G. Mahler: Symphony No. 1 "Titan" - Lorin Maazel - Sinfónica de Galicia
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- Опубліковано 13 лип 2014
- Orquesta Sinfónica de Galicia - Lorin Maazel, director
Gustav Mahler (1860-1911): Sinfonía nº 1, en re mayor
(0:06) I. Langsam, schleppend
(16:55) II. Scherzo. Kräftig bewegt, doch nicht zu schnell
(25:32) III. Trauermarsch: Feierlich und gemessen, ohne zu schleppen
(37:00) IV. Stürmisch bewegt
Grabación realizada el 17 de mayo de 2012 en el Palacio de la Ópera de A Coruña - Festival Mozart Coruña 2012.
Realización de Antonio Cid/RDC Producciones
Audio: Pablo Barreiro/RTVG
www.sinfonicadegalicia.com / osggalicia
/ sinfonicadegalicia
Lorin Maazel dirigiert wunderbar, das Tempo ist meines Erachtens angemessen. Das Orchester ist großartig. Danke, daß wir diese schöne Interpretation kennenlernen durften.
Primera vez que oigo la1 de Mahler y ha sido impresionante. Después oír la versión "Del Nuevo Mundo" me suscribí a la la Orquesta de Galicia, porque me gustó esa versión. El algoritmo la puso a continuación de esa, por lo que el contraste es grande, como podrán imaginar. Cosas del duende del algoritmo. He visto dos películas acerca de Mahler, por lo que la curiosidad acerca de su obra es grande. Gracias por subir sus presentaciones. Son impecables. Valparaíso. 10-12-2022
If I could... I'd give a thousand of likes !!! Lorin Maazel R.I.P.
Maazel is perfectly tuned with Mahler and the appropriate conductor for the austrian composer
I have to laugh because so many composers in the 20th century eschewed melody because they could not match Mahler. This is a piece that sings from beginning to end. What a joy!
Poco a poco la Sinfónica de Galicia se ha ido convirtiendo en una gran orquesta.
La he escuchado en varias interpretaciones y cada vez me gusta más.
Esta interpretación de la N. 1 de Mahler es colosal, como su nombre, Titán
I hope the people living in this part of Spain appreciate that they have a world class orchestra.
A magnificent performance. Mahler is now saying, “here I am, this is the first of many.”
En memoria del gran maestro John Aigi, inmenso como primera trompeta
25:40 That has to be the "cleanest" bass solo I've ever heard. Perfection, and the guy doesn't look like he's struggling or tense, beautiful...!!
25:45 dieser bassist ist genial! ich habe das noch nie so musikalisch gespielt gehört!
Best version of Mahler no.1. Bravo Maazel, the true master of conducting.
Magnificent!!!! Maazel and orchestra. G. Mahler: Symphony No. 1, "Titan" Definitely the best performance of this piece I have ever heard. 👏 👏 👏 👏, Bravo ❤️
The Full Monty⚠
This is the type of orchestra Gustav Mahler must have envisioned when he wrote this Symphony. They give everything, no holds barred, big hearted and full throttle. I love this orchestra!
It’s always a thrill to see the brass standing at the finale. I know they’re not leaving anything behind; they’re giving their maximum. I don’t feel cheated.
One of the things I most enjoy is seeing the conductor in action and I simply LOVE watching Maazel's effort and energy towards the very last minutes!
The first movement of this symphony is absolutely majestic, it makes me think about the awesomeness of the creation and gives me some kind of nostalgic feeling...
Thank you!! ♥️
No matter how many times I listen to this masterpiece it never fails to delight. How miraculous is the musical narrative it weaves from beginning to end. It is as much a delight for the performers as the audience. This is the eternal gift of music.
Que gran orquesta y que gran director.Era muy saltarín cuando lo vi en un ensayo con la Orquesta Nacional.
Maazel u grandisimo director y esta orquesta nunca decepciona. Magnifica
The best performance ever!
Truly a titan in every aspect. Great performance.
Goooooooooooooooodness! That is the single best double bass solo I have ever heard in the opening of the third movement. Bravo! And, generally, a superb performance.
A powerful rendition by a legendary conductor
Esecuzioe stupenda! L' ennesimo esempio di come un magnifico interprete possa far suonare meravigliosamente anche un'orchestra considerata (infondatamente) di secondo rango....Ma la Sinfonica de Galicia dimostra di essere un'orchestra di primissimo rango, con prime parti - vedasi, ad esempio, le trombe - degne dei massimi riconoscimenti. Maazel aveva sprazzi di autentica genialità..........
