I scrolled back to hear a section again and UA-cam rolled 2 commercials. I am so glad I use an ad blocker on my pc at home. If I could put one on this pc I would.
There is a little mistake at 21:47. In the score you can't see the brass playing but you can hear them. That's because the score is the revised version which seems to not have that. The old version had the brass playing and that is what you can hear there.
Maybe because my recording was revised version, the only one I knew I much prefer without brass. It freaked me out when I finally heard the brass tootling there.
are you addicted to it too? I see you commented months ago, I listen to this everyday, I don't know any music theory, but what is it with this? I feel like the tempo or he doesn't follow the regular rhythm or the expected rhythm or beat or measure or something, do you know?
@@sherifbadawy8188 It's different for everyone but what makes it so intriguing to me is that the music just flows like the sea which is what "la mer" translates to. At some points the meter is almost completely irrelevant and the rhythm is seemingly random, but so well orchestrated and harmonized that it sounds utterly brilliant. The color tones that emerge through the bitonality of some sections are masterful
This was a presentation for my advanced orchestration class. I'm a music composition major in college, so I have to understand how different composers utilize different orchestral techniques to evoke a certain mood, image, or whatever. These time stamps either had some interesting orchestral components to them that may have contrasted with previous material, or set the tone for some new scenery and orchestral textures that are unique to Debussy. The presentation had to be 25 minutes long, so I had to muster up a great deal of material.
It's exquisite, it remindes me a lot of a part in the second half of the original Night on Bald Mountain (the symphonic poem orchestrated by Mussorgsky, not the chorus version nor Rimski-Korsakov's revision)
Japanese. Claude had been inspired by this one artsandculture.google.com/asset/the-great-wave-off-the-coast-of-kanagawa/fAFp7yddSAtcTQ?hl=it&ms=%7B%22x%22%3A0.5%2C%22y%22%3A0.5%2C%22z%22%3A9.84004900062005%2C%22size%22%3A%7B%22width%22%3A1.714617104390539%2C%22height%22%3A1.2375000000000005%7D%7D
1 часть "От зари до полудня на море" Вступление - тема моря Средний раздел Des-dur 1:37 Кульминация - хорал медных духовых + фагот Ges-dur 7:43 2 часть "Игра волн" Вступление 8:47 Основная тема 9:01 Другая тема 9:32 3 часть "Диалог моря и ветра" Вступление 15:15 Тема моря 16:00 Тема ветра 16:34
The missing brass melody at 21:40 or so was removed in a revision by Debussy due to it sounding too much like a jazz tune 'Ciribiribin' (in Debussy's opinion): ua-cam.com/video/s03UQuHjdpg/v-deo.html&ab_channel=ChuckPar-Due (tune at 1 min in)
11:02 - 11:15 is wonderful! especially 11:08 - 11:15 it's now a new lick for lyrical jazz piano solos. i play as sequence downwards & upwards, on 4/5 circle, on minor third etc. :) i just adore it! there are parallel fifths: f# c#, a e, c# g#, e h - f#m7, amaj7, c#min7, e9. It's A dur (VI7 T7, III7, D9) than flute melody will be reharmonised to the A moll: am7, cmaj7, em7, g9 (there is a 13th extension in flute melody). t7, III7, v7, VII9. There are A dur & A moll. Than the G9 goes to the C neither dur nor moll.
Why is it that you almost never hear the two tam tam strokes on the last page? They should be thrilling and LOUD. Why are conductors so scared of it? In this particular performance it is literally inaudible.
