bought this pack in February and it continues to yield so much in terms of readymade sound tools and patch-building tutorials upside of patches as well-organized as these: easy to update! I managed to add pitch bend to all of the keyboard-playable patches in a matter of minutes. Thank you for taking the time to put this all together!!!
Thank you so much!! Yeah I figured if I were to sell ZOIA patches I wanted them to be tidy, easy to study and update, and follow the same organising methods for all the patches as best as I could. I’m soo happy to hear they’re having a long life and continue to be of use! 🙏🏼
For anyone who wants a summary of the patches: Cuckoo Patch notes: Page 1 will always act as a UI page. Other pages are labeled. The bottom right corner has volume adjustment on most patches. Modules put in lower left refer to left stomp switch. Q titled patches are experimental. 1. Synths that Need MIDI (MIDI channel 1) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a. SineSic Synth >> Basic smooth sounding synth. ADSR is for the modulation. 3 note polyphony. Patch has reverb and tremolo. b. Bacid Synth i. Fat bassy, acid style synth. Has retrigger button, attack, and decay of modulation. XOR noise to bring in some noise. There is a drive. Can adjust the LFO rate of the tremolo on the bottom left. c. Eff Def Synth i. FM synth. AD of (mostly) the modulation and Sustain and Release. Has FM offset - “root key” Generating CV value in steps via chromatic tempered scale. Can adjust the pulse width number. FM level can also be adjusted. MIDI mod wheel can recognize mod wheel CC. Stomp switch is portamento. Reverb send. d. Stereo PolySqua i. Stereo square wave synth. Sounds video-gamey. 8 voices. ADSR. Detune - play more than one note will have a different tuning deviation based on this. Reverb mix, decay and has a midi mod wheel that will affect the pulse width modulation. More mod wheel = more different pulse width modulations with more notes (MOAR STEREO) e. Bit Synth i. Wacky synth. Each press is varied. Mod wheel impacts aliaser and decides how much aliasing happens on a sound. Sample and hold function that samples a random value and sends it to the aliaser. f. Q Drumkit i. Left stomp switch has a kick drum. Middle = snare, right = hat. Can also play from the keyboard (CBE notes). Sound adjustments on the front page g. Q Femme i. Keyboard press retunes sequence. h. Sample Keymate i. Sample audio on the fly and play it. Left stomp switch = record, press again to stop. Keyboard plays it. ADSR, then settings for sample “in-point”. 4 options you can quickly switch to. Use to set where the sample starts. The next set is vibrato presets. Then reverb presets. Then EQ. 5 polyphony, can transpose the root key. Can also monitor with top-right button. Pushbutton is reverb. i. FM Dark Star i. Experimental 4 operator FM synth. Operators arranged vertically. Six algorithms to choose from. Operators change roles based on this. 2. MIDIoptional ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a. Mr Beat i. Sampler groovebox. 3 tracks being sequenced. The first page you sample with left-most button (red). Press> sound> release button to sample. Far-right is a mute switch. Each has an in-point you can change and playback pitch. Can also edit the endpoint. The reverse button is right before mute. Delay spiral, slo-mo with reverb, reverse everything effects. Re-pitch on everything as well as mic gain button. You can go into the sequencer and sequence your samples. b. Vox Dragon i. Vocal effects patch. Turn your voice into a synth. Release time, reverb decay time. Mod wheel messes with reverb. c. Piano Pal i. Turn your samples pianos into something sounding more glued together. Controls to fine-tune the sound, reverb gain, ADSR, and EQ. d. Tape Stop i. Stops the tape and plays it again e. Q Back Delay i. Ping pong delay. Not as UI friendly. Uses two loopers that are alternated. f. Q Granny Lay i. Pre granular module delay - like the above. g. Punch Bag Fx i. Punch in effects to your audio! Includes Octave down, aliasing, reverb thing, filter, resonance thing, micro delay, stutter, noise, spiral, beat thing. h. Imposbl crisp i. Make a sound crispy. Reverb and frequency preset. i. Radio Factory i. Emulate FM radio tuning. Left stomp switch “tunes” press again to stop. EQ bass presets, tuning speed preset, Ring modulation preset, and noise vs dry mix preset. j. Radio 2X Factory i. Plug in two audio sources! Tuning tunes between the two sources and stops what it is on when you press it. k. MultiBeeQ i. Multiband compression. Band 1, 2, 3, 4 controls including frequencies at each band react from and affecting. High and low shelves set. Changing where you are measuring them. Bands 2 and 3 will change the frequency of where the dynamics are measured and where it is being applied. Can adjust dynamics amounts. Can cause ducking. l. Micro Dylan i. Self-playing string instrument. Experimental. m. Chordable i. Playing sequenced notes. Page 1 has notes you can change. Reverb send in there. n. Seq Song i. Sequenced song you can mess with. o. Dig Shaper i. Pre-gain, dry mix, drive, input midi controls. Delay controls (tap tempo) feedback controls. If you have midi notes with your audio, frequencies follow the MIDI. More dynamism. Influences feedback. p. Drive Professor i. Have some overdrive! Dry mix, drive gain, how much drive, reverb controls. Reverb can freeze. q. Moco Voca i. You are gonna want to gain the mic before the Zoia. EQ, noise gate, compressor, and EQ for vocals.
