they are pulling the tempo all over the place for some reason that totally escapes me but still what an incredible performance and what a distinctive sound from Anne-Sophie
Beethoven himself played the premiere with the great violinist Ignaz Schuppanzigh, with whom he studied violin. Peter Sheppard Skaerved's website has a fine essay about the composition of these op. 30 sonatas. Later, about the op. 59 quartet #1, Schuppanzigh is reported to have exclaimed that it was 'crazy music" with Beethoven countering that he wrote not for his contemporaries, but for future musicians.
Great performance. I now listen to one piece only, instead of several in a row. Watching the musicians play is infinitely fullfiliing, not possible with CD's.
Bravo, definitely a wonderful version, with so much soul...a tragic perspective for those who considered anne mutter to be simply a pretty girl of the music.
Beethoven had so much to say in the three op.30 violin sonatas. This one has the Heiligenstadt Testament confessional pathos in it. No. 3 is the lyrical masterwork after the struggle.
Apart from great musical sensitivity, intellect and passion, Anne-Sophie Mutter has a physical strength to her playing that is rare in female violinists, including some who might be technically more perfect. Could her magnificently-toned, athletic body be the reason for this?
I don t care about the interpretation, the piece keeps being the best music of the history, B E E T H O V E N _ I S _ U N D E S T R U C T I B L E (his music)
La Sonate pour piano no 7 en ré majeur, opus 10 no 3, de Ludwig van Beethoven, fut composée entre 1797 et 1798 et dédiée à la comtesse Anna Margarete von Browne-Camus, la femme d'un de ses mécènes. Cette sonate, la troisième de l'opus 10, est la plus longue, d'un niveau bien supérieur à celui des deux premières. Elle est la seule du groupe à comporter quatre mouvements. Sa composition fut contemporaine de celle des trois premiers Trios à cordes, op. 9, des trois premières Sonates pour violon, op. 12, et du Trio pour piano, clarinette et violoncelle, op.11. Elle précéda d'une année celle de la « Pathétique ». Elle comprend quatre mouvements et son exécution dure environ vingt minutes : 1. Presto 2. Largo e mesto 3. Menuetto (allegro) 4. Rondo (Allegro) Anne Sophie Mutter dont la réputation n'est plus à faire nous donne une magnifique version de cette sonate , Lambert Orkis que je découvre pour la première fois est très convainquant.
La sonate jouée par Mutter dans cette video est la sonate pour piano et VIOLON n.7 op. 30 composée en 1801, rien à voir avec la sonate pour piano solo op.10.
Much more musical than Vengerov's. It's like listening to a different piece from the two violinists. Mutter plays with less pomp and circumstance and more sensitivity.
Ich kann nur sagen, was ich Anne-Sophie Mutter auch einmal persönlich sagen durfte: "Danke" I can only say, what I allready once was able to say personally to Miss Anne-Sophie Mutter: "Thank you"
Well I've played this and I thought there was no cadenza in the finale, but for some reason at 25:05, she and the pianist play something I've never heard before. Maybe it's a different edition? I will also point out that the cadenza is the opening to the Beethoven Violin Concerto.
wmshockley you're wrong, mutter plays a cadenza that's not written in the score in the 4th movement. Please actually WATCH the video in full before commenting. Thanks.
Let's agree that nobody knows what is right. We are people of another time. The only thing we can tell now is whether we like it or not.Tastes differ.As for me, it is wonderful.
@@brianbernstein3826 It's funny that some people want to hear everyone play it the same way or something. (though I can't tell that it's very different)
![Beethoven.Violin.Sonata.No.10.Op.96.[Anne-Sophie.Mutter.-.Lambert.Orkis]](http://i.ytimg.com/vi/hca8kQjB6no/mqdefault.jpg)
![Beethoven.Violin.Sonata.No.10.Op.96.[Anne-Sophie.Mutter.-.Lambert.Orkis]](/img/tr.png)
I've watched this so many times, I don't even know....I love her, I love him, and I love BEETHOVEN!!!!!!!!!!
they are pulling the tempo all over the place for some reason that totally escapes me but still what an incredible performance and what a distinctive sound from Anne-Sophie
Beethoven himself played the premiere with the great violinist Ignaz Schuppanzigh, with whom he studied violin. Peter Sheppard Skaerved's website has a fine essay about the composition of these op. 30 sonatas. Later, about the op. 59 quartet #1, Schuppanzigh is reported to have exclaimed that it was 'crazy music" with Beethoven countering that he wrote not for his contemporaries, but for future musicians.
