There are plenty of independent musicians that can write top tier compositions. He just does it in this audience of former core kids. And that crowd is more outspoken
Just saw them live. They were transcendent. Flawless playing, lots of energy, great tone, superb light show, great mix in the room, and on and on and on. They fucking KILLED it start to finish. Polyphia and Khruangbin have just reignited my love of guitar
That's awesome. BTW, I don't think there's anything wrong with reacting to a song you've heard before as long as you're honest about it. Your insights are still valid and new to us.
I could not agree more, we do NOT come here for overdone fake expressions of surprise and tears at moments you pretend to be hearing for the first time, we are here for his honest thoughts.
Maybe a good thing to start a specific series about: Second Listens (or something akin to that). That makes it clearly distinct from the reaction videos you've made while delivering something new in a way that doesn't dilute your brand.
Multi-instrumental musician here (majoring in percussion) Just wanted to say that your analysis and opinions are greatly appreciated. Seriously, the input you give genuinely opens my eyes and ears to different avenues of appreciation. Thanks a ton!!
It's the way their composition works, creating melodies in a DAW and fine-tuning them in a way where you have control over each individual note before transposing to the guitar. Super cool!
Exactly. Might go without saying, but yeah that precision and technical ability is precisely what gives it the potential vibe that can be interpreted as "mechanical" or whatever. But as you're saying, the blend of technical prowess/complexity and melodic universality highlights the horizons and interconnections of both simultaneously. If that made any sense lol. Reminded of Deleuze's Difference and Repetition, for anyone that might be interested in annoying philosophical jargon that attempts to densely and more precisely describe this inherently indescribable metaphysical stuff.
wow seeing your name brought back so much nostalgia. Glad to see you're still active on here even after a whole decade! loved your stuff back in the day man, all the best
He's said before he doesn't play them all live, but yeah, all muscle memory. As a dancer who learns 3-4 minute dances and the moves for the entire thing, its a similar amount of memorizing, but definitely hard to keep more than 10 fully memorized and stage ready. My hats off to Tim
Meh i got about 7-8 hours of music I know perfectly (and it’s not wonderwall kind of songs, it’s protest the hero, plini, i built the sky etc, which are tornadoes of notes and riffs of 5-10sec that never come back) It’s just a habit of playing for years every day
How the hell does Metallica do it? They have a practice cube they fly everywhere to practice 3hrs a day... 40yrs of constant new music and old. 100s of complex arrangements. Its hard work.
@@GODHATESADOPTION when I was in a band of I was practicing alone I would struggle to play all our songs without messing up but when playing as a band it just clicks and comes natural. It’s mostly muscle memory.
Polyphia is the best example of a product of the digital age. Simply the fact they compose with a midi keyboard into a daw and then onto a guitar. Fusing instrument-composition techniques like piano->guitar or guitar->piano is really providing a new interest in music.
I read a comment where someone called polyphia’s music “soulless” and I swear to god unless they meant “Tim sold his soul to the devil to reach this level” they couldn’t be more wrong. Dudes mad they only know how to play one instrument
@@robbiewilson214 I think bands like polyphia are a music nerd's dream, if you really get into the details with the rhythmic and melodic composition there's so much to talk about. So when people call it "soulless", I think it's out of slight ignorance because a lot of the people I know that don't like polyphia are also the ones into the old rock and roll / old metal, with big chuggy power chords and "simple", easier to digest, melodies.
I had a friend that did something like this back in highschool. He'd write ridiculous shit on tabit, Like full band pieces. And go and figure it out on guitar, and had people that could play the rest.
I play guitar for over 30 years now. I've been listening to Dream Theater, Vai, Satriani, Shawn Lane, Jason Becker and so on. This was technically the most impressive arpeggio line i have ever seen!
Psionic, if you want to get better (I’ve been playing single I was 6, approx 35yrs now), start studying multiple position modes, runs, how to arpeggiate and modulate through the positions…literally, DUMP THE BOXES!!! Ditch the blues-double stop-junk….old tricks for the box, sure, but to get BETTER, you have to challenge yourself with shit that SEEMS impossible - something you can’t see yourself doing bc it’s just TOO HARD… then get to work! Plow through those barriers!!!
Tim is amazing. Both him and Scottie are a perfect guitar duo. Picking up the Clays though was the best thing for them as they are such a perfect groove backup for the band.
@@anthonyman8008 I understand then, with your statement about country being abrasive to you, in a good way it seems. I do not like country at all, so I feel like I can get where you're coming from in a way. I can respect that. Just know that some of us feel tons of emotion in it and can really appreciate the complexity!