Thank you so much for creating and sharing these patches. By including the relevant parameters on a “home” page, you’ve set the gold standard for how Zoia patches should be designed. We should all follow suit!
Thank you so much for saying that Mariana! It’s why this took a long time for me to make. I was trying out different ideas for making it tidy, and thought about it a lot. L
@@truecuckoo Glad I'm in good company then!! It always takes as much time to move stuff around to its "proper" place, than to program the noizy / fun / frustrating part of a patch!!
Hello Cuckoo I love the Bacid synth , would this only work using a keyboard ? I want to use such patches with a Audio input ie I plat sax or bass clarinet , I want a low synth to accompany my natural sound ?
Thanks. There is a pitch tracking module in the ZOIA, but it’s a bit unreliable, and the latency is not the best. It’s still useful. And I’d imagine especially with clarinet it should be able to track well. Basically you plop out a pitch tracking module on the ZOIA, feed it with the audio in source, and out comes the pitch signal which you feed the pitch input of the synth. Then you’d have to make a gate from the audio levels of the incoming clarinet sound. With the right know how you could modify the patch quite easily to do what you want.
@@truecuckoo Thank you so much for coming back to me, I actually thought that as you posted this on UA-cam some two years ago I didn't imagine you would answer me :) , I am totally new to Zoia and feel it would be great to explore further fx beyond just delay, reverb etc. Do I purchase your patch packs via your online shop ? Martin
Thoughts about the Micrio Dylan patch from a non Zoia user: it would be so cool to be able to play melodies with a patch like that. Would it be possible to controle the frequency of the comb filter (or the delay, whatever they call the module) though midi? I've heard such things are possible with one of the Mooger foogers.. Otherwise it must at least be possible to program some of the Zoia's buttons to quickly change the rate of the comb filter/delay unit to a specific value and thereby creating sort of a little weird synth! Penny for your thoughts! Is any of this possible??? Thanks for a really great video!
Basically the delay through filter feedback loop is taking a little bit of processing time, and the minimum time isn’t really that high in pitch. If they solved this in one dedicated module I’m sure they could’ve minimised the delay and added a delay buffer based on Hz rather than ms. I talked to Empress Effects a bit about it, and I think they have incorporated something to help make this possible now, but I haven’t followed up on it.
really love your video on ZOIA, thinking on getting one myself, are there any limits/drawbacks to ZOIA? the form-factor reminds me of the microgrannny 2
Thanks Danila. I think the only real drawback is that once you get going, you want to build more and more elaborate patches. But the CPU has a limit to how much it can handle. The reverb engines are quite CPU hungry, so if you're gonna use the higher quality reverb engines, it's a good idea to think about that early on in the process.
I'd say the biggest limit at the moment is the patch memory having "only" 64 slots. I hope they'll be able to crank that up later via firmware update, or make it use the SD card for a direct patch storage as well. The CPU limit surely is there as well, like Cuckoo said above. It's most likely because of the heat issues. It's a small closed METAL box, like effect pedals usually are, and I like it that way, but it really limits the CPU they can use, as a more powerful CPU could overheat. The CPU limit also introduces "healthy restrictions", so it's not all bad. It forces you to optimize and be efficient with your creations. Would I like a bit more of CPU power? Sure, but I'm happy nevertheless. :) I'd also say, that if you think of it mostly as a virtual modular synth, I think you won't get the full potential out of it. IMO its true strength lies in it being a customizable effects unit, but this is of course just my opinion. But all I can say is that people have made just insanely inspiring effects with it. Already used few in my latests tracks (actually also instruments made with ZOIA) and many more in the tracks I'm working with. Overall, for me, it's been an awesome and inspiring little box. And I have to thank Cuckoo here for making great demos of it. Helped a LOT with the purchase decision. :)
As a musical 'mad scientist' the Zoia is one of my most useful pieces of lab equipment. I use it in combination with many pedals to create sonic abominations.
