God I'd love to pull an album or two out of that alternate universe with Radiohead going full prog rock and growing further from their pop roots all under a more lofi sheen
If this were mixed as well as the studio album version, this would be my new favorite song ever. Paranoid Android is already an amazing song, but this just makes it perfect.
this is like the best thing ive ever heard idk like from thom screaming to the song slowly getting louder it also sounds like an endless clock is ticking at the end part
I like this because it's so wonderfully raw. But I have to say the album version is much better as a song. It has perfect pacing in my opinion. I used to think that I wanted the parts of this song to last longer, because I love them so much. Hearing this however makes it very clear why got trimmed down
@@charliewaterton3263 I very much think the album version sounds like a refined version of this. But you probably have something else in mind. Would love to hear what you think it should sound like. Crazy how much song structure can change a song. I think about how they where experimenting/refining their in rainbows material for example. I usually fully agree with what this particular band ends up deciding upon as the definitive edition of their songs, such as true love waits and motion picture soundtrack. But I do get why people prefer earlier versions
i adore the studio version but this has such a charm to it …… it’s like paranoid android got blackout drunk after a very bad day and got unable to keep itself together entirely so i had to drive it home and let it sleep on my couch and that’s what it’d keep babbling out the whole while. also 4:34 is still so crazy it’s so sad it didn’t make it to the final version
As a musician it feels good to hear the rough cut of one of the best produced songs I've ever heard. The huge difference between produced and raw can make your head spin. You will hear/create a song in your head that already has production baked in, sit down and record - just to hear a cough in an anechoic chamber. It can deflate you if you're not ready.
I could listen to them riffing on those 4:34 to 7:00 notes all day long. I actually do it for like 5 minutes with my guitar. It could be a whole song/outro/intro. Thank you so much for the upload.
Oh shoot you’re so right. Both songs go way too hard lol. The guitar on I want you she’s so heavy blows my mind every time. So many little details it’s so fun to listen to
@@finestcustard5647 Yeah and the way both of them get louder without you even noticing and you don't realize that you're being kinda hypnotized until it suddenly gets quieter (or stops completely in I Want You) is so unique. I wish this was on Spotify cuz it would immediately be in my main playlist.
I don’t know, props to everyone involved in this, really-the fact that they edited this down to only six and a half minutes and *also* made it a single?! Just wild!
I'm sorry and I'm only guessing, but did Jonny just start building LEGO at the ten minute mark, joking aside feels like a little Aphex influenced tangent, but I dug it.
@@SirNumbKillerSegún lo que yo sé, esta versión no existe, la más larga es una versión de 14 minutos solo que esta (al igual que la supuesta versión de 18 minutos) puede ser un mito o directamente está oculta, al igual que Big Boots o Man Of War (que fue lanzada varios años después de el lanzamiento de OK COMPUTER en OKNOTOK).
Por si te preguntas, es la carretera eastbound junction of I-84 (alias The Yankee Expressway) con I-91 en Hartford, Connecticut, justo antes de cruzar el río Connecticut
Dude you've so got it. Exactly. He even says "Hallelujah". There are Abbey road vibes. And so much was cut out. But we get to enjoy it now, so it's no biggy. Thank God for Radiohead. God does love his children after all.
I'm glad this video, so to speak, actually got the long version of this song to a larger demographic. I'd been waiting to check it out ever since Radiohead announced the OKNOTOK anniversary edition, only to find out they wouldn't go as far as touching or touching up the "minidisc" treasure trove. Good on Thom for always outdoing hackers and staying ahead of the interwebby times. I mean, "Kid A" was fully streamed on the band's website waaaay back in year 2000. This is a band whose marketing strategies are the fully bloomed concept for what, in contrast, seems barely seminal in the LPs. The White Chocolate Farm knows that it knows what it knows. They make airports look like haunted houses by making airports look like airports. Their whole magic is in the unedited realm.
