? Whereupon the sheer horror of the reply, "Nach Golgatha". The hill of crucifixion!, lends itself more naturally to largo. After all mourners don't normally run. Neither to the execution nor the funeral. (but I'm sure JSB left a note in the score).
Whoop John They probably hold their knives and forks in the most un-elegant way, keep their mouths open (like a cement mixer) while eating their dinner and hold their pens (sorry, biros) like monkeys as is the modern way
Und sagte niemand diesen jungen Leuten wie man sich zu kleiden und zu benehmen hat? Der Anblick ist fast unerträglich! Und das bei einem solch excellenten geistlichem Konzert!
A great version that rivals the Academy of Ancient Music' s (late) Christopher Hogwood's version. They're different but... Pity that Bach can't tell us which he prefers.
20:22 come on now people. (the dangers of live recordings I suppose!) Also rip the principal second violinist, his amore went out of tune which he couldn't help. he wasn't happy with it haha
What is your problem? Have you never had a problem performing live? Have you ever even performed live? I bet you listen for wrong notes on your recordings. GET A LIFE!!!
@@tomradcliffe7084 do you even realise what I was referring to? I meant the person loudly knocking over the cup. This recording is absolutely phenomenal (the orchestra in particular).
Such a small choir - a really fresh sound. Only in the last Choral your musical performance doesn't follow the text. In my eyes, the music should always go hand in hand with the text. And by the way, Christopher Moor should improve his pronunciation. Sam Dressel was outstanding in this topic.
The first choir should be played and sung in a more dramatic way . You find the same the same problem further in some choirs of Jesus trial . There is problem with the prononciation of this choir which too soft ( probably english speakers). They should work on it because their vocal performance is quite good. In Ruht Wohl , they are ok but in the dramatic parts there is a lack of character. I listened their the video of the BWV 150 , they are very nice but this piece in an old style ( Buxetehude) which fits them. Bach has composed a lot of dramatic works and pieces. The Passions are the most iconic of those.
The problem with the St. John Passion is that it contains the vicious blood libel that the Jews killed Christ. Some minor modifications in the text are necessary before it can be sung in good conscience, with moral rectitude.
rien qu en écoutant le début , qch ne me convient pas dans cette interprétation. on entend pas bien disctinctement le leitmotiv des violons. ça dénature l original. mieux celle là : ua-cam.com/video/SiKgrevzT-g/v-deo.html
Trotz der unerträglichen Unterbrechungenn durch diese unzeitgemäße Werbung behält für mich die Johannes-Passion immer wieder ihre unausweichliche Überzeugskraft. Der aktuelle Bezug zu den frevelhaften Entscheiidungen in Moskau, Teheran oder Israel ist verblüffend visionär von Bach und seinen Texten.
Bach's masterpiece is definitely based on the the Gospel of John, the Anti-Judaism in this passion is based on him. It is definitely true that Martin Luther was a bastard, not just an anti-judaistic but more even misogyn, anti-disabled and paulinic. So much to discuss about this guy. But I don't have a clear insight that Bach himself was anti-judaistic and as long as I don't have a clear evidence for it, I see him as not guilty.
Elenore... (blond?) this piece is not opera... you do not need to be cute, just the deliver of Gods words through the blessing of Bach! LOL Oh Voces8 .. your choir music, motets are without equals... but this piece is too much for you. I'm sorry (its like fencing against a battle ax with a fencing sword.)
Bach" Passions are the most beautiful music ever composed.
Тurned it on for a minute and could not turn it off
.
Bach is eternal.
I find this too. Tune in to Bach momentarily and you're trapped for the duration.
i am grateful for God, Christ, Bach and professional Musicians whose talented accomplishments are an effortless Excellence.
Thank you, again.
Eleonore Cockerham überrascht mich mit ihrer Arie "Ich folge Dir..."
Sie offenbart eine überzeugende Glaubwürdigkeit.