Thanks! That’s a good question. It’s not set up to play via MIDI notes right now. When I isolated the MIDI notes in that drum kit patch, it was a bit tricky actually. I didn’t find a straight forward way to send different notes of the same MIDI channel to different destinations. So I had to make some CV tricks to determine whether a CV value was a certain note, and then pass the gate on. I should’ve done it in this patch too!
Hey Cuckoo, I downloaded you Zoia pack #1. Nice work! One question: One of the blocks in your patch "Sine Sic Synth" is playing a cat and mouse game with me. On the page 1 titled "Midi Osc LFO" the letter "N" of the grid is a VCA level control. I see two connections it has : "FM level:cv out" and "Multiplier:cv out". I'm able to find the multiplier connection but not the FM level one. I did see that you've created some UI buttons which hide some module blocks but even after removing them I'm not able to find where the FM level block is anywhere in the patch! Please help me before I lose my mind :) I highlight the block and then look for the lit block that it connects to but I'm not able to find it anywhere. You did not put it somewhere deep in the pages ? Thank you
Thanks! Yeah, some will. Although I haven’t specifically designed them around guitar input. I’ve explored more of the synthesis side of things. But all patches designed around audio input can take a guitar signal.
Tried to purchase this from your online store both on Safari and on Chrome on a mac. The "I Want This!" button isn't working. There is no way to contact you through your online store. I'd like to purchase this pack.
That multibeeq is very clever and super useful! Don't think I know any effect pedal for live use that has a multipressor inside 👌 Sounds really good too!
@@truecuckooThis patch sort of gives me an idea of a multiband distortion effect too. Perhaps combined with a multiband compressor? Just ordered a Zoia. Maybe I'll give it a try destroying your awesome patch for the purpose of building a multiband saturation patch. (Or maybe you can programme one for us in 1 sec?) Very excited about the Zoia 🤗🤗🤗
Thanks for an awesome demo of ZOIA's capabilities. Seems like a REALLY flexible thingie... And grid is an amazing interface solution for such small device! Gonna get one for sure =) I wonder if it is good for on-the-go patch making, so that if I am jamming with someone, I could create a patch relativly quickly or is that too time consuming?
Uriy Orlov a bandmember has it and it has already cool onboard patches. But if you want to do something fast I guess youll need to practice a lot with it in order to be fast...
Could you make some more packs for the op-z? I’m confused about how teenage engineering plans to update it in the future because I found your op-z pack within the app but it doesn’t seem like they’ve added any other packs since then. I hope they make more synth engines as well because they feel much more limited than the op-1
Thanks mate. Yeah I'm hoping they'll be releasing new synth engines too down the line. All of my OP-1 sample based packs are compatible with the OP-Z though. So that's something to tap into. But I have definitely been thinking about making more OP-Z specific packs!
txs god! if u have time (i use it for djings) to made a preset like your punch bag fx full of the button and with one like the old soundforge wave Hammer (compressor pump gate ) i buy it !!!take care C!!!MerryXxXmas
@@ghostly606 lol.. says the synth player. their bio saysthey were created to make pedals to take less emphasis off pedalboards. hence guitarists use pedalboards... sure you can use them for anything, but they are predominantly guitar pedal company.
bought this pack in February and it continues to yield so much in terms of readymade sound tools and patch-building tutorials
upside of patches as well-organized as these: easy to update! I managed to add pitch bend to all of the keyboard-playable patches in a matter of minutes.
Thank you for taking the time to put this all together!!!
Thank you so much!! Yeah I figured if I were to sell ZOIA patches I wanted them to be tidy, easy to study and update, and follow the same organising methods for all the patches as best as I could. I’m soo happy to hear they’re having a long life and continue to be of use! 🙏🏼
This is the best High Maintenance episode I've seen.