Tim Henson seems to have a tight grip on all the things - composition, morphing, mixing, testing, ideating, performing, exploring, organising... and there is a joy in his expressivity that I find very endearing. Thank you for your insights and analysis, as ever.
I love Tim and Polyphia, but I'm so glad you called out Plini. Plini is imo so easy to listen to, but still manages to present so much technique, both in terms of playing and songwriting. It's such a joy to listen to.
As an amateur jazz musician, I really appreciate Tim and the boys in Polyphia. Jazz has a lot of great use of dissonant chords that they take advantage of and it sounds great. It kinda feels like a blend of bebop, metal and trap lol. I agree with you on Tim, he looks like he could easily walk in Coltrane's steps. Who knows, maybe we will see a new "Free Jazz" metal in 10-20 years
Speaking of Plini, they recently did a live video of them playing Handmade Cities and the mix is just incredible, best live mix I've ever heard. Might be a good one for a reaction!
What's incredible with this song is no matter how complex it is to play it, it instantly get inside your brain and never leaves you, it has all the good elements to become a timeless classic.
I love your commentary. It felt like when i use to have my conversation with band/jammer or my brothers. Mu musician friends. I miss it. And watching your commentary brought that back to me. Thank you.
I'm always "Still Here" Mr. Geebs....And always will be as long as you keep goin I will keep being here. I learn so much while also having a blast listening as you decompose these tracks. Rock on man...This channel is soul candy!
The “jazzy chord turn arounds” are actually bossa nova, a Brazilian style of guitar playing, those chords in particular and the way it’s played is very bossa nova and ultimately very reminiscent of samba
"Ackchyually" 😭 he said "jazzy chord turn arounds." The style in which he is playing those chords is Bossa Nova, but his description of the chords was correct. But hey you gotta make yourself feel special I guess lmao
i love how positive this guy always is about music and every direction artists go, always find myself coming back to watch his content and finding new bands and artists to listen to
@@robertcuff5704 oh nevermind. I didn't know that Tim Henson is literally part of Polyphia. I thought they were two different entities. Wasn't familiar with the Band Polyphia up until now.
Great to hear you're thinking of doing a Plini video. That'd be great. I really enjoyed your reaction here. No need to apologize for thoughtful commentary. It's what makes your channel awesome.
Good lord man. You apologize for your long winded breakdowns but you have by and far the most insightful breakdowns of any music you hear. Like, out of every type of reaction videos I've seen, yours is the only one that gets me excited because of how much you understand music.
Your reaction is perfect. I have exactly ZERO background in music, but hearing your insights is just fascinating. After watching a handful of your videos, those facial expressions while you watch the video actually mean something because you digest the segment of the piece thoroughly. Thanks for all your reviews, I don't understand music theory or all that hullabaloo, and yet I love how you dissected this. *Round of applause*
Loved how you talked about that old tim reaction video and how he picked up on the acoustic and I also figured we would see something like this coming. Thanks for the video.
I fell away from Polyphia when G.O.A.T was released for some reason. Decided I wanted watch some of their videos and saw Playing God was just released, I've been listening to that song multiple times daily since, they've really expanded and I'm excited to see what the album has in store.
Did you notice the little allusion to The Girl from Ipanema? I haven't found anyone else talking about it but at 5:31 in your reaction I swear it's a little nod to the track. It isn't pitch for pitch, but the melodic rhythm is there and I'm pretty sure the chords he played going into this melody are based on Ipenema as well; though again, not chord for chord but close -- like an homage.
@@qwertyuiop-qv4qv Tim admits he will take a melody he likes and fit it into his music. I reckon he took it and would admit it. The first 2 bars are exactly the same and then he diverts.
Tim Henson's term he uses working around that melody is "flexing". That is a point we can agree on though, is he is one of the few pushing the limits of where music can go, blending his influences with his own style. Also worth mentioning is the dynamics between Tim Henson, and Scottie Lepage, where Tim is more the frontman of the band, while Scottie in his own way, follows around and supports Tim's musical style. And both the Clays on Bass and Drums, kick the band mixes to that solid "goes up to 11"! Love the reaction, especially hearing it from someone who's backround isn't deeply rooted in this style of music, but can pick apart the influences that make it :)
I think of it like a drummer who throws in a lot of fills around the rhythm they're keeping. Like Danny Carey, he always seems to get back to the core of the beat no matter how much fancy stuff he adds. Tim has the melody on repeat in his head and he's just playing around it waiting for the right moment to fall back into the pocket and play bits of the standard melody.
