@@AntonnActionParanormal it save my hide many times. Especially when clients don't have a budget for a full crew. clearly you haven't worked with alexa or r3d raw
Red easily with Redcode RAW 6K and 16+ stops dynamic range. And Sony footage looks like Sony footage... And you forgot to mention global shutter!!! Thats big.
Frankly, I do not know professional cinema cameras very well, I would like to know what you know. I also make these videos to learn, but these are the information I can find on the internet.
False, especially with Sony Vince look. RAW is overrated. Having worked with 10 bit is more than ample enough if you know how to light up and expose your subject.
Forgot the most important part. Komodo has 16bit redcode raw
FX6 has internal ND’s 🤷♂️
@@georgemorganphotography9714you have an option with pl mount komodo to have internal ND
Raw is overrated
And global shutter. 🙌🏽
@@AntonnActionParanormal it save my hide many times. Especially when clients don't have a budget for a full crew. clearly you haven't worked with alexa or r3d raw
RED🔥
once sony calm down with buttons and fix the menu system, they'll be worth the money
Dynamic Range 15+ vs Dynamic Range 16
🙄😕
RAW footage capcher Komodo 16bit
Plus point
I think red?
I'm a bit of a sony fan :D
Sony Fx6
lol the red and Sony are so different who ever put this video together needs to no there cameras
You mixed up the release dates of the cameras. FX6 is older. Also. I think Sony takes this one. It's just a far more functional camera.
it's not the komodo x
Maybe RED!
Sony, because it's more reliable. You could easily get RAW with an external recorder. Also folks, RAW is over rated for 90 percent of commercial jobs.
Clearly you haven't tried working on post R3D raw files vs other raw files
Red is the best cinema camera, always. you compare 4K camera to 6K camera for same price. Red is better
No have no ideas about camera lol
the sony FX6
I have a red but I think Sony wins with the full frame 😊
Only RED
Red easily with Redcode RAW 6K and 16+ stops dynamic range. And Sony footage looks like Sony footage...
And you forgot to mention global shutter!!! Thats big.
I would be very happy if you could help me to get information about this. :)
@CAMERAF About Komodo? Do you have anything specific you are wanting to know?
Frankly, I do not know professional cinema cameras very well, I would like to know what you know. I also make these videos to learn, but these are the information I can find on the internet.
False, especially with Sony Vince look. RAW is overrated. Having worked with 10 bit is more than ample enough if you know how to light up and expose your subject.