O
🙌🇮🇹🇪🇸🇦🇹🇩🇴🎼
Excellent microphone placement/balance by the recording engineers that captures a panoramic vista of stereophonic sound allowing the listener to hear with great clarity all of the different orchestral instruments and their sections.
Reminds me of the late 1960s stereo recordings where engineers wanted to display their advances in vinyl record stereo separation. This is all very well to my liking as Charles Buxton pointed out.
Thank you very much Maestro Maazel for bringing us this beauty. And my thanks also to the Sinfonica de Galicia that always is good.
Detaillierte Aufführung dieses spätromantischen Meisterwerks voller wunderschönen und unvergesslichen Melodien. Der erfahrene Maestro dirigiert das perfekt trainierte Orchester im angemessenen Tempo mit sorgfältig kontrollierter Dynamik. Ruhe in Frieden, Herr Maazel!
Si te lo he pillado y no he tenido un buen patrón y ya te has llamado y me dices que tal tu como te recojo y me has mandado la otra cosa para ver cómo está tu correo porque si tienes que ir yo no tengo la ropa y si te lo pasas por el antibiótico que tal va tu tienes que hacer lo de las cosas que yo tengo en casa porque si yo tengo la reunión para
@@paolaoliva3439 piola Paola el violinista pelon al lado isquierdo primers Fila
@@paolaoliva3439 bos k opinas?
I've listened to over ten symphony orchestras playing this piece and this is by far the best and most bombastic (to Mahler's liking) I have heard. Maazel is just a master and this is quite the talented orchestral group performing this piece.
Eric, I totally agree. Mahler was sent from God to write music!!! Salute!! xo Juancito....
Lorin Maazel in memoriam (1930-2014)
Maazel has left us too soon. May he rest in peace. Amen.
Um belo dia, em meados dos anos 70, manuseando a coleção de discos LP de meu querido pai, tive o prazer de conhecer o senhor Maazel: a gravação era da 1ª Sinfonia de Tchaikovsky, com a London Symphony Orchestra. Em seguida fui presenteado com um disco de obras de Rimsky-Korsakov (Capriccio espagnol e The Golden Cockerel), com The Cleveland Orchestra. Desde então coloquei o Sr. Maazel na minha galeria dos melhores regentes.
En un hipotetico cuelo, estará dirigiendo la orquesta de los angeles!
cielo
Lorin Maazel was a big man
Qué enorme y gran orquesta es la Sinfónica de Galicia!!! No me canso de disfrutarla!!!
RIP Lorin Maazel. How different from when we saw him conducting the NY Philharmonic as a guest in early 1970's.
galicius
He was the resident conductor of the Cleveland Symphony Orchestra. I have heard his conducting many times.
I loved the slow pace of the Finale. Very rare.
Don’t you just love Mahler!!!
L. Kemp Hopefully, Rita is educated📯
YES! Especially with this orchestra!
Beautiful. The ending had that powerful slow tempo that I always wish would happen. Mahler sure spoke well.
56:56
8 horns: **epic soli**
1 trumpety boii: "Nah m8 this shit's mine"
Bruno Vicente that’s what I been hoping someone just screaming
Maazel's handling of the TRIO in the Scherzo (the schmaltzy stuff) and the entire Third Movement was SUPERB in his Vienna (Sony) recording from the '80's; HERE, he gets the orchestra to play with the same expression, color, and idiomatic feel, quite an astounding feat. Bravo to everyone involved. LR
O Mestre Lorin Maazel non nos puido deixar un maior legado que a dirección desta sinfonía de abrumadora beleza. Que descanse en paz! Orquestra Sinfónica de Galicia sodes uns maravillosos músicos incribles !!! A interpretación sonora non estaría neste nivel se non fose pola excelente dirección técnica. De verdade grazas!
25:46 amazing doublebass solo
Incredible le tempo finale.,amazing!!!!!
BRAVO ORQUESTA SINFÓNICA DE GALICIA !! CON ESTOS PROFESORES Y CON LA DIRECCIÓN DEL MAESTRO HERR MAAZEL. GALICIA ES MUCHO MÁS GRANDE...FELICIDADES !
