Anna Fedorova - Polonaise in F sharp minor, Op. 44 (second stage, 2010)
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- Опубліковано 27 сер 2024
- Anna Fedorova
II etap
Polonez fis-moll op. 44
Anna Fedorova
Second stage
Polonaise in F sharp minor, Op. 44
All rights reserved 2010
The Fryderyk Chopin Institute (NIFC), Polish Television (TVP), National Audiovisual Institute (NInA)
One of the most beautiful interpretations of this masterpiece I have heard. Goosebumps throughout the performance. IM very impressed.
For sheer power, rhythmic precision and vitality, intelligence of phrasing, variety of colour and glorious lyricism, I'm not sure there have ever been many pianists to match her.
See the Horowitz prestation...
@@feno5383 old always doesn't mean great
@@sagar1992 Horowitz performance is not great ?
"🧐" 🤭
Exactly how octaves at 1:35 should be played, namely in pounding appassionato a fashion. Many people stroke the keys while playing op. 44 but she makes it sound like a true triumphant polonaise. Bravissima!
i like KUltyshev's
This song shows all the power of Shigeru kawai 👌.
I always find beauty in Anna's playing. She brings so much originality to the table.
She is wonderful! beyond words!
yes
Perfect technique which allows such petite lady sound stronger than many of men. Fantastic crescendo which seems having no limits. Wonderful and tasteful middle part. I hate when pianists try to make beautiful music even “more beautiful” falling into bad taste. She just let’s music speak for itself. Bravo!
I love Your comment
Excellent timing, emotional, a master of her craft. The best woman pianist in modern times, IMHO
You're not alone in that opinion.
Already here, in 2010, Anna Fedorova proves her skill, and what will later come is history.
Chopin is certainly very proud of this magnificent interpretation of one of his masterpieces.
I love this performance. Both choice of repertuar and emotional approach just perfect
Polonaise op. 44: It is among top three works of music ever writen. And among top 1000 artifacts ever created.
Such an amazing performance! I loved every second. I worked on this piece for about eight months once. This was masterful.
I remember hearing this for the first time during the competition in 2010. I was impressed with her playing. I agree with the comments. Just to add- the singing melodic tone, even on the fast octaves; the use of rubato; accelerando toward the climaxes; the full resonant forte sounds without forcing.
Tak to jest to mistrzostwo jak w sztukach walki niewielka siła, a generuje super moc, tempo rubato wzywanie mistrzowsko, cieniowanie, kontrast dynamiczny, przechodzi to płynnie jakby było naturalne coś oczywistego. Wielki Ukłon i szacunek. 😊
@@heliusbuczynskichodomaj8440 Thanks for your reply. I listened to it again, conducting with my hand as I listened. On the accompanying left hand she articulates the eighth note and two sixteenth notes, she accelerates toward the first beats, as when she has the running left hand sixteenth notes, and the climaxes of phrasing (which sometimes occur on the second beat of the measure), and will linger and pull like sticky taffy on the longer melodic notes, and slow down a phrase so she can speed up on the next phrase. Very well done.
Très belles sonorités, expressivité soutenue. Beaucoup d'allure. Bravo ! Très belle pianiste dans tous les sens.
Probably the finest hands in the profession. A magnificent example of the french technique a la Alfred Cortot. What wonderful exquisite sound.
Absolutely, but ANNA plays circles around M. Cortot who rarely escaped seeming either decrepit or terribly underrehearsed. ANNA is frankly SUPERB in every regard. Why she didn't win this competition is a mystery. She is an ARTIST of very rare gifts. She communicates, warmth, wisdom, insight, passion, sincerity and absolute MAStERY of whatever material she chooses to perform. I've been listenung to her all afternoon and evening, and can't get enough of her splendid playing.
@@francoaragosta4285 You have just expressed my exact thoughts.
@@francoaragosta4285 And to think she's only 19 yo here.
@Franco Aragosta si dorebbe che ti sia preso una cotta :)
@@francoaragosta4285 idem dito. She is electrifying, hypnotic. Have to hear everything now. Just discovered her. She is amazing. Big Spirit.