I see you reppin what looks like Jim Henson influenced puppets to a Tim Henson response video! I feel this wasn’t intentional but I am living for it >D
I love how this makes musicians who listen to it make their crazy faces, it shows how sucked into it they are, very rarely is their a song that appeals so strongly to musicians and the masses alike.
I love that single channel guitar tracks really show you how well the two tracks from Tim and Scott integrate to create a full sound. And just how cleanly they harmonise
I was blown away when I first heard this track...it is so good.. I'm older and have been an Al de Meola fan for years and elements of his style seemed to surface in this piece. Guitar players of all genres can appreciate Tim's technique and talent. Beautiful piece of music.
I've listened to you for a long minute now, but you get a subscribe specifically because you heard the song before and were honest about it. That's exactly what I look for in a channel, and will start checking out all your stuff now instead of cherry picking my favs. Much love brother
Hey man, just stumbled on your video after banging some Polyphia and I gotta be honest here. LOVE your energy man, like the other guy said here too, dont worry about them dudes complaining about "too long stops" or what ever. Came for Tim, stayed for educational analysis and good vibes. Keep doing you bud!
I’m still here man! 🤙🤙🤙 I heard the full band version and loved it, so you can imagine how pumped I was to see this video pop up in my feed! I didn’t think they could surprise us any further, but man this track is great and I love your commentary.
I am still here! Al DiMeola, Paco DeLucia, and John McLaughlin are three of my favorite guitarists. This fellow can really play. WOW Thank you for playing this.
YES!!!! 7:57 Please you gotta make that PLINI special, I would very much appreciate it, pretty sure along with many others. You need to decompose him more and analize that other level your talking about. I really loved both your analysis of Papelillo and Cascade. Been waiting for more ever since. Thank you so much, love your content. By far, the best of its kind Geebz. Aright! 🤙
dont apologize for the amount of stops. we are here for your two cents on something that we have more then likely already heard. your a great man with insightful opinions on music.
I have to be honest, I usually roll my eyes at these ‘X reacts to Y’ videos but this has expanded my already great appreciation for Tim and Polyphia’s work. I’ll keep an eye out for that Plini breakdown because what you said about choosing ‘the right notes’ resonated with me.
They are such an amazing group of players. Mr Henson makes it look so effortless and do not forget Mr LePaige (I hope I spelled that right) too. Just such great players who can obviously play many styles/genres.
Good commentary as always. Also, understand what you are saying about Plini. I got to spend some time with him and took him for a night out in the city where I am from. Cool guy.
Dude I love your reactions! You stop and comment on everything for as long as you want. Like you said it's your channel. People can punch out if they don't like it,
Love Geebz's face during the intro. That's all of us watching/listening to Polyphia play these ultra-technical parts with the smoothness of a well-oiled machine. That stank face is the ultimate respect for good musicianship.
Yes yes yesssss PLEASE Do plini soon I've been listening to him for years and he's one of my favorite artists along with David Maxim Micic and Jakub Zytecki ! Love what you do and how you break things down that people have aa hard time understanding. God bless my brother !
I’m nearly 50 and recently discovered Polyphia and Tim Henson and when I first saw this I said something similar, “I remember listening to a guy in the early 80’s named Al Di Meola and if Tim hasn’t been listening to him then I would be shocked. Go listen to his song “Race with the Devil on a Spanish Highway” and then tell me you don’t think Tim has been listening to him!
Tim is a straight up robot. His playing technique is insane. Almost alien in a sense considering where guitar players were in the 80's and 90's. It's insane to me how fast and accurate his playing is while he just sits there casually... He is an absolute badass and one of today's guitar heroes like Randy Rhoads, EVH, and a multitude of other famous guitarists were and still are from time gone by. Incredible!
What Id like to add to your "short" stop as someone who had studied jazz guitar is - the jazzy chords and progressions he is using remind me a lot of bossa nova e.g. have brazillian jazz hints, and also, some of the turn arounds Ive done in rearranging Take Five using advanced harmonization. So that part is basically modern Brazil styled jazz imo, with hints of smooth jazz too :D very cool choice of music to add to the heavy speedy beginning. Contrasts nicely.
It's also great to see Tim taking some time to really introduce and sit comfortably with a relaxed melody for a portion of the song so it's not just 100% flexing on some crazy techniques. To me that just shows his/their comfort and confidence in their playing and song-writing.
