her voice is nearly identical to Dessay & Damrau. The only reason those 2 sounded heavier was because it became more difficult for them over time to sing it lighter because of over singing a bazillion gigs. I wonder what the secretary is for this voice type because they ALWAYS become wobbly into their mid to late 40s.
Pourquoi manque-t'il le début ? Dommmage! Le reste est évidemment parfait. Cette immense artiste peut aborder tous les styles avec la même aisance. Comme si tout cela n'était pas le résultat d'années de travail acharné. Faire oublier l'effort, là est le vrai talent. Moment magique d'motion et de légèreté...
Very few singers have a true trill nowadays. Dessay never had one either (and Devieilhe is a far better Zerbinetta than Dessay ever was). Oddly, in the old days most coloratura sopranos had a nice trill. So I guess it can be learnt.
@@russki1978 That's a loaded opinion. Dessay absolutely had a nice trill. Her coloratura was far cleaner and she was on-pitch 95% of the time, unlike the exhibition above.
@@lewism.3333 Dessay never had a true trill. She just exaggerates her vibrato to give the illusion of a trill. She did sing on pitch but so does the "exhibition above". Where is Devieilhe not on pitch then? Also, there are quite a few UA-cam videos of Dessay singing Zerbinetta while literally screaming her way through the score. This was after her peak - which lasted for only 5 years or so - but that's irrelevant. If she can't sing the role anymore she shouldn't even attempt it.
🦟 Mosquito voice! Embarrassingly microphoned here and literally outside. She also is shunted in front of a building in a courtyard to amplify this little instrument. Pretty but not easily employable in the real world. This will all be a recording career. People live could not hear her in the theatre and ended up leaving. Waste of money.
Extraordinaire cette Sabine...avec une aisance et un raffinement total.
Voix magnifique, belle légèreté 👏👏🌺🌺 j’aime 🥰
Tremenda artista!!.
Merece escucharse con un buen reproductor de sonido. Que maravilla.
The look on the lady cellist’s face at 3:45 is hilarious. A real WTF expression 😅
Eccellente....sublime
El 14/4/24 te iré a escuchar y deleitarme con tu excelsa voz !!!
Natalie Dessay’s performance at the met was great. But this soprano is so much lighter and dainty, it’s like clear crystal to the ear.
You have to enjoy this for yourself. Comparing yourself with someone will hinder your appreciation.
Technically, this is better/safer meanwhile Dessay brings so much life to the aria. It’s your preference at the end of the day, but I’d go for Dessay.
her voice is nearly identical to Dessay & Damrau. The only reason those 2 sounded heavier was because it became more difficult for them over time to sing it lighter because of over singing a bazillion gigs. I wonder what the secretary is for this voice type because they ALWAYS become wobbly into their mid to late 40s.
Pourquoi manque-t'il le début ? Dommmage! Le reste est évidemment parfait. Cette immense artiste peut aborder tous les styles avec la même aisance. Comme si tout cela n'était pas le résultat d'années de travail acharné. Faire oublier l'effort, là est le vrai talent. Moment magique d'motion et de légèreté...
MARAVILHOSA
Wow.
On more than one level.
Mady Mesple sang this aria in 1966 and it's breathtaking, her voice is exceptional
yeah … the tremolo caprino, "breathtaking", as you say …
I remember Edita........
now, where is the full version of it?
Brava
Where's the beginning? Amazing nevertheless
nice voice, it's a shame she can't trill.
lol!
Hahaha true
Very few singers have a true trill nowadays. Dessay never had one either (and Devieilhe is a far better Zerbinetta than Dessay ever was). Oddly, in the old days most coloratura sopranos had a nice trill. So I guess it can be learnt.
@@russki1978 That's a loaded opinion. Dessay absolutely had a nice trill. Her coloratura was far cleaner and she was on-pitch 95% of the time, unlike the exhibition above.
@@lewism.3333 Dessay never had a true trill. She just exaggerates her vibrato to give the illusion of a trill. She did sing on pitch but so does the "exhibition above". Where is Devieilhe not on pitch then? Also, there are quite a few UA-cam videos of Dessay singing Zerbinetta while literally screaming her way through the score. This was after her peak - which lasted for only 5 years or so - but that's irrelevant. If she can't sing the role anymore she shouldn't even attempt it.
🦟 Mosquito voice! Embarrassingly microphoned here and literally outside. She also is shunted in front of a building in a courtyard to amplify this little instrument. Pretty but not easily employable in the real world. This will all be a recording career. People live could not hear her in the theatre and ended up leaving. Waste of money.
all outdoor operatic performances are microphoned. no natural acoustics.