A superb and inspiring performance by Anne Sophie Mutter and Lambert Orkis of this beautiful sonata written by the great Beethoven 👏👏👏👏👏👏🎻🎹
0:49 - Allegro con brio
9:21 - Adagio cantabile
18:51 - Scherzo /Allegro/
20:13 - Trio
21:30 - Schezro da Capo
22:27 - Finale /Allegro/
Wonderful performance.
Great performance. I now listen to one piece only, instead of several in a row. Watching the musicians play is infinitely fullfiliing, not possible with CD's.
Wow!! Her is great violinist, Anne Sophie Mutter and Kyung Wha Chung are the better's in this music style!! I love her si much from México city....
I've listened to almost every performance of this Sonata UA-cam and this is one of my favourite. What an incredible sound and sensitivity!
She's one of my favorites
So challenging for both players. They both manage to express an inner angst that is so prevalent within the music so beautifully.
I Allegro con brio 0:47
II Adagio cantabile 7:44
III Scherzo: Allegro 18:53
IV Finale: Allegro - Presto 22:27
II Adagio cantabile actually starts at 9:22
Double thumbs up. She plays with her heart and soul!!!!
Beautiful! She was definitely getting emotional during the bows!
25:09 their musical inspiration is indeed incredible.
Beethoven violin concerto's introduction
Is being in the sonata.
Bravo, definitely a wonderful version, with so much soul...a tragic perspective for those who considered anne mutter to be simply a pretty girl of the music.
She's so much more than her prettiness! When I'm searching for a violin piece I always choose her, Augustin Hadelich and Pinchas
Wow so much music from two instruments and brilliant musicians... awesome.
"😯😯😯👍🏽 I like the beginning of the second movement a lot! 👏🏽" (-James)
Magnifique! Increible interpretación - Lleva el alma de la músiva en sus venas.
Anne Sophie Mutter is unbelievable
Beethoven had so much to say in the three op.30 violin sonatas. This one has the Heiligenstadt Testament confessional pathos in it. No. 3 is the lyrical masterwork after the struggle.
Sophie Mutter a great violinist. Thank you.
Apart from great musical sensitivity, intellect and passion, Anne-Sophie Mutter has a physical strength to her playing that is rare in female violinists, including some who might be technically more perfect. Could her magnificently-toned, athletic body be the reason for this?
Wonderful and incredible colors!
c'est magnifique!
Anna Sophie Mutter♥!!!!! genial tambien exquisito Lambert Orkis!!!!!
wonderful... magnifique!
sublime de légereté et gravité mêlée
Excelente interpretación .con un elevado Nivel Interpretativo.
AWESOME, BEAUTIFUL!! magnificent performance.
magnificent and a beautiful interpretation
16:30 Nice trailer for Beethovens piano concerto nr 4 :-D
No 3 :)
16:30
Thank you for the wonderful music ! Inga-Verena Barth
brings an abundance of joy and satisfaction listening to this :)
I don t care about the interpretation, the piece keeps being the best music of the history, B E E T H O V E N _ I S _ U N D E S T R U C T I B L E (his music)
excellent violinist and eine schone frau!!
Wondershoen!
Quite original, love it :-)
great music
Absolutely wonderful!
I Allegro con brio
II Adagio cantabile
III Scherzo: Allegro
IV Finale: Allegro; Presto
love their interpretation
La Sonate pour piano no 7 en ré majeur, opus 10 no 3, de Ludwig van Beethoven, fut composée entre 1797 et 1798 et dédiée à la comtesse Anna Margarete von Browne-Camus, la femme d'un de ses mécènes.
Cette sonate, la troisième de l'opus 10, est la plus longue, d'un niveau bien supérieur à celui des deux premières. Elle est la seule du groupe à comporter quatre mouvements. Sa composition fut contemporaine de celle des trois premiers Trios à cordes, op. 9, des trois premières Sonates pour violon, op. 12, et du Trio pour piano, clarinette et violoncelle, op.11. Elle précéda d'une année celle de la « Pathétique ».