Completely agree with what you said about Plini. I'm normally not drawn to the shredders and Plini caught my attention early with just his songwriting. I also hear a lot of really great melody with unique rhythmic and harmonic influences in Tim's music. Makes me pretty excited to see where he goes as a composer and player.
I also love me some spanish guitar. I also was blown away by this video, felt the same way about it in relation to the Polyphia release. Same with GOAT. As awesome as his band is, it’s somehow better for me to see just Tim jamming on his guitar- it’s magical! 🤩
Liked and commented specifically because of the "if you don't like it you can get out (jk)" moment 😂 I'm so glad you covered this song though. I love getting your perspective on these new musical arrangements! Keep it up my man ✌️ PS finished the vid and would LOVE to see you talking about Plini! Haven't heard his stuff in years, almost forgot!
People can play as well as Tim, but hardly anyone can write as well as him.
sude Scott writes a lot of Polyphia's songs too
Uh. I can't either
And look as good too lmao
There are plenty of independent musicians that can write top tier compositions. He just does it in this audience of former core kids. And that crowd is more outspoken
@Dragon Ball fans can't read uhhhh
Just saw them live. They were transcendent. Flawless playing, lots of energy, great tone, superb light show, great mix in the room, and on and on and on. They fucking KILLED it start to finish. Polyphia and Khruangbin have just reignited my love of guitar
Exactly what I've been listening to
That's awesome. BTW, I don't think there's anything wrong with reacting to a song you've heard before as long as you're honest about it. Your insights are still valid and new to us.
I could not agree more, we do NOT come here for overdone fake expressions of surprise and tears at moments you pretend to be hearing for the first time, we are here for his honest thoughts.
Just turn it into an analysis video.
100% agree. I don’t want to miss an intelligent analysis because of a stupid need to have a first time reaction.
You can tell he is super excited about it.
Maybe a good thing to start a specific series about: Second Listens (or something akin to that). That makes it clearly distinct from the reaction videos you've made while delivering something new in a way that doesn't dilute your brand.
Multi-instrumental musician here (majoring in percussion) Just wanted to say that your analysis and opinions are greatly appreciated. Seriously, the input you give genuinely opens my eyes and ears to different avenues of appreciation. Thanks a ton!!
I appreciate that!
The way Tim is able to flow from explosive/complicated riffs to simplistic/controlled melodies like flipping a switch is awe aspiring.
It's the way their composition works, creating melodies in a DAW and fine-tuning them in a way where you have control over each individual note before transposing to the guitar. Super cool!
Exactly. Might go without saying, but yeah that precision and technical ability is precisely what gives it the potential vibe that can be interpreted as "mechanical" or whatever. But as you're saying, the blend of technical prowess/complexity and melodic universality highlights the horizons and interconnections of both simultaneously. If that made any sense lol.
Reminded of Deleuze's Difference and Repetition, for anyone that might be interested in annoying philosophical jargon that attempts to densely and more precisely describe this inherently indescribable metaphysical stuff.
Tim plays as smoothlly as pouring a glass of wine. like wtf.
Nice seeing you here
wow seeing your name brought back so much nostalgia. Glad to see you're still active on here even after a whole decade! loved your stuff back in the day man, all the best
@@095it4io4i ;)
You would be fine thinking that the video was sped up if you just look at his hands.
I would think the same if his head weren't normal speed
Lol not everyone can pour wine properly though😉
The smile every guitar player gets on their face every time they hear this song, proof of how great it is on its own
And the little hints of disbelief at some of the parts too, everyone hoes "wait, what was that?" multiple times during the song
@@Ixxlostinabox Haha everyone so far had a bit where they're like, hang on I want to rewind but I also don't want to interrupt it
For me it's not even the skills that impresses me but it's be ability to remember 15+ songs of this level on stage. Madness.
He's said before he doesn't play them all live, but yeah, all muscle memory. As a dancer who learns 3-4 minute dances and the moves for the entire thing, its a similar amount of memorizing, but definitely hard to keep more than 10 fully memorized and stage ready. My hats off to Tim
Meh i got about 7-8 hours of music I know perfectly (and it’s not wonderwall kind of songs, it’s protest the hero, plini, i built the sky etc, which are tornadoes of notes and riffs of 5-10sec that never come back)
It’s just a habit of playing for years every day
How the hell does Metallica do it? They have a practice cube they fly everywhere to practice 3hrs a day... 40yrs of constant new music and old. 100s of complex arrangements. Its hard work.