MAGNIFICA SINFONÍA DE GRAN MALHER ,Y POR SUS COMPOSICIONES CORALES.GRACIAS.AndonY
Maravillosa celestial ,,,,,magnífica,,,,
This is the soundtrack when heaven meets earth !!👏👏👏😍
This is magnificent. I had no idea this piece could sound rich and lush and clear and sparkling all at the same time.
I think this is a great performance of Titan, made me feel like I was back in Poland walking in the forest and listening to cuckoos, folk melodies in a little village and coming home to my Cantor grandfather's Jewish songs and dancing with my friends at the Jewish gathering 🙂 And when bad times make me restless, back at the forest all troubles seem to go away. Life is full of conflicts we struggle with as Mahler did but memories of childhood, music we grew up with and nature make it easier to cope. And triumph prevails
“Titan,” A Tone Poem in Symphonic Form (Hamburg) / a title likely inspired by the 1803 novel by Jean Paul (later removed)
Part 1 (“From the Days of Youth - Music of Flowers, Fruit, and Thorn” in Hamburg program)
🟦1st Movement (“Spring and No End” in Hamburg program)
◾Introduction - “The awakening of nature from a long winter’s sleep” (Hamburg)
0:07 Slowly, dragging, like nature sounds; Nature Theme of fourths @ 0:37
0:50 Più mosso: Clarinet fanfare (awakening call)
1:11 Tempo I: Theme of fourths
1:38 Più mosso: Trumpet fanfare (awakening call)
1:54 Tempo I: Theme of fourths
2:05 Più mosso: Cuckoo calls (awakening call)
2:12 Tempo I: Very mellow horn melody
2:30 Più mosso: Trumpet fanfare
2:38 Tempo I: Mellow horn melody
2:59 Più mosso: Trumpet fanfare and cuckoo calls
3:06 Tempo I: Chromatic bass motif and theme of fourths
◾Exposition
3:54 & 6:04 Song theme derived from “Ging heut morgen uber’s Feld” from Lieder eines fahrenden Gesellen (1884) ua-cam.com/video/6VCpbMPhmWY/v-deo.html
4:12 & 6:22 Music of the Song’s third verse
4:58 & 7:07 Music of the Song’s first verse
5:34 & 7:41 Final group (taken from the Tirili motif)
◾Development
8:13 Part I: New form of the introduction (now with a gradual retard) without the use of clarinet and trumpet fanfares and including the Tirili motif; preparation of the cello theme
11:04 Part II:
11:07 Fanfare theme of the horns
11:31 Cantabile cello theme (functioning as a secondary theme)
11:38 Renewed statement and development of the song motif in changing colors, including the cantabile cello theme
13:34 Part III: A foreshadowing of the inferno in anticipation of a section from the Finale @54:15
14:52 “Breakthrough”: Trumpet fanfares and woodwind and horn signals
15:03 Recapitulation
16:36 Coda “my hero breaks out in laughter and runs away”
“Blumine”, cut from symphony in 1896. ua-cam.com/video/ueIOa_R3UEE/v-deo.html
One of seven pieces of incidental music composed in 1884 for the epic Der Trompeter von Sakkingen by Joseph Victor von Scheffel.
🟦2nd Movement (“Under Full Sail” in Hamburg program)
A mixture of landler and waltz, a peasant dance at the pub!
Thematic material from earlier lied Hans und Grete (1880) ua-cam.com/video/3lrwX7pV0Lw/v-deo.html
17:02 Kraftig bwegt [strongly moving!]
17:46 Repeat
18:29 Ostinato motif
18:53 Wild!
20:48 Trio
22:26 Etwas frischer [a little more brisk]
24:03 Tempo primo
Part 2: “Commedia humana” (Hamburg)
🟦3rd Movement: Todtenmarsch in Callots Manier
25:38 Gloomy cannon death march round in D minor, derived from the well-known melody “Brother Martin, Are You Sleeping”
28:02 Sentimental transition
28:32 Trivial, “happy tune” marked “with parody”
29:46 Expressive and elegiac, “the terribly painful lament of the hero”
30:18 Canon returns
31:09 Lyric middle section, derived from last stanza of the lied “Die zwei blauen Augen von meinem Schatz” [The Two Blue Eyes of My Beloved] from Lieder eines fahrenden Gesellen ua-cam.com/video/fsZXTJjJqqo/v-deo.html @2:43 about the tranquility and forgetfulness the traveler found under the linden tree (gravesite?)