La Mer es una composición orquestal de Claude Debussy. Fue compuesta en 1905 y revisada en 1909 por Debussy. La partitura de este vídeo es la revisada, pero parece que el audio es de la versión de 1905. Subtitulada "Tres apuntes sinfónicos", la pieza consta de tres movimientos, en los cuales capta los movimientos del mar a través de imágenes musicales que se alternan con rapidez. 1. 1. "Desde el amanecer hasta el mediodía en el mar" 0:00 2. "Juegos de olas" 8:47 3. "Diálogo entre viento y el mar" 15:13 1er movimiento. "Desde el amanecer hasta el mediodía en el mar". 00:00 Introducción - Tema del mar 1:37 Sección central: Re bemol mayor 7:43 Coda: Coral de metales + Fagot: Sol bemol mayor 2º movimiento. "Juegos de olas" 8:47 Introducción 9:01 Tema principal 9:32 Otro tema 3er movimiento "Diálogo entre viento y el mar" 15:15 Introducción 16:00 Tema del mar 16:34 Tema del viento Director de orquesta: Vladimir Ashkenazy Orquesta: Orquesta de Cleveland
@@GhostofFHBradley Thankyou From A corner of Tokyo with autumn tints and full of pleasure of New York 🌼🌲🏵️🍄🍊🍁🍂🎀💐🎴🎑 and full of delicious foods unique to Japan 🍱🍙🍚🍡🍣🥢🍲🍜🥋🎏🎎⛩️🎍🍘🍤🥠🥟🍢🌰🗼🇯🇵
Though miles may part and skies grow dark, (3:50-3:58) My heart beats steady through every spark. (4:03-4:13) No distance too great, no ocean too wide, (4:14-4:23) In your love forever, I’ll survive." (4:24-4:31)
I'm considering uploading Sibelius symphonies and maybe some more unknown pieces by Debussy like Images oubliées and Images pour orhcestre (at least 1st and last parts). If you have any recommendations, I'm glad to take them. I'm usually pretty busy so most of the pieces I upload are very very close to my heart. Thanks for the comment!
I have to learn this piece for orchestra and 17:27 makes me want to cry To make matters worse I'm 2nd violin, and we have the part with awkward fingerings and string crossings
In the third movement, in the fourth bar after rehearsal number *59* , the high strings are playing a tremolo on *G* , the flute is also playing a *G* , while the English horn, oboes and cellos are playing an _appoggiatura_ from *F* to *E* . In the score shown, the brass are silent (empty staves), yet in the recording, we hear the trumpets and horns play a repeated fanfare during these eight measures. This fanfare is not shown in the score. I have asked this question over and over to music teachers, and they typically say that the fanfare is from a different edition. That is not a very good answer, because this edition does not have the fanfare, and a later edition I borrowed from the Detroit Public Library likewise has no fanfare. What I want to know is, did Debussy originally write the fanfare, then did he remove it in later editions, or did the piece originally have just the tremolo, then the fanfare was added later? Did someone other than Debussy add the fanfare? Most recordings include the fanfare, but in the most celebrated recording, the critics' choice, P. Boulez conducting the Cleveland Orchestra on DGG, the fanfare is *not* heard. I've asked about this for years with no satisfactory answer. Why do some recording have the fanfare and some don't? Where did the fanfare come from? If you can provide a thorough account of this Case of the Missing Fanfare, I promise to go to your channel and give a Thumbs Up to all your videos (even if I don't like your music).
my mistake when hearing this as young was focusing too much on the sea, i never heard the Debussy actually i was a victim of his magic so to say the guy is a sophisticated Dandy, with all pros and cons of this the end shows this: is very impressing but something is missing, something in the whole poem. This small detail makes me give a plus to Ravel, despite of the historical importance of Debussy to the avantgarde
Impressionistic music changes keys a lot and the point of it isn't really resolving to a certain key. Debussy doesn't really do any usual resolutions, but makes the music float and go on and on like in improvisation. At the same time the music is so structured and every key change is important for the mood, but never really for the resolution. I mean there might be some underlying key that Debussy uses for some kind of resolution or something, but it's not the point of this music.
Hi @musickis and everyone else, any chance to get to know which score (publisher, edition etc.) exactly is seen in this video? Thank you very much in advance!
I remember 「The Waves 」of Verginia Woolf while listening to this masterpiece . I feel sad and get wistful in This masterpiece and Woolf's 「The waves 」 From chaotic Tokyo of the Land of Rising Sun
![Ma Mère L'oye - Maurice Ravel (Complete Ballet) [Score Video]](http://i.ytimg.com/vi/VI6Zsz-ZBnQ/mqdefault.jpg)
I scrolled back to hear a section again and UA-cam rolled 2 commercials. I am so glad I use an ad blocker on my pc at home. If I could put one on this pc I would.
There is a little mistake at 21:47. In the score you can't see the brass playing but you can hear them. That's because the score is the revised version which seems to not have that. The old version had the brass playing and that is what you can hear there.