@@GODHATESADOPTION when I was in a band of I was practicing alone I would struggle to play all our songs without messing up but when playing as a band it just clicks and comes natural. It’s mostly muscle memory.
@@Zarzar22 Dancing might be harder to remember, I dunno but memorizing 10 songs is easy. Playing this stuff he is playing is not easy.
Polyphia is the best example of a product of the digital age.
Simply the fact they compose with a midi keyboard into a daw and then onto a guitar.
Fusing instrument-composition techniques like piano->guitar or guitar->piano is really providing a new interest in music.
I read a comment where someone called polyphia’s music “soulless” and I swear to god unless they meant “Tim sold his soul to the devil to reach this level” they couldn’t be more wrong. Dudes mad they only know how to play one instrument
@@robbiewilson214 I think bands like polyphia are a music nerd's dream, if you really get into the details with the rhythmic and melodic composition there's so much to talk about. So when people call it "soulless", I think it's out of slight ignorance because a lot of the people I know that don't like polyphia are also the ones into the old rock and roll / old metal, with big chuggy power chords and "simple", easier to digest, melodies.
It’s the quickest way to compose. A lot of orchestra composers have been doing this with pianos forever
I had a friend that did something like this back in highschool. He'd write ridiculous shit on tabit, Like full band pieces. And go and figure it out on guitar, and had people that could play the rest.
Tim has absolutely no wasted movement it blows my mind
I play guitar for over 30 years now. I've been listening to Dream Theater, Vai, Satriani, Shawn Lane, Jason Becker and so on. This was technically the most impressive arpeggio line i have ever seen!
Psionic, if you want to get better (I’ve been playing single I was 6, approx 35yrs now), start studying multiple position modes, runs, how to arpeggiate and modulate through the positions…literally, DUMP THE BOXES!!! Ditch the blues-double stop-junk….old tricks for the box, sure, but to get BETTER, you have to challenge yourself with shit that SEEMS impossible - something you can’t see yourself doing bc it’s just TOO HARD… then get to work! Plow through those barriers!!!
@@pugilemoltobene3708 I mean, he didn't ask but thanks for the "tough love" approach..?
@@pugilemoltobene3708 He said 30 yrs, not 3
@@pugilemoltobene3708 who
Have you heard the new Satriani album yet? It's nuts.
Tim is amazing. Both him and Scottie are a perfect guitar duo. Picking up the Clays though was the best thing for them as they are such a perfect groove backup for the band.
The Clays, I like what you did there
Tim plays so effortlessly that it just looks like someone pretending to play along to the music.
That’s how you play after you’ve been playing for 20/30yr, also…playing HARD, working your technique. Remember, for ~10yrs, that’s all he did tho!
Doesn't sound good to me
@@anthonyman8008 what about it doesn't sound good to you?
@@sentientcardboarddumpster7900 its not abrasive like country music is to me. Musically its not very touching, just a lot going on.
@@anthonyman8008 I understand then, with your statement about country being abrasive to you, in a good way it seems. I do not like country at all, so I feel like I can get where you're coming from in a way. I can respect that. Just know that some of us feel tons of emotion in it and can really appreciate the complexity!
the ease he plays this with is absolutely INSANE.
That’s actually the secret. Minimal movement = faster and cleaner playing.
I love your facial reactions to music! You can tell it just tickles your soul. I’m subscribing.
Thanks for subbing!
Tim Henson seems to have a tight grip on all the things - composition, morphing, mixing, testing, ideating, performing, exploring, organising... and there is a joy in his expressivity that I find very endearing. Thank you for your insights and analysis, as ever.
A prime example of someone with a natural born talent that has the time to nurture it. That's awesome.
Tim is going full circle and bringing “metal” back to classical guitar
metal flamenco?
I love Tim and Polyphia, but I'm so glad you called out Plini. Plini is imo so easy to listen to, but still manages to present so much technique, both in terms of playing and songwriting. It's such a joy to listen to.
As an amateur jazz musician, I really appreciate Tim and the boys in Polyphia. Jazz has a lot of great use of dissonant chords that they take advantage of and it sounds great. It kinda feels like a blend of bebop, metal and trap lol.
I agree with you on Tim, he looks like he could easily walk in Coltrane's steps. Who knows, maybe we will see a new "Free Jazz" metal in 10-20 years
Speaking of Plini, they recently did a live video of them playing Handmade Cities and the mix is just incredible, best live mix I've ever heard. Might be a good one for a reaction!