Elle comprend quatre mouvements et son exécution dure environ vingt minutes :
1. Presto
2. Largo e mesto
3. Menuetto (allegro)
4. Rondo (Allegro)
Anne Sophie Mutter dont la réputation n'est plus à faire nous donne une magnifique version de cette sonate , Lambert Orkis que je découvre pour la première fois est très convainquant.
Pourquoi parles-tu de cette Sonata?
La sonate jouée par Mutter dans cette video est la sonate pour piano et VIOLON n.7 op. 30 composée en 1801, rien à voir avec la sonate pour piano solo op.10.
wonderful!
1:08 violin start - 9:16 1st 악장
Amazing.
7:53
Much more musical than Vengerov's. It's like listening to a different piece from the two violinists. Mutter plays with less pomp and circumstance and more sensitivity.
Ammmoooo
Very Mutteresque. Very Marvelous.
❤❤❤
Чтож,действительно превосходно.
❤❤❤❤❤
Ich kann nur sagen, was ich Anne-Sophie Mutter auch einmal persönlich sagen durfte: "Danke"
I can only say, what I allready once was able to say personally to Miss Anne-Sophie Mutter: "Thank you"
E' un xrescendo di commozione un effetto di ricordi di vita familiare,una lacrima sul passato che non ci sarà mai più-
Bravo!
OMG.. This is so nice!
🖤🎻🌺
what the heck was that cadenza in the 4th movement..hahah
and i,m black and love this
1st movement in C minor, 2nd in Ab major.......just like the 5th Symphony.
18:53 background music of the violin channel.
Beethoven.Violin.Sonata.No.7.op.30.No.2.[Anne-Sophie.Mutter.-.Lambert.Orkis]
Akp Chin Beethoven.Violin.Sonata.No.7.op.30.No.2.[Anne-Sophie.Mutter.-.Lambert.Orkis]
Akp Chin Beethoven.Violin.Sonata.No.7.op.30.No.2.[Anne-Sophie.Mutter.-.Lambert.Orkis]
What is going on here
Who's here because of twoset? 😆💖
Meeeee
mee too, i,m studing this piece
Me 🤣🤣
Which video?
I agree. Mutter i exellent but Orkis is to much of an accompanist. Listen for exampel to Oistrak and Oborin it is a clear diffrence.
Bir-birlerini eşidirler,dinleyirler.Amma effektsizdi,ürekden çalmırlar.Ele bil ezberliyibler..-bundan sonra onu çalacam.Duyğusuzdur...Teesüf ki...
Soberbio!!!!
0:48
At least the sound quality isn't terrible
Can somebody explain the cadenza in the fourth movement?
There is no cadenza in the Finale.
Well I've played this and I thought there was no cadenza in the finale, but for some reason at 25:05, she and the pianist play something I've never heard before. Maybe it's a different edition? I will also point out that the cadenza is the opening to the Beethoven Violin Concerto.
wmshockley you're wrong, mutter plays a cadenza that's not written in the score in the 4th movement. Please actually WATCH the video in full before commenting. Thanks.
0:48 start
Shigatsu wa kimi no uso?
That would be Violin Sonata no. 9
18:50 Scherzo
The pianist has the physic of a batler .....haha
with Mutter, he IS the butler;)
Andreas Winterhalter hardly. He is a wonderful artist in his own right collaborating with a wonderful artist in Mutter
Panagiotis Valais Beethoven sonata primavera
9:20
13:39
@eowawrzkiewicz Brava*
18:50 scherzo
It is a piano and violin sonata not a violin sonata.
The piano needs to be more present.
I absolutely agree. This performance is completely tasteless. To much Mutter, too little Beethoven.
the fuck is wrong with you. how could this be better. it's masterful
I tend to agree with nietsrot1. AS-M is extremely capable, but just tries to bend the music just a bit too much INHO.
Let's agree that nobody knows what is right. We are people of another time. The only thing we can tell now is whether we like it or not.Tastes differ.As for me, it is wonderful.
@@brianbernstein3826 It's funny that some people want to hear everyone play it the same way or something. (though I can't tell that it's very different)
This is an entirely a-musical interpretation. Pompous. Uneducated. Ridiculous. Don't waste your money on Mutter concerts. Not worth it.
Sonata di immensa energia e pathos!
0:48