Andrew Lloyd Webber's Unique Chord Progressions and the BRILLIANT use of "Pivot Chords"
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- Опубліковано 9 вер 2024
- In this video, I explore the brilliant similarities between Andrew Lloyd Webber's "Hosanna" from "Jesus Christ Superstar" and Prokofiev's "Peter and the Wolf". Their unique uses of "pivot chords" especially give the melody an interesting and engaging arc to listen to.
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"Jesus Christ Superstar" © Great Performances; The Really Useful Group
"Peter and the Wolf" © Walt Disney Production (1946)
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I should've seen that coming ... You got me ... LOL!
You excellently capture the intellect and wit of Webber's music here. Spot on!
The guy playin' Judas has amazing facial expressions in the film version though, so he's got that goin' for him.
Wow, thanks for your insight here, i sure learned a lot from this video ❤️
This brought me immense joy
yep got me
I-
oh my godddddd 😆✊
What a pathetic video. Lloyd Webber can write music which anyone, regardless of their generation or nationality, can listen to and enjoy; that is an EXTRAORDINARY TALENT. His gift is melody; something which should be admired and not trashed. He lacks is a formal discipline in music (which your hero Sondheim did have), but an education as William Lloyd Webber rightly said would only have destroyed Andrews’ gift for melody. Without discipline, we can only rely on raw talent, and Andrew has ample talent.
Go back and think this one again. Hal Prince was a champion of BOTH Sondheim AND Lloyd Webber. There is no sport in trashing the latter.
Be aware this was an April Fools video. It is admittedly unfair that he is an easy punching bag for such a thing. I do actually think there are great personally believe that there are great aspects to what he does, and I have planned real academic videos taking a look at his unique chord progressions, mixed meters, and more.
@@into_the_hoods I am actually very excited to watching these videos.