Yes!!
What's incredible with this song is no matter how complex it is to play it, it instantly get inside your brain and never leaves you, it has all the good elements to become a timeless classic.
It's so hard for something to be brain-meltingly complex yet melodically addictive, and Polyphia nails it as few others could.
I love your commentary. It felt like when i use to have my conversation with band/jammer or my brothers. Mu musician friends. I miss it. And watching your commentary brought that back to me. Thank you.
That's awesome!
You can feel the hip hop influence as well and not just of the backing track.
He's melting it all together.
I'm always "Still Here" Mr. Geebs....And always will be as long as you keep goin I will keep being here. I learn so much while also having a blast listening as you decompose these tracks. Rock on man...This channel is soul candy!
The “jazzy chord turn arounds” are actually bossa nova, a Brazilian style of guitar playing, those chords in particular and the way it’s played is very bossa nova and ultimately very reminiscent of samba
Yeah I'm surprised, that was such a hit-and-miss, clearly Bossa Nova.
Very true.
yeah I was about to mention that, is not only Spanish influences on that acoustic guitar but Brazilian as well
@@jonhporras07 john porras asuehasuheuashe
"Ackchyually" 😭 he said "jazzy chord turn arounds." The style in which he is playing those chords is Bossa Nova, but his description of the chords was correct. But hey you gotta make yourself feel special I guess lmao
i love how positive this guy always is about music and every direction artists go, always find myself coming back to watch his content and finding new bands and artists to listen to
Man, thank you for reacting to this. I wouldn't have come across this Tim Henson video my own most likely. Insane
Cover? Lol
@@robertcuff5704 oh nevermind. I didn't know that Tim Henson is literally part of Polyphia. I thought they were two different entities. Wasn't familiar with the Band Polyphia up until now.
Great to hear you're thinking of doing a Plini video. That'd be great. I really enjoyed your reaction here. No need to apologize for thoughtful commentary. It's what makes your channel awesome.
Good lord man. You apologize for your long winded breakdowns but you have by and far the most insightful breakdowns of any music you hear. Like, out of every type of reaction videos I've seen, yours is the only one that gets me excited because of how much you understand music.
Your reaction is perfect. I have exactly ZERO background in music, but hearing your insights is just fascinating. After watching a handful of your videos, those facial expressions while you watch the video actually mean something because you digest the segment of the piece thoroughly. Thanks for all your reviews, I don't understand music theory or all that hullabaloo, and yet I love how you dissected this. *Round of applause*
Loved how you talked about that old tim reaction video and how he picked up on the acoustic and I also figured we would see something like this coming. Thanks for the video.
This track really feels like a culmination of the evolution of Polyphia and Tim’s sound. It’s come to a very cool fusiony place
I fell away from Polyphia when G.O.A.T was released for some reason. Decided I wanted watch some of their videos and saw Playing God was just released, I've been listening to that song multiple times daily since, they've really expanded and I'm excited to see what the album has in store.
They haven’t done much in-between the two releases anyway. I mean they’ve been working but not releasing music.
Awesome Geebz! I had heard the regular version but not the unplugged one yet, always a great experience hearing a song here for the first time. :)
the efficiency in his hands is mesmerizing!
One of the best reactions I've seen so far. Great video and breakdown!
Tim’s right hand is insane. His hybrid picking is next level
Did you notice the little allusion to The Girl from Ipanema? I haven't found anyone else talking about it but at 5:31 in your reaction I swear it's a little nod to the track. It isn't pitch for pitch, but the melodic rhythm is there and I'm pretty sure the chords he played going into this melody are based on Ipenema as well; though again, not chord for chord but close -- like an homage.
i believe is just a fortunate coincidence. that chord progression is too common in bossa nova kinda music
@@qwertyuiop-qv4qv Tim admits he will take a melody he likes and fit it into his music. I reckon he took it and would admit it. The first 2 bars are exactly the same and then he diverts.
Coincidentally or not it's there!