Katie's Es ist vollbracht is so beautiful-never fails to bring me to tears.
as you can hear, voces8 are all really hidden german native speakers :-), so I continue my comment in german. Es ist fast ungerecht eine Stimme besonders hervor zuheben, weil alle Voces8Solisten eine hervorragende, engagierte Interpretation geben. Trotzdem für mich sticht eine Arie besonders hervor. Es ist ja bezeichnend, dass der Meister JSB die größten Worte des christlichen Evangeliums "Es ist vollbracht" in eine auf den ersten Blick fast unscheinbare Altarie "gepackt" hat. Aber wie die hier interpretiert wird!! Riesenkompliment an Katie! Ich empfinde, dass sie in ihrer Darbietung die Größe des Inhaltes voll erfasst hat und, ich finde kein besseres Wort, in erschütternder Weise gesungen hat. Ganz große Musik! Hammer! - Vielleicht hören wir Katie mal mit der Alt-Arie "Vergnügte Ruh" (Kantate BWV 170). Grüße aus dem Salzkammergut in Österreich!
I am afraid i need Google translate
@@thomasdastillung4097 Learn German. It's worth it.
Die 'historischen ' Instrumente klingen viel schöner und farbiger als die modernen Nachfolger.
Bach hat ja keine Oper geschrieben. Aber diese Johannespassion ist besser als viele Opern. Ich habe die Johannespassion in drei Ensembles gesungen. Unvergesslich die Turbae-Chöre und Eingangs- und Schlusschor. Die Aufnahme hier ist einfach perfekt. Es liegt auch daran, dass es keine externen Solisten gibt, sondern diese singen alle Chöre mit. Ich werde mir mal wieder den Klavierauszug vornehmen und die Chöre mitsingen - natürlich nur in dieser Aufnahme.
Can I just say I sincerely agree with everybody complementing this exquisite performance and the wonderful performers. This is a very moving and convincing interpretation. By all involved. Admittedly, Andrew Bearden Brown, Christopher Moore and Oscar Golden-Lee are particularly beautiful! In more ways than one.
But I have to add … what struck me as well, is the first row of very young listeners on the left isle behind the conductor - some in shorts, and one of them wearing flip flops even (and yes I know it was mid summer, and yes I understand and no, I don’t mind that one bit. On the contrary.) - I find it strangely hopeful that still quite a (happy) few of our young generation are open to this profound and exceptional cultural heritage.
I think the presence of these "young'uns" is a strangely beautiful testament to the timeless quality of the music as well as the story.
Une passion qui ouvre vers la joie en raison de son interprétation magnifique, par les musiciens comme par les chanteuses et chanteurs !
It is good we can appreciate the refined things that have come from human kind, past or present. Full, exceptional performance. Katie's last aria was STUNNING and dramatic.
The most beautiful, expressive, and honest Evangelist I have heard. And everyone in this performance seemed to sing not just with exquisite artistry but from the heart. Thank you for a moving experience.
Clearly you have not heard Peter Pears. - the definitive evangelist in any of the Bach Passions
This is another 'masterpiece performance' by the combined VOCES8 Scholars, Apollo5, and the Academy of Ancient Music. To those of us who appreciate fine musical presentations, what a mega treasure to the ears and soul. Many, many thanks again to Artistic Director, Barnaby Smith for another 'perfect' offering. BRAVO!!!
I am deeply moved by this outstanding performance - it brought tears to my eyes. Such a beauty and such intensity, such wonderful musician and singers. Thank you for this gift. Even now, after some days, I am carrying with me the impact and amazement from hearing it the first time. Love.
Letztes Jahr entdeckt (nach Ostern), jetzt erstmals angesehen und -gehört: Die intensivste Aufnahme, die ich kenne, fast wie life!
PARTE PRIMA
1. 0:00 Chorus: Herr, unser Herrscher
2. 9:28 Recitative: Jesus ging mit seinen Jüngern über den Bach Kidron
3. 11:50 Choral: O große Lieb
4. 12:36 Recitative: Auf dass das Wort erfüllet würde
5. 13:37 Choral: Dein Will gescheh´, Herr Gott zugleich
6. 14:29 Recitative: Die Schar aber
7. 15:12 Aria (Alto): Von den Stricken meiner Sünden
8. 20:12 Recitative: Simon Petrus aber folgete Jesu nach
9. 20:23 Aria (Soprano): Ich folge dir gleichfalls mit freudigen Schritten
10. 23:58 Recitative: Derselbige Jünger war dem Hohenpriester bekannt
11. 26:49 Choral: Wer hat dich so geschlagen?