This sounds like something out of Steven's Wilson Hand Cannot Erase. I'd love to see radiohead lean in that direction Also idk but there's a King Crimson edge to this
im p sure a lot of the extra stuff is from other songs, like the stuff in the last minute is attenzione. maybe the part before that is an instrumental demo? idk it sounds lovely either way
Do they have one of these for "Karma Police"? When I hear the album version, my ear senses an edit right before the "For a minute there, I lost myself" part.
me encantaria tener las pistas por separado de esta version y mesclarlo yo mismo porque es increible esta version y deberia tener una version de estudio
puedes intentar usar una app para eso, esta esta app en movil que se llama Moisés, y ahi puedes separar las pistas en 4, aunque si quieres mas tienes qpagar
Look up the Ok Computer Mini Discs. There are 18 discs full of early versions, studio experiments, demos, and live versions of the Ok Computer Album and its b-sides. Amazing stuff. But it a lot. But it contains one of the most interesting Radiohead recordings ever. A b-side called “Lift”, that they refused to put on the album because they were afraid it would be a hit single and derail their Uber experimental thing, so they recorded a purposely more bland version. But look up “Lift (mix 1)” or “Lift (mix 2)” and tell me that wouldn’t have been a massive fucking hit. But they didn’t want another “creep” on their hands.
@@publiccastrationisagoodidea.the album version definitely isnt considered prog lol, and if it is, it’s controversial. this version definitely is though
@@demonssinglosongsi know that progressive rock its more than ""rock that is progressive" but in a general term (at least for me) fits in whats progressive rock (in a general term!))
@@FrightNightNevermore nah it definetly does, listen to the closing section of the Ummagumma live version of 'A Saucerful Of Secrets'. Definetly sounds like that pre-meddle era a little bit.
Please could you stop the noise, I'm trying to get some rest From all the unborn chicken voices in my head What's that? (I may be paranoid, but not an android) What's that? (I may be paranoid, but not an android) When I am king, you will be first against the wall With your opinion which is of no consequence at all What's that? (I may be paranoid, but no android) What's that? (I may be paranoid, but no android) Ambition makes you look pretty ugly Kicking and squealing gucci little piggy You don't remember You don't remember Why don't you remember my name? Off with his head, man Off with his head, man Why don't you remember my name? I guess he does Rain down, rain down Come on rain down on me From a great height From a great height Height Rain down, rain down Come on rain down on me From a great height From a great height Height Rain down, rain down Come on rain down on me That's it, sir You're leaving The crackle of pigskin The dust and the screaming The yuppies networking The panic, the vomit The panic, the vomit God loves his children, God loves his children, yeah
![Radiohead- Karma Police (OK OUTTAKES VERSION) [RARE]](http://i.ytimg.com/vi/umM0JKNHSHo/mqdefault.jpg)
"from all the unborn chicken chicken voices in my head"
wish they rerecorded this version for oknotok
fr
he's too old to have the same exact vocals lol
didn't know dua lipa is a radiohead fan
@thivuxhale you can clearly see the influence on my newest album "Radical Optimism"
@@chillify bro what are you talking about he sounds basically the same live he's no axl rose
i never would have considered Paranoid Android to ever be prog rock but here we are
radiohead ≠ pr*g
it is prog though
Paranoid Android is like their proggiest song
Radiohead is essentially a prog band
Radiohead is experimental, not prog.
Sounds like how I imagine Radiohead would sound if they were never signed, and never made it big with Creep.
God I'd love to pull an album or two out of that alternate universe with Radiohead going full prog rock and growing further from their pop roots all under a more lofi sheen
i need underground hidden gem prog rock alternate universe radiohead to somehow enter this timeline right now
If this were mixed as well as the studio album version, this would be my new favorite song ever. Paranoid Android is already an amazing song, but this just makes it perfect.
If I knew how to do it I'd do it in a heartbeat. This is so beautiful, it deserves to be heard and appreciated more
It's possible now with that AI tool to separate the tracks
Ey eh, it's already done ua-cam.com/video/3kUzaCNRn8M/v-deo.htmlsi=AQWCBIxDztzC7oOr
Paranoid Bulborb
this was their bohemian rhapsody for sure
No, Bohemian Rhapsody is Queen’s Paranoid Android
@@ElQuePreguntowhen eres el que pregunta:
8:22 I wonder if this portion slowly evolved into Let Down.
1:08 - 1:12 when I am KI-I-ING *insert voice crack* LMAO
LMAO
this is like the best thing ive ever heard idk like from thom screaming to the song slowly getting louder it also sounds like an endless clock is ticking at the end part
holy shit this is too good, love the album version but this is on another level. its like king crimson but radiohead holy
In The Court Of Radioking
Radiohead definitely took some KC vibes on this one!!
@@publiccastrationisagoodidea. also noticed that A Wolf At the Door has the same vibes as Inner Garden, and Ill Wind with One Time from King Crimson.
I like this because it's so wonderfully raw. But I have to say the album version is much better as a song. It has perfect pacing in my opinion. I used to think that I wanted the parts of this song to last longer, because I love them so much. Hearing this however makes it very clear why got trimmed down
@@tomsawyer3295 I think if they stuck with this version but just refined it it would have been better than the album version.