For anyone who wants a summary of the patches:
Cuckoo Patch notes:
Page 1 will always act as a UI page. Other pages are labeled. The bottom right corner has volume adjustment on most patches. Modules put in lower left refer to left stomp switch. Q titled patches are experimental.
1. Synths that Need MIDI (MIDI channel 1)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
a. SineSic Synth
>> Basic smooth sounding synth. ADSR is for the modulation. 3 note polyphony. Patch has reverb and tremolo.
b. Bacid Synth
i. Fat bassy, acid style synth. Has retrigger button, attack, and decay of modulation. XOR noise to bring in some noise. There is a drive. Can adjust the LFO rate of the tremolo on the bottom left.
c. Eff Def Synth
i. FM synth. AD of (mostly) the modulation and Sustain and Release. Has FM offset - “root key” Generating CV value in steps via chromatic tempered scale. Can adjust the pulse width number. FM level can also be adjusted. MIDI mod wheel can recognize mod wheel CC. Stomp switch is portamento. Reverb send.
d. Stereo PolySqua
i. Stereo square wave synth. Sounds video-gamey. 8 voices. ADSR. Detune - play more than one note will have a different tuning deviation based on this. Reverb mix, decay and has a midi mod wheel that will affect the pulse width modulation. More mod wheel = more different pulse width modulations with more notes (MOAR STEREO)
e. Bit Synth
i. Wacky synth. Each press is varied. Mod wheel impacts aliaser and decides how much aliasing happens on a sound. Sample and hold function that samples a random value and sends it to the aliaser.
f. Q Drumkit
i. Left stomp switch has a kick drum. Middle = snare, right = hat. Can also play from the keyboard (CBE notes). Sound adjustments on the front page
g. Q Femme
i. Keyboard press retunes sequence.
h. Sample Keymate
i. Sample audio on the fly and play it. Left stomp switch = record, press again to stop. Keyboard plays it. ADSR, then settings for sample “in-point”. 4 options you can quickly switch to. Use to set where the sample starts. The next set is vibrato presets. Then reverb presets. Then EQ. 5 polyphony, can transpose the root key. Can also monitor with top-right button. Pushbutton is reverb.
i. FM Dark Star
i. Experimental 4 operator FM synth. Operators arranged vertically. Six algorithms to choose from. Operators change roles based on this.
2. MIDIoptional
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
a. Mr Beat
i. Sampler groovebox. 3 tracks being sequenced. The first page you sample with left-most button (red). Press> sound> release button to sample. Far-right is a mute switch. Each has an in-point you can change and playback pitch. Can also edit the endpoint. The reverse button is right before mute. Delay spiral, slo-mo with reverb, reverse everything effects. Re-pitch on everything as well as mic gain button. You can go into the sequencer and sequence your samples.
b. Vox Dragon
i. Vocal effects patch. Turn your voice into a synth. Release time, reverb decay time. Mod wheel messes with reverb.
c. Piano Pal
i. Turn your samples pianos into something sounding more glued together. Controls to fine-tune the sound, reverb gain, ADSR, and EQ.
d. Tape Stop
i. Stops the tape and plays it again
e. Q Back Delay
i. Ping pong delay. Not as UI friendly. Uses two loopers that are alternated.
f. Q Granny Lay
i. Pre granular module delay - like the above.
g. Punch Bag Fx
i. Punch in effects to your audio! Includes Octave down, aliasing, reverb thing, filter, resonance thing, micro delay, stutter, noise, spiral, beat thing.
h. Imposbl crisp
i. Make a sound crispy. Reverb and frequency preset.
i. Radio Factory
i. Emulate FM radio tuning. Left stomp switch “tunes” press again to stop. EQ bass presets, tuning speed preset, Ring modulation preset, and noise vs dry mix preset.
j. Radio 2X Factory
i. Plug in two audio sources! Tuning tunes between the two sources and stops what it is on when you press it.
k. MultiBeeQ
i. Multiband compression. Band 1, 2, 3, 4 controls including frequencies at each band react from and affecting. High and low shelves set. Changing where you are measuring them. Bands 2 and 3 will change the frequency of where the dynamics are measured and where it is being applied. Can adjust dynamics amounts. Can cause ducking.
l. Micro Dylan
i. Self-playing string instrument. Experimental.
m. Chordable
i. Playing sequenced notes. Page 1 has notes you can change. Reverb send in there.
n. Seq Song
i. Sequenced song you can mess with.
o. Dig Shaper
i. Pre-gain, dry mix, drive, input midi controls. Delay controls (tap tempo) feedback controls. If you have midi notes with your audio, frequencies follow the MIDI. More dynamism. Influences feedback.
p. Drive Professor
i. Have some overdrive! Dry mix, drive gain, how much drive, reverb controls. Reverb can freeze.
q. Moco Voca
i. You are gonna want to gain the mic before the Zoia. EQ, noise gate, compressor, and EQ for vocals.