I wonder why in the revised score they omitted the brass section, which is beautiful and extremely important for the final part......
Thanks, i was so confused in that part!
@@salvorizzo8671 I agree. It somehow seems to add momentum to the succeeding coda.
Maybe because my recording was revised version, the only one I knew I much prefer without brass. It freaked me out when I finally heard the brass tootling there.
You can't say that ???? You know how it's difficult !!!
Omg the end of the first movement is so gorgeous and powerful
And majestic
Indeed
Leaves you holding your breath.
L'une des plus grandes merveilles de la musique...Merci. ❤
1:40 fl&cla. - Hr.
2:14 ob. solo
9:31 2악장 파도의 희롱
15:20 3악장'바람과 바다의 대화'
8분 50초가 2악장
@@Ollymin 여기에 매우 정확한 타이밍이 있습니다 ...... ;-)
This is truly a masterpiece of music. It’s utterly mesmerizing.
are you addicted to it too? I see you commented months ago, I listen to this everyday, I don't know any music theory, but what is it with this? I feel like the tempo or he doesn't follow the regular rhythm or the expected rhythm or beat or measure or something, do you know?
@@sherifbadawy8188 It's different for everyone but what makes it so intriguing to me is that the music just flows like the sea which is what "la mer" translates to. At some points the meter is almost completely irrelevant and the rhythm is seemingly random, but so well orchestrated and harmonized that it sounds utterly brilliant. The color tones that emerge through the bitonality of some sections are masterful
Time stamps for my presentation on this work...
0:00
1:36
4:35
6:47
7:47
8:49
10:23
13:35
15:20
18:23
19:12
20:43
22:36
Can you tell me something about your presentation on this lovely work?
This was a presentation for my advanced orchestration class. I'm a music composition major in college, so I have to understand how different composers utilize different orchestral techniques to evoke a certain mood, image, or whatever. These time stamps either had some interesting orchestral components to them that may have contrasted with previous material, or set the tone for some new scenery and orchestral textures that are unique to Debussy. The presentation had to be 25 minutes long, so I had to muster up a great deal of material.
😂 I marked 4:35 for my student's orchestra audition. Cello excerpts repertoire
13:03 just hits so hard
Yep
It's exquisite, it remindes me a lot of a part in the second half of the original Night on Bald Mountain (the symphonic poem orchestrated by Mussorgsky, not the chorus version nor Rimski-Korsakov's revision)
I love the orchestration. Debussy was a genius.
4:07 sounds like an intro to a Chinese drama
To me it resembles the intro and also a lot of other moments of Turandot by Puccini! (Which is indeed a chinese drama)
Japanese. Claude had been inspired by this one
artsandculture.google.com/asset/the-great-wave-off-the-coast-of-kanagawa/fAFp7yddSAtcTQ?hl=it&ms=%7B%22x%22%3A0.5%2C%22y%22%3A0.5%2C%22z%22%3A9.84004900062005%2C%22size%22%3A%7B%22width%22%3A1.714617104390539%2C%22height%22%3A1.2375000000000005%7D%7D
What ?????
The power of perfect fifths
see Ryuichi Sakamoto's endroll score for The Last Emperor. The descending fifth motif is present in this dramatic movie, about China!
I am Immersed in a dazzling sea of Debussy’s music and washed by waves of Debussy’s musical aesthetics ㊗️
1 часть "От зари до полудня на море"
Вступление - тема моря
Средний раздел Des-dur 1:37
Кульминация - хорал медных духовых + фагот Ges-dur 7:43
2 часть "Игра волн"
Вступление 8:47
Основная тема 9:01
Другая тема 9:32
3 часть "Диалог моря и ветра"
Вступление 15:15
Тема моря 16:00
Тема ветра 16:34
1 часть
4:37 - новый раздел после среднего.