That's a good shout - you can see Lucas Brar picked up on that in his INSANE cover: ua-cam.com/video/SBGRxkc8jGg/v-deo.html
Tim Henson's term he uses working around that melody is "flexing". That is a point we can agree on though, is he is one of the few pushing the limits of where music can go, blending his influences with his own style. Also worth mentioning is the dynamics between Tim Henson, and Scottie Lepage, where Tim is more the frontman of the band, while Scottie in his own way, follows around and supports Tim's musical style. And both the Clays on Bass and Drums, kick the band mixes to that solid "goes up to 11"! Love the reaction, especially hearing it from someone who's backround isn't deeply rooted in this style of music, but can pick apart the influences that make it :)
I think of it like a drummer who throws in a lot of fills around the rhythm they're keeping. Like Danny Carey, he always seems to get back to the core of the beat no matter how much fancy stuff he adds. Tim has the melody on repeat in his head and he's just playing around it waiting for the right moment to fall back into the pocket and play bits of the standard melody.
Love the bosa nova switch up so much, it’s so bloody refreshing.
I see you reppin what looks like Jim Henson influenced puppets to a Tim Henson response video! I feel this wasn’t intentional but I am living for it >D
im so glad you mentioned the classical guitarist that directly influenced this song by his cover of GOAT, Robert Svard.
Always appreciate you keeping it authentic with your reaction Geebz. Yours are always the most interesting to watch!
I appreciate that
74 yo old jazz lover here who grew up w/ Chick, the 3 Guitars and like WoW i'm in love...
I love your stuff dude, watching your videos is like a warm hug.
I love how this makes musicians who listen to it make their crazy faces, it shows how sucked into it they are, very rarely is their a song that appeals so strongly to musicians and the masses alike.
Thanks
Thank you so much :)
I'm still here! As always, great stuff, thanks for taking the time to do what you do.
I love that single channel guitar tracks really show you how well the two tracks from Tim and Scott integrate to create a full sound. And just how cleanly they harmonise
I was blown away when I first heard this track...it is so good.. I'm older and have been an Al de Meola fan for years and elements of his style seemed to surface in this piece. Guitar players of all genres can appreciate Tim's technique and talent. Beautiful piece of music.
The kid plays so clean. Definitely the new era of guitar riffing. I was happy to learn a Maiden riff at his age…
I mean... he is like 27? Not so much a kid anymore xD...
He's almost 30
@@usuallyclueless4477 I wish I were 30…
@@RainbowHomo anyone over 40 thinks anyone 30 or younger is a kid lol
@@sentientcardboarddumpster7900 I'm 32 and depressed as fuck. I wish I was 27 again, lmao.
STILL HERE! Love your stuff.
I've listened to you for a long minute now, but you get a subscribe specifically because you heard the song before and were honest about it. That's exactly what I look for in a channel, and will start checking out all your stuff now instead of cherry picking my favs. Much love brother
Hey man, just stumbled on your video after banging some Polyphia and I gotta be honest here. LOVE your energy man, like the other guy said here too, dont worry about them dudes complaining about "too long stops" or what ever. Came for Tim, stayed for educational analysis and good vibes. Keep doing you bud!
I’m still here man! 🤙🤙🤙
I heard the full band version and loved it, so you can imagine how pumped I was to see this video pop up in my feed! I didn’t think they could surprise us any further, but man this track is great and I love your commentary.
Tim Henson is just too amazing. Makes high end technical playing look like a walk in the park. That in itself is testament to his playing prowess.
I literally don’t understand how anyone moves their hands that fast. And accurate. Crazy.
geebz! i had a feeling you'd be on this one quickly!! great job as always - tim is amazing
I am still here! Al DiMeola, Paco DeLucia, and John McLaughlin are three of my favorite guitarists. This fellow can really play. WOW Thank you for playing this.
Facts you and me both!
they on a different level
YES!!!! 7:57 Please you gotta make that PLINI special, I would very much appreciate it, pretty sure along with many others. You need to decompose him more and analize that other level your talking about. I really loved both your analysis of Papelillo and Cascade. Been waiting for more ever since. Thank you so much, love your content. By far, the best of its kind Geebz. Aright! 🤙
Geebz my dude, you have always had my respect but you keep proving how much you deserve it through your commitment to authenticity.
I'm still here, I love your perspective
I'm still here!!! Funny how that happens everytime I click on one of yours ;) Cheers man, always a pleasure!
It's so beautiful to watch and hear it recorded live like this. God damn.
dont apologize for the amount of stops. we are here for your two cents on something that we have more then likely already heard. your a great man with insightful opinions on music.
I have to be honest, I usually roll my eyes at these ‘X reacts to Y’ videos but this has expanded my already great appreciation for Tim and Polyphia’s work. I’ll keep an eye out for that Plini breakdown because what you said about choosing ‘the right notes’ resonated with me.
Your analysis is always so interesting to me. Thank you!