33:18 Recapitulation in E-flat minor, varied and intensified
33:56 Two-voice trumpet melody counterpoint to the round
34:47 Two-voice trumpet melody returns in D minor in contrapuntal weaving with the round melody
34:52 plotzlich viel schneller [suddenly must faster], like a Czardas (Hungarian Dance), very rhythmically
A close proximity of the tragic and the trite!
🟦4th Movement: (“Dall’ Inferno al Paradiso” in Hamburg program)
Some motifs inspired by Liszt’s Dante Symphony (1856) ua-cam.com/video/A7x-la2AbjE/v-deo.html
◾Exposition
Introduction in F minor [Stormily moving]: Inferno
37:01 Dissonance, interpreted by Mahler as the ‘outcry of a deeply wounded heart’
37:10 Liszt’s Cross motif in minor
37:13 Concise chromatic “Inferno” triplets
37:28 Anticipation of a motif from the main theme @38:16
37:31 inferno triplets
37:36 Wail (cf. Das klagende Lied, No. 81)
37:45 Inferno triplets
37:55 Cross motif in minor x4
38:13 First complex of themes in F minor: Inferno
40:04 Sequences of swelling brass sounds [with great ferocity]: Inferno
40:51 Transition
41:22 Secondary section in D-flat major [very songlike]
44:13 Epilogue in D-flat major [Slowly]: Recall of the slow introduction of the main section and inferno motif
◾Development
44:45 First part in G minor (As at the beginning)
45:28 First statement of the ‘victorious’ motif in C major, pianissimo [Liszt’s cross in MAJOR @45:35 and the 'Dresden Amen', together form the ‘Grail theme' from Wagner’s Parsifal (1882) (see ua-cam.com/video/W4Xslpp6874/v-deo.html @5:31) which Mahler rhythmically varies here
46:04 Second part in C minor
47:15 Second entrance of the ‘victorious’ motif in C major and ‘breakthrough’ Chorale theme (47:48 - similarities to 0:37) in D major [a bold modulation signalling the sphere of the paradiso has been reached]
48:47 Recall of the motifs of the main section (very slow); ‘a remembrance of the hero’s youth’
◾Recapitulation
51:00 Secondary section with transition in F major
53:28 Main theme in F minor (Tempo I): the Inferno image now has been moved to the distance (ppp)
54:15 Intensification of material from the main section
55:27 [Utmost strength]: breakthrough, third occurrence of the ‘victorious’ motif and Chorale theme in D major (Paradiso)
57:26 Coda
Composed Jan-Mar 1888
Originally “A Symphonic Poem in Two Sections” (movements 1-3 / 4-5)
Premiered in Budapest Nov 1889 to mixed reception
Significant revisions for second performance in Hamburg, 1893, including programme noted below.
Program elements and ‘Blumine’ (2nd movement) later removed
◾Notes based on Constantin Floros : Gustav Mahler The Symphonies, Amadeus Press (1985)
Hay unos matices y fraseos maravillosos. Una orquesta en estado de gracia....no, siempre en estado INMENSO. Una orquesta para competir en todo el mundo. Todas las secciones son de lujo. Gran versión con un gran director y una gran orquesta.
Por ciert, en el minuto 2'' se puede ver al gran cellista David Ethève recién fallecido el 10 de diciembre de 2016 (D.E.P.)
NO SABÍA QUE GALICIA TENÍA UNA ORQUESTA ASI DE EXCELENTE. MAAZEL GRAN DIRECTOR Y GRANDIOSA LA MÚSICA DE MAHLER. SALUDOS DESDE BUENOS AIRES ARGENTINA!
L A M B O N O S K Y
Que orquestra hay en Galicia!
Vaya con la Orquesta S. de Galicia! por Dios!...los metales suenan bellísimos! es una de las mejores interpretaciones que he visto, pero sin dudar de la calidad de la orquesta, el Dtor. hace mucho! brillante!
Love love love the timpani roll in the 4th movement .... barrrrump, barrrump, barrrump - let me hear every note like Mahler wanted me to!
very pretty in my mind thanks
refined
This is the piece that made me fall in love with Symphonic Music.
I like how long the beginning remains a delicate opening. I usually get right to the madness in my compositions so this is a good change of energy.
One of the best live recordings of Mahler's 1st ever. But I have to say it's the concert master is the most passionate orchestral violinist I've ever seen. Either that or he's a huge Mahler fan, to say the least.
Paolo
He is always like that...
I was afraid he might poke someone in the ear!!!
Muchas Felicidades por tan emotiva interpretación al lado del Maestro Lorin !!!!
