Mary Martin Interview (November 16, 1981)
Вставка
- Опубліковано 10 вер 2024
- Mary Martin speaks on a variety of topics: ambassadorial work for a design firm, writing her autobiography My Heart Belongs, watching THE BIRTH OF THE BLUES for the first time, the golden age of Hollywood, the state of the art of the musical theatre (Martin attributes the decline to the declining quality of composers), and her friendship with Noel Coward. The primary topic is Martin's career in musicals, about which she has very few regrets.
Mary Virginia Martin (December 1, 1913 - November 3, 1990) was an American actress and singer. A muse of Rodgers and Hammerstein, she originated many leading roles on stage over her career, including Nellie Forbush in South Pacific (1949), the title character in Peter Pan (1954), and Maria von Trapp in The Sound of Music (1959). She was named a Kennedy Center Honoree in 1989. She was the mother of actor Larry Hagman.
Early life
Martin was born in Weatherford, Texas. Her autobiography described her childhood as secure and happy.[1][full citation needed] She had close relationships with both of her parents as well as her siblings. As a young actress Martin had an instinctive ear for recreating musical sounds.
Martin's father, Preston Martin, was a lawyer, and her mother, Juanita Presley, was a violin teacher.[2] Although the doctors told Juanita that she would risk her life if she attempted to have another baby, she was determined to have a boy. Instead, she had Mary, who later obliged by becoming quite a tomboy.
Martin's family had a barn and orchard that kept her entertained. She played with her elder sister Geraldine (whom she called "Sister"), climbing trees and riding ponies. Martin adored her father. "He was tall, good-looking, silver-haired, with the kindest brown eyes. Mother was the disciplinarian, but it was Daddy who could turn me into an angel with just one look."[2]: 19 Martin, who said "I'd never understand the law"[2]: 19 began singing at a bandstand, outside the courtroom where her father worked every Saturday night. She sang in a trio with her sister and Marion Swofford, all three in bellhop costumes. "Even in those days, without microphones, my high piping voice carried all over the square. I have always thought that I inherited my carrying voice from my father."[2]: 19
She remembered having a photographic memory as a child. School tests were not a problem, and learning songs was easy. She got her first taste of singing solo at a fire hall, where she soaked up the crowd's appreciation. "Sometimes I think that I cheated my own family and my closest friends by giving to audiences so much of the love I might have kept for them. But that's the way I was made; I truly don't think I could help it."[2]: 20 Martin's craft was developed by seeing movies and becoming a mimic. She would win prizes for looking, acting and dancing like Ruby Keeler and singing exactly like Bing Crosby. "Never, never, never can I say I had a frustrating childhood. It was all joy. Mother used to say she never had seen such a happy child - that I awakened each morning with a smile. I don't remember that, but I do remember that I never wanted to go to bed, to go to sleep, for fear I'd miss something."[2]: 20
Marriage
During high school, Martin dated Benjamin Hagman before she left to attend finishing school at Ward-Belmont in Nashville, Tennessee. In Nashville she enjoyed imitating Fanny Brice at singing gigs, but she found school dull and felt confined by its strict rules. She was homesick for Weatherford, her family and Hagman. During a visit, Mary and Benjamin persuaded Mary's mother to allow them to marry.[3]: 16 She was legally married on November 3, 1930, at Grace Episcopal Church (Hopkinsville, Kentucky).[4] 10 months later, pregnant with her first child (Larry Hagman) she was forced to leave Ward-Belmont. She was, however, happy to begin her new life, but she soon learned that this life as she would later say was nothing but "role playing".[2]: 39
Apprenticeship
Mary Martin learned that her studio in Texas had been burned down by a man who thought dancing was a sin.[3]: 24 She began to express her unhappiness. Her father gave her advice, saying she was too young to be married. Martin left everything behind including her young son, Larry, and stayed in Los Angeles while her father handled her divorce from Benjamin Hagman for her. In Los Angeles, Martin plunged herself into auditions-so many that she became known as "Audition Mary". Her first professional audition and job was on a national radio network.[3]: 26-29, 31 Among Martin's first auditions, she sang "Indian Love Call". After she finished the song, "a tall, craggly man who looked like a mountain" told Martin that he thought she had something special. It was Oscar Hammerstein II[2]: 58-59 This marked the start of her career.
A legend, a charming, gracious woman, so talented, yet as she is here, is exactly how she was in person. She must have been well raised because she never changed. No ego here, just gratitude and love for what she was privileged to do.
Yes indeed the muse of Rodgers & Hammerstein themselves
This is brilliant. Thank you for sharing.
The First Lady of the American Musical Theatre was Ethel Merman.
I love Mary Martin. Period. However, in this interview, I love her being so optimistic about the state of the musical theatre. Listen to what she says about not liking HAIR - but recognizing its importance in moving the art form forward. She is not a reactionary.