Thank you so much for creating and sharing these patches. By including the relevant parameters on a “home” page, you’ve set the gold standard for how Zoia patches should be designed. We should all follow suit!
Thank you so much for saying that Mariana! It’s why this took a long time for me to make. I was trying out different ideas for making it tidy, and thought about it a lot. L
@@truecuckoo Glad I'm in good company then!! It always takes as much time to move stuff around to its "proper" place, than to program the noizy / fun / frustrating part of a patch!!
These patches are brilliant for learning how this modular pedal works, great work and thanks for sharing 🙏🏾
I only recently subscribed, and already I’m giddy and excited to see a new video from you!
I love the unique feel of your music and videos!
Wow, thank you so much!
Wow... those sounds are so cool! So many great possibilities!
Thanks a lot Grant! And thanks for being consistent with your icon 😅 I forget names. It’s easier with a face ;-)
I love how much personality your videos have.
You are a treasure to the community. Thank you for the dedication and excellent work!
I just love the mirror - just a stroke of genius right there
I can't decide if I should challenge myself to recreate these or just buy them and study... Probably both!
Haha, do both! ❤️🤣
Hello Cuckoo
I love the Bacid synth , would this only work using a keyboard ?
I want to use such patches with a Audio input ie I plat sax or bass clarinet , I want a low synth to accompany my natural sound ?
Thanks. There is a pitch tracking module in the ZOIA, but it’s a bit unreliable, and the latency is not the best. It’s still useful. And I’d imagine especially with clarinet it should be able to track well. Basically you plop out a pitch tracking module on the ZOIA, feed it with the audio in source, and out comes the pitch signal which you feed the pitch input of the synth. Then you’d have to make a gate from the audio levels of the incoming clarinet sound. With the right know how you could modify the patch quite easily to do what you want.
@@truecuckoo Thank you so much for coming back to me, I actually thought that as you posted this on UA-cam some two years ago I didn't imagine you would answer me :) , I am totally new to Zoia and feel it would be great to explore further fx beyond just delay, reverb etc.
Do I purchase your patch packs via your online shop ?
Martin
Brilliant! My Zoia arrived today and I can’t wait to load up your presets and learn from them! Keep up the great work.
This is a tremendous set of patches. Thanks!
Wow, you bear your name well, this is cuckooooooo!!!! In french we'd say «malade»! (sick). I like your creativity.
Damn, man. You done a huge job. Really impressive.
Thoughts about the Micrio Dylan patch from a non Zoia user: it would be so cool to be able to play melodies with a patch like that. Would it be possible to controle the frequency of the comb filter (or the delay, whatever they call the module) though midi? I've heard such things are possible with one of the Mooger foogers.. Otherwise it must at least be possible to program some of the Zoia's buttons to quickly change the rate of the comb filter/delay unit to a specific value and thereby creating sort of a little weird synth! Penny for your thoughts! Is any of this possible??? Thanks for a really great video!
Basically the delay through filter feedback loop is taking a little bit of processing time, and the minimum time isn’t really that high in pitch. If they solved this in one dedicated module I’m sure they could’ve minimised the delay and added a delay buffer based on Hz rather than ms. I talked to Empress Effects a bit about it, and I think they have incorporated something to help make this possible now, but I haven’t followed up on it.
Some wild sounds here - nicely done.
I know I'm a little late but I just bought this pack. What are your thoughts on the Soma Lyra 8, by the way?
really love your video on ZOIA, thinking on getting one myself, are there any limits/drawbacks to ZOIA?
the form-factor reminds me of the microgrannny 2
Thanks Danila. I think the only real drawback is that once you get going, you want to build more and more elaborate patches. But the CPU has a limit to how much it can handle. The reverb engines are quite CPU hungry, so if you're gonna use the higher quality reverb engines, it's a good idea to think about that early on in the process.