11:50 - Трубы 2 часть
3 часть 19:28 новый раздел
The missing brass melody at 21:40 or so was removed in a revision by Debussy due to it sounding too much like a jazz tune 'Ciribiribin' (in Debussy's opinion): ua-cam.com/video/s03UQuHjdpg/v-deo.html&ab_channel=ChuckPar-Due (tune at 1 min in)
Incredible music, sublime, gorgeous by an absolute genius. This version of Ashkenazy might be my favorite, even compared to Boulez
11:02 - 11:15 is wonderful!
especially 11:08 - 11:15
it's now a new lick for lyrical jazz piano solos. i play as sequence downwards & upwards, on 4/5 circle, on minor third etc. :)
i just adore it!
there are parallel fifths: f# c#, a e, c# g#, e h - f#m7, amaj7, c#min7, e9. It's A dur (VI7 T7, III7, D9)
than flute melody will be reharmonised to the A moll: am7, cmaj7, em7, g9 (there is a 13th extension in flute melody).
t7, III7, v7, VII9.
There are A dur & A moll. Than the G9 goes to the C neither dur nor moll.
There's nothing like starring at the Pacific ocean and listening to Dialogue du vent et de la mer
Staring.
1:43 I'm obssesed with the pentatonics with the flute and clarinet octaves
Debussy is still feeding film scores!
Why is it that you almost never hear the two tam tam strokes on the last page? They should be thrilling and LOUD. Why are conductors so scared of it? In this particular performance it is literally inaudible.
La Mer es una composición orquestal de Claude Debussy. Fue compuesta en 1905 y revisada en 1909 por Debussy. La partitura de este vídeo es la revisada, pero parece que el audio es de la versión de 1905. Subtitulada "Tres apuntes sinfónicos", la pieza consta de tres movimientos, en los cuales capta los movimientos del mar a través de imágenes musicales que se alternan con rapidez.
1. 1. "Desde el amanecer hasta el mediodía en el mar" 0:00
2. "Juegos de olas" 8:47
3. "Diálogo entre viento y el mar" 15:13
1er movimiento. "Desde el amanecer hasta el mediodía en el mar".
00:00 Introducción - Tema del mar
1:37 Sección central: Re bemol mayor
7:43 Coda: Coral de metales + Fagot: Sol bemol mayor
2º movimiento. "Juegos de olas"
8:47 Introducción
9:01 Tema principal
9:32 Otro tema
3er movimiento "Diálogo entre viento y el mar"
15:15 Introducción
16:00 Tema del mar
16:34 Tema del viento
Director de orquesta: Vladimir Ashkenazy
Orquesta: Orquesta de Cleveland
Brilliant masterpiece!!!!
here for our modular music task listening to debussy's works and i ended up liking his works
related to Isao Tomita? I know he did a wonderful Clair de Lune rendition on the Mighty Monster Moog Modular
groundbreaking piece of music
I Part
A 1:39
B 4:35
C
Coda 7:44
II Part
Intro 8:50
A 9:01
B 10:53
A1
Coda 13:59
III Part
15:15
Sea theme 16:00
Mid 18:24
La Mer looks great Turner’s seascape paintings
La Mer is unrivaled by any other sea music
Kenneth Clark's _Civilisation_ did this I think, putting Turner's pictures to Debussy's music.
@@GhostofFHBradley
Thankyou
From
A corner of Tokyo with autumn tints and full of pleasure of New York
🌼🌲🏵️🍄🍊🍁🍂🎀💐🎴🎑
and full of delicious foods unique to Japan
🍱🍙🍚🍡🍣🥢🍲🍜🥋🎏🎎⛩️🎍🍘🍤🥠🥟🍢🌰🗼🇯🇵
What a genius man
7:54 is such a good theme, I wish he would have done more with it
4:34
I love it
It's so cool ! Thank you
1 часть «От зари до полудня на море»
Вступление.
Тема моря - 0:40
1 раздел. 1:37
Мелькает тема моря - 3:57
2 раздел. 4:34. Виолончели
Опять тема моря - 5:59
3 раздел. Предыкт. 6:47
4 раздел. Хорал. 7:45
3 часть «Разговор ветра с морем». Сходство с сонатной формой
Вступление
Тема моря - 16:01
Экспозиция
ГП - тема ветра - 16:35
ПП - укрупнённая тема моря - 17:33
Эпизод - хорал из 1ч - 18:23
Двойная реприза ГП
ГП (тихая кульминация) - 19:22
ГП громко - 20:43
ПП - 21:32
Главная кульминация
ГП - 21:59
Хорал - 22:17
Кода - 22:33
Slide 2 de la început
Slide 3 0:31
Slide 5 1:44
Slide 6 1:49
Slide 7 2:08, 2:26
Slide 8 4:07
Slide 9 6:47
Slide 10 7:44
Coda 8:01
Partea a II-a
Slide 11 9:49
Slide 12 14:20
Fabulous
00:00 1악장 - 도입부 악보부분
01:42 1악장 - '바다의 새벽부터 정오까지' 악보부분
09:00 2악장 - '파도의 장난' 악보부분
15:15 3악장 - '바람과 바다의 대화' 악보부분
If you came from twosetviolin, it's 2:07
They have used it La Mer in many videos. Are you referring to "13 composers and how it feels to play them" video
Mikkis yeah (rip)
thankyou
@Drew Kline and animal charades
Oh damn thanks
Though miles may part and skies grow dark,
(3:50-3:58)
My heart beats steady through every spark.