@@charliewaterton3263 I very much think the album version sounds like a refined version of this. But you probably have something else in mind. Would love to hear what you think it should sound like. Crazy how much song structure can change a song. I think about how they where experimenting/refining their in rainbows material for example. I usually fully agree with what this particular band ends up deciding upon as the definitive edition of their songs, such as true love waits and motion picture soundtrack. But I do get why people prefer earlier versions
4:34 is one of those moments thats so good it gives you goosebumps
Yeah that's when I thought "ohhh this is solid"
i adore the studio version but this has such a charm to it …… it’s like paranoid android got blackout drunk after a very bad day and got unable to keep itself together entirely so i had to drive it home and let it sleep on my couch and that’s what it’d keep babbling out the whole while. also 4:34 is still so crazy it’s so sad it didn’t make it to the final version
lmao so specific
Shows how much work Nigel Goodrich put into this album
As a musician it feels good to hear the rough cut of one of the best produced songs I've ever heard.
The huge difference between produced and raw can make your head spin.
You will hear/create a song in your head that already has production baked in, sit down and record - just to hear a cough in an anechoic chamber. It can deflate you if you're not ready.
yeah I guess it shows that every great song didn't come out like that. Showing the love and effort that's put in.
That alt ending is so good although i still prefer the chaotic guitar solo from the released version
We get to live in a world where he have both versions and I’m glad to be in this timeline lol
The scream at 2:42 is absolutely wicked, I wish thom was more raw in his vocals for the final cut
Imagining an extended version of the song, with the organ ending after the guitar meltdown of the studio
throw in a bit of worywort in to dat and im there!
When stuff like this is appearing in my ‘suggested’ list, I know UA-cam’s algorithms are working their magic
This reminds me a lot of the Radiohead song "Paranoid Android"
you should listen to that if you like this!
lmao
Underrated song
let down
Such an edgy original comment
I could listen to them riffing on those 4:34 to 7:00 notes all day long. I actually do it for like 5 minutes with my guitar. It could be a whole song/outro/intro. Thank you so much for the upload.
4:34-7:43 I Want You (She's So Heavy)
Best bit second to rain down, hallelujah
Yo that’s a beatle song
Oh shoot you’re so right. Both songs go way too hard lol. The guitar on I want you she’s so heavy blows my mind every time. So many little details it’s so fun to listen to
@@finestcustard5647 Yeah and the way both of them get louder without you even noticing and you don't realize that you're being kinda hypnotized until it suddenly gets quieter (or stops completely in I Want You) is so unique. I wish this was on Spotify cuz it would immediately be in my main playlist.
My favourite part. Just awesome
the bit starting just after 4.30 is so unbelievably good
the ending reminds me of a mental breakdown
mental breakdown of a paranoid android
¬‿¬
@@publiccastrationisagoodidea.real
"Bangin' tune out sound of the mattress" I LOVE that line and the way he sang it !! 🥰🥰🥰
This is pure gold, it'd be very interesting if they played this in a the smile show, at least the ending
They don’t play Radiohead songs when they tour.
I don’t know, props to everyone involved in this, really-the fact that they edited this down to only six and a half minutes and *also* made it a single?! Just wild!
The middle part sounds like I Want You (She's So Heavy) by The Beatles
Sounds so raw. Trailing it off into 70's style art-rock is pretty cool.
why does the end kinda sound like something out of pablo honey
they kept that grungey spirit
This is how my highschool band sounded playing Paranoid Android.
radiohead reference ⁉️⁉️⁉️🤯
you mean like radiohead the famous band made by thom yorke no way!!!1!1!1?1?1!1!1!1!1!1!1!1!11
@@publiccastrationisagoodidea. Didn't they make creep?
@@Classic_Tomfoolery Radiohead by the band "Creep"
@@payton33446wdum it was obviously coldplay
My favorite radiohead song is viva la vida
The ending here is the start of another song, Attenzione (or Attention)
Holy shit, that Hallelujah hits differently 🪓Jay
Love love love this. Rough around the edges but so fresh - like hearing the original for the first time again! Goosebumps
I'm sorry and I'm only guessing, but did Jonny just start building LEGO at the ten minute mark, joking aside feels like a little Aphex influenced tangent, but I dug it.
Great piece to just let all of your thoughts flow.
Too good
too real
the lyrics 'Hallelujah' impressed me!!!
thom yorke vocals are truly impressive
I wish they’d perform this version live and then release an official live album with this version of PA. This is amazing!!!