12. 28:38 Recitative: Und Hannas sandte ihn gebunden
12a. 28:54 Chorus: Bist du nicht seiner Jünger einer?
13. 30:37 Aria (Tenor): Ach mein Sinn
14. 33:11 Choral: Petrus, der nicht denkt zurück
PARTE SECONDA
15. 34:30 Choral: Christus, der uns selig macht
16. 35:36 Recitative: Da führeten sie Jesum
16a. 36:13 Chorus: Wäre dieser nicht ein Übeltäter
16b. 37:30 Chorus: Wir dürfen niemand töten
17. 39:38 Choral: Ach großer König
18. 41:23 Recitative: Da sprach Pilatus zu ihnen
18a: 42:42 Chorus: Nicht diesen, bitte nicht, nicht diesen, sondern Barrabam
19. 43:17 Arioso (Bass): Betrachte, meine Seele
20. 45:51 Aria (Tenor): Erwäge, wie sein blutgefärbter Rücken
21. 54:26 Recitative: Und die Kriegsknechte flochten
21a. 54:42 Chorus: Sei gegrüßet, lieber Jüdenkönig
21b. 56:09 Chorus: Kreuzige ihn!
21c. 57:18 Chorus: Wir haben ein Gesetz und nach dem Gesetz soll er sterben
22. 59:53 Choral: Durch dein Gefängnis, Gottes Sohn
23. 1:00:58 Recitative: Die Juden aber schrieen und sprachen
23a. 1:01:01 Chorus: Lässest du diesen los
23b. 1:02:53 Chorus: Weg, weg mit dem, kreuzige ihn!
23c. 1:04:02 Chorus: Wir haben keinen König
24. 1:04:53 Aria (Bass): Eilt, ihr angefochtnen Seelen
25. 1:08:40 Recitative: Allda kreuzigten sie ihn
25a. 1:09:53 Chorus: Schreibe nicht: Der Judenkönig
26. 1:10:46 Choral: In meines Herzens Grunde
27. 1:11:55 Recitative: Die Kriegsknechte aber
27a. 1:12:25 Chorus: Lasset uns den nicht zerteilen
28. 1:15:12 Choral: Er nahm alles wohl in acht
29. 1:16:28 Recitative: Und von Stund an
30. 1:17:53 Aria (Alto): Es ist vollbracht
31. 1:23:02 Recitative: Und neigte das Haupt und verschied
32. 1:23:24 Aria (Bass): Mein teurer Heiland
33. 1:27:55 Recitative: Und siehe da
34. 1:28:19 Arioso (Tenor): Mein Herz, indem die ganze Welt
35. 1:29:16 Aria (Soprano): Zerfließe, mein Herz
36. 1:36:16 Recitative: Die Juden aber
37. 1:38:17 Choral: O hilf, Christe, Gottes Sohn
38. 1:39:21 Recitative: Darnach bat Pilatum
39. 1:41:12 Chorus: Ruht wohl, ihr heiligen Gebeine
40. 1:49:07 Choral: Ach Herr, lass dein lieb Engelein
Please tell me if I made any mistakes.
L11 thank you!
One of Mr Dressel's final appearances with Voces8, I believe. And what an epic performance! Thank you!
Listening on Good Friday while I'm working. Beautiful music, VOCES8. Thanks for helping me to meditate and pray while I'm working.
Bravo! Sehr schöne, lebendige Aufführung.
Wundervoll! Danke, Voces.
Thank you Voces8 and company for the most memorable Palm Sunday ever. We are quarantined all over the world, and yet we can share something so profound and beautiful. This performance has passion and perfection all wrapped in one. (from someone who specialized in Bach my whole working life....Bravissimo.
Mamma quant'è brava e bella Eleonore!
How spectactular and vivid! Have performed it often myself. Really great.
What a musical feast. So deeply inspiring. Thank you Barnaby and all the others. The work of a genius performed by congenial musicians.
Wonderful....All the people who played, they're so cool.