(4:03-4:13)
No distance too great, no ocean too wide,
(4:14-4:23)
In your love forever, I’ll survive."
(4:24-4:31)
Nice channel you have here! A hidden gem in UA-cam! Do you plan on uploading more pieces?
I'm considering uploading Sibelius symphonies and maybe some more unknown pieces by Debussy like Images oubliées and Images pour orhcestre (at least 1st and last parts). If you have any recommendations, I'm glad to take them. I'm usually pretty busy so most of the pieces I upload are very very close to my heart. Thanks for the comment!
@@musickis4896 oooo yea Sibelius
Thanks for the sheet music 🎵🎶
19:22 Janet Lynn?
8:08 it's amazing the orchestration!
Time Stamps For Presentation
1.) 00:00
2.) 1:37
3.) 2:45
4.) 3:46
5.) 4:35
6.) 7:45
1.) 8:48
2.) 9:32
3.) 10:53
4) 12:41
5.) 14:04
1.) 15:58 (TPT sea)
2.) 17:28 (Horns verse Sea, Sequence)
3.) 18:23 Chorale
4.) 19:27 Wind II
5.) 20:39 Pt. 3 wind
6.) 21:14 Pt. 4 (Tpt sea, Wind II)
7.) 22:00 Pt. 5
8.) 22:20 Chorale (then sea vs. wind to end)
I have to learn this piece for orchestra and 17:27 makes me want to cry
To make matters worse I'm 2nd violin, and we have the part with awkward fingerings and string crossings
It's gonna be all worth it.
@@TheMikkis100 indeed
1:20 when things start to get beautiful 😍😍😍😍
I ALWAYS GET ANXIETY OF BREAKING MY STRING/MOVING MY BRIDGE ON LOUD PIZZ. NOTES
In the third movement, in the fourth bar after rehearsal number *59* , the high strings are playing a tremolo on *G* , the flute is also playing a *G* , while the English horn, oboes and cellos are playing an _appoggiatura_ from *F* to *E* . In the score shown, the brass are silent (empty staves), yet in the recording, we hear the trumpets and horns play a repeated fanfare during these eight measures. This fanfare is not shown in the score.
I have asked this question over and over to music teachers, and they typically say that the fanfare is from a different edition.
That is not a very good answer, because this edition does not have the fanfare, and a later edition I borrowed from the Detroit Public Library likewise has no fanfare. What I want to know is, did Debussy originally write the fanfare, then did he remove it in later editions, or did the piece originally have just the tremolo, then the fanfare was added later? Did someone other than Debussy add the fanfare? Most recordings include the fanfare, but in the most celebrated recording, the critics' choice, P. Boulez conducting the Cleveland Orchestra on DGG, the fanfare is *not* heard.
I've asked about this for years with no satisfactory answer. Why do some recording have the fanfare and some don't? Where did the fanfare come from?
If you can provide a thorough account of this Case of the Missing Fanfare, I promise to go to your channel and give a Thumbs Up to all your videos (even if I don't like your music).
Find the original version. Debussy published it in 1905, and revised it in 09'.
(It's probably on Imslp)
@@gammafoxlore2981 The _original_ version has the fanfares? You sure? Why didhe remove them?
@@KeithOtisEdwards Cause it sounded too much like a popular song at the time called Ciribiribin
Orchestration trop bien faite !!! 6:20
7:11 R.Strauss Eine Alpensinfonie
9:10 timestamp for excerpt assignment.
