My Starting Line Up - standard palette
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- Опубліковано 13 лип 2024
- White - Lead white, plays nicely with others, transparent
Cad Yellow Pale - HIGH chroma, LIGHT value, “cooler” yellow (leans towards green), opaque, strong (EDIT: I now use Cad yellow from Micheal Harding)
Yellow Ochre - MID chroma, MID value, “warmer” yellow (leans towards orange), opaque, weak
Raw Umber -LOW Chroma, DARK value, earthy, weak, semi transparent
Cad Red Light - HIGH chroma, LIGHT/MID value, “warm” red (leans towards orange), opaque, strong
Alizarin Crimson Permanent - HIGH chroma, DARK value, “Cool” red (leans towards purple), SUPER transparent
Burnt Umber - LOW Chroma, DARK Value, fast drying, earthy, opaque, weakish
Cobalt Brilliant Turquoise - HIGH chroma, LIGHT/MID value, “cool” blue (leans towards green), opaque, strong
Ultramarine Blue - HIGH chroma, DARK value, “warm” blue (leans towards purple), SUPER TRANSPARENT, strong
Ivory Black - LOW Chroma, DARK Value, somewhat opaque, weakish
Takes out a tube of Manganese Violet. (Whispers to self) “oooohh a special guest”
You are amazing Julie! Thank you so much for sharing your process with us 😘
Great video, very informative with specific brands and pigments. Thanks!
Thank you so much Julie for the information! Very helpful 🙏🙏🙏
At first I didn't understand your placement of the raw umber, burnt umber and ivory black... but the way you explain it makes so much sense and helps me think of those colors in a new way! Thank you!
...love color theory
I was getting a little jealous of that Rublev Yellow Ochre tube! lol..Agree completely learning from one selection of paints has been key for my serious paitnings.
Awesome video. So helpful. Thanks for sharing!! ❤
You have great videos. And burnt Amber is a great color it’s one of my favorite . I look at it as a dark yellow or dark orange and it’s a great step out of black . it also gets rid of areas that become milky ! it’s a pretty magical color For sure .
Thank you, Julie!!
Great info thx:)
Thanks for this overview, Julie! One thing to be aware of: Winsor Newton has started mixing a lot of their paints with Safflower oil instead of linseed oil. This can have detrimental effects on the paint layers in years down the road, as Safflower oil has been shown to degrade (actually “melt”) the paint, especially in heavy impastos.
Yes, I'm actually in the process of switching over to Rublev for my cad yellow. Thanks!
@@JulieBeck But that leaves the issue of Permanent AC. Does it contain safflower, and if so, how serious is the degrading issue?
@@ChristopherJones-cjphoto my permanent AC from winsor newton is made with linseed oil.
Just found you on Instagram and sorting through your UA-cam now!! Thank you for the information!
Fabulous! Let me know if you have questions!
Oh I had just asked about this elsewhere 😅
thank you so much for in-depth explanation of you palette! I love that you have 3 paints for each "colour family"
some questions I have: do you ever use phthalo blue as a transparent cool/greenish blue/cyan to complement the opaque Cobalt?
did you experiment with some transparent yellows for glazing or to mix deep mossy greens?
Hi Christian, yes, in fact, next term during my indirect painting class, I'll be using my pthalo turquoise (a combo of pthalo blue and phtalo green) to demo glazing as a painting method. We will model the fabric using yellows and browns, but using the pthalo to glaze over to get the color we want. However, most of the time I'm working opaquely with the exception of special effects with glazing.That means I do have colors like Pthalo blue and transparent orange but they are not alway out on my palette unless I am using them for a specific effect. Outside these 9 colors I probably have about 50 additional tubes of paint.
This is great info, thanks for posting. How much does your palette change for landscapes? Would you replace any of these colors with something else? Thanks again!
For landscape I might add a viridian green and a sap green to the palette... I don't do a ton of landscape painting so I may not be the best person to ask for that. I go like twice a year!
Hi Julie. Great info. On the chart info on the glazing section do you put down white paint and then glaze over it with the color or just do a glaze of the color on the white canvas. Thanks
I just glaze over the white of the canvas to test that out
Hi Julie,
Ty for this great video.
Does the cremnitz white from Old Holland dries faster than titanium white?
Yes all lead white would dry faster than any titanium white
I think your ultramarine blue with the green makes it a cool color. The traditional ultramarine blue is more violet making it a warmer blue ? I think ….. I use three blues . my cobalt Blue is my cooler color, my French ultramarine is my warm blue and then I have a cobalt teal for my turquoise .
Hello, Julie. I'm coming back to oils for the first time in a couple decades, and I've decided to use you as my tour guide. Great information here. I remember using linseed oil back then. Do you ever use it and if so, why or why not? I've heard that over time linseed oil can "yellow" a painting, however I'm unsure if that's correct. Thank you.
I use linseed oil in a couple ways: 1. in my brush washing jar and 2. If I need to add a little bit of fluidity to my paint in a final layer, I may add a drop or two of linseed oil. You can find in depth info in my Magic of Indirect Oil Painting webinar. check out my website on the instruction page.
@@JulieBeck I will do that, thank you.
@@JulieBeck Ohhh......okay....300 bucks. Okay. Thanks anyway
Julie, your presentations are easy to understand, uncomplicate and make an awful lot of sense. Question: glazing over white...do you mean apolying a thinly mixed pass of the particular color over wet white paint?
no, on top of a dry white surface
@@JulieBeck Thanks, Julie. I appreciate your responsiveness!
Hey Julie, what tool do you use for crimping/squeezing? I bought a tube squeezer off of amazon and it put a hole in my tube, huge flake white no less. Looking for a source for a better one and ideas for plugging that hole pleaaase
I honestly just found one floating around the school. it's metal and has worked well so far!
Why do you put the binder clips on the paint tubes?
I hang them from a peg board on the wall. it keeps them organized and easy to see and grab when needed
Is there really much difference between titanium white and flake white? I don't find much.
Yes actually a very big difference. Titanium white is opaque, a strong tinter, slow drying and drops chroma of colors very quickly... Lead white is slightly transparent, weaker tinter, fast drying and plays nicely with color
OK. I haven't used Flake white in years and I do like the fact that Titanium is quite opaque. C'est la vie.
you could always use a mix of the two, natural pigments offers that I believe.
Thanks. instagram @blaineawhite
I'm surprised that you can still get lead white: many artists' colourmen are using substitutes. The health and safety brigade are at it again; there was even talk of banning the Cadmiums in Europe a few years ago.