This is some exquisite phrasing and singing. I feel like a lot of Susanna’s approach the role singing this aria in a similar manner. I enjoy this interpretation because of the emotion and gentle caressing Nadine sings with. She’s such a beautiful artist!
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
My dear Nadine, I follow you since a year and I know perfectly that you have a really good italian diction, but here you were a disaster ahahah I love you anyway dear ❤️
ogni volta che chiude una frase esegue un'appoggiatura che Mozart non chiede assolutamente e che , per me disturba la linea melodica che Mozart ha chiaramente scritto nella partitura. ......la conclusione è pure con l'aggiunta di varie note con un risultato che conferma un assoluto cattivo gusto
e' bella anzi bellissima e anche Mozart accetterebbe le sue appoggiature che solo tu noti,il suo canto deriva da 16 anni di duro studio e anche se non si atteggia a diva ormai il suo ruolo di nuova Divina dopo la Callas e' segnato.Come la Callas che ha ricevuto sempre molte critiche tu Nadine prosegui a testa alta e ..grazie di esistere
Nadine is a great singer but Mozart is not for her, too much voice, too much glissando, too much appogiatura, the text wasn't good. She is amazing in bel canto for sure but Mozart requires the biggest musicality and finesse. Maybe she was tired?
Totally agree , she has a light little voice and pushes too much in addition seems to be missed the scores and singing whatever she wants. Needs more train and studying.
Actually it's the way double notes should be sang at the end of a phrase with Mozart music, I agree with the do do on 'tace' it does not work very well.
Yes, it’s called appoggiatura, but it’s not that the real problem. She changed the melody in the recitativo in some points and too much glissando for Mozart. It’s not exactly how it should be sung. Also, Italian diction is improper in some bits… needs more rehearsing :) Really nice voice and she’s otherwise really good, but this one is not on focus, yet. I particularly loved her interpretation of Somewhere - West Side Story… really beautiful!
@@АлександраТимофеева-щ5у никто и не говорит про кринолин. Но хотя бы вечернее нормальное платье. Это сцена. Оперный вокал. Есть видео, где она вообще в брюках...
LISTEN to ELIZABETH RETHBERG and her BRILLIANCE OF TONE and EXQUISITE ARTISTRY. Whoever is teaching this young lady is pushing her voice, shouting at certain points which is the reason she cannot phrase the aria with the elegance exemplified by Rethberg.
Bravissimaaa!!! Una versión sublime !!!
This is some exquisite phrasing and singing. I feel like a lot of Susanna’s approach the role singing this aria in a similar manner. I enjoy this interpretation because of the emotion and gentle caressing Nadine sings with. She’s such a beautiful artist!
Fabulosa! ❤️❤️❤️❤️❤️❤️
Nadine Sierra needs to be singing at the Kennedy Center!!!!!!!!!!!
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
Very beautiful!
wonderful..
.
4:15 Wobble?
Lol did she say almoroso foco? :D
yes
I heard that too...
Yels.
Also she sings adesca correctly with a close [e] ,but sang fresca with an open e. But a truly fine voice,slight pressure on top notes.
Yep 😂
exquisite voice, when we need for amadeus
Beautiful singing but maybe too much glissando.
What's that
I don't know why she sang Contessa but this is perfect for her.
@@thaliarice3891 It is very wise, to sing the light Mozart repertoire also to keep the voice cultivated!
She did the Contessa with Lisette Oropesa, who has a comparatively lighter, if just as beautiful and supple a voice.
What's this?
I'm guessing WQXR is not a fan of Nadine, with the unflattering still on this post. I am not an expert but I know what I like,Nadine is great.
she is a very intelligent singer and beautiful and pleasant also....means she is the Anti-Netrebko ;-)
and she is not Putin's bitch
My dear Nadine, I follow you since a year and I know perfectly that you have a really good italian diction, but here you were a disaster ahahah I love you anyway dear ❤️
1:59
ogni volta che chiude una frase esegue un'appoggiatura che Mozart non chiede assolutamente e che , per me disturba la linea melodica che Mozart ha chiaramente scritto nella partitura. ......la conclusione è pure con l'aggiunta di varie note con un risultato che conferma un assoluto cattivo gusto
e' bella anzi bellissima e anche Mozart accetterebbe le sue appoggiature che solo tu noti,il suo canto deriva da 16 anni di duro studio e anche se non si atteggia a diva ormai il suo ruolo di nuova Divina dopo la Callas e' segnato.Come la Callas che ha ricevuto sempre molte critiche tu Nadine prosegui a testa alta e ..grazie di esistere
Nadine is a great singer but Mozart is not for her, too much voice, too much glissando, too much appogiatura, the text wasn't good. She is amazing in bel canto for sure but Mozart requires the biggest musicality and finesse. Maybe she was tired?
and your cd comes out when??
@@ndspeedster funny comment
Totally agree , she has a light little voice and pushes too much in addition seems to be missed the scores and singing whatever she wants. Needs more train and studying.
Dawn Upshaw or Mariella Devia
Molto bella la voce ma a me pare poco adatta alla musica di Mozart.
she does change the music you know...there are bars that are la la or do do she sings, la sol, do re...its not right...
Actually it's the way double notes should be sang at the end of a phrase with Mozart music, I agree with the do do on 'tace' it does not work very well.
Yes, it’s called appoggiatura, but it’s not that the real problem. She changed the melody in the recitativo in some points and too much glissando for Mozart. It’s not exactly how it should be sung. Also, Italian diction is improper in some bits… needs more rehearsing :) Really nice voice and she’s otherwise really good, but this one is not on focus, yet. I particularly loved her interpretation of Somewhere - West Side Story… really beautiful!
That thumbnail...mmm.
Brava 🎼🌷🌷🌷🌷🎼
A Creatiity well Respected by A US ARMY Officer!
Поет прекрасно! Но что за видок на сцене? 🙄
видок отличный. будьте проще и не всегда в кринолине))) 21 век
@@АлександраТимофеева-щ5у никто и не говорит про кринолин. Но хотя бы вечернее нормальное платье. Это сцена. Оперный вокал. Есть видео, где она вообще в брюках...
오마갓 미췬거아니니 소리넘알찬거아니니 바스티아니니
Bellissime emissione e interpretazione. Tanti errori nelle parole e nella dizione però...
LISTEN to ELIZABETH RETHBERG and her BRILLIANCE OF TONE and EXQUISITE ARTISTRY. Whoever is teaching this young lady is pushing her voice, shouting at certain points which is the reason she cannot phrase the aria with the elegance exemplified by Rethberg.
lol our teacher is great, teaches us not to push...
Delicata, passionale, voce vellutata: Deliziosa.
ma non sta cantando l'autentico Mozart
Povero Mozart!
Lovely girl but not quite.....
No technique.
nice name for a wiener .. and your opera cd comes out when?