Magnificent Choir!!! One of the most Masterpiece!!! 👏🏻👏🏻🥰✌🏻👍🏻
From Katolik Indonesia
Phenomenal performance by all. As a former chorister, I can appreciate all the hard work put into this performance of such a wonderful work, though I never was in a choir that performed this. I look forward to seeing and hearing future videos.
Excellent bassoonist! excellent everybody of the orchestra! (people usually compliment soloists, oboes, 1st violin and conductor) the bassoon has such a melodious sound and together with the bass is of such fundamental importance!
Magnifique qi'il s'agisse de l'orchestre ou des solistes Une attention particulière pour l'infinie douceur d'Andrea Haines dans l'aria Zerfließe, mein Herz.
Danke schön... an den Herrn Bach für die großartige Komposition.
So ist es - es ist Balsam für die Seele.
Leider wussten seine Zeitgenossen Bachs Genialität nicht zu schätzen. Er wurde schlecht bezahlt von der Stadt Leipzig und endete in einem Armengrab. 😰
nice remembering of our coaches of Milton Abbey , few days with aim of singing "the dream of Gerontius " by E.Elgar; and great thanks for this wonderful Passion ! thanks very much to Voces Eight and all the musicians ! best regards from Didier Mayer of France
Very gorgeous interpretation of this great music of the fifth evenvelist.
Ad maiorem Dei gloriam.
Thanks very much for uploading this master piece of art.
Warm greetings from Santiago,Chile.
Dr. Fernando Rivas-Burattini.
Overwhelmingly powerful !
Excellent.
Thank you very much, Musicians.
When, back in 1980, I was 24 and living as an ex-pat Canadian student in Florence, Italy, I first listened to the St. Matthew Passion one night in my landlady's garret. Right away a relationship began with Bach through that music which continues to this day. -- Only recently have I begun to listen to the more 'radical' and youthful Johannespassion. I find this earlier work just dizzying and, like the later Matthew's Passion, mezmerizing. -- It's nice to listen to both and appreciate them, and to have UA-cam bringing us such a bounty of options to savor and enjoy. This English performance of the Johannespassion is beautifully sung with verve and great concentration. The work begs for it. Nonetheless upon repeated listenings, I keep hearing myself say that there's just something basically amiss with the acoustics in this recording. It's as if the choir and orchestra (though not generally the soloists) were projecting the music from behind a veil of heavy gauze in Milton Abbey Church. There's a kind of aural smokiness here that sometimes muddies the all-important words. Maybe it is just the acoustics of the church; it's certainly not the performers or the performance. Nonetheless the opacity just keeps getting in my way. -- To demonstrate what I mean, compare this performance in Milton Abbey to the 2018 Nederlands Bach Society's performance at the Grote Kerk in Naarden (ua-cam.com/video/zMf9XDQBAaI/v-deo.html). "Waere dieser nicht ein Uebeltaeter" in The Voces8 performance begins here at 36:13; the Dutch in Naarden set on at 39:31 in the above-linked UA-cam video. Am I wrong? What do you other careful lovers of this music think? -- Both renditions are full of life and emotion but the Dutch performance has an aural incisiveness and immediacy that I really often find wanting in the Milton Abbey recording. -- You could say: he havers. But I rather think that the Old Man of Leipzig himself would want us to haver over his exquisitely wrought creations. Genius is like that, rather self-referential. Bach himself must have been a very exacting master of musical story-telling. Clarity is everything here. Just my few random thoughts....
This great music for the first time available in 4K/2160p picture resolution.
Awesome!
amazing performance, spell binding, so moving!
Ottimo evangelista! Bravo
Wonderful...... Thank you!!! Sandra Mahaffey
(Your wonderful) Cantata BWV 150 brought me here. Go on Baching please.
If only I had found this channel sooner...so much goodness ❤️
Absolutely wonder- and beautiful!
Superb! Fantastic soloists. Absolutely beautiful.
Can we compliment the oboist? He is absolutely phenomenal. And I am in love with the mezzo (Katie). She is the first ever female alto in Voces8. I am so glad they accepted her in the choir. She's a gem.
Mezzo or alto?
@@graziacavasino8884 Same thing
@@embouerv1298 absolutely not.