Totalement géniale.
MARAVILLOSO
Fantástica perfomance!
Love it so much when the French horns stood up... I cried.
extraordinario!, una orquesta con gran sonido
This is a long, leisurely waking up on any given holiday.
Brillante! Magnifico! Bravooo!!!
Beautifully conducted, beautifully performed.
Extraordinario Gracias Maestro Maazel y también a la Orquesta de Galicia me fascinó 👏👏👏🌹
Strength, melody, beauty and what an ending, almost like a pre-echo of the “Hammer blows of Destiny” I’ve known and loved this symphony since I was about 16 but this incredible version is almost like hearing it for the first time. And bravo to the orchestra who were equal to every demand put on them!
Still love this performance--and great camera work, too!
WOW!! I honestly feel as though I have just been in the Divine Presence of God Almighty!! And I know now as never before God's Total LOVING and BENEFICENT and JOYFUL Divine Omnipresence!!!! This is a glimpse of the MAGNIFICANCE that awaits us ALL!!! Embrace Life Completely as we are ALWAYS THUS EMBRACED!! "Lord, it is good for us to be here!"
A truly great performance and recording of a great symphony !
このオケは私がユーチューブで知り得たオーケストラです！
彼らは音楽が何をすべきものか、表現力、パワー、楽器の操作はもちろん、
すべてにおいて世界トップレベルに間違いない!このオケの人は一体何者?スーパー集団!です！ウイーン．ベルリン・フィルにも匹敵しています。
日本にくてくれる事が望みです！
もっとたくさん聞いてみたい!
Bravo!!! Fantastic performance!!!
Me ha encantado. Bravo 👌💪
Simply brilliant!
una de mis orquestas favoritas 💕
one of the best, really masterpiece, bravo!
Magnifica interpretación!!
Que sobriedad y magnificencia felicitaciones al maestro y la Orquesta. Sublime. Gracias
01:37 Dios Mio! Es magnifica la interpretación por el hecho de ser balanceada sin excesos en los tiempos (o muy rápido o muy lento sobretodo en el Finale) es un gran virtud de los directores mantener ese equilibrio, Grande "Big Mazzel"
Grandiosa obra de principio s fin, llevada de la mano magistralmente con la sensibilidad del Gran Maestro
magnificent performance of a magnificent piece
first time hearing Langsam at university i got hooked on Mahler
No1 speaks to the soul
Sublime ejecución.
Preety and it's mastered so greatly. BRAVO. BRAVO
the tempo at the last movement was very well designed and impressive. so moving.
Nur die Musik die in die Ohren Fließ ist das einzige wahre wirklichkeit ❣️🌹❣️🌹🥂
Magnifique.
Wonderful to find your orchestra here on You Tube.
Anne Marie Boile Good to see you too!
anna maria boile i agree this is supreme joy xx
Bellissimo !!! ❤️
Excelente interpretación, excelente orquesta sinfónica y por supuesto excelente director de orquesta. Los tempos o velocidades de los movimientos son muy bien llevados por este director, no por nada fue unos de los mejores directores de orquesta del siglo XX y un parte de este.
47'27''': I was 'shocked' when the whole orchestra paused, when I was doing homework, listening to this. This made me pause on my homework and watch exactly what happened right at the moment. Really surprising, but pretty reasonable - I don't think a lot of orchestras are doing this. This is definitely new to me.
Comme vous j'ai été très surpris de cette pause à 47'27", c'est très déroutant surtout que l'interprétation est spectaculaire !
R.I.P. Lorin 😪😪😪😪
He was so naughty at 4727.
Bellissimo, grazie!!❤
Musica bellissima su di un tema incredibile ma sublime.
The tempo at the end is magnificent!!! Not rushed or racing like so many!
Magnificent ✨🎆
Very good Lorin Maazel!
UN MAGNIFICO CONCIERTO
Absolutely well balanced play!!! Mahler mounted lots of disparted notes from Oriental motives in his symphonies. So some great conductors complained it and did not play Mahler often. Maazel has made this Giant music in Order - that was the love of Maszel's interpretation. New rising conductor, Klaus Makela, has shown somewhat disorders forward and interpreted Mahler's notes in new details that was also unique and interesting too.
I have to say very, very good ... love the tempos. Far too many conductors rush Mahler's 1st. (Although maybe a bit ponderous in the last French horn refrain).
omg to Trauermarsch. Very impresssive !!
sublime !
Fantastic