I'd say the biggest limit at the moment is the patch memory having "only" 64 slots. I hope they'll be able to crank that up later via firmware update, or make it use the SD card for a direct patch storage as well. The CPU limit surely is there as well, like Cuckoo said above. It's most likely because of the heat issues. It's a small closed METAL box, like effect pedals usually are, and I like it that way, but it really limits the CPU they can use, as a more powerful CPU could overheat. The CPU limit also introduces "healthy restrictions", so it's not all bad. It forces you to optimize and be efficient with your creations. Would I like a bit more of CPU power? Sure, but I'm happy nevertheless. :)
I'd also say, that if you think of it mostly as a virtual modular synth, I think you won't get the full potential out of it. IMO its true strength lies in it being a customizable effects unit, but this is of course just my opinion. But all I can say is that people have made just insanely inspiring effects with it. Already used few in my latests tracks (actually also instruments made with ZOIA) and many more in the tracks I'm working with. Overall, for me, it's been an awesome and inspiring little box. And I have to thank Cuckoo here for making great demos of it. Helped a LOT with the purchase decision. :)
As a musical 'mad scientist' the Zoia is one of my most useful pieces of lab equipment. I use it in combination with many pedals to create sonic abominations.
super nice job. Is the #15 punch bag fx playable by midi ? can we select the effects with midi note ? to sequence them for exemple ?
Thanks! That’s a good question. It’s not set up to play via MIDI notes right now.
When I isolated the MIDI notes in that drum kit patch, it was a bit tricky actually. I didn’t find a straight forward way to send different notes of the same MIDI channel to different destinations. So I had to make some CV tricks to determine whether a CV value was a certain note, and then pass the gate on. I should’ve done it in this patch too!
I’ll be getting this along with the zoia when I get paid for the quantum physics fable commission. Your vids have inspired me
Hey Cuckoo,
I downloaded you Zoia pack #1. Nice work!
One question:
One of the blocks in your patch "Sine Sic Synth" is playing a cat and mouse game with me. On the page 1 titled "Midi Osc LFO" the letter "N" of the grid is a VCA level control. I see two connections it has : "FM level:cv out" and "Multiplier:cv out". I'm able to find the multiplier connection but not the FM level one. I did see that you've created some UI buttons which hide some module blocks but even after removing them I'm not able to find where the FM level block is anywhere in the patch! Please help me before I lose my mind :) I highlight the block and then look for the lit block that it connects to but I'm not able to find it anywhere. You did not put it somewhere deep in the pages ?
Thank you
Just bought today. #007 won it for me, like having my Casio SK-5 back.
🙏🏼
Awesome stuff, will they work for electric guitar as input?
Thanks! Yeah, some will. Although I haven’t specifically designed them around guitar input. I’ve explored more of the synthesis side of things. But all patches designed around audio input can take a guitar signal.
@@truecuckoo thankyou, ill download them soon
0:45 I can't stop listening to #7
Whoooaaaa the punchbag! Genius.
00:00 Prelude
03:16 Intro
05:03 1. Backing Up
06:42 2. Restore From Backup
07:22 3. Connect MIDI Cable
08:37 000. SINESIC SYNTH
16:30 001. BACID SYNTH
19:54 002. EFF DEF SYNTH
23:56 003. STEREO POLYSQUA
28:03 004. BIT SYNTH
30:16 005. Q DRUMKIT
32:50 006. Q FEMME
33:12 007. SAMPLER KEYMATE
38:56 008. FM DARK STAR
43:32 009. MR BEAT
49:30 010. VOX DRAGON
50:57 011. PIANO PAL FX
54:49 012. TAPE STOP
56:11 013. Q BACK DELAY
57:37 014 Q GRANNY LAY
58:44 015. PUNCH BAG FX
1:00:42 016. IMPSBL CRISP
1:02:46 017. RADIO FACTORY
1:05:26 018. RADIO 2X FACTORY
1:07:11 019. MULTI BEEQ
1:12:18 020. MICRO DYLAN
1:13:35 021. CHORDABEL
1:15:11 022. SEQ SONG
1:17:09 023. DIG SHAPER
1:21:58 024. DRIVE PROFESSOR
1:23:49 025. VOCA MOKA
1:32:47 Outro
Tried to purchase this from your online store both on Safari and on Chrome on a mac. The "I Want This!" button isn't working. There is no way to contact you through your online store. I'd like to purchase this pack.