I’d give a lot to hear a mixed version of that
Thonas yorkingiton? tom yhorke m,entioned ratiohead creep refecenc!!11????????
really love the organ ending tho
perfect ending for a perfect song
outro sounds like godspeed you black emperor
average godspeed you black emperor enjoyer
the voices in my head sound like godspeed you black emperor
The ending kind of reminds me of what Fishmans did with Long Season
I wish there was a 32 minute long song of radiohead
felt the same
The bit around 8:11 reminds me a bit of I Promise. Maybe they reworked it into that one
OMG THIS MIDDLE SECTION!!!
It's like Radiohead mixed with GY!BE, my two favorite bands AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
This would fit comfortably on Mogwai Young Team
4:33 glorious moment 🥹
I would've loved to have heard Jeff Buckley cover this.
oh my god you're so right
So, one of the most amazing songs ever recorded (history will prove this) has just got even better. Thank you so much for this upload.
初めて聴きました！凄い！
Lift含めBootlegでCDで欲しいですよね
CDであったら絶対買う！
Нереальный кайф
dang, major goosebumps from this version
love it
I am sure Radiohead can do incredible things with a more progressive approach like this. I hope they'll try on the next album
The alternate ending is really cool, but the studio version is definitely the better song.
7:50
hits so fucking hard
Kinda like Let down+King Crimson
@@sharklibur2980I'm sure that this early section was inspired somewhat by Starless middle section.
Gracias por subirlo, tengo planeado escuchar todos los demos de radiohead ❤
suerte w
Por fin escuche la cancion en 11 minutos como la gente decia
Según yo la original era de 18 min no?
SI porfín la encontré, la andaba buscando 😭
@@SirNumbKillerSegún lo que yo sé, esta versión no existe, la más larga es una versión de 14 minutos solo que esta (al igual que la supuesta versión de 18 minutos) puede ser un mito o directamente está oculta, al igual que Big Boots o Man Of War (que fue lanzada varios años después de el lanzamiento de OK COMPUTER en OKNOTOK).
lo extraño que es ver la portada del disco sin saturación 0:
Por si te preguntas, es la carretera eastbound junction of I-84 (alias The Yankee Expressway) con I-91 en Hartford, Connecticut, justo antes de cruzar el río Connecticut
@@publiccastrationisagoodidea. siii hace poco vi en google maps el hotel desde donde sacaron la foto 😻
se siente casi irreal lol
this did not sound like 11 minutes it somehow still feels like a 3 minute song
channel is crazy underrated i subbed
appreciate, thank u
Thank you Osaka pfp 🙏
youre saata andigi-welcome
bro thinks they swans!!! 😭😭😭
this MIGHT be filth?!1!1!?1
Loved this post rock thing at the end
i love this song
X2
x3
X4
X5
X6
phillip selway must be gutted this was only released now
I wish Radiohead would make more progressive songs like this. This is the best thing I’ve ever heard from them.🤘🏾🤘🏾
I made this video :)
I am the admin of the fan page "Radiohead México"
For anyone asking, heres a 12 minute version edited with the organ outro ua-cam.com/video/3kUzaCNRn8M/v-deo.htmlsi=KuRqGRqc2ffowIad
Buckley: Rain down...
Cohen: Into an avalanche...
Lennon: She's so... .
Parlophone: Cut!
Dude you've so got it. Exactly. He even says "Hallelujah". There are Abbey road vibes. And so much was cut out. But we get to enjoy it now, so it's no biggy. Thank God for Radiohead. God does love his children after all.
I'm glad this video, so to speak, actually got the long version of this song to a larger demographic. I'd been waiting to check it out ever since Radiohead announced the OKNOTOK anniversary edition, only to find out they wouldn't go as far as touching or touching up the "minidisc" treasure trove. Good on Thom for always outdoing hackers and staying ahead of the interwebby times. I mean, "Kid A" was fully streamed on the band's website waaaay back in year 2000. This is a band whose marketing strategies are the fully bloomed concept for what, in contrast, seems barely seminal in the LPs. The White Chocolate Farm knows that it knows what it knows. They make airports look like haunted houses by making airports look like airports. Their whole magic is in the unedited realm.
This sounds like something out of Steven's Wilson Hand Cannot Erase. I'd love to see radiohead lean in that direction
Also idk but there's a King Crimson edge to this
Reminds me of Epitaph or Starless, such 70's prog rock inspiration in this theme!