@@graziacavasino8884 Umm,googled It. You are actually right🥴 i dont know why i thought that
@@embouerv1298 maybe because you weren't trained in opera singing like me?
Such a pleasure listening to this sang by you!!
Bravissimo!
Wonderful, marvelous, amazing, ...
Thank you for uploading this overpoweringly beautiful interpretación!
May our Messiah Bless you for this!
So many wonderful moments. A very sensitive and moving performance. Bravo!
Amazing Dear. Many thanks for to share this dear Fantastic
Qué GUSTAZO 😍,desde Madrid,España.
Bravo !!!👍👍 From Indonesia.
Glorious!
Impressive. Well done, my friends.
Your 'Ruht wohl' is one for the ages. Bravi tutti! ♥
Amazing job all!
Jonathan's solo Betrachte is so moving
stunning performance - a matthäus Passion would also be great from this excellent choir...
Bravo!
I had to pace viewing this over 4 days. AWESOME job everyone! Having been raised in the Lutheran Church hearing several of the chorus selections brought back memories of learning those same tune arrangements from a Bach Chorale book as a teenager. Also realizing they are part of Lutheran hymnody to this day. Looking forward to seeing more uploads of full concert performances from Voces8 in the future, oh, but keep uploading individual selections just the same.
Hail to this Piece and Choir!!!👏🏻👏🏻👏🏻🥰👍🏻👍🏻
From Indonesian Katolik
Eleonore is so beautiful 😘
Agreed, but I think that I'm in love with Andrea, so statuesque.
@@JUANKERR2000 I love Andrea`s voice...... puire like a treble....
Maravilhoso!
On peut sentir qu'il y a beaucoup de passion ! ! !
Merci !
The kids in the front seats left right after 34'00. I am sure at least some of them will come back later in their life.
Life does that to people, changes the way you think, the things you prioritize :)
I thought: are they going to leave right now, in the best part?
Very good "ruht wohl". I miss the words to express the deepth of the second part and the articulation with the first. ❤❤❤
Awesome - thanks Voces 8 and much enjoyed the recent workshop in Dorking.
Bravi! Dare we hope for Matthew next?
@acdallas The B Minor mass is programmed for next year.
@@VOCES8 Wow! My favourite work of all time. Can't wait! I love the Andrew Parrott and the Jordi Savall and the Netherlands Bach Society version.
@@VOCES8 Hope you use German pronuntiation rather than Italian. Suits better to Bach.
I love BLAKE MORGAN.
stupendous performance. The German diction is first rate
1:12:25 Lasset uns den nicht zerteilen, this piece is so painful how the hell did it work with this speed!
This is insane!
I've never heard it done so well. It's a particularly challenging chorus.
@@jimrains4406
Checkout Bach Netherland Society they also rock it!
But indeed it is, I remember I strugled a bit with this piece, so magical it is nonetheless!
❤
Those dissonant beginning harmonies must have been electrifying to Bach's church goers. With a few exceptions, you have to jump ahead to the future works of Mahler to hear these again.
Die Briten und Holländer spielen Bach besser als die Deutschen! Danke!👍🏻
Nicht so falsch.
I just finished to hear the two Last songs. Amazing !
Pretty good considering that it is sung in German by an English speaking Choir!
Danke
Great
Ich darf wohl auch für Patricia Janeckowa mein Herz zerfließen lassen.
Sie verabschiedete sich am 1. Okt. mit 25 Jahren ins Paradies.
15:14-15:15 love it...!
1:17:05 Not only Jesus was thirsty it seems. One of the basses(?) needed a swig of vinegar as well!
The Evangelist, Christus and other soloists are very off mic. Eleonore is absolutely flawless as always.
J'ai fait le même constat, également pour Andrea Haines, dont la voix est magnifique dans l'aria "Zerfließe, mein Herz",
Herrlich! The unanswerable question however, @1:04:55 remains (surprise surprise) unanswered. Namely, at what tempo to take; "Eilt! eilt!" Hurry! hurry! Musical purists would say, Vivace, in the spirit of the imperative. Theologians however, might think otherwise. "Wohin?" Where to? Whereupon the sheer horror of the reply, "Nach Golgatha". The hill of crucifixion!, lends itself more naturally to largo. After all mourners don't normally run. Neither to the execution nor the funeral. (but I'm sure JSB left a note in the score).
merci magnifique ! :)
1:12:26 Lasset uns den nicht zerteilen
Oh, Barney ...