Should work fine. Type in the amount you wanna pay first.
@@truecuckoo Got it, thanks!
That multibeeq is very clever and super useful! Don't think I know any effect pedal for live use that has a multipressor inside 👌 Sounds really good too!
Wow thanks man!! Yeah I’ve always thought of that being useful. Finally I can just make stuff like this myself 😎
@@truecuckooThis patch sort of gives me an idea of a multiband distortion effect too. Perhaps combined with a multiband compressor? Just ordered a Zoia. Maybe I'll give it a try destroying your awesome patch for the purpose of building a multiband saturation patch. (Or maybe you can programme one for us in 1 sec?) Very excited about the Zoia 🤗🤗🤗
TC electronic Hypergravity is a multiband compressor pedal! It's under 100€ too so not too expensive.
What are those cables (blue and green) on the zoia? looks really cool
Can you do a tutorial on how to make a poly synth in the zoia or did I miss it somewhere in all the awesome zoia stuff you’ve made?
yay!
❤️
I am enjoying the pack. How do I see the descriptions for the values on the first page?
After this presets the device should cost 10 times more. Amazing job. Might have to get one now!!
Thank you!! 🙏🏼
Pretty cool pedal, it has loads of potential 🎹🔊
excellent pathches !!! keep up the good work
Love the chip's challenge vibe
Ha ha, thank you!
Nice Alien reference there
Love this tutorial, thank you cuckoo! ;)
What is the white box next to the zoia?
What's that Beat Sequencer box thing at 1:14?? Who makes it?
AHA! Did a little detective work...
www.hypnotriod.org/beatsqueezer/#/videos
Can the patches be used with a guitar as well? 😊
Yes, though they're not made for it.
Would you make a video with Zoia and the Octatrack? They seem like they would be a nice pair.
I'll be ready to make patches like these in about 30 years.
I think my girlfriend is now a Zoia widdow.
Thanks for an awesome demo of ZOIA's capabilities.
Seems like a REALLY flexible thingie... And grid is an amazing interface solution for such small device!
Gonna get one for sure =)
I wonder if it is good for on-the-go patch making, so that if I am jamming with someone, I could create a patch relativly quickly or is that too time consuming?
Uriy Orlov a bandmember has it and it has already cool onboard patches. But if you want to do something fast I guess youll need to practice a lot with it in order to be fast...
Probably not during a live show in the middle of a song, but between sets, sure. You'll need a good amount of familiarity with it, though.
Hey friend! Your Soundcloud is down. Was looking for some Cuckoo jams in there
Thanks. I don’t have much on Soundcloud, but I have changed the address. It’s soundcloud.com/truecuckoo
Can you use a guitar to run any of these?
Sampler Keymate had something to it :)
It’s fun 😅
YAY!!! Cuckoo pack!
Could you make some more packs for the op-z? I’m confused about how teenage engineering plans to update it in the future because I found your op-z pack within the app but it doesn’t seem like they’ve added any other packs since then. I hope they make more synth engines as well because they feel much more limited than the op-1
Thanks mate. Yeah I'm hoping they'll be releasing new synth engines too down the line. All of my OP-1 sample based packs are compatible with the OP-Z though. So that's something to tap into. But I have definitely been thinking about making more OP-Z specific packs!
Ha I freaking love this guy.
txs god! if u have time (i use it for djings) to made a preset like your punch bag fx full of the button and with one like the old soundforge wave Hammer (compressor pump gate ) i buy it !!!take care C!!!MerryXxXmas
shout out to the model samples USB cable!
Zoia the Destroya!
Jealous of your 0P1 !
Ugh wish I could play guitar into all these patches lol.
Brock Davisson a bunch of them are effects so you could try!
@@stevebragg7914 ohhhhhh hmm nice!
1:20 whaaaaaaat
Warning - Patches do not include talent
Granny lay? Uhmm
uggh. more synth patches.... this is a guitar pedal.. lol synths already sound like synths.. we want guitars to sound different
"we"? 🤔
It's clearly not just a guitar pedal
@@ghostly606 lol.. says the synth player. their bio saysthey were created to make pedals to take less emphasis off pedalboards. hence guitarists use pedalboards... sure you can use them for anything, but they are predominantly guitar pedal company.