Flute Excerpt 1: 2:25
Flute Excerpt 2: 3:25
Flute Excerpt 3: 19:25
9:00 - Was there an anime at his time?🤔
Don't know, but that would be cool if an enemy used a segment of this piece, or any other pieces in general.
9:32 just need a time stamp for audition music :)
1ч: От зари до полудня на море
2ч: Игра волн
3ч: Диалог моря и ветра
Still here 2024
Watch at " the Debussy film" , by Ken Russell
4:34 OMG
because of twoset, the only thing that i can think of when this piece plays is _water._
Yeah! It's so good that you can visualize the sea clearly just imagining it!
The oboe at the beginning sounds like a brass instrument
I came here for Mapeh Grade-10 Online class October 2020
Ano ido-drawing mo kuya/ate??Pakopya HAHAHAHAHAHHA charot
HAHAHA
Ay wow, gagaling! Dito pa magkokopyahan
Pakopya dinHAHAHAHAHcharot
Ano iddrawing niyo?👉👈 Pakopyaaa
2:14
9:00
15:20
8:10 goosebumps
09:30 excerpt
04:35 the wonderful orchestration using the power of the cellos in four div
素晴らしい名曲です。北斎もさぞや感心しているでしょう。
8:00
Fantastic
11:19 El Bolero de Ravel? :)
😝
Esta obra fue estrenada en 1905 y en cambio el bolero en 1928
Best parts:
01:27
02:14
04:35
09:30
11:15
15:57
16:35
4:34 (Cello excerpt)
9:30
my mistake when hearing this as young was focusing too much on the sea, i never heard the Debussy actually
i was a victim of his magic so to say
the guy is a sophisticated Dandy, with all pros and cons of this
the end shows this: is very impressing but something is missing, something in the whole poem. This small detail makes me give a plus to Ravel, despite of the historical importance of Debussy to the avantgarde
8:10 this moment has made me like Debussy
0:50 *L E M 0 u s 3*
Don't you like it?
00:01- 1ч
8:47- 2ч
15:13 -3ч
5:50 15:55
16:55
19:20
19:24
20:16
for my presentation...
2:14
9:00 2곡 파도의 희롱
9:33
15:17 3곡
16:56-17:12 violin excerpt
NYO:USA, Cello 4:33
6:48 Richard Strauss-Eine Alpensinfonie 😂
8:49
04:35 Great Cellos
12:40
La mer :)
10:55 he sounds like tom and jerry
Orgasmic la Mer
what is it at the start ? too quiet!
Timpani and half of the basses at the first bar.
4:34 audition starts
what key is this??
Impressionistic music changes keys a lot and the point of it isn't really resolving to a certain key. Debussy doesn't really do any usual resolutions, but makes the music float and go on and on like in improvisation. At the same time the music is so structured and every key change is important for the mood, but never really for the resolution. I mean there might be some underlying key that Debussy uses for some kind of resolution or something, but it's not the point of this music.
@@musickis4896 Impressionist composer, although he vigorously rejected the term. wiki
20:00
16:35
19:22 (p.247)
20:15
21:58
音樂史必聽~
Legends 2019 8:00
Hi @musickis and everyone else, any chance to get to know which score (publisher, edition etc.) exactly is seen in this video? Thank you very much in advance!
This is the revised score from 1909 found on imslp.org
Paris: Durand & Fils, 1909. Plate D. & F. 6532, 6838.
4:35 😍
8:08 bed sea...
2:17 oboe
22:17
2:14
I remember 「The Waves 」of Verginia Woolf while listening to this masterpiece .
I feel sad and get wistful in This masterpiece and Woolf's 「The waves 」
From chaotic Tokyo of the Land of Rising Sun
I see you in every score videos and others music videos i see also you in comments section . It's a little bit crazy.
Anyway the best part of this piece is at 22:16 for me, it's symbolize the sunlights defeating on tempest sea
Which is the orchestra? Tell me please. Thanks.
You just have to click SHOW MORE underneath the picture. It tells you that it is the Cleveland Orchestra conducted by Vladimir Ashkenazy
et 7:20 aussi
Notes for myself:
4:08 temple gates opening idea
?
@@Dylonely_9274 I've not made them yet... They are supposed not to be readed anyway 😂
This music reminds me the Barbie 12 dancing Princesses and also the Nutcracker.
11:36 oboe solo
9:10