Lovely rendition! This is one of my favorite Chopin pieces and Anna nailed it! .
And at 10.30 after all powerful playing a beautiful calmness.
La bellezza di questo capolavoro non si può dire a parole...
She cures anything by the colour she creates with this Kawai piano.
SHIGERU Kawai... it's not exactly the same !
Paleta zróżnicowanych odcieni odkrywa bogactwo ukryte w nutach trudno osiągalne dla innych artystów. Brawo brawo genialnie zagrane..
Absolutely gorgeous .... and she can play the piano as well.
Potenza, controllo, classe, da vendere! Impareggiabile!
Esta chica tiene mucha magia
Even more beautiful when this is played on steinway
Anna/You are a player, not like you, play, not with fingers only, but with your heart and soul.
incredible.
Avdeeva plays it with greater clarity and truer to Polonaise form but Federova plays it with much more brilliant drama. In the end, I prefer Federova on this piece.
Exquisita Anna. Gracias!!!!!
So powerful.
Amazing 👏 😯
Wonderful performance. Great pianist
...belíssimo! ...não há mais nada o que dizer! ...
Beuatiful as it can get, a wonderful interpretation. Inteligence and poetry. The tempi are amazing and so are too the dinamic contrasts (crescendos, etc.). Everything come right in the right moment. Great Anna Fedorova ! PS. IMHO the recording quality here is bettter than her rendition in the Concertgebow Hall, more 'adequate' thus doing more justice to her interpretation
Fantastique interprétation
Bravissima, hai un suono vero!
Herzlichen Dank!
Very good but ... sorry I have a but ... at times too much sustain pedal I think. For example around 3:40. Don't know what Chopin's markings are but for me that needs to be much more staccato.
a living passion...!
Bravo Anna Fedorova, Agradecido por agraciar com seu talento, Baruch H'Shem !!!!!!!
Beautiful
Très belle performance du piano!
Maravilhosa interpretacao!!!
Congratulations! Gratulacje!
Regarding the section beginning at 3:06. I like how she interprets this part. It sounds like she is playing a crescendo to a forte, and then a few bars later when it returns there is a diminuendo (which is marked in the score). She is maintaining forward motion toward the first beat of the measure throughout, slightly rushing toward the first beat. The playing is unfussy, without agogic accents, or pounding. There is a grand sweep of gradual buildup and then departure (like a parade?). This section is repetitive, and I feel when I listen to other performances that the piece bogs down at this point, but she maintains the momentum.
Maria Tereza Aguiar
J de Fora MG Excelente interprete som que emociona!!!
The Forest of Piano brought me here
KegPatcha hahaha me too!
Гениально!!!
3:06
Anna Fedorova embellece Ukrania y el mundo con su bella figura, y claro, sus manos maravillosas en el piano. Es un encanto cuando la entrevistan. Hay varias entrevistas en You Tube. Valen la pena verlas para entender cómo explica su formación y su personalidad.
Chopin done right!!
ممتاز جدا عزف رائع جدا احسنت ياانا
I guess the firsts bars were inspired by the piano sonata Op.10 n°5 in C minor by Beethoven
The third movement?
A very fine interpretation.
Bravo
awesome
Anna, quin goig sentir la musica a través de les teues mans sobre un piano- Arriba a les neurones més primitives del nostre cervell. gràcies.
Shigeru Kawai 👌
현상황과 맞물려 들으니 우크라이나의 불굴의 정신이 느껴집니다. 환상적이고 감동적인 연주👍
beutfull xx
♥️♥️♥️♥️♥️♥️
💪💪💪
wow
8:23 Ooops! Move on!
4:41
🎹🎹🎹🎹🎹🎹🎹🎹🎹
This sounds too loud to my ear,. There should be more dynamic contrast. She can really play, no question ;however I don't like the result much
想看费姐的大脚丫子😍
This interpretation pales when compared to versions recorded by Horowitz or Rubinstein. Totally out of her depth, she looks much better than she plays.
Too much pedal.
Niekoniecznie... 😅
N'est-elle pas extraordinaire ?