Charles Sheeler
Вставка
- Опубліковано 7 лют 2015
- Charles Sheeler was a key figure in the American Precisionist Movement in the early 20th Century. He had careers as both a successful painter and as a photographer.
Probably best known for a series of images he made for the Ford Motor Company to promote the release of the Model A, Sheeler's black and white factory images communicate the symbols of power, wealth and productivity that reflected the aesthetic of the 1920's.
Subscribe for more videos!
ua-cam.com/users/subscription_c...
Twitter: / tedforbes
Instagram: / tedforbes
Facebook: / aop.podcast
Pinterest: / tedforbes
Website: theartofphotography.tv
And get on our mailing list to stay up to date on photography news and the latest episodes:
theartofphotography.tv/about/m...
Thanks for watching - if you like this video, remember to share it with your friends!
Ted Forbes
The Art of Photography
3100 Main St #135
Dallas, Texas 75226
My name is Ted Forbes and I make videos about photography. I’ve been making photographs most of my life and I have a tremendously deep passion for photography that I want to share with you on UA-cam.
The Art of Photography is my channel and I produce photography videos to provide a 360 degree look into the world of making images. We all want to get better so lets do this together!
I make videos covering famous photographers, photography techniques, composition, the history of photography and much more.
I also have a strong community of photographers who watch the show and we frequently do social media challenges for photographers to submit their own work. I feature the best and most interesting on the show when we do these so come check it out and get involved!
So come check it out! If you’re a fan of DigitalRev, Fro Knows Photo (Jared Polin), Matt Grainger (That Nikon Guy) or Tony Northrup - you’ll love The Art of Photography. I make video’s giving you a deeper dive into photography techniques, composition and history to compliment the other channels you love to watch.
New shows come out every Sunday, Tuesday and Friday. - Наука та технологія
He was a visual artist. Photography or paint was just his chosen medium. When I look at both, his photos & paintings, I dont see interiors or industrial documentation, I see an artist pointing to hard edged geometrical shapes (rectangles, squares, triangles). Ones he would create in paint & ones he would find in the world. He would flatten an image, asking us to see past value creating form & instead see each shadow & light as individual shapes.
Still loving the channel & content. I really enjoy the consistency. In a digital world where we all deal with update after update which typically includes unsolicited self proclaimed improvements lol, I for one take great comfort in channels & people who choose a direction, who focus on what they do well & then work hard at providing that service/good/content in a consistent & reliable manner.
Thank u
I love his paintings. I would lose myself in his calm, cool industrial works.
Did a weird job once. Was hired to document a decommissioned paper making machine. Two stories high,forty feet wide and 150 feet long. I shot hundreds and hundreds of 6x7 b+w films. 40 mm lens on a Hass. The whole point of the job was that the machine had been sold to Pakistan and there were no longer any plans or records of this machine. So they were going to use my photos to reassemble the machine after it was shipped to Pakistan. In the end the client ordered more than two hundred full sets of thousands of 8x10 prints. The job took several months to complete and was very profitable. But it was strange for sure. I couldn't believe they were going to assemble this massive machine from photographs. I was very glad to be out of the darkroom after it was done. One of the few times I hired an assistant in the darkroom. We would rotate days printing. Just a weird example of the purpose of photographs.
The industrial aesthetic that Sheeler excelled at (e.g., as exemplified in his Ford series) paid homage to the power of industry - as you said, "the factory as cathedral" where people really were an afterthought - and fell out of favor after WWII in large part because of its association with the political agendas of fascism and soviet communism. I think it is hard for us today to understand the real hope for the future that was then placed in industry, but Sheeler's work and your video certainly help.
Thanks much.
I really like the interior shots as well as Manhattan buildings. There is a wonderful soft simplicity to the images
Another great show, Ted. Yes to Judy. She's a looker.
The beauty of geometric forms and balance/imbalance of a complex image. Great to revisit this.
You do good work, Forbes.
I wanted to learn more about photography, as it is an art form I've had relatively little exposure to, so I was looking for different sources of info. I've found that this channel has struck a really nice balance between being accessible and being in depth, so I just wanted to write and say thanks! keep doing what you are doing; you have a new subscriber here :)
Thank you Ted. I love hearing and learning about photographers and art movements. Learning about them gives me a perspective on today.
Thanks. I wasn't familiar with him, but these are significant images and approach.
Thanks Ted for adding historical context to this and other shows. :)
I don't retain a lot of info with videos so I will watch your videos a second time and take notes. Pointless to some but it will help me remember.
Ted, I'm enjoying your terrific videos -- especially those on zines. Is there any vendor you would recommend for good quality prints of Charles Sheeler's work? I'd love to get a print of Criss-Cross Conveyors.
This is lovely. Thank you.
Thank you, Ted: your videos are simply awsome! I respectfully suggest to make one about Mimmo Jodice. Cheers!
Very informative. You have done a wonderful job of placing Precisionism in its historical context. Thank you.
I like his paintings better than his photographs. Impressive stuff.
I met him in of all places the South Bronx
Hi Ted, what is the background music you have at the beginning of the program?
Regards
Your videos are amazing!
Thank you!
10:25 yes.
what audio book do you recommend for photography history
Though its been 7 years, u never know who might read this later…..
Having some health issues, I rely greatly on audio books. One approach is to first find a book title, not necessarily audio. Someone somewhere has read that book out loud & uploaded the content on UA-cam. Nothing wrong with subscribing to E Book services, thats not my point. Just that I rarely fail to find a book I am aware of while searching ‘insert title’ then adding audio book after.
It might b easier to ask someone what book they recommend for the history of photography & then search that title as audio book. Check free sources like UA-cam first.
I hope this helps.
The best to u & urs ✌🏻
Manhatta can be seen here: ua-cam.com/video/jSLCTI1BTdw/v-deo.html
Any mention about cameras or film?
Cool
Ted, I think your channel is fantastic and I really enjoy watching the episodes. But! The books are, in theory, great but I think for showing us (when viewing on a computer screen) it doesn't work that well. The size of the image itself is small and the quality isn't great.
so weird, remember the pinterest days but love the new set up
Oh Judy.....
His work doesn't do anything for me at all... but very well made video as always. Thank you.
Don't have much background in Art History, what do you mean by "American Folk Art"?
The true David Rothschild? Pleasure to meet you.
Art history is considered an ongoing conversation. Instead of being between the artist & the viewer, this larger (macro maybe?) umbrella is a reaction to the action from one group of artists to another. This is documented through dates & country. An example many r familiar with r the French Impressionists who were reacting to the Italian driven art prior. Reacting as in breaking from tradition & exploring outside of what was considered the norms which were also reflected by the taste of collectors. At one point in the ongoing timeline American Folk art had its place as a group of American artists were reacting to the popular set of norms that existed during their earlier life. In case I wasnt clear, the look & subject matter were both affected by these artistic reactions. In one movement only holy stories & royalty were considered worthy subjects & they were painted in a very specific manner. The artists that came after intentionally made opposing choices in the subject & creative approach.
I can imagine why Sheeler isn't that well known (as a photographer), he made one good photograph ( the cross conveyer belts) all the rest was mediocre and didn't stand the test of time. He should have stuck with painting and leave this sort of photgraphy to Paul Strand.
I really love the way you bring your show Ted, but this time you were unable to convince me.
R u looking at flat abstraction?? His photographs, just like his famous paintings, r not meant to represent representational form.
First