So many singers here, when just the eight of you would do such a great job on this piece.
Especially after Andrew Parrott's 2000 masterwork "The Essential Bach Choir"...
Did nobody tell those kids in the front row it's rude to walk out in the middle of a performance? Yes I know there was a break, but even so…
Whoop John
They probably hold their knives and forks in the most un-elegant way, keep their mouths open (like a cement mixer) while eating their dinner and hold their pens (sorry, biros) like monkeys as is the modern way
Und sagte niemand diesen jungen Leuten wie man sich zu kleiden und zu benehmen hat?
Der Anblick ist fast unerträglich!
Und das bei einem solch excellenten geistlichem Konzert!
1:27:55-28:18 Text borrowed from Matthew. Not actually John.
Lindo
I know the Mathew but not this one. It seems more lyrical perhaps? Beautiful performance.
July 31 2019? Not quite the passiontide. ;-)
A great version that rivals the Academy of Ancient Music' s (late) Christopher Hogwood's version. They're different but... Pity that Bach can't tell us which he prefers.
I think Bach would be humble and surprised that his music was still being performed so incredibly well all these years after his death
20:22 come on now people. (the dangers of live recordings I suppose!)
Also rip the principal second violinist, his amore went out of tune which he couldn't help. he wasn't happy with it haha
What is your problem? Have you never had a problem performing live? Have you ever even performed live? I bet you listen for wrong notes on your recordings. GET A LIFE!!!
@@tomradcliffe7084 do you even realise what I was referring to? I meant the person loudly knocking over the cup. This recording is absolutely phenomenal (the orchestra in particular).
Such a small choir - a really fresh sound. Only in the last Choral your musical performance doesn't follow the text. In my eyes, the music should always go hand in hand with the text.
And by the way, Christopher Moor should improve his pronunciation. Sam Dressel was outstanding in this topic.
20:23 : )
Egads. That theorbo's audio balance is whack. You can hear it clanking away completely unleveled.
The first choir should be played and sung in a more dramatic way . You find the same the same problem further in some choirs of Jesus trial . There is problem with the prononciation of this choir which too soft ( probably english speakers). They should work on it because their vocal performance is quite good. In Ruht Wohl , they are ok but in the dramatic parts there is a lack of character.
I listened their the video of the BWV 150 , they are very nice but this piece in an old style ( Buxetehude) which fits them. Bach has composed a lot of dramatic works and pieces. The Passions are the most iconic of those.
The problem with the St. John Passion is that it contains the vicious blood libel that the Jews killed Christ. Some minor modifications in the text are necessary before it can be sung in good conscience, with moral rectitude.
rien qu en écoutant le début , qch ne me convient pas dans cette interprétation. on entend pas bien disctinctement le leitmotiv des violons. ça dénature l original. mieux celle là : ua-cam.com/video/SiKgrevzT-g/v-deo.html
Trotz der unerträglichen Unterbrechungenn durch diese unzeitgemäße Werbung behält für mich die Johannes-Passion immer wieder ihre unausweichliche Überzeugskraft.
Der aktuelle Bezug zu den frevelhaften Entscheiidungen in Moskau, Teheran oder Israel ist verblüffend visionär von Bach und seinen Texten.
Muito desafinado.
I hope that there was an essay with the concert or a pre-concert lecture on Lutheran anti-Judaism with this.
Bach's masterpiece is definitely based on the the Gospel of John, the Anti-Judaism in this passion is based on him.
It is definitely true that Martin Luther was a bastard, not just an anti-judaistic but more even misogyn, anti-disabled and paulinic. So much to discuss about this guy.
But I don't have a clear insight that Bach himself was anti-judaistic and as long as I don't have a clear evidence for it, I see him as not guilty.
Elenore... (blond?) this piece is not opera... you do not need to be cute, just the deliver of Gods words through the blessing of Bach! LOL Oh Voces8 .. your choir music, motets are without equals... but this piece is too much for you. I'm sorry (its like fencing against a battle ax with a fencing sword.)