They are such an amazing group of players. Mr Henson makes it look so effortless and do not forget Mr LePaige (I hope I spelled that right) too. Just such great players who can obviously play many styles/genres.
Great energy man! Also, very nice to see you vibing to every note xD I can relate to that!
Keep it up!
My fingers broke by watching how he moves his fingers so quick over the frets with no big effort... Great guitarist and songwriter 👏👌
Good commentary as always. Also, understand what you are saying about Plini. I got to spend some time with him and took him for a night out in the city where I am from. Cool guy.
I’m watching for those reactions and insights. Keep them as long as you like :) Great stuff!
Dude I love your reactions! You stop and comment on everything for as long as you want. Like you said it's your channel. People can punch out if they don't like it,
Love Geebz's face during the intro. That's all of us watching/listening to Polyphia play these ultra-technical parts with the smoothness of a well-oiled machine. That stank face is the ultimate respect for good musicianship.
3:26 - That acoustic guitar player Tim was reacting to was Evgen Tsibulin.
i was looking for this comment!
I had the pleasure of seeing Polyphia live just after G.O.A.T came out, and by god are the just as impressive live. Absolute champions the lot of them
this version is even better somehow its insane how good he is
Passion, Grace & Fire 🔥 🔥 🔥
Yeah the bossanova vibes from that second section make my heart flutter with excitement at it's inclusion in this genre
Yes yes yesssss PLEASE Do plini soon I've been listening to him for years and he's one of my favorite artists along with David Maxim Micic and Jakub Zytecki ! Love what you do and how you break things down that people have aa hard time understanding. God bless my brother !
It’s deeply rooted in flow my friend. Technique, creativity and flow. Punching out
I’m nearly 50 and recently discovered Polyphia and Tim Henson and when I first saw this I said something similar, “I remember listening to a guy in the early 80’s named Al Di Meola and if Tim hasn’t been listening to him then I would be shocked. Go listen to his song “Race with the Devil on a Spanish Highway” and then tell me you don’t think Tim has been listening to him!
finally someone who ca talk about this properly. Thanks so much mate
phenomenal composing and technical ability, tim's achilles heel; improvisation. Crumbled when playing live with vai.
Love your reactions. Keep them up. This was another great one.
The faces you’re making I was making yesterday when I found him/polyphia for myself. 🤟🏼
Your surfing intro is awesome!
Tim is a straight up robot. His playing technique is insane. Almost alien in a sense considering where guitar players were in the 80's and 90's. It's insane to me how fast and accurate his playing is while he just sits there casually... He is an absolute badass and one of today's guitar heroes like Randy Rhoads, EVH, and a multitude of other famous guitarists were and still are from time gone by. Incredible!
We're here for what you have to say brotha. Don't feel like you need to speed through your reactions, it's what your true followers are here for.
Serious Al Di Meola vibes on this. Incredible talent!
Really like your analysis! Great insight on his progression. Have a great day 👍
Quality content as always. Keep it up man!
What Id like to add to your "short" stop as someone who had studied jazz guitar is - the jazzy chords and progressions he is using remind me a lot of bossa nova e.g. have brazillian jazz hints, and also, some of the turn arounds Ive done in rearranging Take Five using advanced harmonization. So that part is basically modern Brazil styled jazz imo, with hints of smooth jazz too :D very cool choice of music to add to the heavy speedy beginning. Contrasts nicely.
It's also great to see Tim taking some time to really introduce and sit comfortably with a relaxed melody for a portion of the song so it's not just 100% flexing on some crazy techniques. To me that just shows his/their comfort and confidence in their playing and song-writing.
Completely agree with what you said about Plini. I'm normally not drawn to the shredders and Plini caught my attention early with just his songwriting. I also hear a lot of really great melody with unique rhythmic and harmonic influences in Tim's music. Makes me pretty excited to see where he goes as a composer and player.
I love your channel and this music :))
I also love me some spanish guitar.
I also was blown away by this video, felt the same way about it in relation to the Polyphia release. Same with GOAT. As awesome as his band is, it’s somehow better for me to see just Tim jamming on his guitar- it’s magical! 🤩
Liked and commented specifically because of the "if you don't like it you can get out (jk)" moment 😂 I'm so glad you covered this song though. I love getting your perspective on these new musical arrangements! Keep it up my man ✌️
PS finished the vid and would LOVE to see you talking about Plini! Haven't heard his stuff in years, almost forgot!
Its been a long time since a guitar player has really blown me away with ability. Hes scary good.