Unlimited Cinematic Look with LEAN FILM TRICK in Resolve

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  • Опубліковано 12 тра 2022
  • In this tutorial, we are going to learn how you can create a soft film look in Davinci Resolve. Welcome to Colorist Factory, and let’s get started.
    ► Notice! Colorist Factory is now Colorist Foundry.
    Asset link:
    • coloristfactory.com/2022/02/1...
    Checkout our math-true emulations:
    • coloristfoundry
    Film Emulation Plugin (2024)
    • coloristfoundry.com/filmverse...
    Film Emulation LUT Kit (Camera & other NLEs) (2024)
    • coloristfoundry.com/filmcurve...
    Instagram (Important)
    • / coloristfoundry
    What is Colorist Foundry?
    • A constant exploration of what's beyond cinematic look made us form Colorist Foundry. UA-cam is our way to simplify our learnings for filmmakers and storytellers.

КОМЕНТАРІ • 23

  • @MarkusGjengaar
    @MarkusGjengaar 2 роки тому +1

    Wow!

  • @MohamedNajih_
    @MohamedNajih_ 2 роки тому

    that's great ❤

  • @BernloStudio
    @BernloStudio 2 роки тому +3

    This is gold. Can please do a tutorial for zcam footage in zlog?

  • @BoniniFilmes
    @BoniniFilmes 2 роки тому

    🤘

  • @sigfreddy2000
    @sigfreddy2000 Рік тому

    Hi, In color space transform what is better the input color space and input Gamma for BMPCC 4k? Davinci Wide Gamut and Davinci intermediate ? in Resolve 18

  • @MrGamerss99
    @MrGamerss99 Рік тому +1

    hey bro , i also have Film Forever power grades , but i dont know why power grades not have node Kodak 2383 , i use davinci 18

  • @Webrisernl
    @Webrisernl Рік тому

    Can I download these luts to load in my external camera monitor?

  • @gpicturez
    @gpicturez Рік тому

    Just purchased the combo .. but I have a doubt when we begin to colour grade For a Nikon z6 8 bit footage shoot in flat picture profile in davinci resolve ,which profiles to choose as input colour space and input gamma on Color space transform node ?

    • @philippscheithauer
      @philippscheithauer Рік тому +1

      best tip for that camera is to get the atomos ninja v and record n-log 10bit. to be honest I loved my Z6 for photo but it fell apart for video. autofocus was bad and manual focus with Z native glass was impossible due to non-linear focus by wire...

  • @KurdishMusicofficial
    @KurdishMusicofficial 2 роки тому

    final cut pro ?

  • @nexxtfilm
    @nexxtfilm Рік тому

    Whats the name of the bg music?

  • @maxi.designs
    @maxi.designs 2 роки тому +4

    Why is there no Kodak 2383 node with my powergrade? Only a print film node

    • @isaaczhang4296
      @isaaczhang4296 2 роки тому

      yes mine as well

    • @jonathanhorry5899
      @jonathanhorry5899 2 роки тому

      You have to import it from the "FilmForever PFE Volume 2 Power Grades" pack. Volume one is built differently.

    • @jon9631
      @jon9631 Рік тому

      I just bought “FilmForever™, Vol. 2
      + Colorist Toolkit (3.0)
      + Power Curves” ($199)today. I can’t find Kodak Node with my powergrade. The PFE v2 only add tow file -filmforever vol2.mov and 16mm frame 4K Blendmode multiply.mov.

  • @thebreacherone
    @thebreacherone 2 роки тому +2

    Amazing! What’s the Track ID? 💪🏼

    • @jaredp.7858
      @jaredp.7858 2 роки тому +1

      Racer on Artlist… but I wouldn’t recommend it since it’s a pretty overused track loo

  • @khalafilyas2367
    @khalafilyas2367 Рік тому +2

    I'm using your powergrades but it seems it doesn't translate properly because your powergrades supposed to be in arri color space ?
    Could you suggest the correct timeline level color settings to get accurate results. I'm using canon and S5 (vlog and clog2)

    • @TANZANIAFILMMAKINGTV
      @TANZANIAFILMMAKINGTV Рік тому +1

      change the color Space in designated color space example if ur using other camera rather than Arri the the color space have to match ur camera seems like ur forcing Arri color space to different camera thus why u don't gate proper transmit properly the color

    • @khalafilyas2367
      @khalafilyas2367 Рік тому

      @@TANZANIAFILMMAKINGTV what should my timeline colour space settings be?

  • @y0chucky
    @y0chucky 2 роки тому +1

    no more Premiere tutorials coming?

    • @fujicinema
      @fujicinema 2 роки тому +3

      Trust him it's for the best. Premier crashes a bunch and Davinci is built for color grading. I think you can do similar things in premier, though Davinci is more user friendly for colorists. You should definitely try it :)

  • @innatemusic
    @innatemusic Рік тому

    Nice. What would really be inspirational is for you to take an iphone, film a few things in day and night, and use your powers to create something that looks like film. If you are sucessfull at that, I'd buy the whole suite. These phone cameras are getting closer and closer to mirrorless. Put your money where your mouth is...