I’d give so much for SW and Radiohead to do something together.
im p sure a lot of the extra stuff is from other songs, like the stuff in the last minute is attenzione. maybe the part before that is an instrumental demo? idk it sounds lovely either way
the guitar at the beginning is heavenly.
Wish this lasted an hour tbh
The cover should have been the ok computer cover fading into the dogs cover by Pink Floyd.
Do they have one of these for "Karma Police"? When I hear the album version, my ear senses an edit right before the "For a minute there, I lost myself" part.
at least for what i know, they don't, the only demo for karma police is an acoustic demo
this is pinkfloyd
Holy fucking shit wow!!!!! >w
me encantaria tener las pistas por separado de esta version y mesclarlo yo mismo porque es increible esta version y deberia tener una version de estudio
puedes intentar usar una app para eso, esta esta app en movil que se llama Moisés, y ahi puedes separar las pistas en 4, aunque si quieres mas tienes qpagar
@@publiccastrationisagoodidea. porcierto como conseguiste esto?
@@PPDUST perdon por responder ASI de tarde, pero en una pagina de facebook llamada Radiohead Mexico, ahi en la desc dice
Вот пусть теперь жена скажет, что у Pink Floyd песни затянутые.
Radiohead кстати иногда сравнивают с Pink Floyd
holy wow
why did u put ads in it😭😭😭
Wow
waos
kinda sounds like modest mouse
midwest emo radiohead????????
Where did you get this ? It sounds godly. I wish there was a longer version of Paranoid Android like this one on the real album.
From a Facebook fanpage called Radiohead Mexico, the link is in the description but youtube removed the link
@@publiccastrationisagoodidea.you should put the link in the comment section, but don't make it look like a link if you know what i mean
Look up the Ok Computer Mini Discs. There are 18 discs full of early versions, studio experiments, demos, and live versions of the Ok Computer Album and its b-sides. Amazing stuff. But it a lot.
But it contains one of the most interesting Radiohead recordings ever. A b-side called “Lift”, that they refused to put on the album because they were afraid it would be a hit single and derail their Uber experimental thing, so they recorded a purposely more bland version.
But look up “Lift (mix 1)” or “Lift (mix 2)” and tell me that wouldn’t have been a massive fucking hit. But they didn’t want another “creep” on their hands.
Donde se puede ayar est0?
Increíble
WHY TF WOULD U PUT ADDS IN THE MIDDLE OF THE INTERLUDEEEEEE
cabra
Parts of this song where removed and added to other album songs or is just me?
they were
2:41
Which minidisc is this on
I found it MD115
is it considered as progressive rock?
All the Paranoid Android versions are considered as progressive rock
@@publiccastrationisagoodidea.the album version definitely isnt considered prog lol, and if it is, it’s controversial. this version definitely is though
@@demonssinglosongsi know that progressive rock its more than ""rock that is progressive" but in a general term (at least for me) fits in whats progressive rock (in a general term!))
Wow, first time with this version
PoundShop Paranoid Android
damn
Radio Floyd 😅
This sounds nothing like Floyd
@@FrightNightNevermore i think he meant by the lenght of the track
Ah yes because Pink Floyd is the only band that has made a lengthy song
@@FrightNightNevermore why are you getting pressed by an innocent comment
@@FrightNightNevermore nah it definetly does, listen to the closing section of the Ummagumma live version of 'A Saucerful Of Secrets'. Definetly sounds like that pre-meddle era a little bit.
Please could you stop the noise, I'm trying to get some rest
From all the unborn chicken voices in my head
What's that? (I may be paranoid, but not an android)
What's that? (I may be paranoid, but not an android)
When I am king, you will be first against the wall
With your opinion which is of no consequence at all
What's that? (I may be paranoid, but no android)
What's that? (I may be paranoid, but no android)
Ambition makes you look pretty ugly
Kicking and squealing gucci little piggy
You don't remember
You don't remember
Why don't you remember my name?
Off with his head, man
Off with his head, man
Why don't you remember my name?
I guess he does
Rain down, rain down
Come on rain down on me
From a great height
From a great height
Height
Rain down, rain down
Come on rain down on me
From a great height
From a great height
Height
Rain down, rain down
Come on rain down on me
That's it, sir
You're leaving
The crackle of pigskin
The dust and the screaming
The yuppies networking
The panic, the vomit
The panic, the vomit
God loves his children, God loves his children, yeah
Fuck
💙🤍
All the lil' dweebs babbling about how this is better than the OK Computer version deserve their music to be taken from them.
8:12